60s Popeye: Popeye’s Testimonial Dinner and what the heck was that


Last week’s cartoon, built on the premise that Popeye’s friends have to sneak him in to a TV show in his honor, Paramount Cartoon Studios made. There were like 800 studios making Popeye cartoons for King Features in that early-60s rush. Here’s one from Jack Kinney, who’s credited as director and producer. Volus Jones gets the animation-director credit. The story’s given to Jerry Nevius, a name I don’t have recorded yet. This could mean anything. Here’s 1960’s Popeye’s Testimonial Dinner.

Why were there two let’s-celebrate-Popeye cartoons in a row, and from different studios? Maybe coincidence. Maybe, if they had as much as a year’s lead time to put cartoons together, everybody noticed it was the 30th anniversary of Popeye as a character. I had assumed King Features Syndicate was bundling these on YouTube in the order they were completed or first put into syndication. This makes the overlap of gimmick more prominent. But Strange Things Are Happening had nothing to do with any specific bits of Popeye history. This one is a clip show. That’s novel only in that I think this is the first King Features run clip show. Famous Studios’ 1953 Popeye’s 20th Anniversary was, similarly, a clip show hung around the frame of a testimonial dinner. There’s worse premises.

So what the heck did I just watch?

A clip show, sure. And the basic idea makes sense, Popeye taken to a dinner attended by Swee’Pea, Eugene the Jeep, King Blozo, Wimpy, Alice the Goon. Even some minor characters like Oscar and Ham Gravy and why is Ham Gravy suddenly turning up everywhere? But envious Brutus, uninvited even though he’s the person Popeye spends the most time with, sneaks in. When his sabotage fails Brutus complains about his lot in life. Popeye takes pity, gives Brutus some spinach and lets him take a good clean punch. Everyone celebrates Popeye’s magnanimous nature.

It’s implementing this that makes no sense. The first clip is King Blozo recounting the time the land was threatened by a dragon that Popeye beat up. That was in Popeye Versus The Dragon, a cartoon that King Blozo was not in. Also that seems to be set in Cartoon Medieval times. But, fine; it’s not like it’s impossible Blozo was part of that. But Blozo also says “I further recall a time when Popeye and Brutus were … ” Were what? This could lead into almost any clip, as though Jerry Nevius hadn’t decided or didn’t know what clip they’d be used. They ultimately used Golf Brawl, a cartoon I haven’t got around to yet. You can watch it from here, if you like. Jack Kinney’s credited with that story. They edited the clip, although to make it make more sense. There is no evidence that King Blozo witnessed any of it.

Brutus complains that “they’re making out like I was the villain”. This is a fair complaint for a clip unlike the one shown. The clip shows Brutus hitting a golf ball that bounces ridiculously off trees and knocks himself into the water. It hits Popeye in the nose, as it bounces around, but there’s no plausible way Brutus intended that. Also the clip’s sound is re-recorded, so that Brutus laughing is silent instead.

Olive Oyl starts telling about this time she was managing a store, and “this bully” came in. I don’t know what cartoon this is supposed to reference. We don’t get a clip from it anyway, just Brutus protesting and demanding to tell his side. Popeye says go ahead. Brutus does, but we fade to black and then return to him saying “naturally I had to protect myself”. What cartoon would even fit Brutus’s declaration that “so, outnumbered, I asked for help from a kindly old sea witch, who agreed to help”? As a general principle, I like the idea that we only ever see some of Our Heroes’ adventures, and they have stuff going on even when the cameras aren’t rolling. But it’s a bold move to do a clip cartoon without the clips.

Then he goes in to how he and his “girl” were sitting in this coffeehouse. It’s a clip from Coffee House, only with new sound recorded. It shows how much the animation of that cartoon depended on the mood music and finger-snaps of the coffee house patrons and such. Also, the clip is edited down to just show Brutus punching Popeye after not much provocation. Past clip cartoons with a Brutus-telling-his-side theme focused, rightly, on showing where Popeye was escalating things.

This convinces Popeye that Brutus isn’t all bad, because I guess this line was written before Volus Jones had picked out the Coffee House clip to show. So we get the unusual cartoon where someone besides Popeye eats his spinach, and the rare cartoon where Popeye gets beaten at the end of it.

Popeye sprawled on the floor, looking behind him at an empty table. Brutus is photobombing, holding up one finger on an arm he sways back and forth while singing.
Popeye is haunted by the voices of people he cannot perceive, while Brutus? Brutus just has fun.

