So the past three months have focused on how The Phantom’s going to get this done with these constraints. It starts with the traditional elements: The Phantom punching people unconscious. Stealing clothes. Going undercover to punch more people. Punching codes into locked doors. All that stuff.
Meanwhile Dave Palmer gets a call from Diana Walker. Dave Palmer, retired Intelligence Guy, had (last time) refused Intelligence Agency pleas to advise them on this bombing. When Diana says something about “the villa” he changes his mind and says to his (tapped) phone that he’s coming in, don’t blow anything up until he gets there. They’re not going to refuse the chance to blow something up.
The bombing has its good side for the Phantom. For one, everybody who isn’t dead or wounded has a bigger project than Phantom-stopping. For another, the darkness is good for sneaking around. When the emergency lights come on it’s a bit of bother.
So there’s a nasty gunfight: Sahara’s guards shooting where they conclude the intruder has to be. The Phantom trying to stay out of the line of fire, and ricochets, until he can sneak up on them. And we finally see Imara Sahara, who’s keeping her wits quite well considering. She tries to warn the unknown-to-her intruder that she can’t be saved. She has a point. The Phantom has a plan. It can only work if the writer’s on his side.
He shoots out the lights. They slam the panic room door shut. They expect him to break through the door, but that he’ll then be an easy target. The Phantom figures to break through the door, yes, but only after he disables the emergency generator. In the dark they’ll be helpless, unless they picked up their flashlights. When the lights in the panic room go out Imara takes cover. The Phantom breaks through the door and there’s an intense gunfight. All the militia members die. The Phantom is merely shot three times. This on top of the wounds he’d barely recovered from when he fell for The Nomad’s ambush. That story was over a year ago, reader time. It’s only a couple days in the past for The Phantom, though.
At last The Phantom kind of introduces himself and why he’s there. And leads her to an escape tunnel, the only way out now that the main hallways have collapsed under American bombardment. Imara asks how he can know about this tunnel. It’s a reasonable question. Well, Kadia knew, and briefed him. Why did Kadia know and her mother not? … Not sure. We see in flashback the young Kadia playing in the tunnel with her father. Still, it seems odd to set up a panic room for someone and not share how to leave it in a crisis. I can’t say this is unrealistic. It’s petty jerk behavior from international terrorist Eric Sahara. But I understand commenters who couldn’t suspend their disbelief on this point.
Above ground, a new militia’s come around to see what’s happened and what they can make worse. So they start shooting at the only things still alive, The Phantom and Imara Sahara. This leads to a chase through the remains of the compound, The Phantom leading Imara towards his escape truck. The Phantom sends her ahead, while he distracts the militia by using bullets. She finds the truck and waits the three minutes he asked for, and some more, and finally leaves after she hears the gunfire stop.
Back around my undergraduate days the university wanted to move the student group offices out of the main student union. The space could make money rented out for events instead of given to student groups. The student groups didn’t want to leave. The university planned a major renovation and expansion of the campus center. It would add a bunch of decent food places, for example. And get the building away from its original late-60s “you know the architect was an award-winning prison designer” layout. But it would need most of the student groups to leave for a while. They set up nice enough temporary quarters in the Ledge, the former and still usable student union building. And, after about three years of renovations, there had been nearly a full turnover in undergraduates. Nobody but a few die-hards with old issues of the student newspapers remembered the promise that student groups would ever move back.
So the first of the “classic” repeats of Roy Thomas and Alex Saviuk’s Amazing Spider Man stories, facing Mysterio, came to an end in mid-July as expected. And then they went right to the story which followed the Mysterio story in 2015. It’s a team-up with the Black Widow to fight the Hobgoblin. That’s a storyline which ran from mid-March 2015 through mid-August. If they repeat the whole thing, that’ll take us through October 2019. The following story, if they don’t change things up, would be an encounter with the Sub-Mariner.
Mysterio, meanwhile, is sure: Spider-Man has got to be Mary Jane’s husband. He’s going to use a publicity photo shoot, using an old World’s Fair robot, to mess things up. The robot chases down Mary Jane. Peter Parker, in disguise as Peter Parker, shoves her out of the way, taking the fall at the cost of a cracked rib. Mysterio cackles at how he almost killed both Mary Jane and Spider-Man.
Producer Abe Smiley’s ready to cancel Marvella 2: The Secret Of The Ooze. But Mary Jane talks him out of it. And Peter’s discharged already: it was a tiny fracture. He even has a copy of the X-ray. Director “Dash” Dashell, curious about the X-rays, stumbles into Peter. Peter screams and spills his plot point right over everybody.
Marvella 2: Golden Receiver resumes. Spider-Man makes himself very visible watching over the next day of filming, at Washington Square Park. Mysterio does too. Then throws some misting gas grenades to be less visible. He’s figuring a mid-air, smoky fight with a wounded Spider-Man his best shot at killing Spidey. It’s not a bad thought. With a solid hit to the chest Spider-Man goes falling. Mysterio flies after him — well, not flies. Mysterio doesn’t have superpowers. He has a transparent hoverboard. Which Spider-Man snatches.
This offends Mysterio, a reaction I love. But Spidey points out, he can pretend to get hurt. With the hoverboard — er, Sky-Ski — Spidey can stay in the air long enough to continue fighting. Mysterio has an emergency reserve jet pack because, you know, supervillains. Anyway, they throw stuff at each other, they plummet, Spidey grabs on to Mysterio’s flying boomerang discus. He knocks Mysterio down. They fall into the fountain.
Spidey reveals that Mysterio is in fact … “Dash” Dashell, director of Marvella 2: Invasion of the Tinysauruses. Or in fact … not. He’s really Quentin Beck, Mysterio. Mysterio kidnapped the real Dashell and took his place. The plan: draw out Spider-Man by staging accidents with Mary Jane Parker. This would let him kill Spider-Man, vanquishing his longstanding foe. Also let him kill Mary Jane, because, eh, what the heck.
Mysterio tries to at least reveal that Peter Parker is Spider-Man, and gets laughed out of town. It helps that Peter Skypes her with a “hey, just heard there’s a villain unraveling going on” call in the middle of this. Mysterio’s not fooled by a pre-recorded message. He slugs Spider-Man in the chest, who doesn’t even flinch, because Spidey doesn’t have a cracked rib. Mysterio leaves, abashed.
How did Spider-Man pull this off? The X-rays Peter brought back from the hospital were old ones, from when this story originally ran four years ago. It’s some clever thinking by Peter, whose comic strip persona had needed the chance to show he can think. I’m not convinced that he had enough information in-world to form and execute this plan, though. But I’m also not sure how he leapt to the conclusion it was Mysterio behind all this either. Sometimes I guess you get lucky.
The Black Widow/Hobgoblin story got started, this time around, the 20th of July. Mary Jane admitted wearing the Marvella costume has kinda aroused something in her and she’d like to try web-slinging with him. And they’re having fun swooping over the town when the Hobgoblin blows through and tries to knock them down. Spider-Man leaves Mary Jane somewhere safe so they can go fighting.
It doesn’t go well. Hobgoblin knocks Spidey unconscious and returns to grab Mary Jane. She recognizes Hobgoblin as her old boyfriend, and Peter Parker’s friend Harry Osborn. Hobgoblin blames Spider-Man for the death of his father Harry “Green Goblin” Osborn. And he hates Mary Jane now for … I don’t know. Something. Good chance they explain it in whatever this month’s Spider-Man movie is. Fortunately, the Black Widow is around and able to save Mary Jane.
Between the Black Widow and the recovered Spider-Man they’re able to chase Hobgoblin off. This gives Spidey and Black Widow a chance to exposition to each other. Black Widow was seeking a former Soviet Spy who’d killed “friends” of hers years ago, and ran across this by accident. Mary Jane, meanwhile, contracts instant jealousy of Spider-Man talking to Black Widow like this. And that’s the standings as of this weekend.
I don’t have information about when The Amazing Spider-Man comic strip might emerge from reruns. If and when I do, I’ll post it here. I do have some thoughts and will include them at the end of this recap of the end of Roy Thomas and Alex Saviuk’s run, and the first two months of the first repeat.
The Amazing Spider-Man
24 February – 18 May 2019.
It was an action-packed moment when I last updated the Spider-Man plot. Mary Jane had covered Killgrave with the plastic sheet that neutralizes his power to command people. Look, if you’re going to stare at me that way there’s no point describing the plot of a superhero comic. But he was falling off the edge of a building. Spider-Man webbed him, but Killgrave’s momentum pulled the superhero along. Luke Cage, also in the plot, grabbed Spider-Man by the ankle.
Neither Spider-Man nor Cage is doing that well. They’re shaking off Killgrave’s command that they fight each other. Mary Jane gives Spider-Man the important clue that he has two web-shooters. Reminded of his power set, Spidey’s able to use a second line to anchor himself and keep anyone from dying.
With Killgrave neutralized, Spider-Man turns to the important stuff. That’s getting selfies with Luke Cage. He needs some good photos of Spider-Man fighting Cage, since J Jonah Jameson wants them off of Peter Parker and all that. You know. The usual.
Peter Parker drops off the pictures at the Daily Bugle and heads out. The plan’s to resume his and Mary Jane’s planned yet last-minute Australia trip. They head to the airport. There is a ritual of the Spider-Man comic strip in airports. Peter doesn’t know how to get his Spider-Man costume through security. Sometimes he forgets he’s wearing it under his normal clothes. Sometimes he worries it will get noticed in his luggage.
And, the 23rd of March, the run of The Amazing Spider-Man came to an end. At least, they’re still calling it a hiatus. I haven’t seen any news about the supposed search for a new creative team, or any planned time for new comics to come out. The 24th, the strip went into its current rerun phase, with an edited strip from 2014. The editing teases that this is Peter Parker dreaming of old times while on the plane. New York City to Australia is a long flight, and the newspaper Spider-Man spends a lot of time asleep anyway.
Had the newspaper comic continued, Roy Thomas’s plans included an encounter with The Kangaroo. And I suspect Mary Jane wearing the Spider-Man costume would foreshadow something. Instead, we’re getting a rerun of an encounter with Mysterio. I have a certain odd affection for Mysterio. I learned of him while a teenager, reading the 1980s Sensational She-Hulk comic, which specialized in featuring the villains who were kind of … uhm … how can I put this politely? It’s where I first saw Stilt-Man, a villain who goes around on extendable robot legs. Mysterio was one of that comic book’s first villains. And his gimmick’s a fun one. He doesn’t quite have superpowers. He’s a master of special effects and hypnosis and stagecraft and performance. I guess in principle everything he does is something a professional special-effects team could put together. But, like, in that She-Hulk comic he faked an alien invasion. That seems like it would need a larger special effects house than “one guy with a great swooping cape and a ball covering his head”. I bet the hypnosis helps.
So to the rerun plot, which is still under way. Mary Jane’s show on Broadway is closing. Not for unpopularity; the theater needs repair. This was, in 2014, because of damage done the theater by Spider-Man’s fight with Doctor Octopus. In 2019, it would still be justified, after the damage with Spider-Man’s fight with the Kingpin and Golden Claw. She’ll be out of work three months, or an eternity. But there’s good news: Abe Smiley is in town. A few years before he produced the direct-to-DVD superhero film Marvella. Mary Jane starred. Now it’s time for a sequel. Which is filming in New York, and needs like three months to do. Perfect.
She loves meeting back up with the old gang and the costume still looks good on her. What could go wrong? Besides Peter being mopey about the project. And the strip cutting away to Mysterio cackling about how he loves show business while the narrator asks what he could have to do with all this. The question still hasn’t been answered.
But what could go wrong has. Sharon Smiley, the producer’s daughter, had been slated to play Marvella. Now she’s bumped down to the villainess role, Sister Steel. She’s not happy about this. Mary Jane offers to resign and avoid the unpleasantness. Abe Smiley holds her to her contract. She’ll have to deal.
Spider-Man has a weird event while stopping a routine carjacking right outside his and Mary Jane’s apartment. It’s a bright flash of light and his spidey-sense tingling even after he’s stopped the crime. The cause: Mysterio. He hired a “petty hoodlum” to snatch the car. This to test his hypothesis that Spider-Man is keeping close watch on Mary Jane. This’ll help Mysterio’s project of destroying them both, so that’s something. Spider-Man isn’t sure what’s going on, so he digs an old raincoat out of a trash can to get back into his apartment undetected. That’s not an important story beat, but it’s a wondrous line and I wanted to give it some attention.
