I mean, I guess it’s reasonable Major Winchester would have some sparkling water ahead of urgent need. We never saw it, but that doesn’t mean anything, especially for sitcoms in the 70s. Fine. But then how much is his family supposed to have shipped out? And just how freaking good is this sparkling water that it’s worth shipping to Korea, compared to the club soda they have in the officer’s club that he’s drinking all the time anyway? If he had a stockpile big enough to take multiple showers with, where was it? Under his bunk? How long did he spend opening and pouring bottles into the shower tank so he could have his? This is the high priority stuff.
What I need to do: work, for work; cleaning out the mess in the guest room; think of any concept that I could write into 700 words for tomorrow’s long-form essay; re-read three month’s worth of The Phantom for Sunday’s essay.
What I am doing: so there was this one episode of M*A*S*H where the supply trucks are cut off and the camp can’t get any water, particularly. So everybody gets a lot dirtier and smellier and crankier about it. Except Major Winchester, who stays sparkling clean. It turns out not that he’s using the strictly-patients-only water. He’s using his own stock of club soda. Well, sparkling mineral water. Anyway, yeah, first, would that even work. But anyway I’m busy thinking about what a fool I was to just sit and accept this premise for decades without asking how it is Major Winchester can get his family to mail enough sparkling water to shower in, regularly, in circumstances where nobody can get regular water delivered.
- Hits and Missiles (Paramount Cartoon Studios)
- Out Of This World (Jack Kinney Productions)
- Popeye: The Last Resort (Gerald Ray Studios)
- Popeye: Swee’Pea Soup (Rembrandt Films)
- Popeye: Crystal Ball Brawl (Larry Harmon Pictures)
One of the 1960s King Features Popeye cartoons I was thinking about including in my review of the various studios’ efforts was a Larry Harmon-produced one titled Ace Of Space. I could find it online, but at a strangely distorted aspect ratio, the sort of thing that makes you wonder if people don’t know how to set their TVs to the right display settings.
The curious thing is that the same title was used for a 1953 cartoon. This cartoon has the same starting gimmick as its 1960 namesake, Popeye getting abducted by a flying saucer and fending off the aliens (a robot, that time); the 1960 version sees Olive Oyl brought along for the ride, though not to much good story purpose.
The 1953 Ace Of Space is a rather famous Popeye cartoon, as it was the series’s venture into 3-D cartooning. That was a fad as short-lived as 3-D movies in the 50s were, but it yielded an entry or two from all the major studios in which, well, they figured out a way to make the studio’s logo three-dimensional and then maybe did one scene with a panning background and that was about it. Famous Studios was not an exception; besides a scene of a Martian being thrown at the camera you’d probably never get a hint this was meant to be seen with 3-D glasses on.
In some ways this is about the last Popeye cartoon for which Famous Studios was really trying; the cartoons they made after this tend to be dull, remakes, clip shows, or blends of these. The artwork’s solid, the story moves along well, and if I’m not overlooking a case this is one is tied for the record of Popeye’s spinach consumption. Even so there’s hints of how the studio was slumping towards irrelevancy: the story draws a lot from the 1946 Rocket To Mars, which starts with a more extremely warlike Mars that gets punched by Popeye into a giant amusement park. The extremes here are watered down versions of those, as if the studio was afraid that the premise of “Popeye in space” demanded too much imagination.
But they’re still trying, and the cartoon’s drama shook me as a child, and still does (particularly, the Atom Apple Smasher scene). As a kid, I also didn’t understand the logic of how Popeye got out of the disintegrator ray aftermath; as an adult, now, I still think the cartoonists didn’t have a good idea themselves. Or they don’t know the difference between disintegration and invisibility, somehow. I’m just saying I see plot holes in this cartoon is all.