After the one punch, at about 16:20 in the video, Popeye lands. His friends start singing this “Popeye, you’ve done it again” earworm. They had previously sung it at the start of the night, where it made no sense. (My notes had a line “why not For He’s A Jolly Good Fellow?”.) But they credit him with saving the day, cheering about how he marshaled his might to turn wrong into the right, while Popeye looks around at the empty table behind him. Also Brutus does this wonderfully hilarious conductor’s dance. Fade to black and then … about 16:38, we just start over again, Popeye landing from the punch. His friends start singing this “Popeye, you’ve done it again” earworm again. This is so baffling that I thought at first it was some weird YouTube-related file error. But there’s no possible upload error that made this play once with empty tables and one with everyone at the tables.

I understand why you make a clip cartoon. You have to deliver so much content, you have only so much time, and you have only so much budget. This fills that content hole, cheaply and quickly. Maybe it also gives an animation director some experience and credits in a production with lower stakes and lower demands. So why is this such a mess? I’m open to hypotheses.

What’s Going On In Gasoline Alley? Why is Gasoline Alley in reruns? March – May 2020


I don’t know why Jim Scancarelli’s Gasoline Alley went into reruns this last week. GoComics commenter 436rge asserted that Jim Scancarelli is preparing something for the 100th birthday of Skeezix. This seems plausible. Skeezik’s arrival in the strip made this comic. And others; it’s a landmark in comics history. It was key in giving us comic strips that are about people with life stories. And strips in which characters grew older and changed. It would be odd if Scancarelli did not make a big production of this.

Skeezix entered the strip the 14th of February, 1921. I have no information about whether Gasoline Alley will be in repeat through February of next year. It’s possible, but it’s not a sure thing.

If you’re reading this essay after about August 2020, we’ve probably left farms far in the distance. There should be a more up-to-date plot recap in a post at this link. Thanks for reading.

Gasoline Alley.

2 March – 23 May 2020.

So shy are farms like scrapbooking, but for food? A couple years ago the schoolteacher in Gasoline Alley promoted scrapbooking to the kids, as a good creative thing they should do. And Jim Scancarelli’s comic strip talked about it a lot. Or so it felt like; probably it was just a month or two of the characters being really into scrapbooking. That memory’s lodged itself in the Gasoline Alley snark-reading community, anyway. It’s a fun reference whenever a comic strip seems to start obsessing over something, whether it’s Mary Worth and CRUISE SHIPS or Gasoline Alley again and … farms. So that’s what I was on about last week.

Baleen Beluga, the new and personality-rich waitress at Corky’s diner, was getting closer to T-Bone, the cook. He’d like to get closer to her too, but rejected her Sadie Hawkins Day proposal trick. I don’t know the details of the Sadie Hawkins tradition but I’m pretty sure getting someone to agree that “I do [ know what leap year is ]” doesn’t make a breach-of-promise suit. Her feelings were hurt by T-Bone’s reluctance. Then her body was hurt, by slipping on the floor somehow. And you know what that means: visiting mirror-touch synesthetic physician’s assistant Peter Glabella at the clinic.

Beluga, crying: 'Boo-hoo! You care more for the soup than you do me!' T-Bone: 'Please don't cry, Baleen! Listen! We've got to work here at the diner! Let's talk about all this later!' Beluga: 'Leave me alone!' (Black panel filled with crashing noises: BANG! CRASH! E-YOWCH! Tinkle!) T-Bone: 'Baleen! Are you OK?'
Jim Scancarelli’s Gasoline Alley for the 7th of March, 2020. I swear I’m not one of those needlessly literal readers who needs every single step explained. But I’d like to know what Baleen was doing, sitting down, that she could fall badly enough to hurt herself. Also I’m not sure that if I were doing the strip I’d have put ‘TINKLE’ there, just because, you know, bad laughs.

After a couple weeks of waiting-room gags Beluga meets Aubee Skinner. She’s the three-year-old latest generation of the comic strip’s star family. And we follow her and her mother home, to Rover Skinner. (Grandson of Walt Wallet, original centerpiece of the strip.) The handoff is done … oh, I’ll call it the 24th of March. You could date it as early as the 12th, when they arrived at the clinic, if you like. Or the 19th, when Aubee climbs into Beluga’s lap.


Rover is getting ready for the Farm Collective’s meeting. And he talks his teenage son Boog into coming along. (Wikipedia tells me Boog was born in September 2004, and Aubee in September 2016. So, yeah, these ages still check out for being real-time.)