On to filming. There’s a fight scene on top of the Empire State Building. Sharon Smiley, as Sister Steel, hits Mary Jane a little too hard. The railing is a little too soft: Mary Jane falls through as if it weren’t there. It’s not: Mysterio removed it, somehow, right where they’d fight and hid the removal. Spider-Man sees Mary Jane falling from the top of the Empire State Building and leaps into action. He grabs her, but something messes up his web-slingers. He tries to get to another building, but smoke clouds his vision. Something else clouds his spider-sense. But he’s able to slow their fall enough and guide them to landing in a dumpster, as safe as can be after a fall from the top of a skyscraper.
There are many questions. How could Mary Jane fall through the Empire State Building observation deck’s railing? Why does Spider-Man immediately suspect Mysterio? Couldn’t, like, one-third the characters in the Marvel universe do the same stunt? Is someone on the film crew working with Mysterio to kill Mary Jane and Spider-Man? Will Mary Jane — at the film crew’s insistence — calling Peter Parker to tell him not to worry reveal Spider-Man’s secret identity? What adjacent building is putting their dumpster on the side of the lot that faces the Empire State Building? (It’s the CUNY Graduate Center, isn’t it? Making some obscurantist point about something?) And, to the other characters, why is Spider-Man always hanging around Mary Jane? Are they an item or something? But she’s married!
So we are, in the repeats, up to the 11th of January, 2015. If you want to skim ahead and see how all this turns out, the Mysterio storyline went on until about the 14th of March, 2015. That fed into a team-up with the Black Widow to fight the Hobgoblin. So that’s nine weeks into our future. That would be the first chance that Marvel and Comics Kingdom would have to transition out of reruns and into a new story.
But if they do mean to get out of repeats in mid-July, as this would imply, then they’d need to have a new creative team working now. If there’s not an announcement in the next week or two I’d suppose they’re going to carry on through another repeat story. Whether the Black Widow/Hobgoblin story or another would be beyond my powers to deduce.
A long-running story comic about a superpowered do-gooder that came to an end, went into reruns for a storyline, and came back with new creators! Come with me to the 80s and Jonathan Lemon and Joey Alison Sayers’s Alley Oop, now featuring raccoons!
The Phantom Sunday continuity was partway through its flashback when I last checked in. He had returned a Xanangan child to her village. She was a stowaway on a vintage B-29. The plane’s crew flew at air shows. And they flew stolen wildlife from show to show. And don’t you think Mark Trail won’t be quite cross about all this smuggling when he finds out. But The Little Detective, accidentally locked into the cargo hold, started keeping notes. She dropped postcards at airshows. She trusted someone would mail them off.
Finally someone did. It was a letter to her family, who finally had some assurance that was alive and somehow in Sweden. Her family turned the news over to the Jungle Patrol. They turned it over to the Unknown Commander, our favorite stripey-panted walker. Meanwhile she keeps notes on what the smugglers take, and where they take them.
The Phantom catches up with the B-29. I’m not sure where. He must have figured there aren’t that many touring B-29s that have made stops in Bangalla recently. He sneaks into the cargo hold at night, catching The Little Detective by surprise. Diana points out, so, he and his wolf named Devil, in the middle of the night, snuck into the cargo hold where a lone girl has been hiding from the crew for months. He concedes he could have introduced himself less alarmingly. But there was a deadline. The plane was leaving just before dawn; this was his best chance of contacting her before a fight.
The smugglers return to the plane. The Phantom glad-handles them, praising their cleverness and what a great story they’ll have to tell in prison. One of the smugglers spoils the cheery mood by taking out a gun. The Phantom takes back the scene, though. He explains he’s just moving the action over there so nobody accidentally shoots the airplane. It’s a deft touch, showing how simple persuasion is a superpower. The smugglers hardly notice they are letting The Phantom lead them, not until he grabs their gun.
Having blown it, the smugglers try to appeal to The Phantom’s patriotism. At least his historical enthusiasm. How can we possibly have both vintage World War II aircraft operating and some pangolin left surviving somewhere in the wild, after all? The smuggler starts some Greatest Generation talk when The Phantom slugs him, correctly. I mean, first, War Hardware fans are the worst. Second, Bangalla was part of the British Commonwealth of Fictional Nations. They, and their Buranda and Qumran brethren, were having people killed for a year and a half before the Americans put anything on the line. Still, The Phantom’s reaction is only at the level of punching. It’s not like these are Avro Arrow fanboys.
And yeah, I talk a smug game. But I know where my standing is weak. I kinda like the various preposterous ideas to do a lunar landing with Gemini spacecraft. There is an audience to which this is a very funny thing to admit and it is not my fault that you are not in it. Anyway that’s where the action has gotten by now.
The last, for the known future, original Amazing Spider-Man daily strip ran on Saturday, the 23rd of March. It has Mary Jane and Peter Parker on an airplane — first class — travelling to Australia. This is what they had planned to do before that whole Luke Cage/Killgrave problem got going.
Had the comic not been cancelled, Thomas reports, they’d have gotten to Australia to face The Kangaroo. There are several The Kangaroos in Marvel Comics history. Given the loosely original-Marvel-Universe theme of the comic strip I’d guess it to be the first, the one who debuted in the comic book in 1970, but who knows? Both had great powers of leaping.
Sunday the 24th showed a weirdly hacked-together comic. It has the narrative tag “Peter Dreams of Good Times”, suggesting that all the reruns to follow are simply Peter Parker, asleep on a plane, thinking of the past. It’s not a bad way to set up rerun sequences. For that matter it excuses any plot holes in past stories, or any inconsistencies made by presenting them out of order. It’s not a good way to overcome the snark community impression that Peter Parker mostly wants to nap. Never mind.
The strip from the 24th is an edited version of one from the 16th of November, 2014, as commenter seismic-2 on Comics Kingdom tracked down. When this Sunday strip first ran it was a transition. The storyline had Doc Octopus feigning being a hero and framing Spider-Man as villain. Thus the second panel; when it was talking about and showing Doc Octopus it fit the action of that storyline. The next storyline, and the one I’m assuming we’re repeating, features Mysterio, supervillain master of special and practical effects. He’s a goofy villain, but one I like, since part of his gimmick is supposed to be that he doesn’t have “real” powers, he just puts on a good performance.
Mary Jane talking about her play’s theater being destroyed is not an edit. When this story first ran in 2014 the Mammon Theater was closed for repairs. The theater got to host a gunfight and then had a helicopter dropped into it in the Iron Fist storyline, the one previous to the Killgrave story that closed up the strip. Coincidence but, I suppose, a useful one. If someone didn’t know this was all Peter’s dream, well, there’s reason for the theater to need repairs.
Before I get to the weekday Phantom storyline I have a warning. The storyline includes a despairing character considering suicide. If you aren’t comfortable with that, you’re right. Skip this installment. We’ll catch up again in June.
The Phantom (Weekdays).
December 2018 – March 2019.
I last visited the weekday Phantom at the start of a new story. This one, the 251st, is “Heloise Comes Home”. Heloise Walker had crashed the plane of Eric “The Nomad” Sahara and gotten the terrorist arrested. She’d made her way back to the Briarwood School and her roommate, Kadia Sahara. Kadia knew nothing of her father’s avocation. All she knows is her roommate is demanding they flee the country now before it’s too late.
So this is the first, and surely last, time one of my recaps spans three Phantom stories. I’m delighted. This covers the last couple months of 2018. If it’s much past about March 2019 when you read this you’ll probably find a more up-to-date recap at this link. The link covers both the weekday continuity and the separate Sunday storylines. But it should be clear enough what I’m writing about, either way.
The Ghost Who Walks had spent a couple months on his back, last time I checked in. He was recovering from major injuries after a failed capture of Eric “The Nomad” Sahara. The Nomad was in Manhattan, having one last weekend with his daughter Kadia, before going into hiding. Also spending time with his daughter’s roommate, Heloise Walker. Sahara concluded, wrongly but not stupidly, that Walker was a secret agent plotting to capture or kill him. So he threw together a plan. He reported Heloise as a terrorist to the Transportation Security Authority. They arrested her in front of Kadia and everything. This so Kadia would not try to work out Walker’s disappearance. Sahara then collected the released Walker, planning to fly her somewhere she could be killed without detection. My last recap ened with them on the runway, Sahara getting his private jet up to speed.
Walker recovers consciousness just into takeoff. She fights him in the cockpit, sending the plane out of control, crashing it into the suburban neighborhood beside the airport. Walker and Sahara are still alive, and keep fighting, Walker thinking of the 21 generations of Phantoms before her. Walker knocks Sahara unconscious and drags him out of the plane before the airport emergency crash teams can get there.
The first cop on the scene is one who’d arrested Walker at Sahara’s misdirection earlier. Walker tells him Eric Sahara is The Nomad, internationally wanted terrorist. She flees. The cop follows, and shoots, but into the air. She escapes.
Back home in Bangalla, The Phantom wakes after uneasy sleep. He gets the message Heloise Walker left earlier in the morning, and in my previous recap. The one about her having found The Nomad and her then-plan of getting him to share his plans. The Phantom’s ready to run for New York, despite his neck being only barely connected yet. It’s moot anyway. Heloise Walker calls with the news about The Nomad’s arrest.
She’s stumbling around convenience and dollar stores. She’s trying to disguise herself. She’s certain that the authorities have her picture, and soon, her identity. The authorities publicly claim the cop’s body camera malfunctioned. That initial reports of a girl being with Sahara were mistaken. That it was that one airport cop to credit for this capture. Heloise guesses, correctly, that that’s a lie. And she’s torn between pride in her having stopped a major international criminal and wanting to go home.
In this he lays out some of the setting. Notably about his tutor, Kyabje Dorje, who gives off strong Phantom vibes himself. That he’s a scholar, a gentleman. He occasionally returns from disappearances with unexplained injuries. (Be a heck of a thing if he goes flying off to vanquish evil and maybe reconnect with his mentor in El Paso who taught him the mysterious ways of the cowboy, right? By “a heck of a thing” I mean “a thing that seems like the premise of a guest-star Control agent on Get Smart”.) And about Chief Constable Jampa, the local corrupt law agent. They got off to a bad start, with Jampa holding this foreigner at gunpoint. He relented only because Kyabje Dorje’s whole monastery insisted. Since then … well, we haven’t seen anything. But we’ve got the threads for this ready to go.
Anyway, he wraps up, congratulating his dad for capturing The Nomad and all. He makes a couple ironic jokes about his sister having a soft time of it. And he sends his love. And wraps up the letter and burns it to ashes, the better to keep family secrets.
And that’s that story. This past week, the 10th, started the 251st daily-continuity Phantom story, “Heloise Comes Home”. The title picks up from what Heloise said in the last strip of “A Reckoning With The Nomad”. She’s made her way back to the Briarson School, not because she figures she can return to classes. “Crashed Your Roommate’s Father’s Private Jet And Got Him Arrested For Terrorism” gets you out of the semester in most any school. It’s only an urban legend that it’s an automatic A for the semester, though. Walker gets back to her room and very briefly informs Kadia they have to flee now or they’ll never get out of the country. But that’s all she’s had time to do.
I have no information about where the story might be going. (And I’m not seeking any. I’m content to read the comic like anyone might. Let actual comic strip news sites carry teasers.) I can see obvious potential paths. It would be ridiculous were authorities not to investigate Kadia Sahara. This though she does appear to be wholly uninvolved with anything. Fleeing the country would be the first suspicious thing she might do that we’ve seen on-screen. Heloise Walker would likely be investigated as someone near to Eric Sahara even if she weren’t on the body-camera footage. That her mother’s got a senior position with the United Nations is likely to attract more official attention. And it makes me realize I don’t know what the world thinks the senior Kit Walker does. That is, they do see this fellow named Mr Walker who’s always wearing sunglasses and has antique airplanes and the like. I don’t know what people imagine his day job to be.
A running thread of Heloise Walker’s story has been her desire to be a female Phantom. It’s quite fair that she might be afraid of that now that she’s been through an intense and terrifying experience. (Can’t forget that, for all her poise and formal-dinner-wear outfit, she is a teenager, 15 or 16 years old.) Reconciling the fantasy of her family’s superheroic lifestyle with the reality is a solid character challenge as well.
I last checked in on Spidey at a big moment in his team-up with Iron Fist. They, with Colleen Wing and heel-turned-face Suwan have tracked The Kingpin and Golden Claw to the Mammon Theatre. Kingpin and Golden Claw are using the closed-for-repairs theatre for a crime summit. Kingpin and Golden Claw explained to New York City’s mob bosses that they were taking over everybody’s rackets. The New York City mob replied with enthusiastic bullets.
