So you live in a utopian future. You don’t have anything to be embarrassed by there. It’s a pretty sweet deal. Maybe it wasn’t you that was embarrassed. Maybe it was someone who reminded me of you. It would help if we could get some name tags or distinctive ribbons or something. Anyway, even in a utopia there’s no getting away from some civic responsibilities. At any moment something like one-eighth of our population is busy introducing the place to an outsider. Are you ready?
Maybe you’re wondering where they come from. The answer is, all over. Some of them are people from before the utopia who got themselves caught in cave-ins, or were put into stasis until medical science found a cure for painting bricks. Some of them are from alternate timelines, like one where Belgian visionary Paul Otlet and his electric telescopes failed to manifest the Mundaneum in Lakewood, New Jersey in 1934. Maybe they’re dreaming, as far as they can tell, and there’s no sense waking them up before you figure out which of us is real. Ooh, maybe they’re aliens, so we can be their aliens, and add this neat little mirror-image chic to things.
Really it doesn’t matter. Any visitor to utopia has some things they just have to know. And they have some expectations. Meet them, and they’ll be happy with the experience. They’ll need to be told they are in a utopia, straight off. Hide that and they’ll never be happy. And they’ll need a couple rounds of origin-shaming so they appreciate how their homes made serious dog’s breakfasts of things. That’s an easy sell because people find it charming to hear “dog’s breakfast” as a metaphor.
They’ll want to have a tour, once they’ve been electro-taught the universal language or just happened to know it anyway. You’ll want to take this on foot. It makes stuff seem bigger. I recommend taking them to one of those middling-size buildings made with that brick cladding that somehow looks like fake bricks even though they’re real bricks. Try to approach from the side that’s the least architectury. Then go into something about how it’s the administrative district’s largest facility for producing psychoneutral brick or self-motivated gelatin or fully interactive quadrophonic squirrels or whatever. To make a convincing presentation remember the important two elements:
- A bunch of statistics delivered in obscure units. Try saying something like `modules over 20.38 centipoise per millikatal hectosievert’ or `response metrics as sensitive as 12.10 decatur-centidays’ until it sounds kind of normal-ish. `400,000 mease of herring each compline’. `0.2 adrianople-ceston-centiMcClintocks.’ Something like that.
- A moving sidewalk. You can find some at most airports, many train stations, and the occasional shopping mall.
You’re going to get the occasional visitor who’s looking for social satire. By “social satire” people mean everyone talking about how their enemies were fools and their heroes visionaries. This is tricky to do before you know who their enemies and their heroes were. You can make some wild guesses and if they react with horror say that you were just testing to see if they were ready for the true order of things. You’ll want to practice that with friends before doing it live. Also bring some gift certificates for ice cream or something so you can act like you’re giving a special award for their figuring it out. Some weird flavor, something hard to like. They’re not coming all the way to utopia just to get fudge ripple. They’re looking for something with a bit of freaky to it. In fact, don’t just do this for ice cream. Every day try to find two or three little things to freak up a bit. It’s surprisingly fun once you get the hang of it and it makes their experience so much better. It’s kind of an important rule for life.
If you still can’t get a handle on them, try some patter about how gold and silver make the throw pillows of utopia all the more throw-pillow-ish. Your guests will make what they want out of this, and if they ask you to expand on it pull the old “what does that tell you about us?” routine. You’re not going to believe how well this works.
Sometimes you’re going to get the visitor who’s decided utopia is actually a dystopia. There’s no arguing them out of it. They’re going to figure they’re the only ones who see it, and they have a responsibility to destroy society, which is supposed to somehow help. So you’ll want to have contacts with some local theater group. They should have a bunch of costumes and a couple people who can do improv work as an underground movement. Set them up with something harmless like bubble wands. Tell your visitor these are futuristic pacification weapons so that nobody’ll get unnecessarily hurt while they’re busy destroying society.
Now you’ll need to set up a story where the organizing impulse for all society comes from, oh, whatever. That closed psychoneutral brick factory nobody’s got around to tearing down yet. Send them off to attack it and after all the foam has evaporated — well, you know joy? Not really. Not the kind of joy you’ll see after they figure they’ve gone and obliterated society. It’s pretty sweet, really. After you do go along with this you’re going to have to listen to them blathering a while about how they’ve opened everyone’s eyes and how society is really and truly going to work this time. And some of them can go on forever like this. But whoever said life in utopia was perfect?