The point of the meeting: to promote “saving our farmlands”. Attending the meeting are a bunch of the local farm families. Skinner’s thesis: without family farms, they’ll pave over the land, there’ll be no food, and people will starve. Checks out; that’s what must happen. But Skinner expands on the problem: land is expensive. And that’s all he mentions before explaining his special guest speaker isn’t there yet.

The Molehill Highlanders band plays, particularly, the World War I ditty “How’re You Gonna Keep ‘Em Down On The Farm (After They’ve Seen Paree?)”. Boog sees in this century-old paean to the dullness of farm life a way to get people excited about farm life. His father agrees, and soon everyone is buzzing about their campaign’s theme song. Also they have a campaign, I guess. Charlotte, Boog’s girlfriend, also has a great idea. Wouldn’t it help cut down farm expenses if local teens did the farm work, but for free? It sure would!

Boog: 'Hey, Pops! Charlotte came up with a cool suggestion! How 'bout us teens helping out some farmers with chores, planting, etc etc? They wouldn't have to pay us and ... ' Boog's father: 'How about you doing chores, etc, around your own home for free?' Boog and Charlotte: 'Gulp!' Comedy Parrot: 'Oh, brother ... er ... father!'
Jim Scancarelli’s Gasoline Alley for the 27th of April, 2020. Wait wait wait, have an agricultural labor force made up of unpaid and under-paid persons from a socially disadvantaged group? Is that possible?

She’s thinking internships or something. Anyway after all this, special guest speaker Eric Helmet arrives. He’s got a broken tractor and a bunch of farm-life jokes. And talks about how farming is expensive and hard. But, he figures, what if they had some kind of outreach program so that people understood agriculture? Also, Don Henley wrote “A Month Of Sundays”. That’s a fanciful ballad imagining a time in 1957 that bankers were friends to farmers.

Eric Helmet, speaking to the crowd: 'My memory must be in erase mode! I forgot to tell you something! There's a song by Don Henley called, 'A Month of Sundays!' It's about a farmer's feeling and the changing times! You can Google the lyrics! They sure are poignant!' Comedy Parrot: 'Does that mean *loud*?'
Jim Scancarelli’s Gasoline Alley for the 11th of May, 2020. Now, if you google the melody instead of the lyrics, you find out Don Henley forgot to write one, but hey, some folks like that.

I don’t mean to make this sound disjointed. But what we see on-camera is disjointed. And shallow, considering it went on for about two months. I’m willing to trust that in “reality” Helmet talked in some detail about being a struggling farmer, or as it’s known technically, “being a farmer”. And I understand Scancarelli wanting to tell corny but amiable jokes. It’s more readable than the screwed up parts of agricultural policy, or as they’re known technically, “all of agricultural policy”. But it did read like a slightly weird obsession.


There’s no handoff to the current storyline. It just started the 18th of May. It’s also a repeat, something I would not have noticed (at this point) without reading the comments. It originally ran from the 19th of April through the 5th of June, 2010. So that’s six more weeks of this storyline. As it is, Walt Wallet is home from the hospital, after a stretch of being a hundred and twentyten years old. Gertie looks over his pills and worries about the side effects. We’ll see what happens after the 6th of July.

Next Week!

Why does James Allen’s Mark Trail look weird? I’ll share what I have learned. (I have learned nothing.) But we’ll see what the story has been.

What’s Going On In The Amazing Spider-Man? When might Spider-Man come out of reruns? February – May 2019


I don’t have information about when The Amazing Spider-Man comic strip might emerge from reruns. If and when I do, I’ll post it here. I do have some thoughts and will include them at the end of this recap of the end of Roy Thomas and Alex Saviuk’s run, and the first two months of the first repeat.

The Amazing Spider-Man

24 February – 18 May 2019.

It was an action-packed moment when I last updated the Spider-Man plot. Mary Jane had covered Killgrave with the plastic sheet that neutralizes his power to command people. Look, if you’re going to stare at me that way there’s no point describing the plot of a superhero comic. But he was falling off the edge of a building. Spider-Man webbed him, but Killgrave’s momentum pulled the superhero along. Luke Cage, also in the plot, grabbed Spider-Man by the ankle.