Spidey and Iron Fist are calm, though. The Kingpin and Golden Claw speaking before the crime summit were holograms, just like Spidey and Irony totally figured out. But then a gas canister drops from the ceiling. Spidey swings out to grab it, since there’s no way to guess whether it’s knockout or poison gas. That’s all right. Every crime boss in New York City is happy to start shooting at Spidey, canister in hand, even though they could draw the same conclusion. Luckily none of them can draw a bead, so Spidey is able to get backstage with the gas.
There’s a bit of a battle royale as crime bosses race Spider-Man and Iron Fist. But Iron Fist can do that thing where if a superhero punches the ground it knocks out people who are just standing on it. So he punches the ground and it knocks out people who are just standing on it. Not all the crime bosses, but that’s all right: the cops are here. Iron Fist, in his secret identity as billionaire rich man Danny Rand totally called them earlier. So there was always a cavalry on the way and he just didn’t have the chance to mention it before.
Our Heroes infer that Kingpin and Golden Claw have to still be in the area. It would take too much energy to create realistic holograms if they weren’t nearby. That’s totally a logical reason the Kingpin and Golden Claw have to be in a helicopter taking off from atop the Mammon Theatre right now.
Let me pause. I know I’m sounding snarky here. A bit of me is. The story logic is not airtight. But understand: I’m enjoying it. The Amazing Spider-Man has this airy, cheerful, upbeat tone. I’ll go along with “They’re not really here, they’re holograms! Also they’re really here!” when I’m having fun. In this I am like everybody. I grant if you feel this story’s gone on too long for the plot points established then you’re not going to be won over by the reasoning that has Spider-Man and Iron Fist jumping onto a helicopter trying to flee Broadway. That’s fine. It’s good news for the oatmeal shortage.
So. Spidey and Irony punch the getaway helicopter. The good news: this does stop the helicopter. The bad news: the helicopter was in flight. Fortunately, Spider-Man’s overcome a temporary jam in his web shooter and is able to make an emergency parachute out of his webbing. I didn’t know that was a thing, and Spider-Man admits it’s been so long since he did that he didn’t know if he could anymore. Anyway, the empty helicopter crashes into the theatre.
Spider-Man and Iron Fist land in a construction site. It’s also where the Kingpin and Golden Claw have landed. The villains had emergency escape jet packs in the helicopter because of course they have. Why wouldn’t you? It’s just good sense.
So, the fight. It’s a tough one. The Kingpin has been studying Spider-Man’s methods ever since they last fought. He’s ready for anything Spidey can throw at him. Mostly it’s punches. No webs, which seems like an oversight to me. Meanwhile Golden Claw was figuring Iron Fist would eventually punch him, so he’s wearing a metal talon that’s got full anti-punch powers.
The fight is a stalemate. Spidey and Irony can only hope to hold out until Kickpuncher can arrive. Spidey and Irony figure, hey, why not try punching the other guy’s villain? And that works out great. The Kingpin might be ready for Spider-Man’s punches, but for Iron Fist’s punches? Not nearly. Meanwhile Golden Claw might be ready to deal with Iron Fist’s punches, but when Spider-Man tries kicking? Ta-da. And you thought I was putting up a cheap Kickpuncher reference there.
Our villains are resoundingly punched and kicked. Also turned over to the cops. Spider-Man and Iron Fist go off for a little chat. Spider-Man wants to make good on earlier in the story, when he didn’t reciprocate Iron Fist’s revelation of his secret identity. But Iron Fist isn’t having it. He’s been thinking about it, and realized he was being presumptuous earlier. If he, billionaire Danny Rand, had his secret identity leaked he could still protect himself and loved ones. Spidey? Not likely. So, you know, cool. Anyway, if Spider-Man needs him he’ll be at the Rand Tower and totally answering his phone and not evading Spider-Man to go on weirdly nonspecific missions, like usually happens when Spidey needs the help of the X-Men or the Avengers or the Fantastic Four or somebody.
Incidentally, Spider-Man as he tries to unmask mentions that it’s Halloween. This is part of the weird flow of time in the newspaper Spider-Man universe. All this action since September, our time, has taken place over the same day. It could easily be under an hour of time. The strip does this sort of compression of time, naturally. But it will also sometimes throw in a reference to the date of publication. I don’t think there were any other specific days mentioned this storyline. But it would be plausible for one in-strip day to be mentioned as being, like, Labor Day, Halloween, and Thanksgiving at different parts of the story. Not sure why the comic strip wants to draw attention to the weirdness of time like that. I suppose the writers figure, you know, we readers should relax.
Anyway, Spider-Man looks on in dismay at the destruction of the Mammon Theatre. This was where Mary Jane Parker had been performing. No telling how long that’ll be closed now. Mary Jane’s accepting of it: now her publicity tour, which took her to Las Vegas (with Rocket Raccoon) and Los Angeles (with Melvin, King of the Mole Men) and Miami (with the Incredible Hulk), can end and she can go home.
J Jonah Jameson’s home too, as of the 10th of November. Which I’m calling the start of the new story.
The new story: Jameson is figuring to find and expose Spider-Man once and for all etc etc. But he’s got a new plan this time. He’s hired Luke Cage, Hero for Hire, to find and expose Spider-Man etc etc. After breaking down managing editor Robbie Robertson, though, Cage has bad news: he’s nota hero for hire anymore. If Jameson proves he’s a crook, Cage will haul him in. But he won’t do it for money. He’s just in it for smashing in newspaper managing editors’ doors. Well, that’s relatable. And that’s what’s happening as of today.
The Headmen continued on with their machinations to rule the world through non-violent means, through the use of social, political and economic scheming. Morgan went to France, while Nagan went to India using Morgan’s shrinking particles to shrink important political figures. Back in the United States, Ruby Thursday was running for president.
And there’s a lot that’s screwed up in comic book worlds. But I like this vision of a politics where evildoers are going around making each other small. Also there’s some part where one of the characters gets his mind put in the body of a baby deer, but I don’t see where they say what happens to the baby deer’s mind.
There’s always two answers about what’s going on in The Phantom. The Sunday strips, written by Tony DePaul and illustrated by Jeff Weigel, are one thread. That’s the one I recap here. The weekday strips, written by Tony DePaul again but illustrated by Mike Manley, are a different storyline. Both have plot recaps at this link, because I can’t think of a better way to arrange the tags. I never learned that you can easily have subsidiary categories of a main tag, and have been able to on WordPress blogs for years, you see. It’s a shame and someone should tell me. Anyway, both storylines are recapped there and you can get the most recent update to both by using it and a bit of sense.
The Rat is getting farther from death, but on the other side of the event.
The story of The Rat, who must Die, reached its one-year mark since the last time I checked in. The Rat had lead The Phantom to his former partner-in-crime, The Boss. The Phantom had promised to recommend time off The Rat’s sentence for his help bringing in The Boss. The Rat failed spectacularly at getting away from The Phantom. But in the struggle between The Phantom and The Boss, he took a chance to clobber The Phantom with The Shovel. And The Boss was readying to run down The Phantom with his car.
The Phantom shoots his gun at the driver. He forgets that in Rhodia they drive on the other side of the road. I liked that bit. I like superheroes who make realistic mistakes such as that. The car still smashes against The Phantom. The Boss comes out to kick The Phantom before shooting him. The Phantom staggers to his feet, holding a knife against The Boss. The Rat warns that The Phantom’s never going to give up. The Rat finds The Phantom’s other gun, and declares he knows for sure how this plays out.
The Rat turns again: he shoots The Boss, who fires back. They’ve killed each other. The Rat takes a bit longer to die. It gives him the chance to say how he wished he could have a life more like The Phantom’s. And chuckles that, hey, he got out of Boomsby Prison, never to return, after all.
Jungle Patrol arrives. The Phantom had called in his private air cavalry earlier in the story. They collect the bodies and return to Bangalla, and Boomsby Prison. The Warden soon has a report for Bangalla’s president, Lamanda Luaga. They believe The Phantom kidnapped and executed The Rat. They don’t know the Jungle Patrol is under The Phantom’s control. President Luaga publicly dismisses this as legend. And privately concedes he doesn’t know why The Phantom wanted The Rat dead but is sure he had a good reason. It’s nice to see a superhero who’s got the confidence of the authorities these days. But, jeez, that’s putting a lot of trust in someone’s judgement.
And there’s another mystery. The Rat’s corpse has disappeared from the morgue. The Phantom took it, of course. He’s giving The Rat a funeral, with the help of Bandar pallbearers. His wife asks a question that’s been nagging at me for a year-plus: what was his name? The Phantom doesn’t know.
Tony DePaul was kind enough to reveal this story’s set to end the 11th of November. I’m sorry to miss the end of the story by such a slight margin, but what am I to do, adjust my arbitrarily set schedule for good reason? No, I’ll just include a sentence or two about the end of this story when I get to the next Sunday-continuity recap, sometime around February 2019.
It’s a look at three months of action in Terry Beatty’s Rex Morgan, M.D. Have we seen the Las Vegas Pinball Hall of Fame? Have we talked to every roadside statue in the midwest? Has Rex Morgan seen a patient or done a doctor-y type thing? Well, no, probably not that. But they must have done something or other.
Hi, readers interested in Tony DePaul and Mike Manley’s The Phantom. I’m writing here about the weekday continuity. It’s a story separate from what Tony DePaul and Jeff Weigel have going on Sundays. Both storylines get their recaps at this page, although we’re about six weeks from the next Sunday-strips recap. Also at that page should be any recaps that I write after this one. So if you’re reading this after about December 2018 there’s probably an essay recapping more recent plot elements there.
The Ghost Who Walks had got back to his cave and gotten sewn up last time I checked on the daily strip. It was part of a story, A Reckoning With The Nomad, that began the 19th of February. It’s the 250th weekday-continuity story. Eric Sahara, supercriminal terrorist known as The Nomad, had lured The Phantom into a raid on his bungalow. The Nomad wasn’t there. Many gunmen were. The Phantom got out, but with serious injuries. He wondered: Where is The Nomad?
He’s in Manhattan, it turns out, visiting his daughter Kadia. She’s attending the prestigious Briarson School. Her roommate is Heloise Walker, daughter of the current Phantom. Also twin sister of the Phantom-apparent. Heloise would rather like to be a Phantom herself. It’s not a ridiculous plan. The Chronicles of Skull Cave record Phantom-connected women donning the purple-and-stripes for various missions. And not only in stories told recently, as we might expect a decades-old comic strip might try to downplay old casual sexism. Comics Kingdom runs 1940s and 1950s-vintage Phantom strips as well, and those have had stories of women acting as the Phantom. (The story linked to there, from 1952, is neat as it talks about that Phantom’s twin sister who decides to get into the superhero game, much as Heloise has been saying she could do.)
Still. Phantom has known for a while his daughter was roommates with The Nomad’s daughter. He’d kept this secret from his family, the better to not worry them. He had a change of heart after the ambush made him go horse-riding with a massive wound in his neck. Walker tells his daughter exactly who she’s roommates with. “Better late than in the middle of the dinner your loved one is having with the international supercriminal terrorist”, goes the Old Jungle Saying.
Because the Nomad is figuring it’s time he disappear. So he’s visiting his daughter for one last weekend before he vanishes. His pleasant tourist weekend with Kadia and Heloise was that last weekend. It’s also a neat bit of plot rhyme to the weekend Kadia and Heloise spent with The Phantom and his wife, by the way. Heloise gets this news in the middle of dinner with him. She’s ready to tell her father where The Nomad is. Fear overtakes her: if he knew, Walker would jump on an airplane right then, despite the risk to his life. She figures she can do at least as well by sticking close to the Nomad and if lucky getting an idea his plans. Pass that on to her father when he’s well enough to fight, and everything will be in great shape.
The Nomad’s got plans for Heloise too. He’s learned Heloise Walker was for a time the young ward of Bangallan President Lamanda Luaga. And that this is something she’s never found worth mentioning to Kadia. His conclusion: she’s a young agent of the Bangallan government, sent to get to him through his daughter. It’s wild but not absurd. It depends, for example, on ascribing deep meaning to Kadia and Heloise being roommates. In-story, that was set because the school’s headmaster thought it cute. Or why Heloise reveals so little about her past, or her parents. Well, there’s other good reasons for her to be quiet about all that.
So he figures to kill her before she kills him. He forms a plan that seems, at first, confusing. But the indirectness is for good reason. He doesn’t want Kadia distressed about Heloise. And also doesn’t want her asking questions about Heloise’s disappearance. So the next day he goes to the Transportation Security Agency with a report of how he’s heard Heloise goes making pro-terrorist statements like “terrorists are great” and “I love that terror stuff”. He tells them he’s glad to keep Heloise busy while they ready to arrest her. But he’ll have to act like he protests when they take her, for the sake of her daughter. You know he donates so much to the TSA’s widows-and-orphans fund? (Which is a heck of a sick joke that DePaul left there for you to realize was there.)
