A thought about a career I never felt like trying


I realized that I’m glad I never got into a field that looks for experimental results. I realized that’s got to be pretty bad. I mean, imagine you do some research and it gives you the expected result. Everyone’s going to answer, “No duh”. But imagine you did the research and it came out surprising. Then everyone’s going to answer “No way”. Whatever happens you’re getting worn down. The only safe harbor is research that nobody has any response to. I couldn’t hack it in the field of getting responses.

So This Is Just My Research Method Now


So I got to wondering about Mötley Crüe because you know what? Stop asking such nosey questions. Anyway I got to thinking about the metal thing of putting hilariously unneeded umlauts over things. Mostly letters. Like, where did this tradition come from, and why, and who started it, and why did umlauts catch on when perfectly good other diacritics like cedillas went unused. I figure there’s no way of actually researching this, so instead I’m just going to edit the band’s Wikipedia page to say they were the first band to put unnecessary umlauts in their name. Then go back two months later to edit it into saying they were the last metal band to put unnecessary umlauts in their name. The plan being that two months after that, I would go to the discussion page and see where the argument had gotten. Which is a great idea except that it’ll take four months to get results, by which time I’ll have completely forgotten ever caring about the subject. But the important thing is that I can name my imaginary 80s glam metal band “Unnecessary Umlauts”. I don’t mean all the time. When they do a Command Performance for the Queen they’ll be the “Unneedful Umlauts”.

Everything There Is To Say About Hurt Feet Except For What I Forget To Say


Do your feet hurt? And, come to think of it, who do your feet hurt? And if who, then what do they hurt? You might choose to stop them if they’re hurting someone else. Whether you want to do that depends on your history together. If your foot is emotionally hurting them instead things are also going to be more confused and difficult. Expect a long session of being scolded for not taking their side in your argument with them.

If your feet hurt you then the problem is more immediate. Giving your feet a good talking-to may be appropriate. There are times when you could want your feet to hurt. Those are when having a small but not provable ailment will get you out of something. For example, if there’s a spirit in the air that someone should move the fold-out couch up seven flights of stairs. If your feet are starting to hurt, then don’t waste time. Hang around eight-story buildings and make friends who have couches. You may as well get the credit for being totally willing to help, if only your feet allowed.

If you have got sore feet, there’s a process to follow. Check first that they are your own. Perhaps you were confused this morning and put on someone else’s by mistake. Perhaps you put them on deliberately. Are you one of those rotters trying to mess up a good thing for everyone else? We don’t need that. Why are you being that person? Did they hurt your feet so now you’re hurting your feet in retaliation? How does any of that make sense?

Which part of the foot hurts affects what to do about it. The foot has many parts, including the ankle, the toes, the arch, the support, the drawbridge, the toll booth, the pier, and the starling. Consult a team of expert engineers to identify structural weaknesses. If necessary they might design the complete replacement of your foot, perhaps with one of those elegant new cable-stayed feet. These can be most lovely with their long, graceful tapering curves of supporting wires. They’ll draw to your foot steady traffic of grateful tourists. You’ll want to dress appropriately. You’ll expect to find me make some crack about footbridges. That would be silly. It’s more profitable to have freight tunnels under your ankles. Fund this new foot with thirty-year construction bonds financed by tolls.

Should there be spare money it’s also a good idea to bring in a team of inexpert engineers, who’ll be funny to watch. You can get a team of inexpert engineers going for hours by pretending to not be certain which ones are your feet. You can ask them to prove those on you are actually your feet. Make sure you have your original receipt on foot lest they nab you for Grand Theft Navicular. That last joke was researched and is therefore funny. Ask if you’re supposed to identify with feet simply because you were physically attached to them. Should they instead be your feet because of the strong emotional connection you have with them? If they say “emotional connection” then grin. You have them. Point out how good the cat’s feet feel when you’re half-awake and the cat is patting your belly. Watch the inexpert engineers try to claim they were supposed to help the person the next house over.

If you rule out complete structural replacement of the foot then it’s on to repairs. There are several routes to fixing a sore foot. For example, you can apply pressure to it. If that doesn’t work, try removing pressure on it. You can try applying heat to it. If that’s no good, try not applying heat to it. You can go on pretty near forever trying to be sure whether the other approach would work better. If it keeps you occupied and feeling productive that alone is an accomplishment and you shouldn’t ignore that. There are all sorts of body parts that you have that aren’t doing as much. What’s important is the sense of participation.

Above all else, though, do remember that in 1923 BF Goodrich sold almost half a million Zipper Boots. This has nothing to do with your situation, but it is something researched, and therefore, is also funny.

Robert Benchley: A Romance In Encyclopedia Land


I haven’t featured a Robert Benchley piece in a while, so I’d like to return to Of All Things and a short story that can only come from falling into an endless research spiral.

A ROMANCE IN ENCYCLOPEDIA LAND

Written After Three Hours’ Browsing in a New Britannica Set

PICTURE to yourself an early spring afternoon along the banks of the river Aa, which, rising in the Teutoburger Wald, joins the Werre at Herford and is navigable as far as St. Omer.

Branching bryophytu spread their flat, dorsiventral bodies, closely applied to the sub-stratum on which they grew, and leafy carophyllaceae twined their sepals in prodigal profusion, lending a touch of color to the scene. It was dear that nature was in preparation for her estivation.

But it was not this which attracted the eye of the young man who, walking along the phonolithic formation of the riverbank, was playing softly to himself on a double curtail, or converted bass-pommer, an octave below the single curtail and therefore identical in pitch and construction with the early fagotto in C.

His mind was on other things.