Luke Cage, supporting Spider-Man and Killgrave by the foot from the edge of a building: 'Can barely hold on to you, and this pipe's going!' Spider-Man: 'My brain's on empty --- can't *think straight*!' Mary Jane: 'HEY! Don't forget You've got TWO web-shooters!' Spidey, shooting a second line: 'Huh? Oh --- yeah --- I forgot!'
Roy Thomas and Alex Saviuk’s The Amazing Spider-Man for the 26th of February, 2019. It does seem like giving in to jokes about Newspaper Spider-Man that he’d forget basic stuff about his own superhero identity. But in the story Killgrave had used his powers to put Spider-Man and Luke Cage under his control. They could resist, but only with great efforts of will because Killgrave comes from the 1960s and Marvel villains were just like that back then. Anyway, their heads are fogged up because they’re trying to wash out a supervillain’s mind control, okay? How would you do in those circumstances?

Neither Spider-Man nor Cage is doing that well. They’re shaking off Killgrave’s command that they fight each other. Mary Jane gives Spider-Man the important clue that he has two web-shooters. Reminded of his power set, Spidey’s able to use a second line to anchor himself and keep anyone from dying.

With Killgrave neutralized, Spider-Man turns to the important stuff. That’s getting selfies with Luke Cage. He needs some good photos of Spider-Man fighting Cage, since J Jonah Jameson wants them off of Peter Parker and all that. You know. The usual.

Luke Cage: 'You want the two of us to pose for a selfie?' Spider-Man: 'Nothing as corny as that. I want us to make like we're having a battle royale --- and MJ will take pictures of it!' Cage: 'I thought it was your husband who took photos for the Daily Bugle.' Mary Jane: 'Well ... don't tell the publisher, but sometimes I help him out a little.'
Roy Thomas and Alex Saviuk’s The Amazing Spider-Man for the 7th of March, 2019. Oh, yeah, so the story began with Luke Cage promising Jameson that if he came to the conclusion Spider-Man was a menace then he’d bring the web-crawler in and not otherwise. I guess we can take from this that Cage was convinced in Spider-Man’s superhero identity. We don’t see him going back to tell Jameson that he was wrong or anything.

Peter Parker drops off the pictures at the Daily Bugle and heads out. The plan’s to resume his and Mary Jane’s planned yet last-minute Australia trip. They head to the airport. There is a ritual of the Spider-Man comic strip in airports. Peter doesn’t know how to get his Spider-Man costume through security. Sometimes he forgets he’s wearing it under his normal clothes. Sometimes he worries it will get noticed in his luggage.

Mary Jane: 'You were up there a long time, Tiger. Was Jameson a hard sell on the photos?' Peter: 'Naw, he took 'em all. And he offered me a big fat bonus, if I cancelled our trip to Australia.' Mary Jane: 'Oh? And what did you --- ' Peter: 'The only thing I could do, honey. I tok him 'I'll throw another shrimp on the barbie in your honor, mate!'.' Mary Jane: 'Peter Parker, I love you!' Peter: 'Like somebody once said in a movie ... 'ditto'.' Final panel: Spider-Man posed mid-swing, on a white background, with the caption 'Excelsior!'
Roy Thomas and Alex Saviuk’s The Amazing Spider-Man for the 17th of March, 2019. The last original Sunday strip. Good luck to anyone who didn’t know the strip was ending to try understanding this; the last panel’s baffling then. And it baffled readers who did know about the ending, since the last panel reads like a full stop, and then the week after this was the adventures of Peter Parker getting through Airport Pretend Security.

This time around he had an idea. He had Mary Jane wear the Spider-Man costume under her clothes, for the reasons. Still, something about him set off a security screen and who knows what all that might be. But it did fake out readers expecting some ridiculous resolution to Peter versus The Transportation Security Theater.

Airport security cop: 'Sorry we troubled you, sir. Must've been a glitch in our machine.' Peter, whispering to Mary Jane: 'Or somehow it reacted by my radioactive spider-altered DNA!' Mary Jane, whispering back: 'We're lucky I didn't set off the alarm and have to explain why I'm wearing a Spider-Man costume under my clothes!' Peter: 'Avant-garde fashion sense?'
Roy Thomas and Alex Saviuk’s The Amazing Spider-Man for the 22nd of March, 2019. Hey, so back in the days when Peter Parker would be using a film camera, did his radio-active blood ever fog the film? Or did they toss in some throwaway line like he always used lead-lined cameras, right? I mean, he couldn’t “really” be strongly radioactive or there’d be serious problems, but this is comic book radioactivity, so anything could happen. (Like, I don’t even know whether radioactivity should be expected to fog commercial film stock instead of, like, science-grade glass plates, but it’s what I associate with radioactivity and cameras so why wouldn’t a comic book writer too?) And, like, I’m guessing he developed his film himself so there’d be all that darkroom time for his body to affect the film. Right? So this was surely dealt with in some pretty funny way at some point? Anybody know?