The Nomad treats his daughters to dinner on his own private jet, on the runway yet. Heloise steps out to text her father about how she knows who the Nomad is and how she’s going to get his trail. She’s barely done giving the cavalry pretext to arrive when she’s arrested. Kadia demands her father do something. He does: he pretends to talk with the Chief. And that the Chief told her Heloise is going to federal custody. He takes the batteries from Kadia’s phone and tells her to rest. And to process the news that Heloise is some kind of terrorist and going away to Federal custody. Thus he has this goal: Kadia has a story to why Heloise will never be seen again.
Meanwhile the security apparatus has done some investigating. They’ve worked out that Heloise Walker may be a Bangallan national. But she is white and rich and I’m guessing Anglican. (I mean, the original Phantom was born in England in the 16th century, so there’s an obvious guess but also plenty of room for that guess to be wrong. And there’s five hundred years since then, even if the family’s settled on some strong traditions. Doesn’t seem to be practicing any European religion strongly, anyway.) They let her back into the Nomad’s custody. This seems quick. But a cop that The Nomad encounters on the airport tarmac does say how Heloise checked out, and it’s worth reporting people anyway. You never really know.
The Nomad brings Heloise back to his plane and explains that of course he’s dismissed all his servants. Also Kadia’s totally on the plane. She insists on calling Kadia first. When she only gets voice-mail, she fears The Nomad has killed Kadia. And lets slip that she knows who he is. She flees. He catches her and knocks her out. He takes her into the plane. He’s going to fly her to somewhere he can throw her into the sea.
(One of her shoes fell off, since high heels are always doing that. The cop I mentioned earlier drives up when The Nomad’s picking up the shoe. He considers killing the cop, to cover up that possible thread. But the cop only talks about the importance of keeping everyone under surveillance, and doesn’t seem to notice the shoe, so The Nomad lets him go.)
The unconscious Heloise dreams of sparring with her brother Kit. His dream-image is urging her to wake, now. The Nomad’s holding for clearance to take off.
It’s time to check in on Mark Schulz and Thomas Yeates’s Prince Valiant. Has the strip been invaded by the Byzantine Empire under Justinian? You’ll know soon!
So with that fairly answered let me get back to recapping the plot of Stan Lee, Larry Leiber, and Alex Saviuk’s The Amazing Spider-Man. Any plot recaps — or other news that seems worthy — about the comic strip that I post later on should be at this link.
When I last checked, Spider-Man and Iron Fist were enjoying the Ritual Fight Until They Realize They’re Both Heroes all superheroes must do. They were outside the 14th-floor window of the hospital where FBI Agent Jimmy Woo recovered from a clobbering. I guessed Spidey and Fist would stop fighting and team up by Wednesday. By Wednesday Spidey had stopped fighting on the grounds his Spider-Sense told him Woo was in peril. Iron Fist smashes through the building wall, interrupting the woman trying to inject Woo with poison. She and her henchman try holding Doctor Christine Palmer hostage, but Spider-Man webs them. The heroes vanish.
Spider-Man suggests they team up, the better to find the “Golden Claw” behind the attacks on Woo. Iron Fist resists the idea, but wonders if Spidey might be right. He reveals himself to be Danny Rand, billionaire CEO of Rand Enterprises, survivor of a plane crash in the Training-White-Guys-To-Have-Mystic-Powers-Of-The-Inscrutable-East district of the Himalayas and recently returned to civilization. Went to school with The Shadow, Mandrake the Magician, Kit Walker Junior, and the 90s-animated-series Batman. Peter Parker responds to this show of trust by running away. Also by collecting the camera he’d secreted away to get photos of his Fight Cute with the Iron Fist. His are the first photographs that prove Iron Fist exists, and they make a front page photo-and-story for Peter Parker.
Petey mopes, though. He feels guilty not responding to Iron Fist’s trust in kind. And for proving Iron Fist exists, when he’d been working sub rosa against The Hand, another of those criminal syndicates I guess. Robbie Robertson, managing editor of The Daily Bugle, gives Parker the tip that Iron Fist has something to do with the martial arts studio. Parker swallows his conscience enough to go there and ask for its manager, Colleen Wing. The woman running the place sets an appointment for him at 11:00, on Crouching Dragon street.
It’s in the Chinatown district of the comic strip. The National Authors Advisory Council on Unconscious Racism dispatches an observer they dearly hope they can spare from Mark Trail. The women from the dojo lead Peter Parker through the twisty passages deeper into Chinatown. And then turn on him, attacking him with swords he dodges by using his spider-powers. He worries how to keep dodging them without giving away his secret identity when someone clobbers him with a giant metal mace. I know it’s a standard joke in Newspaper Spider-Man snarking circles to mention how he keeps getting hit in the head. But, boy, he keeps getting hit in the head.
So the woman apparently running the dojo was not Colleen Wing. She was Suwan, grand-niece of the Golden Claw. Golden Claw has the real Colleen Wing bound. And he figures that Peter Parker, as the husband of Broadway actor Mary Jane Parker, is too important to simply make disappear somehow (?). Golden Claw demands to know what Parker knows of Iron Fist and Spider-Man. He claims all he ever did was get close enough to Iron Fist to take a photograph. Suwan searches Parker enough to find his boarding pass, showing he did just get back from Miami. She doesn’t search enough to find the Spider-Man costume he’s wearing under his clothes. She does discover Jimmy Woo was the FBI agent her grand-uncle ordered killed, though, and that’s a problem. She’s always loved him. Golden Claw has given her clear orders to get over him, but no.
And then in comes wide crime boss The Kingpin. He got released from jail at the start of this story. It’s part of the Superhero Parole Board’s longrunning, popular “Let’s Just See What They’ll Do” program. What he’ll do is order Wing and Parker taken to Wing’s studio where they can be set on fire. Iron Fist interrupts their murder, and punches the henchmen’s truck into Apartment 3-G. But they’ve still got Colleen Wing, and are ready to shoot her. And then Suwan does her heel-face turn, tasering the henchmen. She feels no loyalty to her grand-uncle now that he’s broken his pledge to not hurt Jimmy Woo, so, that’s nice to have settled.
She won’t explain the plot in front of Peter Parker. And that’s all right. He’s wanted to get into his secret identity anyway. He walks off, muttering, “Gosh, I wonder where Spider-Man, that excellent superhero everybody loves, is” and then coming back in costume. Iron Fist, Suwan, and Wing sigh, roll their eyes, and say, “Jeepers, it sure is lucky Peter Parker was able to get in touch with you by some mysterious means so fast”.
So what’s going on: Suwan leads them all to the Mammon Theatre. It’s the temporarily-closed location of Picture Perfect, the play Mary Jane Parker’s starring in. It’s also where Golden Claw and Kingpin booked their crime summit. Their plan: they’re going to tell everyone they’re taking over everybody’s rackets and this solves their problems, see? But Kingpin and Golden Claw are really going to kill them all. The first part of the plan goes great. All New York City’s gangsters are thrilled by this opportunity to be taken over. They’re fired up with enthusiasm and bullets. And that’s where the story’s reached now.
Looking to understand the events in Tony DePaul and Jeff Weigel’s The Phantom, Sunday continuity? I’m happy to help. This update should get you ready for mid-August 2018, and maybe for a month or so after that. If it’s later than about November 2018, I should have a more up-to-date story summary and you can read it here. That link will also catch you up on the separate weekday continuity. Happy to help.
The Phantom (Sundays)
20 May – 12 August 2018.
The Rat Must Die, promised this story, which began back in October of last year. The Rat figured he could ease his way out of Bangallan prison by turning jailhouse-informant on his former partner, The Boss. The warden laughed him off. The Boss ordered a hit on him. The Phantom decided to take The Rat up on this offer. Not for freedom, just for The Phantom’s good word recommending a lighter sentence. They began a long hike out of Boomsby Prison, and then through the jungle. This lead them to the neighboring fascist state of Rhodia, where the Partner’s mansion was.
The Phantom strolls into The Boss’s house and takes out the guards easily. Comically so. Well, it’s late at night, nothing much has been happening, they figure The Rat is already dead. You never expect The Phantom to go knocking heads together. In a free moment The Phantom calls the Jungle Patrol. In his guise as the Unknown Commander he orders the extraction of The Boss’s minions. Also The Boss and The Rat. And that The Rat should get time off for helping bring The Boss to justice.
Then it’s just a matter of actually grabbing The Boss. That’s easy enough, since he’s sitting in a hot tub, not paying attention to some women there with him. The women flee. He comes along with The Phantom, protesting how this is totally illegal. Then The Rat clobbers The Phantom with a The Shovel. This gets The Rat and The Boss back on good terms. At least for long enough to talk themselves out of shooting The Phantom in the head.
The Rat at least has a stroke of conscience about it. All their conversation while journeying has left him kind of liking The Ghost Who Small Talks. The Boss, well, he just wants to “turn this guy into soup” before shooting him. This he starts by trying to run The Phantom down with his car. This raises natural questions about the quality of his corn chowder. Phantom wakes up in time to start dodging. But he only has his sidearm against a rampaging car; he’s faced with maybe shooting The Boss. Bad form to use deadly force if there’s an alternative, but what alternative does he have?
Hi, readers interested in the 250th weekday-continuity storyline of long-running superhero comic strip The Phantom. I have no idea what that story is going to be. I’m writing this in late June 2018, in the midst of storyline number 249, A Reckoning With The Nomad. When story 250 starts — or other stories do — I’ll try to cover them, as well as any Sunday-continuity stories — with essays at this link. Thank you.
Where was the story in early April, last time I checked in? A failed airport bomber offers to reveal the identity of The Nomad, international terrorist and menace to The Phantom since 2011. The Phantom knows who The Nomad is: he’s Eric Sahara, father of his daughter’s roommate at Briarson School in New York City. The Phantom figures some kind of legal and political chaos will follow the Nomad’s naming, if he is truly publicly identified. So he figures to break into The Nomad’s compound and abduct him. He saw the Nomad from afar, acting strangely non-fleeing for someone who could expect authorities to be closing in on him. And that’s where we had been.
The Phantom gets past the security guards the way superheroes always get past security guards. Mostly with a bunch of well-placed punches that don’t attract other sentries. He grabs The Nomad out of bed. The terrorist cringes, whimpering and begging for mercy, and tells an incredible story, backed up by flashbacks on-camera. He’s not Eric Sahara. He’s just a Parisian man, abducted, surgically altered, and forced at gunpoint to be a decoy Fake Nomad. No-Nomad? That’ll suffice; I missed the fellow’s actual name. The Real Nomad’s plan succeeded. The Phantom’s trapped in a jungle bungalow, surrounded by armed guards. Who, you know, weren’t working too hard to stop his breaking in, earlier in the paragraph. Ah. No-Nomad runs, begging for his life, telling his captors how they don’t need him anymore now that their plan has worked. They murder him.
They’re ready to murder The Phantom too. Also his pet wolf, Devil. And they have an enviable tactical advantage. They surround the bungalow’s exits. They’re stocked up with 800 million jillion kerspillion rounds of ammunition and grenades and rocket-propelled grenades and missiles and neutron bombs and photon torpedoes and Starkillers and a couple right nasty rubber bands flung from between their fingers. Plus I bet they call him nasty names too. Those really hurt.
So it’s a well-organized trap. Their one mistake: they left a mattress in the No-Nomad’s bedroom. It’s cover. It lets him deflect a rocket-propelled grenade so as to blow open a new way out, an action both cool and absurd. (This broke the ability of one of Comics Curmudgeon’s commenters to suspend disbelief. I understand. I’m still along for the ride, but I would also have watched the Mythbusters episode where they tested this one.) Phantom and Devil race through the new opening. They escape The Nomad’s underlings who somehow fear they’ll be punished for letting The Phantom escape the death trap. The Phantom decides, yeah, he’s definitely going to take advertising from that silver-threaded mattress-kit delivery service on his pop-culture hangout podcast, The Ghost Who Walks Out Of Bad Movies. (Highly recommended if you need some more stuff to listen to. He and Mandrake the Magician have this great running gag of pretending to be Confused Johnny Hazard not understanding the exposition no matter how simple they make it.)
The Ghost Who Brings A Mattress To A Rocket-Propelled Grenade Fight is scathed, though. He unwisely pulls some shrapnel from his neck, opening up an artery. There’s nothing for it. He rides Hero, his horse, back to Skull Cave, while keeping as much pressure as he can on it. (This is another point that shattered a Comics Curmudgeon’s suspension of disbelief. I’m more sympathetic to this.) He makes it to Guran, though, and emergency surgery. Also a blood transfusion that surely will not result in his no longer being able to turn into The Incredible Hulk.
