From Bandar. Do try to keep up.
For those who came in late: The Phantom, in his escape from Gravelines Prison, saw “the Bandar nation” ride out of the mists to save him and Savarna Devi. The question is how they knew where to be. This hasn’t been explicitly answered but we can surmise. Mozz the Prophet finished telling The Phantom of the wrack-and-ruin he foresaw. When finished, The Phantom took Mozz’s Chronicle and set it in the catacomb reserved for his body. Mozz had deceived The Phantom: what he seemed to read from was not his text of his prophecy, but one of The Phantom’s own Chronicles. Somehow the prophet was able to anticipate that The Phantom wouldn’t check which volume he was setting on the shelves and which he was hiding. We last saw Diana Walker reading Mozz’s Chronicle. I have a suspicion what dots we’re meant to connect.
And for the Word of God, or at least the author, about the strip, you couldn’t do better than Tony DePaul’s recent essay discussing the writing and his plans. Also explaining a controversial choice in the writing. And that there was a controversy.
So this essay should catch you up to mid-January 2023 in Tony DePaul and Mike Manley’s The Phantom (Weekdays). If you’re reading this after about April 2023, or you’re interested in the separate Sunday continuity, there is likely a more useful plot recap for you here.
The Phantom (Weekdays).
17 October 2022 – 14 January 2023.
Having heard Mozz’s prophecy of how rescuing Savarna Devi from Gravelines Prison will destroy his family, The Ghost Who Walks sets out anyway. He’s making some changes from the prophecy, though. He’s setting out a couple days later, for one thing. He’s accompanied by Devil, his wolf. He’s setting out with the knowledge of the prophecy. He’s setting out with all the self-ruining confidence of a guy who’s crammed every strategy guide before playing the game for the first time. It’s a fun energy to read, as he keeps trying to remember what comes next and doubting that he could know. Also in the delight he takes in, he thinks, outwitting Fate. One great side of The Phantom is he’s basically happy. His glee at being clever is infectious.
One thing he does know: in the prophecy he reveals to Devi the critical information — the location of Jampa, who killed her family and enslaved her as a child — in a post-surgical daze. So he figures all he has to do is not get shot. That was already part of the plan. Further planning: if he does get shot, he has to not have a post-surgical daze. So he drops in on Dr Fajah Kimathi, a veterinarian who in Mozz’s vision performs the operation that saves his life. And here we get controversy.
The Phantom’s intention is to warn the doctor that she must not save his life, if she’s pressed by Savarna Devi to do emergency surgery on him. He does this by waking the doctor and her husband in the middle of the night. And holding his guns on them. That is, on people who not only haven’t done anything objectionable yet, but who would in the prophecy do heroic service to him. Tony DePaul explains his understanding of The Phantom’s thoughts in the essay above. I agree with DePaul. The Phantom figures conspicuously holstering his guns he shows he chooses not to be the threat a masked man breaking into their house is. I also think The Phantom’s wrong. Waking someone while holding guns on them does not put them in a more agreeable mood however much you put the guns away. But that is part of the fun of The Phantom. He has blind spots. Here, that people he knows through hearing of Mozz’s vision don’t know who he is or what he’s on about. (Although they’ve got to suspect this is The Phantom of regional lore.)
With that done successfully-ish, The Phantom figures how to get into Gravelines. Hijacking a truck in worked well enough in the vision, so he does that again. And he fights his way up to Savarna’s cell. Before breaking her out he stops to ask her something. In Mozz’s vision this was whether she was done with vengeance. She said she was, a claim The Phantom (now, in the present) decides was a lie.
I’m not sure that’s fair. I think it plausible she sincerely believed she was done with vengeance. Learning where Constable Jampa was presented an irresistible temptation. Now The Phantom asks a question to make super-sure he doesn’t let slip Jampa’s location: if he’s shot does she promise to leave him behind? She says she will, which we know from her thought balloon is a lie. I love this irony.
We get a haunting moment in this of other prisoners, possibly also on death row, begging for The Phantom to release them instead. It’s hard to give a fair reason The Phantom should not rescue them. He knows Devi can help fight their way back out, but that doesn’t mean the others don’t deserve rescue.
To the breakout. Devi sees no reason not to grab an armored vehicle and shoot their way out. The Phantom knows. It’s gunning their way out through the well-defended roads that gets him shot. But then how to get out instead?
Devil, who wasn’t there in Mozz’s vision, has an answer. He guides The Phantom off to the mists where, as said in the introduction here, the Bandar nation has come. The Gravelines guards may be ready to handle one or two people with machine guns. Dozens of people with poison-tipped arrows, though? That’s something they can’t even imagine is coming. And the best part is there’s no way an evil state like Rhodia will retaliate against the Bandar people for crossing the border and attacking a maximum-security prison. (I snark. I’m sure DePaul has put some thought into how Rhodia might answer this.) And this is where we stand as of the second week of January, 2023.
I get a break! It’s one of the Sunday-only strips. And oh, I get to be angry about this for a change! Next week find out why I’m mad at Mark Schultz and Thomas Yeates’s Prince Valiant. If all goes well.