And, the 23rd of March, the run of The Amazing Spider-Man came to an end. At least, they’re still calling it a hiatus. I haven’t seen any news about the supposed search for a new creative team, or any planned time for new comics to come out. The 24th, the strip went into its current rerun phase, with an edited strip from 2014. The editing teases that this is Peter Parker dreaming of old times while on the plane. New York City to Australia is a long flight, and the newspaper Spider-Man spends a lot of time asleep anyway.

Had the newspaper comic continued, Roy Thomas’s plans included an encounter with The Kangaroo. And I suspect Mary Jane wearing the Spider-Man costume would foreshadow something. Instead, we’re getting a rerun of an encounter with Mysterio. I have a certain odd affection for Mysterio. I learned of him while a teenager, reading the 1980s Sensational She-Hulk comic, which specialized in featuring the villains who were kind of … uhm … how can I put this politely? It’s where I first saw Stilt-Man, a villain who goes around on extendable robot legs. Mysterio was one of that comic book’s first villains. And his gimmick’s a fun one. He doesn’t quite have superpowers. He’s a master of special effects and hypnosis and stagecraft and performance. I guess in principle everything he does is something a professional special-effects team could put together. But, like, in that She-Hulk comic he faked an alien invasion. That seems like it would need a larger special effects house than “one guy with a great swooping cape and a ball covering his head”. I bet the hypnosis helps.


So to the rerun plot, which is still under way. Mary Jane’s show on Broadway is closing. Not for unpopularity; the theater needs repair. This was, in 2014, because of damage done the theater by Spider-Man’s fight with Doctor Octopus. In 2019, it would still be justified, after the damage with Spider-Man’s fight with the Kingpin and Golden Claw. She’ll be out of work three months, or an eternity. But there’s good news: Abe Smiley is in town. A few years before he produced the direct-to-DVD superhero film Marvella. Mary Jane starred. Now it’s time for a sequel. Which is filming in New York, and needs like three months to do. Perfect.

Peter Parker, suiting up: 'How can you start filming? You haven't seen a contract yet!' Mary Jane: 'Mr Smiley said he'll have it ready today.' Peter, climbing out the window: 'Sometimes, honey, I wonder if playing Spider-Man isn't less dangerous than dealing with Hollywood types!'
Roy Thomas and Alex Saviuk’s The Amazing Spider-Man for the 10th of April, 2019. Well, I mean, Spider-Man’s just dangling from skyscrapers on a finite supply of short-lived tethers made of a rapidly-disintegrating material of his own design clasped to his wrists while super-powered villains hurl energy bolts and sometimes cars at him. Meanwhile Mary Jane faces emotional abuse and sexism in an industry as synonymous with financial scams as … well, any industry, honestly. But famous for it. So, yeah, take your pick.

She loves meeting back up with the old gang and the costume still looks good on her. What could go wrong? Besides Peter being mopey about the project. And the strip cutting away to Mysterio cackling about how he loves show business while the narrator asks what he could have to do with all this. The question still hasn’t been answered.

But what could go wrong has. Sharon Smiley, the producer’s daughter, had been slated to play Marvella. Now she’s bumped down to the villainess role, Sister Steel. She’s not happy about this. Mary Jane offers to resign and avoid the unpleasantness. Abe Smiley holds her to her contract. She’ll have to deal.

Spider-Man has a weird event while stopping a routine carjacking right outside his and Mary Jane’s apartment. It’s a bright flash of light and his spidey-sense tingling even after he’s stopped the crime. The cause: Mysterio. He hired a “petty hoodlum” to snatch the car. This to test his hypothesis that Spider-Man is keeping close watch on Mary Jane. This’ll help Mysterio’s project of destroying them both, so that’s something. Spider-Man isn’t sure what’s going on, so he digs an old raincoat out of a trash can to get back into his apartment undetected. That’s not an important story beat, but it’s a wondrous line and I wanted to give it some attention.