And that’s the major developments the last several months. As the shortness of this essay indicates it hasn’t been a dense plot. It’s had plenty of action, and intrigue. It’s just been a lot of stuff happening on one very busy night for everyone.
Hi there, readers curious about the 248th weekday-continuity story of Tony DePaul and Mike Manley’s The Phantom. Or about the 249th story, which is partially completed as I write this. If you want my most recent Phantom plot updates please look at or near the top of this page. Any later-written essays — Sunday or weekday storyline — should be there.
The Return of the Locust was the story’s title. The Locust, a magical superhero poking around the American Southwest, warned The Phantom that this weird cult was hanging around Walker’s Table. The Table had been in The Phantom’s family since 1499 and this got Kit Walker out of Africa and into Arizona-ish climes. There, the Ghost Who Walks discovered Savior Z, a messiah-ish figure warning his flock of the alien spaceships hovering by the Moon and ready to invade. (An event of low but not dismissible probability, I have to say. The Phantom shares the universe with Mandrake the Magician, and all sorts of crazypants stuff is always happening there. Or was before Fred Fredericks had to retire. But DePaul and Manley have brought Mandrake into The Phantom in recent stories.) Savior Z had identified The Phantom as one of the aliens, part of the invasion vanguard. And, having knocked him out, the cult was now rolling The Phantom over the edge of the cliff.
But they don’t call him The Ghost Who Rolls Away From The Cliff Edge, Regains His Footing, And Throws Cult Members Around Like Rag Dolls While His Wrists Are Bound Together for nothing, and guess what happens? But it’s still pretty dire, and the cult is ready to charge the still-bound Phantom again, when finally The Locust does something. To wit, he sends a bunch of locusts to swarm around the cult. In the confusion Walker breaks his bonds. The cult members aren’t so fortunate, and follow a wildly charging Savior Z right to the edge of the Table, and past that, and then all the merry little fun of this is over. He’s not able to even save one life of the bunch.
The Phantom waits for The Locust to come in and explain what the heck, man? The flipping heck? The Locust explains how the cult members had lost their lives years ago, following Savior Z. Savior Z meanwhile had come to Walker’s Table, desperate and alone and following a mystical coyote (or wolf, perhaps) who knew about the water underneath. Savior Z, saved from certain doom by this mysterious figure who disappeared in a cloud very like the Locust’s own swarm, decided he needed to use his chance to save mankind. Anyway, that’s The Locust’s story. The Phantom isn’t impressed with The Locust at this point. Have to say, I agree. It’s hard to read this as much besides The Locust stirring up a weird but basically stable scenario until a lot of people died.
(Yes, the cult did have anti-aircraft guns and was shooting at the Phantom’s airplane. See earlier essay. I missed where the artillery came from. The cult doesn’t seem big enough to be able to afford equipment like that. If it’s The Phantom’s own defense gear that explains where it came from. But then it’s his own fault for leaving it unsecured and in operable condition. I think he was taken by surprise by the gun’s existence, too. Did The Locust have something to do with the artillery getting there? In which case, what the heck was he thinking? And if it was the cult that got it on their own, well. Yes, it’s a bad idea to leave guns in the hands of irrational people. But was this the best way to handle that?)
But as Walker’s readying to return home he sees a weird sight: The Locust, in his more-human guise, leading the members of Savior Z’s cult through the desert, away from the Table. (No Savior Z, though.) And on that strange, palatably mythological note the story ends, the 17th of February. The Phantom Wiki logs it in at 20 weeks for a total of 126 strips. That seems more like 21 weeks to me but it’s their arithmetic.
The story starts with Kay Molloy and Hawa Aguda, of “We Quit! We’re Joining The Jungle Patrol!” meme-fame. As Jungle Patrol officers they’re surveilling a person unknown to them, at the behest of the Jungle Patrol’s leader, the Unknown Commander. Meanwhile they speculate about the identity of John X, whom they suspect (correctly) to be the Unknown Commander, and who is also The Phantom. (And whenever I get to looking closely at that I wonder how they can get compartmentalized information to work this well. Really seems like with so many unidentified figures in key positions there’s all sorts of room for trouble, even before deliberate mischief-makers get into things.)
The person under surveillance is indeed Eric “The Nomad” Sahara. And getting all this intelligence is Kit “The Phantom” Walker. He’s figuring to do something about The Nomad just after he gets back home. He and his wife are flying to New York City, to see their daughter Heloise at the Briarson School. There, she’s attending classes with Kadia Sahara. Who is, The Phantom realizes, the daughter of that Eric Sahara. They’re roommates. The Headmistress of the school put them together several storylines ago. She’d figured, basically, they’re both from Africa, they’ll have so much to talk about.
Kit, Diana, and Heloise Walker, and Kadia Sahara, spend some time doing some appropriate Manhattan tourism. It’s a pleasant time except for how The Phantom is busy thinking all the time about how revealing Eric Sahara’s identity as an international terrorist is going to wreck Kadia’s life. Diana’s aware of something on Kit’s mind. On the flight home, he reveals to his wife this bunch of secrets. She’s not amused by how thoroughly her husband concealed this from her. She’s only slightly mollified by his explaining that with the collapse of The Nomad’s terrorist networks it’s becoming safe to reveal his identity to the world.
Then on TV, Africa Today has a piece on the True Identity of The Nomad. A failed airport bomber is offering to reveal his identity. The Phantom figures his best chance to take The Nomad is to catch him before the bomber can reveal what, if anything, he actually knows. And The Phantom refuses Diana’s suggestion to have the Jungle Patrol catch The Nomad. He figures to get in and take The Nomad by surprise, so that “half his men won’t even know I was there!”
And that’s where the Ghost has Walked to by the first week of April, 2018.
Recapping the plots of the story comics has been good for my readership. It’s also good for my spirits. There’s usually something delightful going on in the strips. They’re not always as glorious as, say, Mary Worth on a cruise ship or that dopey mob kid in The Phantom Sundays. But there’s usually something. And some comics just keep delivering glories. Among them is Stan Lee, Larry Leiber, and Alex Saviuk’s The Amazing Spider-Man. I reliably look forward to recapping this strip’s plots.
This is the recap for the end of March 2018. If I’ve had another post about it since then look at or near the top of this page. I’ll try to have it there. And, yes, if there is news about Stan Lee — who’s been reported to be in bad shape — I’ll share what I do know. His name’s always been attached to the newspaper comic strip, although there are people who wonder how much he writes it himself.
The Amazing Spider-Man
31 December 2017 – 24 March 2018.
There was a spectacular super-crossover going on last time I checked in. While visiting reformed rampaging monster supervillain Dr Curt “The Lizard” Connors in the Everglades, Peter Parker met up with Bruce Banner. Banner hoped that Connors might cure him of hulking out. But an alligator attacked Connors and Banner hulked out. While the immediate alligator-bite problem was passed, Connors was losing a lot of blood and maybe his remaining arm.
So the challenge was getting him to a hospital as quick as possible. Spider-Man’s plan: grab the severely injured man suffering massive blood loss and carry him, leaping across traffic, to Miami Metro Hospital. You know, the way you safely move a critically injured person. At the hospital he barges through the emergency room and into an operating theater. You know, the way you get medical care in an emergency situation as efficiently as possible.
There’s a complication. Even before Connors had been a rampaging lizard-monster he had a weird blood type. Bruce Banner has the same weird blood type, but he’s making his way through traffic while warning traffic not to make him hulk out. With Connors going into emergency surgery Spidey plot-drops that he’s O-negative and could be a universal donor if that’s still a thing. Fortunately, Bruce Banner, with Mary Jane, arrive. So they can start a glorious two months of blood transfusion follies.
I understand that I may sound like I’m being sarcastic here. But there’s a bunch of blood-transfusion-based plot complications that are just gloriously Silver Age Nonsense in their workings. And I love that. The science may be nonsense and it might be hard to fathom why people would act like this. But that they act like this is great fun. It’s what I hope for in this sort of goofy-science superhero tale.
Because here’s what happens. The hospital staff recognizes Bruce Banner’s purple stretchy pants as those of the Incredible Hulk. But they go along with the transfusion anyway. It seems to help Connors, but this knocks out Banner. Spidey’s hypothesis: being the Hulk probably requires a lot of blood. Maybe Banner can’t donate as much of it as a normal person could without crashing his body. This far, I’m with Spidey; that works for me. So Banner just needs more blood, right? … And since his body was exposed to gamma radiation he’s probably got all sorts of weird irradiated stuff in there. You know who else has radio-active blood? Look out, here comes your Spidey-Donor.
So there’s the first stage of wackiness. It makes a nice goofy dream logic, mind, and that’s why I enjoy the storytelling even as I don’t buy it.
The Hulk blood in Connors’s body causes, first, his lost arm to start regrowing. Then his tail grows back in. Then his scales and snout and pointy triangular teeth and forked tongue. He then leaps off the operating table and starts to rampage, promising the destruction of humanity beneath the onslaught of his telepathically controlled reptile army, while he himself keeps growing into a larger and more muscular super-beast. This is a rather faster than average recovery for injuries of this type, must say. The Lizard barely has time to knock Spider-Man out before Bruce Banner agrees Spider-Man is helpless and he’ll have to become The Hulk. But, infused with Spidey-blood, Banner now has the proportional haplessness and ability to whine of a Spider-Man. While he’s quite angry and says he is so several times over, he can’t summon the transmutation into The Incredible Hulk. He just stays … a large, poorly-shaved shirtless man in torn purple pants. So there’s the second stage of wackiness.
Now and then you have to wonder if the story comics are trolling their ironic fan base. James Allen has slipped stuff into Mark Trail for his friends on the Comics Curmudgeon. There’ve been bits of wry self-awareness on Judge Parker since Francesco Marciuliano took over writing. And here? Connors gets blood from the Incredible Hulk and turns into a giant rampaging monster. I see the internal logic there. And Bruce Banner, after getting blood from the Amazing Spider Man, and he becomes helpless and a little whiny. Core to Spider-Man’s character is how the universe doesn’t give him any respect. But this is also kind of the joke we’d be making about the comic strip while reading it only partly in earnest.
The Lizard climbs to the top of the hospital, declaring the launch of the “Reptile Revolt”. Spidey climbs up the building, gets knocked off, climbs up and up again, and gets thrown — with Banner — over the edge. Spidey actually saves them this time, with his spider-like powers of holding on. (His web-slingers were crushed somewhere in his fights with The Lizard.) But The Lizard escapes to the Everglades.
Spidey, Banner, and Mary Jane go off towards Connor’s swamp laboratory. And then we visit a plot point mentioned early on in this story and forgotten since then: J Jonah Jameson! He’s skipped the newspaper publishers convention along with some other publishers(?) who don’t really like him to putter around the swamp. They notice lots of pythons and alligators swimming in the same direction, toward The Lizard. The other publishers turn their boat around and flee fast enough to knock Jameson overboard and they don’t make the slightest attempt to rescue him. But Spider-Man’s swinging into action. (He must have got replacement web-slingers somewhere.)
He rescues Jameson from a python. They banter the way the leads in an 80s action-romance comedy do, sniping at each other while waiting for the moment they can start making out. Also being swarmed by alligators under The Lizard’s telepathic control. Bruce Banner shows up and spends several weeks of strips explaining how he’s angry but he can’t change into the Hulk. And then, finally, this past week he explained he was angry but he did change into the Hulk, the better to throw telepathically-directed pythons and alligators around. And then he charges for The Lizard, reasoning that it’s better to do the boss battle while he’s powered up and maybe he won’t even have to deal with the minions after.
And that’s where we are as of the 25th of March: with two giant irradiated green monsters in purple pants trash-talking each other in the swamp. I am so happy with where we’ve gotten. To sum up, no, no part of this has not been great, even by my ridiculous standards.
How did Alley Oop’s cold work out for him, and has it wiped out prehistoric humanity or what? And what about the rich idiot? We’ll check in on Jack Bender and Carole Bender’s Alley Oop for the start of April, all going well.
Hi, enthusiastic reader of Stan Lee, Larry Leiber, and Alex Saviuk’s The Amazing Spider-Man newspaper comic. I’m happy to help you catch up on what’s been going on. I write this the last weekend of 2017. If for you it’s later than about March 2018, there’s probably been a later essay bringing things closer to date. If I have one, it should be at or near the top of this page. I hope it helps.
If you’re interested in mathematically-themed comic strips, please give my other blog a try. Each week I spend some time talking about mathematical themes as expressed in the syndicated comics. I like it.
The Amazing Spider-Man.
