The Stan Freberg Show: the twelfth show, with three major sketches


If you’re fascinated by early space race stuff you’ve probably seen Colonel John Stapp. His face anyway. He’s the guy there’s this black-and-white footage of a man being accelerated so fast that his face becomes this rippling, fluid shape. He was a physician and flight surgeon who became famous-in-the-right-circles for his work in understanding what acceleration (and deceleration) does to human bodies. He tested this, including on himself. In December 1954 he took a deceleration of 46.2 times the force of gravity. And lived through it, and thought human bodies could take even more than that. Much of what we understand about how to protect the human body from crashes traces to work he was part of.

And here’s the rundown:

Start Time Sketch
00:00 Open. No pre-theme sketch this time again. There’s also no introductory comments; they go right into a sketch.
00:55 Rocket Sled. Herman Busby (which I think is a new name here) interviews Leroy Straddle, hoping to bring reactions to Colonel Stapp’s rocket-sled experiment. Stapp’s admirably uninterested. The premise is that Straddle hopes to run alongside Stapp and the sketch commits to being about that. And then Busby’s spotted in Portland, Oregon. This initially made me think they were doing a follow-up to that UFO bit where Orville came from the Moon. I’m not sure what point Herman Busby serves in framing this sketch, except that it lets Straddle describe what he means to do in the face of Stapp’s indifference. But then why not write the sketch so Stapp is at least a bit interested?
05:10 Introductory Comments. Maybe? Freberg lays out the “agenda” for the show.
05:32 Billy May playing “Five Foot Two, Eyes Of Blue”, a song I mostly know from Allan Sherman’s parody.
07:20 Faucet Repair. Sketch about the “average American husband” fixing a faucet. June Foray gets to play a nag. The faucet repair turns to actually making a wrench, a nice bit of expansion on the premise of following repair directions. There’s a weirdly big laugh at 09:33; maybe one of the performers had a great expression. It turns into Freberg trying to buy an electron microscope. There’s also a bit about the peculiarity of buying something cash. There were a lot of jokes and science fiction stories about credit cards in the 50s and it seems to reflect a cultural attitude about these exotic means of finance. The diversion from home-repair-going-awry to cash-as-a-threat-to-commerce seems weird and I’m not sure they didn’t stitch two half-written sketches together.
15:15 Peggy Taylor sings “I’ll Buy You The Moon” (I’m guessing).
18:26 Robert Tainter is back. Freberg introduces him by mentioning his research behind Paul Revere’s Ride, Washington Crossing the Delaware, and his grandfather at Custer’s Last Stand. There are several more Tainter sketches not mentioned here; I think his might be the most-done sketch in the show’s run. Tainter feigns not knowing Freberg. Tainter’s gone from exposes to something “even lower”, going into labor racketeering and demanding payment from Freberg for whatever he’s doing. I think this is riffing on Estes Kefauver’s televised investigations into organized crime. This was six years in the past by the time this episode aired, but they did make an impression.
23:09 Sh-boom. Adaptation — after several weeks of putting it off — of the comedy record. It’s also a commercial for Freberg’s album compiling a dozen comedy bits. The premise here is that a successful song has to be much less comprehensible. It does all get pretty raucous and fun to my ear. June Foray’s character is named Stella, I’m going ahead and guessing to make a Streetcar Named Desire joke.
27:50 Closing Remarks.
28:14 Closing Music.

My recaps of all the episodes of The Stan Freberg Show should be at this link. Let me know if you see one that isn’t.

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An Apology In My Dreams


So to the seagull in my dream who was trying to apologize by delivering a fully functional rocket to my backyard: I appreciate the gesture. It’s a most impressive gift. And I do appreciate the work gone in to getting a Saturn I — not a V, not even the more hip I-B but an actual Saturn I as used in flight testing and development from 1961 through 1965. It’s a true connoisseur’s choice of rocket vehicle. Nevertheless, while I’ll accept presents as tokens of reconciliation they are not, by themselves, reconciliation. It is harder to deliver a simple “I’m sorry” from your own beak, but it would mean something that no present ever could, and I promise to accept it with as much grace as possible given our history. And I do thank you for the gesture.

Still, on another level, I can’t see any way to launch the blasted thing from my backyard, what with how the goldfish pond isn’t nearly deep enough a water trench for the necessary sound suppression. Not to mention not being deep enough for the goldfish to come out well afterwards. Plus who’s got a launch gantry in mid-Michigan anyway? I’ve got too much stuff just hanging around to show to accept something that hasn’t got practical use.

Another Blog, Meanwhile Index

Traders showed a sharp loss of confidence today when they learned that contestants on The Price Is Right are not drawn randomly from the audience but are instead screened while entering to see if they’d probably look good on camera and have a bunch of people cheering specifically for them.

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