[ Movie-acting atop the Empire State building suddenly turns deadly ] Sharon Smiley: ''They'll be scraping you up off the street!'' (She hits Mary Jane, who falls back.) [ When Mary Jane PASSES THROUGH what had seemed solid metal! ] (She falls through the barrier, shrieking.) [ To her watching spouse's horror! ] Spider-Man, swinging up to her: 'Got to save her!'
Roy Thomas and Alex Saviuk’s The Amazing Spider-Man for the 6th of May, 2019. So, props to Spider-Man for figuring something’s bound to happen at the filming and sticking nearby. Might have wanted to, like, hang around the 86th floor observation deck instead of the roof of one of the surrounding buildings, but maybe he didn’t know just how the film crew was staging things. It’s not like he could’ve gotten a view from above to check that out.

On to filming. There’s a fight scene on top of the Empire State Building. Sharon Smiley, as Sister Steel, hits Mary Jane a little too hard. The railing is a little too soft: Mary Jane falls through as if it weren’t there. It’s not: Mysterio removed it, somehow, right where they’d fight and hid the removal. Spider-Man sees Mary Jane falling from the top of the Empire State Building and leaps into action. He grabs her, but something messes up his web-slingers. He tries to get to another building, but smoke clouds his vision. Something else clouds his spider-sense. But he’s able to slow their fall enough and guide them to landing in a dumpster, as safe as can be after a fall from the top of a skyscraper.

There are many questions. How could Mary Jane fall through the Empire State Building observation deck’s railing? Why does Spider-Man immediately suspect Mysterio? Couldn’t, like, one-third the characters in the Marvel universe do the same stunt? Is someone on the film crew working with Mysterio to kill Mary Jane and Spider-Man? Will Mary Jane — at the film crew’s insistence — calling Peter Parker to tell him not to worry reveal Spider-Man’s secret identity? What adjacent building is putting their dumpster on the side of the lot that faces the Empire State Building? (It’s the CUNY Graduate Center, isn’t it? Making some obscurantist point about something?) And, to the other characters, why is Spider-Man always hanging around Mary Jane? Are they an item or something? But she’s married!

So we are, in the repeats, up to the 11th of January, 2015. If you want to skim ahead and see how all this turns out, the Mysterio storyline went on until about the 14th of March, 2015. That fed into a team-up with the Black Widow to fight the Hobgoblin. So that’s nine weeks into our future. That would be the first chance that Marvel and Comics Kingdom would have to transition out of reruns and into a new story.

But if they do mean to get out of repeats in mid-July, as this would imply, then they’d need to have a new creative team working now. If there’s not an announcement in the next week or two I’d suppose they’re going to carry on through another repeat story. Whether the Black Widow/Hobgoblin story or another would be beyond my powers to deduce.

Next Week!

A long-running story comic about a superpowered do-gooder that came to an end, went into reruns for a storyline, and came back with new creators! Come with me to the 80s and Jonathan Lemon and Joey Alison Sayers’s Alley Oop, now featuring raccoons!

And meanwhile, my other blog looked at some mathematics-themed comic strips today. You might like that too.

How Did The Amazing-Spider-Man End? Is It Ever Coming Back?


The last, for the known future, original Amazing Spider-Man daily strip ran on Saturday, the 23rd of March. It has Mary Jane and Peter Parker on an airplane — first class — travelling to Australia. This is what they had planned to do before that whole Luke Cage/Killgrave problem got going.

The final strip has the creative team drawn in. Roy Thomas, longtime (ghost) writer reported that artist Alex Saviuk drew the two of them in the last strip. I suppose that the third person — the older man in the first panel — to be Sunday strip inker Joe Sinnott. Sinnott’s retiring after 69 years with Marvel Comics on what I’m sure is the great heaping pile of gold coins that I imagine comic strip artists get.

Mary Jane, in the first-class seat: 'All my LIFE I've dreamed of going to Australia! My Broadway and Hollywood careers PAID for this vacation - and we get to ENJOY every minute of it together, Tiger!' Peter Parker: 'Which makes me one lucky guy, MJ!' The first panel features an older white-haired man, and a blond-haired man, prominently; the third panel features a sleeping man with pencil-thin moustache, and Peter holding up a copy of the Daily Bugle showing off Spidey and the banner headline 'NUFF SAID!'
Roy Thomas and Alex Saviuk’s The Amazing Spider-Man for the 23rd of March, 2019. The ‘Nuff Said is the Stan Lee cameo for the farewell strip, although I understand the people who figure the older man in the first panel was the Stan Lee cameo. But Stan Lee’s appeared in the comic strip, as the Comics Curmudgeon folks found, and let’s not worry about what this implies for the nature of reality in the Spider-Man universe. Incidentally, that time was when she started making the Marvella 2 movie, a spinoff of the storyline we’re just about to start rerunning. And which she’s been doing publicity tours for, in threads that got the strip to meet up with Rocket Raccoon, with King Melvin of the Mole Men, and with the Incredible Hulk and all.