8 October – 30 December 2017.
I said last time I figured we were at the end of the Tyrannus Invades The Surface World storyline. Tyrannus had begged for mercy, and River of Youth Water, after Spider-Man took a key supporting position in Kala’s plan to stop her husband’s nonsense. With an Imperial Promise from Tyrannus to stop all the invading, all seemed well. We just had to figure a reason that Aunt May could not engage in wedded bliss with Melvin, deposed ruler of the Mole-Men. At the risk of being one of those people who successfully predicts darkness arriving after sunset, I was completely right.
Though she rather fancies Melvin, Aunt May can’t move down to the subterranean world with him. She’s allergic and trying to adapt would kill her. And with Tyrannus sworn to retreat to his former kingdom, the Mole Men can’t think of who to lead them if it’s not going to be Melvin. So he’s got to go back to them just long enough to get an elected Presidency set up. They’ll have to part, neither of them remembering that there are dozens of ways to keep in contact with a distant loved one. Yes, yes, they’re older than calendars are, that doesn’t mean they can’t Skype. I mean, I can’t Skype, but that’s just because I’m boring. They don’t have that excuse.
So. 2nd of November and a new story starts. With Aunt May safely off to home as far as he knows, Peter goes to Miami to catch up with Mary Jane’s press tour. Also with J Jonah Jameson, there for a publishers’ conference that hasn’t actually played any part in the story, if I didn’t miss it. Maybe it’ll be important in the close of this story, which hasn’t come just yet.
With a couple days free, Peter suggests they visit Doctor Curt Connors, who yes, had become The Lizard, rampaging monster … lizard … man, but who’s been doing very well since he started taking aspirin for it. At Connors’s old lab Peter’s met with the traditional greeting of a gigantic metal comic-book science thing whomping him in the face. It’s Connors himself, trashing his lab in a rage fueled by grief over his wife’s death. But once he gets to hit Peter Parker with some gigantic metal comic-book science thing the rage disappears. I mean, I’ve fumed about unfair tilts on pinball games longer than Connors spent getting over his laboratory-trashing rage. They were pretty unfair tilts, though.
Connors invites Peter and Mary Jane to his emergency backup lab, in the Everglades. He’s hoping to do some science work to regrow his lost right arm only without turning into a giant rampaging lizard-man monster. And who better to assist than a stage actor and a staff photographer for a New York daily newspaper? Peter admits the sense in hanging around since he did know some science back in the day. Plus when the mad science starts maybe Spider-Man will be able to find another superhero to nag into action. So they venture out to the Everglades.
Mary Jane figures her best chance to stay in the story is to appreciate the natural beauty of the setting. So she steps out to find some Everglades nature and get eaten by it. As the alligator attacks a mysterious figure that I initially snarked was Mark Trail decides he can’t stand by while she dies. He tries to intervene, but is body-checked by Connors, who’s heard all the shouting. Before anybody knows what the heck is going on the Incredible Hulk declares his intention to smash. He picks up the alligator and throws it into Moo’s neighboring land of Lem.
Peter Parker’s delighted in the success of his “attract another superhero when the mad science goes down” plan. But to get The Hulk from throwing all of them into a neighboring comic strip he’ll have to do a proper superhero fight. He figures the alligator-injured Connors is too delirious to work out any superhero identities. So he strips to his Spidey-Suit. From this I infer he’s been wearing two layers of long-sleeved clothing in Florida. Mary Jane interrupts the ritual punching match upon the meeting of two superheroes. She warns if they don’t stop they’ll have to go to their rooms. And this calms the Hulk back to his human form, the figure I thought was a dissolute Mark Trail earlier.
Bruce Banner had been lurking around the emergency backup lab because he thought Dr Connors might help with his Hulk problem. Dr Bruce Banner, I should point out since this seems like it’s going to matter. But Banner thinks Connors might be able to help. Why, they even have the same rare blood type, Banner points out in an expository lump so perfectly clumsy I genuinely admire it. Anyway, Connors is losing a lot of blood, and they’re going to have to rush him to a hospital somehow, and probably arrange a transfusion. At the risk of forecasting the arrival of darkness after nightfall, I suspect there might just be one that has awkward side-effects. If they can get him to a hospital in time, anyway.
As my tone maybe suggests, I’m enjoying all this. It’s got the cheery daftness that I enjoy in comics about the superpowered. And the stories are moving well enough, certainly if you go back and read them all a couple months at a time. I’m looking forward to 2018 with this crew.
I’m glad to offer you kind readers an update about what’s going on in The Phantom. There’s two continuities at play in the strip, both written by Tony DePaul. This is an essay about the Sundays-only continuity, drawn by Jeff Weigel. If you’re interested in the weekday strips, or if you’re reading this essay much past December 2017, please look to the essays on this page. The Weekday continuity, and any later essays I’ve written about the Sunday continuity, should be right up top there.
And I also keep reviewing comic strips with mathematical themes on my other blog. I’m glad if you want to read that.
The story was mostly wrapped up then, though. Three killers had escaped Jungle Patrol custody. The Phantom, relying on his intelligence network and drummers in the Bandar tribes, managed to capture them all the same night. Also to give them the impression he had captured them simultaneously, burnishing his reputation of being everywhere and timeless. Since my last essay the Jungle Patrol had found the three where the Ghost Who Walks left them. Guran covers up the bit early in the story where he knocks a Jungle Patrol officer unconscious, and reminds the Jungle Patrol about the yet another old jungle saying about how time is nothing to The Phantom. Hawa Aguda and Kay Molloy, women who years ago quit their humdrum jobs and joined the Jungle Patrol with the iconic declaration “I quit! We’re joining the Jungle Patrol!”, wonder if this might have something to do with the mysterious “John X” whom they suspect might be the Unknown Commander of the Jungle Patrol. (He is.)
With the 8th of October began the new story, the 186th, “The Rat Must Die”. The initial setting: Boomsby Prison, Bangalla’s spot for the most dangerous criminals. One is an as-yet-unnamed prisoner who looks like one part Daddy Warbucks, one part the closet monster from the end of The Brain That Wouldn’t Die. The warden laughs at Closet Warbucks’s proposed deal of his freedom in trade for the guy who was supposed to break him out of Boomsby. It’s not clear at this point the guy’s relationship to Closet Warbucks. My thought was he was someone hired to break him out, and who either reneged on the deal or who Closet Warbucks figured to double-cross on the way to getting out. It would be a kind of stupidly overcomplicated plot, but I could rationalize the logic. He’d either break out, or get buy his freedom by spoiling a break-out attempt. And if you’re not coming up with a stupidly overcomplicated plot you’re kind of wasting your superhero’s time.
Closet Warbucks’s attempted deal is the gossip hit of the prison. Pretty soon the guy — his ex-partner-in-crime, it turns out — gets word of the deal. And the prison janitor, another criminal who’s in the last 125 of his 1200-year sentence, send a note to Walker, Box 7, Mawaitaan. He quickly gets back the Consumer Information Catalogue, Pueblo, Colorado, 81009.
The letter brings out The Phantom, impressing me with his ability to separate valuable information from the noisy, messy volume of tips rolling in. The Ghost Who Walks arrives just as the ex-partner’s hit is on. A corrupt guard delivers a knife and opens the cell doors to a guy who smirks more than the whole cast of Funky Winkerbean, if such a thing is possible. The killer sneaks into the cell, draws his knife, and gets clobbered by The Phantom, who’s taken Closet Warbucks’s place on the bunk. The corrupt guard doesn’t fare better.
And there’s the action as of today. I don’t suspect we’re near the end of the story, not just because the last several Sunday-continuity stories have run at least a half-year each. But I’d imagine doing something about the ex-partner-in-crime has to be high on The Phantom’s agenda. No sense getting roused all the way to Boomsby just to foil one assassination of one failed prison snitch. And indeed, The Phantom told Closet Warbucks that he was taking this partner-for-freedom deal. Also maybe we’ll find out why Closet Warbucks wasn’t interested in selling out his partner before the trail began. We’ll see.
If all goes to plan it’s a chance to stop in again on Terry Beatty’s Rex Morgan, M.D. and learn all about how the Morgans are adjusting to life with — er, no, actually, it’s a surprising amount of text about comic-book art forgery and crazy exes and the physical infirmities that we all will endure if we live long enough. Join us, won’t you please?
Are you looking for the latest updates about the happenings of The Phantom, the weekday continuity written by Tony DePaul and drawn by Mike Manley? Then you’re in luck! If you’re reading this in late October 2017 or maybe November 2017. If it’s a lot later than that the story will have progressed some. Maybe gotten resolved entirely and gone on to something not even hinted at here. In that case, you might look at this page, which should gather any Phantom essays yet to be written. Future-to-this-writing updates should be there, although they’ll be mixed in with the separate Sunday continuity, written by Tony DePaul and drawn by Terry Beatty.
Last time I checked in on the weekday continuity we were deep into The Curse Of Old Man Mozz, a story filled with portents of doom for the then-current Ghost Who Walks. Several times in past years there’ve been foreshadowings of the death of the 21st Phantom. And these foreshadowings grew more urgent when disputes between writer Tony DePaul and the syndicate led to his quitting the comic he’s written for decades. DePaul and the syndicate reconciled and he’s resumed writing. But the end of a story DePaul thought “would have been a superb sign-off to my Phantom career sure sounds like Kit Walker might have his last bad day.
The story started with Old Man Mozz having a vision of the future: The Phantom doing his work at a factory that seems to be churning out thugs at a good rate. One of them, hiding behind a waterwheel, gets the break of the century and this nobody shoots The Phantom dead. Diana Walker learns of the vision and gets the Ghost fully briefed on it. Though his friends advise laying low a couple weeks to let the problem pass, Walker insists on going through and doing something about the factory. The nobody killer finds the good hiding spot by the waterwheel and is set for Walker’s raid.
The Phantom has trouble getting his groove. He’s plagued by a sense of being watched. And thinking how he just knows this is where and when he’ll die, a sense he’s certain his ancestors had as their times came. Which, like Guinan told Riker, is a good way to get yourself killed. But he figures to go out with a bang, and a thud, and a klonk, and also setting all the bad guys’ cars on fire. In all the fire and klonking and panicky gunshots by the gang Walker feels the strange comfort of knowing he’s finally in the zone.
The guy Old Man Mozz foresaw dives for cover and waits for The Phantom to finish punching, smacking, or throwing bricks at everybody. His cover’s the waterwheel, as Mozz predicted. And The Phantom, figuring that everybody not punched hard enough has run into the forests, thinks the night over. Except Walker’s got this sense of suden doom, what with this just feeling like the prophecy of death he heard. The nobody at the waterwheel raises his gun, and gets shot and killed by an arrow.
Walker looks at the waterwheel guy, whom he walked past just like the prophecy said. And finds who fired the arrow. It’s Babudan, an archer from the Bandar tribe. He wasn’t sent by Diana exactly; she just described the problem to him and let him figure out whether to save the guy who’s been superheroing all over the place for decades now. Still, Kit Walker’s of surprisingly mixed emotions about not dying by a coward’s hand. He’d sent Kit Junior off to a remote Himalayan school so his successor wouldn’t even hear about his death when it happened. Diana’s “changed the future for all of us,” and he considers how that’s an “awesome responsibility she bears now, for all that follows”. Which, all right, is true enough but most of us carry on despite the existential haze.
Normal readers don’t need that much help. The Locust walks on stage, is shot as a trespasser, and dissolves into a cloud of locusts. The Phantom explains to one of the baffled archers that he knows the deal. He met the guy in New Mexico once. The Locust has magic powers to rival Mandrake the Magician, who you might remember does exist in the same continuity as The Ghost Who Walks. So that crazypants story about the far-future Time Ladies who kidnap Mandrake to teach them how to be spanked? That’s in-universe for this storyline. The Locust knows The Phantom isn’t an immortal unkillable creature of myth. Also he’s passing himself off as the creator-god of the Navajo people’s mythology, according to The Phantom. I’m sure there’s nothing going on with that which might be uncomfortable in this comic strip about the generations of white guys who’ve tasked themselves with the saving of an African nation.
The Phantom figures this is the Locust’s way of asking for a meeting, and the logical place is atop Walker’s Table, a remote desert butte accessible only by airplane, which The Phantom luckily has.
Not so luckily: as The Phantom flies in, an anti-aircraft gun crew starts shooting him from atop the Table. As we left the action Saturday, The Phantom was hiding from the artillery in the shadow of the butte, and working out what the heck to do next. It’s a good question for him. For me:
Do you like superhero stories that have a good bit of that Silver Age flair? I mean the melodrama, the plots that get a little goofy but are basically delightful, the stories that touch on serious subjects but avoid being dire or grim, and the resolutions that turn on some crazy fairy-tale logic. So I am, indeed, a fan of Stan Lee, Larry Leiber, and Alex Saviuk’s Amazing Spider-Man comic strips. If you’re reading this, I trust you like this sort of thing too, or at least you find it interesting. Also that you want to know what the current storyline is. If you’re reading this around mid-October 2017 you’re in luck: this essay should be on point. If it’s much later than that, the story might have moved on. If I have a more recent update it should be at or near the top of this page. Thank you.