He was evidently of Melanochronic extraction, with the pentagonal facial angle and strong obital ridges, but he combined with this the fine lines of a full-blooded native of Coll, where, indeed, he was born, seven miles west of Caliach Point, in Mull, and in full view of the rugged gneiss.

As he swung along, there throbbed again and again through his brain the beautiful opening paragraph of Frantisek Palacky’s (1798-1876) Zur böhmischen Geschichtschreibung (Prague, 1871), written just after the author had refused a portfolio in the Pillersdorf Cabinet and had also declined to take part in the preliminary diet at Kromerice.

“If he could believe such things, why can not I?” murmured the young man, and crushed a ginkgo beneath his feet. Young men are often so. It is due to the elaterium of spring.

“By Ereshkigal,” he swore softly to himself, “I’ll do it.”

No sooner had he spoken than he came suddenly out of the tangle of gynmnosperms through whose leaves, needle-like and destitute of oil-glands as they were, he had been making his way, and emerged to a full view of the broad sweep of the Lake of Zug, just where the Lorze enters at its northern extremity and one and a quarter miles east of where it issues again to pursue its course toward the Reuss. Zug, at this point, is 1,368 feet above sea-level, and boasted its first steamer in 1852.

“Well,” he sighed, as he gazed upon the broad area of subsidence, “if I were now an exarch, whose dignity was, at one time, intermediate between the Patriarchal and the Metropolitan and from whose name has come that of the politico-religious party, the Exarchists, I should not be here day-dreaming. I should be far away in Footscray, a city of Bourke County, Victoria, Australia, pop. (1901) 18,301.”

And as he said this his eyes filled with tears, and under his skin, brown as fustic, there spread a faint flush, such as is often formed by citrocyde, or by pyrochloric acid when acting on uncured leather.

Far down in the valley the natives were celebrating the birthday of Gambrinus, a mythical Flemish king who is credited with the first brewing of beer. The sound of their voices set in motion longitudinal sound waves, and these, traveling through the surrounding medium, met the surface separating two media and were in part reflected, traveling back from the surface into the first medium again with the velocity with which they approached it, as depicted in Fig. 10. This caused the echo for which the Lake of Zug is justly famous.

The twilight began to deepen and from far above came the twinkling signals of, first, Böotes, then Coma Berenices, followed, awhile later, by Ursa Major and her little brother, Ursa Minor.

“The stars are clear to-night,” he sighed. “I wonder if they are visible from the dacite elevation on which SHE lives.”

His was an untrained mind. His only school had been the Eleatic School, the contention of which was that the true explanation of things lies in the conception of a universal unity of being, or the All-ness of One.

But he knew what he liked.

In the calm light of the stars he felt as if a uban had been lifted from his heart, 5 ubans being equal to 1 quat, 6 quats to 1 ammat and 120 ammats to 1 sos.

He was free again.

Turning, he walked swiftly down into the valley, passing returning peasants with their baa-poots, and soon came in sight of the shining lamps of the small but carefully built pooroos which lined the road.

Reaching the corner he saw the village epi peering over the tree-tops, and swarms of cicada, with the toothed famoras of their anterior legs mingling in a sleepy drone, like so many cichlids. It was all very home-like to the wanderer.

Suddenly there appeared on a neighboring eminence a party of guisards, such as, during the Saturnalia, and from the Nativity till the Epiphany were accustomed to disport themselves in odd costumes; all clad in clouting, and evidently returning from taking part in the celebration.

As they drew nearer, our hero noticed a young woman in the front rank who was playing folk-songs on a cromorne with a double-reed mouth-piece enclosed in an air-reservoir. In spite of the detritus wrought by the festival, there was something familiar about the buccinator of her face and her little mannerism of elevating her second phalanx. It struck him like the flash of a cloud highly charged by the coalescence of drops of vapor. He approached her, tenderly, reverently.

“Lange, Anne Françoise Elizabeth”, he said, “I know you. You are a French actress, born in Genoa on the seventeenth of September, 1772, and you made your first appearance on the stage in L’Ecossaise in 1788. Your talent and your beauty gave you an enormous success in Pamela. It has taken me years to find you, but now we are united at last.”

The girl turned like a frightened aard-vark, still holding the cromorne in her hand. Then she smiled.

“Weenix, Barnaby Bernard (1777-1829),” she said very slowly, “you started business as a publisher in London about 1797.”

They looked at each other for a moment in silence. He was the first to speak.

“Miss Lange, Anne,” he said, “let us go together to Lar —– and be happy there —– happy as two ais, or three-toed South American sloths.”

She lowered her eyes.

“I will go with you Mr. Weenix-Barney,” she said, ” to the ends of the earth. But why to Lar? Why not to Wem?”

“Because,” said the young man, “Lar is the capital of Laristan, in 27 degrees, 30 minutes N., 180 miles from Shiraz, and contains an old bazaar consisting of four arcades each 180 feet long.”

Their eyes met, and she placed her hands in his.

And, from the woods, came the mellow whinnying of a herd of vip, the wool of which is highly valued for weaving.

Handwriting in the Modern Age


Since it is the 11th of the month I should make my regular update of how my cursive handwriting has progressed. As everyone knows I’ve lost the ability to write a script “Q”, but that’s because all humanity was drained of that knowledge by that visit of alien space bats who were trying to encourage block letter printing back in 1998, and no blame attaches to me for that. My lowercase “z” continues its gradual slide into being just a little scribbly cartoon of a lightning bolt, and I find today that it’s impossible to tell the difference between me writing the word “tuition” and me crossing out the word “tuition”. This will save time, in all those cases where I write the word “tuition” in cursive, scratch it out, and realize I wanted it there after all, and applications to this department for contexts in which I need to will be accepted through the 18th.