Had the comic not been cancelled, Thomas reports, they’d have gotten to Australia to face The Kangaroo. There are several The Kangaroos in Marvel Comics history. Given the loosely original-Marvel-Universe theme of the comic strip I’d guess it to be the first, the one who debuted in the comic book in 1970, but who knows? Both had great powers of leaping.

Sunday the 24th showed a weirdly hacked-together comic. It has the narrative tag “Peter Dreams of Good Times”, suggesting that all the reruns to follow are simply Peter Parker, asleep on a plane, thinking of the past. It’s not a bad way to set up rerun sequences. For that matter it excuses any plot holes in past stories, or any inconsistencies made by presenting them out of order. It’s not a good way to overcome the snark community impression that Peter Parker mostly wants to nap. Never mind.

The strip from the 24th is an edited version of one from the 16th of November, 2014, as commenter seismic-2 on Comics Kingdom tracked down. When this Sunday strip first ran it was a transition. The storyline had Doc Octopus feigning being a hero and framing Spider-Man as villain. Thus the second panel; when it was talking about and showing Doc Octopus it fit the action of that storyline. The next storyline, and the one I’m assuming we’re repeating, features Mysterio, supervillain master of special and practical effects. He’s a goofy villain, but one I like, since part of his gimmick is supposed to be that he doesn’t have “real” powers, he just puts on a good performance.

[Peter dreams of good times] Peter, swinging around town: 'All in all, not a bad night's work! Killgrave revealed as the CRIMINAL he always truly was. Your friendly neighborhood Spider-Man as public hero #1 again. And MJ riding high on her success The heck with it! The way I feel right now, NOTHING can bring me down!' (Swinging into his apartment.) 'Hi, honey! I'm ho --- ' Mary Jane: 'Oh, Peter ---- ' [ ... and not-so-good times. ] Mary Jane: 'My Broadway show --- it's closing!' Peter: '!'
Roy Thomas, Alex Saviuk, and Joe Sinnott’s The Amazing Spider-Man for the 24th of March, 2019. When this first ran the 16th of November, 2014, there were no narrative bubbles in the first and fifth panels about “Peter dreams of good times … and not-so-good times.” In the second panel, it was a picture of Doc Octopus, and that’s whom Peter was talking about. Also the newspaper in the third panel read “Spider-Man Exposes Doctor Octopus! Web Crawler Stands Alone As City’s Major Criminal”. The “Mayor Breaks Ground For New Condo Site” does show whoever was on the shutdown team read the last story, though. That was the front page story that the Daily Bugle was planning for back on the 14th of March, when Peter confirmed he was heading for Australia.

Mary Jane talking about her play’s theater being destroyed is not an edit. When this story first ran in 2014 the Mammon Theater was closed for repairs. The theater got to host a gunfight and then had a helicopter dropped into it in the Iron Fist storyline, the one previous to the Killgrave story that closed up the strip. Coincidence but, I suppose, a useful one. If someone didn’t know this was all Peter’s dream, well, there’s reason for the theater to need repairs.

I’d like to know, too, whether the comic is ever coming back. The press releases have claimed they’ll “be back soon with great new stories and art to explore even more corners of the Marvel Universe”. Fine, maybe so, but I’ll believe it when I hear someone’s been hired.

If I hear anything, I’ll pass it along at this link.

I Don’t Know What’s Happening With Jim Scancarelli But Gasoline Alley Looks Like It’s Out Of reruns


I still do not know what’s happening with Jim Scancarelli. However, Gasoline Alley for Thursday and Friday have been, as best I can tell, new strips. The comic strip had been rerunning a 2007 story in which Slim conks his head and has to get help for insomnia. In the 2007 run of this story Slim’s natural insomnia gave way to his being distracted by kids playing basketball in a court that had just gotten built. This turned into a story where, I swear, he bought a meteorite off eBay and arranged to have it dropped from a helicopter on the court in order to cancel basketball for the indeterminate future.