I didn’t guess last time I reviewed the Amazing Spider-Man what the next recap would include. If I had, I would have included “the end of the current story”. That story saw Peter and Mary Jane Parker in Los Angeles on one of those comic-strip weeklong getaways that runs twelve months of reader time. They discovered Melvin, the Mole-Man Ruler of the Underworld wants to marry Aunt May. He’s free to do that now that he’s been overthrown by Tyrannus, the immortal Augustulus, last ruler of the Roman Empire of the West. And Aunt May’s partial to it too. And, yeah, the comic strip is its own separate continuity from everything else Marvel-branded. Still, I knew Melvin and Aunt May would have something keep them from getting married. Tyrannus leading an army of subterranean monsters to destroy Los Angeles seemed like a good enough excuse.
Thing is, that was back in the middle of July. I thought there were a couple weeks’ worth of Tyrannus invading. People around Spider-Man foiling the invasion while he’s tied up or maybe unconscious. Melvin accepting his responsibility to the Mole People Or Whoever Lives Down There that he has to go rule them. Aunt May not being able to join because she’s allergic to the Mole Kingdom. (I’m not being snarky there. It’s what kept them apart before.) They haven’t got quite there yet. But it does look like it’s going to wrap up soon? Maybe in a couple weeks? I think?
Well, here’s what happened. Peter Parker told Aunt May and Melvin that yeah, actually, they should get married if they want to. They set a date of “pretty soon, considering we’ve both died of old age as many as fourteen times dating back to the era of King Aethelred the Ill-Advised already”. And they both like James Dean. So they figure to marry at Griffith Observatory, taking the Observatory officials entirely by surprise. Mary Jane’s not able to participate in the plot, as a heavy storm trapped her in a side thread about her publicity tour.
Also taking Griffith Observatory by surprise: Tyrannus, who breaks the promise he made to Kala, his wife, that he’d leave Melvin alone. Kala’s content with having conquered the whole of Subterranea and doesn’t see any reason to bother the Mole Man as long as he’s staying on the surface. Well, not taking them completely by surprise. Peter Parker had spotted one of Tyrannus’s drones sneaking around the night before so he expected some kind of attack. But he figured going ahead with the wedding was the best way to get to the next big scene, and what do you know. A bunch of tentacled monsters grab Melvin, and Spider-Man follows close behind. Aunt May and the minister are left at the Observatory.
Melvin’s points out what an unnecessary jerk Tyrannus is being about all this. And Kala quickly joins Team Melvin, which serves as a reminder of how making false promises to your loved ones will come back to you. She gets the chance because Tyrannus is catching a bit of Old Age. He needs to recharge from the Fountain of Youth. This it turns out is a river underneath Los Angeles. Well, it wasn’t always, but with Tyrannus’s recent conquest of Mole Man’s territories he had the river diverted to Los Angeles.
Tyrannus runs off for the sacred chalice with the line drawn on it so he knows how much youth to imbibe. (It’s always a sacred chalice, isn’t it? They never just need a Wawa coffee mug.) Kala pops out the key to Spidey and Melvin’s handcuffs. She expositions about how he needs a drink or he’ll turn 1500 all at once. And she works out how to extort Tyrannus into giving up his conquest plans. Spidey, glad not to have to come up with a plan, goes for it. Spider-Man dams up the River of Youth before Tyrannus can get his drink. Kala tells the ancient Roman Emperor that if he does invade the surface world he’ll be a murderer. He’d have killed the man she fell in love with.
Tyrannus sends a flock of subterranean monsters after Kala, Spidey, and Melvin. Unless that should be a “herd” of subterranean monsters. (To be precise.) But his monsters can’t match Melvin’s knowledge of the tunnels. And he’s in a bad way, anyway. Without access to the River of Youth water he’s showing his 1500 years and might even get to be older than Aunt May. Kala gets him to make an Imperial Oath to never attack the surface world again, in exchange for Spidey un-blocking the River of Youth. And this one will count. Merlin the Magician made fidelity to Imperial Oaths a condition of the last Western Roman Emperor’s access to eternal youth. Spider-Man takes a moment to reflect on how this is kind of a weird scene. Tyrannus and Melvin shrug and point out, hey, you’re Spider-Man.
And that’s where we are as of today. Also, so now you see why I figure we’ve got to be near the end of this story. They just have to figure out reasons for Melvin to stay underground and Aunt May not to marry him. Then Peter Parker can head off to the next casually insulting scene.
Maybe you notice. I’ve been enjoying this. I guess there’s high stakes here, what with the threatened conquest of the surface world and all by an immortal Ancient Roman. But in truth it’s an endearing small story about people with goofy costumes and funny names messing up each others’ marriages. And Spider-Man even gets to do some stuff, although at the direction of much better-informed people. Which I like too. Newspaper Spider-Man has a passivity problem. But people with a lick of common sense should shut up and listen to the folks who are experts in their field of expertise. And yeah the story has covered really very few points considering it’s been a quarter of a year. But it’s had a good bit of action and humor and very little spider-moping.
We journey back to the land of Moo and peek in on Jack Bender and Carole Bender’s Alley Oop. There was still more mind-control ray gun story to deal with. After that, Alley Oop faces the biggest problem of 21st century humanity: an idiot white guy with money. See you then, in the past.
Thank you, reader, for being interested in Tony DePaul and Jeff Weigel’s The Phantom. This essay is about the Sundays-only continuity, which runs independently of DePaul and Mike Manley’s Monday-to-Saturday Phantom storylines. I have updates on those as well. The weekday story recaps, as well as any Sunday story recaps that have been posted since the mid-September 2017 writing of this essay, should be at this link. Good luck finding what you were looking for.
And if you’re interested in comic strips that talk about mathematical themes, please consider my mathematics blog, which reviewed some of them earlier today. And should review some on Tuesday, too.
14 May – 9 September 2017.
The current storyline — The Phantom is Everywhere — began with the Jungle Patrol jailing some of the terrorist Chatu’s followers. The Phantom’s private little army was celebrating the three arrests when I last reviewed the Sunday Phantom continuity. The killers broke out of jail, though, killing several on their way. This quite riles up the Jungle Patrol, to the point they might have done something irresponsible for a self-selected private army acting outside the control of any governing body.
But they come to their senses, checking in with the Unknown Commander, so far as they know. Luckily it’s is The Phantom they check with. The Phantom’s plan regarding the fugitive terrorist supporters: find them. For this, he doesn’t rely on the Jungle Patrol but rather the many associates of the Bandar Tribe. The Phantom, Babudan, and Guran take their drummers and their expertise to hunt each of the three killers.
The drummers are an important part of the plan. Their drumming serves to instill in each of the killers the sense that The Ghost Who Walks might be nearby. At any moment he might appear and punch them out. And then what do you know, but he appears and punches them out. That’s probably fairly good psychology, although as storytelling it got confusing. For a couple weeks there it seemed like The Phantom was sneaking up on the same guy, by a campfire, and decking him, week after week. That they were different people didn’t quite stand out at weekly intervals.
It also suggests that the splitting-up of the three killers wasn’t all that useful a plan. They might, theoretically, have ganged up on The Phantom had they stuck together. But they probably also guessed they’d be separated more than about fifteen minutes before The Phantom got the drop on them. I gather they’re supposed to be pretty well-separated. But the three were found in the same night, and The Phantom was able to drop in and clobber each before sunrise.
So, The Phantom was able to deliver the killers into Jungle Patrol custody by morning. Presumably this will satisfy the desire for vengeance that threatened Jungle Patrol’s operating morale. And serve the cause of justice by putting the accused in the hands of a privately-raised police force whose funding and lines of authority are not at all clear to me. Probably nothing to worry about there.
There’s not been a formal wrap-up panel. But this week’s installation feels like the resolution. I can see, especially reading the whole sequence in short order to summarize the plot, how it works. Still, my impression as the story progressed especially in July and August was that of not being sure I hadn’t seen The Phantom sneak up on and punch this guy last week? Or was that the previous guy? Or was it just a lot of punching? Read all together, the story flows more obviously, although that also points out how linear the narrative was. The Sunday continuity does have a disadvantage, though. It’s much harder to fit a story in to about six panels of space per week; compare how more complex the weekday storyline has been over roughly the same couple months. I am interested in seeing how the Jungle Patrol, riled by the killers escaping prison, reacts to their recapture not involving a single member of the Patrol besides the Unknown Commander. That ought to involve some weird political dynamics.
Hi, readers of Tony DePaul and Mike Manley’s weekday-continuity The Phantom. This is an essay meant to help you catch up on what’s happened in the strip through to late July, 2017. If it’s not close to late July, 2017, for you, the story might have progressed or a new story begun. I’ll try to have more recent essays that bring you up to date at this link. There’s also a separate, independent, Sunday continuity for the comic strip. That one’s written by Tony DePaul also, but is drawn by Terry Beatty. I’ll also have updates on that continuity, sometime soon.
Our last check on Tony DePaul and Mike Manley’s The Phantom, weekday continuity, was about six weeks into The Curse Of Old Man Mozz. The Phantom, 21st Ghost Who Walks, had been so busy clobbering low-level thugs that he barely noticed Old Man Mozz was on the brink of death. His wife, Diana Walker Phantom, investigates. Mozz has been in a series of physically and mentally taxing trances, forseeing …
She’s coy about it, but it’s the death of the current Phantom. In a factory that’s by a charming scenic water wheel, a “weak man” with one of the most punchable faces in the comics will “strike from hiding”, killing the 21st Phantom, shooting him from behind. Mozz promises that this is destiny and no one can save The Phantom. Diana figures she can maybe do something about that. If there’s one thing that’s always avertible, after all, it’s destiny, because we don’t know what the word means.
But Mozz goes along with it. He decrees that maybe the vision of The Phantom being ambushed was caused by some well-meaning member of his support team warning him. So in a critical moment he would be thinking “is this the critical moment” instead of reacting. Diana is unimpressed by whatever the heck the rules of prophecy are in this story, but chickens out of telling him. Nevertheless, she’s plagued with doubts, and goes to the Whispering Grove, home of Bangalla’s largest forest of demon-haunted trees that seem to be crying out the Phantom’s name. There she reflects how much would get screwed up if the 21st Phantom dies: not least, he’s the only person who knows exactly what strange school in the Far East Kit Walker Junior is in.
She can’t stand it, and fetches The Phantom back from his mission of riding his big white horse around the jungle. And she makes Mozz tell him of the vision and his doom at the Waterwheel Factory. His team encourages him to take a pass for a couple weeks, wait out the current crisis and then get back to his world-saving duties. Mozz paints a solidly egotistical picture of this, arguing that The Phantom ought to be killed by some great monster like Chatu. Not by some drip who wears an orange shirt with green stars on it and a vest that looks like it ought to be a Home Depot apron but somehow isn’t. Walker thinks it over and decides no thinking necessary. Ghosts Who Walk just don’t ditch their job that way.
The Phantom rides his horse to Destiny Date Road, where he finds a truck hauling guns to the Waterwheel Factory. He sends his hose off, riderless, to stop the truck. One of the thugs has always wanted a horsey just like this and Phantom Horse is happy to play along enough for The Phantom to clobber them and take the truck. It’ll be a way into the Waterwheel Factory.
The envisioned killer’s scouted out the waterwheel and figured it’d be a great spot to ambush somebody from, just in case. He’s thinking how awesome it will be to kill The Phantom and can’t imagine any way that any of this could go wrong in the slightest, so that’s good for him.
The summary sounds sparse, but that’s because this is a plot summary. Much of what’s gone on has been atmosphere or self-inquiry. Particularly, Diana spent a good while tormented by the question of what she could do to prevent her husband’s getting killed. This included a couple gripping sequences, including her sitting in the Whispering Grove, or enduring nightmares based on her knowledge. That all condenses out of a couple paragraphs about the events of the story, though.
As I’d said recently, I won’t be making guesses about whether The Current Phantom dies this story. Either outcome is properly foreshadowed and set up. Either would be a logical outcome, and it’s doing pretty well to have such a believable ambiguity this far into a story.
The index rose three points today to make its third day out of the last four spent at 331, which is a little weird. Also nobody’s seen Lisa since she said she was putting together that Tiny McMansions pilot episode. These are unrelated problems.