Dream Kiss Girl: 'Give us a great big kiss, Slim!' [ He does. ] Kiss Girl: 'Was that kiss 'partial' post?' Slim: 'Gosh, no! It was priority, first class!' [ In their bedroom ] Clovia: 'Girls? Kisses? SLIM! WAKE UP! Right now!' Slim, jolted awake: 'G-gulp! Clovia!'
Jim Scancarelli’s Gasoline Alley for the 15th of June, 2018. It’s a shipwreck fantasy and Slim and the Kiss Girls were playing post office, which isn’t something I ever did because I’m what the hep cats always called a ‘the square’.

This time around, after finally getting some sleep, Slim has dreams of being on a deserted island with a bunch of Kiss Girls, which gets him in trouble with his wife.

What I don’t know that this means the strip is going to full-time new comics. This could mark a transition to new stories, or at least new little joke strips. But this could also be Scancarelli going back to working part-time, slipping in new strips to a rerun arc. I haven’t got any information either way, and will have to wait for developments.

I have thought that the last several Sunday strips were new. There’ve been several featuring a Gasoline Alley centennial logo. Perhaps whatever has taken Scancarelli away from new work has passed and the comic can get back to normal. And, perhaps, even resolve the story of Rufus’s wooing of the Widow Emma Sue and Scruffy’s Mother. That story was left on hold when the comic went into unexplained reruns in November. It was held at a good pausing point, but there is unfinished business there yet.

And, for future reference, if you want my latest recaps of the current storyline in Gasoline Alley then please look to this page. I also recap the other syndicated story strips. They’re tagged by their various titles too, or you can look for the “story strips” tag to get the whole roster of them.

Gasoline Alley Is Still In Reruns, Probably Through June, Possibly To Late August


So, the 15th of May came and Gasoline Alley remained in reruns. I still haven’t heard anything about Jim Scancarelli’s condition. The new story is one about Slim Wallet. He’s the current owner of the auto care place that’s the gasoline alley the strip was built on before Skeezix changed everything.

The story that’s rerunning now, as it originally ran in 2007, was built on Slim having trouble sleeping. That story had a natural stopping point the 16th of June, 2007. So perhaps in a month Scancarelli — or someone else — might pick up new strips without leaving anything hanging. We’ll see the 18th of June this year.

If the strip continues in reruns after that, then we get into a storyline that became notorious, especially on Comics Curmudgeon. Eleven years on this is still one of the iconic references. This is the story where Slim realizes that kids are playing basketball late at night in the playground next to his house. Also that there’s a playground next to his house. This goes into crazypants territory. Yes, one of Scancarelli’s comics modes is the wacky sitcom. But this … well. Here.

Slim, on his computer, talking to himself and sneering ever-more-Snidely-Whiplash-y: 'There's a large meteorite for sale on the Internet! If I buy it and drop the thing on the basketball court --- I won't get the blame ... MOTHER NATURE will!'
Jim Scancarelli’s Gasoline Alley for the 16th of July, 2007. And possibly also for the 18th of July, 2018. We’ll see. Not to worry: as the plot progresses, Mark Trail comes in to correct some common misconceptions about the differences between meteors, meteoroids, and meteorites, only to get into a slugging match with Neil deGrasse Tyson. The winner: the entire reading audience.

I will refrain from spoiling you if you want to see this nonsense play out in real time. The end of that storyline came the 28th of August, 2007. So if these strips rerun the whole storyline, then the next chance to step on with a new story will be the 30th of August, 2018.

I don’t think there are any cases where, like, a Gasoline Alley Salutes Flag Day strip would need to be inserted that wasn’t there in 2007. Or that needs to be put in because it wasn’t observed the first time around. But this might throw the story’s end date off by a couple of days. Inserts for observing anniversaries in the comic strip are what keep the 2007 reruns from being perfectly in synch with 2018’s dates.

On Catching A Few Moments Of An ‘America’s Funniest Home Videos’ Rerun


I didn’t even know Comedy Central Or Somebody was even showing America’s Funniest Home Videos anymore, or if the show is still going on, but it was revealing just how low our standards for “funny video” were back then. We’ve clearly allowed us to develop videos of “people colliding with stuff” and “animals losing dignity” to such a high grade that now I know humanity will never develop time travel, because anyone who did would have been able to take absolutely anything that went even a little bit viral, go back to 1993 or whenever and win the funniest-video contest, thus raising the money needed to develop time travel, and in that case the old reruns would show those of the modern weapons-grade comic videos of today — or even the super, thermo-gigglier ones sure to come in the future — and they don’t, and therefore we won’t, and the card in your hand is the four of clubs. Am I not correct?