The news is that he and King Features Syndicate have reached an agreement about the rights to the stories he’d produced for the comic since 1999. And they have an agreement to have him keep writing as long as both sides are happy with the way things are working. The breakthrough apparently grew over June, after he’d announced the intention to leave. King Features’ general manager for syndication, who hadn’t been directly involved in negotiations, asked for an informal meeting to see what could be done, and after — well, suppose it can’t have been more than a month of talks, yes, something could be done. And just in time, too; DePaul says Jeff Weigel, the Sunday artist, had just run out of story to draw. Mike Manley, the weekdays artist, had about six weeks of story yet.
I’m glad, certainly. The Phantom‘s been reliably interesting and who would want that messed up? Also the hint about how long the current Sunday storyline has to run confirms my resolve to change some of my “What’s Going On In” schedule. I’d been thinking to separate the weekday and the Sunday summaries for better pacing. Moving the next Sundays recap to closer to the end of the current storyline suits me. I was also thinking to move around some of the other strip recaps. I’d set the order without any plan, and I’d like to break up what seem like blocks of too-similar comics.
DePaul teases the idea that the current daily storyline will end in the death of the current Phantom, especially in saying how the story “would have been a superb sign-off to my Phantom career” and describes just how screwed up things would be if the 21st Phantom were to die just now. Me, I’m not making guesses. While the narrative would fully justify the current Phantom’s death this year, escaping certain death is just what superheroes are all about.
Another Blog, Meanwhile Index
The index rose an astounding fourteen points after looking up the lyrics and finding that the karaoke machine had it right. There is a bit in “I Just Called To Say I Love You” that goes “no Libra sun”, and hey, there’s this whole stanza that just goes through the months, one at a time, and counts Libra for September which is fair enough, although is there really anything distinctive about September’s sun? Granted that April is the cruelest month, what is September? The snarkiest month? When it’s up against November? No, that doesn’t make sense.
As Mary Jane spins out three anecdotes and two improvised gags on a chat show a mysterious eggplant wearing sunglasses starts hitting studio security with a stick. It’s the Mole Man, familiar to Amazing Spider-Man as the ruler of the subterranean world of … Subterranea. They were caught by surprise when someone asked the name of their land. Mole Man is also, per a story from a couple years back, a would-be suitor to Aunt May. See what I mean about continuity?
Aunt May had rejected his proposal, since as fun a date as he was they lived in separate worlds and barely knew one another and I think he met Aunt May when he was busy kidnapping her. I forget. Anyway, the separate-worlds thing might no longer be an issue because he’s been deposed. Tyrannus the Conquerer, fresh from thinking of the first name he could for who he was and what he would do, has taken over. And now Tyrannus is coming for the surface world.
Before anyone can ask serious questions (“Wait, so Tyrannus was the Western Roman Emperor Augustulus, deposed in 476 AD, and kept alive by the Fountain of Youth that’s in Subterranea? Is this a thing in the real comics or … the heck?”) a giant rampaging armadillo-beast breaks through the Los Angeles streets and starts rampaging, giantly. Also Mole Man says the beast’s named Lenny. Mole Man can’t bear to hurt Lenny, but Spider-Man shames him into doing something, since giant rampaging armadillo beasts seem like they’re too hard a problem for Spidey to handle. Mole Man knows how to handle Lenny: chop off some of his scale, then toss the scales down the pit he’d just dug, and Lenny follows. This works because … I’m not sure, exactly. Giant rampaging armadillo monsters can’t resist following their own scent, I guess is what they say.
Mole Man recognizes that Lenny was sent to bring him back to Tyrannus. And while Lenny failed, Tyrannus will send more, possibly harder-to-foil monsters. He resolves to surrender himself to spare the surface world, which underscores how complete a heel-face turn he’s done in the face of Aunt May’s affections. And nothing is going to talk him out of this except if Aunt May asks him to stay and what do you know happens but? She accepts his hastily renewed marriage proposal. The gang retreats to discuss options and how Mole Man can afford to support Aunt May in the style to which she’s become accustomed and maybe next week they’ll talk about stopping Tyrannus or something.
Next week: Jack Binder and Carole Binder’s Alley Oop and the aftermath of the pantsless alien’s mind-control gun. And one final note for this week: if you like more talk about comic strips but would like them to be more about word problems, please consider my mathematics blog, which reviewed the past week’s syndicated comic strips with mathematics themes on Sunday. It also does this most Sundays and sometimes the odd extra day of the week, such as “Thworbsday”.
Another Blog, Meanwhile Index
And now the index jumped up thirty points to what’s got to be an all-time high as traders realized they’re not Belgian and don’t have to eat crickets if they don’t want to. This is just proving my point, guys, and I don’t see why you think this is anything else.
And now the Sunday continuity for Tony DePaul and Terry Beatty’s The Phantom. If you’re looking for the weekday strips that’s a separate line, most recently covered here. If you’re reading this much later than May 2017, look at the top essays at this link instead. It’ll have both the Sunday and the weekday continuities in it, and unless I change the order in which I go around the story comics, the Sunday one will more likely be at the top. So there’s that.
The Phantom (Sundays), 13 February – 13 May 2017.
When I last reported on The Ghost Who Makes Up Proverbs About Himself, Sunday pelage, he was in a Chicago mobster’s bedroom, encircled by Chinese-hired ninjas. You know, as protectors of coastal African nations will. The Phantom was drawn there when a plane crash brought to his attention Mikey D’Moda, who at age maybe fourteen is the over-promoted scion of the D’Moda crime family. After listening to the kid for about ten minutes The Phantom figured we can’t let people like this run around and flew to his great-grandfather, the only other blood relative who’s part of the story and whose first name I can’t find. Sorry.
The Elder D’Moda, bedridden since his death by old age twenty years ago, sees in The Phantom a strong man, a potential new consigliere. The Phantom won’t have any of it, and offers the deal by which Elder D’Moda makes restitution and the Younger D’Moda never speaks to anyone, ever again. Given a good hard look what his family business has come to, Elder D’Moda off and dies, and Mikey leaves for a farm upstate.
So this story, begun the 26th of June 2016, officially wrapped up — by the “Next: NEW ADVENTURE!” box — the 2nd of April. The new story, started the 9th of April, is titled The Phantom Is Everywhere, suggesting the surprising return of Klondike Kat’s nemesis Savoir Faire in a comic strip other than Dick Tracy. The suggestion is wholly unrelated to the actual content of the story and I apologize for wasting your time with it. Phantom Wiki reports this is the 185th Sunday story.
The story opens in a Wambesi village terrorized by a trio of “agressors” who in Lee Falk’s words “preach a hateful ideology” and loot the place now and then. But Jungle Patrol is there, hiding among the villagers and waiting for their moment. One of the Jungle Patrol blows a whistle, and the bandits are caught when they go to the free throw line. Jungle Patrol’s speculation afterwards is that it may be tied to The Python, the terrorist leader whom The Phantom broke out of Boomsby Prison to hold himself, privately, in a secret grass hut guarded by villagers.
And that’s about where things stand today. The disadvantage of these Sunday strips is there aren’t so many Sundays in the week, so there’s not as much to write up. But if you the reader are curious about the stuff I’ve elided, or want permanent links to strips not featured here, please comment. I’ll try to be useful.
Another Blog, Meanwhile Index
The index rose six points after everyone gathered around to hear my annual rant about how the Mother’s Day Card industry somehow has cards for every possible relationship except the person who has a good relationship with their mother-in-law and wants to send a card as a person and not as the person who happens to be married to the mother-in-law’s child. It brings everyone a strange amount of joy to see me upset at the injustice of it all.
And now I’m in The Phantom zone. This week I’ll do my best to explain the weekday continuity in Tony DePaul and Mike Manley’s comic strip. Next week I’ll catch things up on the Sunday continuity. If you’re reading this much later than May 2017, you should be able to find a more recent review on this linked page. It’ll have both the Sunday and the weekday continuities in it; I’m sorry, I don’t know a good way to sort those out. Thanks for bearing with me.
Have to admit this is one of those stories where I just could not get into our protagonist’s mindset. I would get The Phantom wanting to protect his image, and using his iconography on something trivial can serve to trivialize him. But I’m just not seeing how someone who’s cultivated several dozen and often very specific Old Jungle Sayings about what The Phantom does or what you do when you meet The Phantom is doing saying this is the step too far. The case could have been made, but I didn’t see it.
That wrapped up the 11th of March. From the 13th of March started a new story, The Curse Of Old Man Mozz, which Phantom Wiki says is the 247th Phantom Daily story. Lee Falk promises that in it, faithful mystic and old-guy Old Man Mozz will foretell the death of the 21st Phantom, our current purple-clad superhero.
The action opens with The Phantom raiding a Thug Factory, punching and taking names. Then he punches the names and throws them down a well. He spends a couple weeks at this, since the Thug Factory is churning out product like crazy. He grabs guy after guy eager to beg for a deal and who learn their deal is they’re being left for the police. Or, well, the Jungle Patrol, who’re totally legitimate and respectable forces for law and due process rather than a self-sustaining militia.
Along the way Devil, the Phantom’s pet wolf, took a pretty nasty tumble along with one of the Thug Factory’s newest products. Ghost Who Punches finds medicine guy Guran is strangely uninterested in his medical guy work. Phantom figures to work out what his deal is, although it’s his wife, Diana Palmer-Walker, who successfully follows him. Guran’s destination: The hut of Old Man Mozz, where he’s sprawled out on the floor surrounded by mysterious vaporous mists and muscle loss. Mozz is not ill, Guran promises Palmer-Walker. He’s just having visions.
We haven’t heard officially what he’s envisioning, but Lee Falk may have dropped a clue when he said Old Man Mozz would foretell the death of the 21st Phantom. Misdirection? Possibly, although The Phantom has noticed how end-of-life-y things feel lately. What we’ve been given doesn’t promise the current Kit Walker’s going to die before it’s over. But I’m curious how it’s going to affect the continuity of the series. The Phantom 2040 cartoon, back in the 90s, tells stories of the 24th Phantom, after all, and while it accounts for the short career of the 23rd Phantom, there is the 22nd, who last year was sent to get himself shot in Tibet, ready to become part of the comic. Just observing.
Another Blog, Meanwhile Index
The index rose nine points today in response to a Reuters report that frozen orange juice concentrate was selling at 150.80 on the commodities market, which seems like a good deal for orange juice concentrate? Also it’s something there’s a thriving international commodities market in? All right, we never see that in grand strategy games where you do trades of goods with other countries but what the heck. Frozen orange juice concentrate. Business is weird.
Rocket warns that Ronan The Accuser is looking around for The Sentry, an 80,000-year-old alien-built contraption that looks faintly like a robotic Moe Howard. Ronan figures he can use this to unleash all sorts of accusations on the whole galaxy. Peter, Mary Jane, and Rocket deduce The Sentry must be somewhere in Petrogylph National Monument, as the road sign for it is clear and fills up nearly half a panel. Ronan The Accuser follows similar clues and he and Spidey punch each other until The Sentry wakes up. It goes off to blow up Albuquerque. Rocket remembers that Ronan (“please, my dad is Mister The Accuser”) is extremely vulnerable to Earth air. So he and Spidey try to knock his helmet off, which goes great.
Luckily Newspaper Spider-Man is extraordinarily good at taking blunt force traumas. He uses this to do a “why are you hitting yourself?”, using Ronan T A’s own large hammer to smack his helmet off. Spider-Man tries to put the unconscious Ronan’s helmet back on, on the grounds that he can’t just suffocate the guy even if he is trying to blow up the world or galaxy or whatnot. And I admire this idealistic bit from Peter Parker, who’s not going to be more cruel than he must be, however much trouble it makes. The resolve to be kind even when it’s hard, or worse, inconvenient is something we should take from superheroes. Anyway, Spidey accepts Rocket’s promise that Ronan isn’t dead, he’s just sleeping, and they go off to fight The Sentry.
Rocket and Spider-Man leave Mary Jane to watch Ronan just in case he wakes long enough to gasp out something plot-relevant. And hey! So she flags down a truck and buys it and a bunch of day laborers to bring Ronan to the big Albuquerque fight, because she always travels with that kind of cash. Using the unconscious Ronan — whom The Sentry can’t harm — as body shield Spider-Man teases The Sentry mercilessly. Meanwhile Rocket climbs inside and punches stuff until it breaks.
Also, yes, Spider-Man did pretty near nothing to drive the story. Rocket did most of the heavy lifting and Mary Jane overcame plot-related sexism to do something too. Peter Parker was mostly there to, I dunno, get hit with stuff. This is healthy.
Peter and Mary Jane Parker were in Arizona to start with as they were taking a driving trip to Los Angeles. I don’t have any guesses who’s going to be the Hollywood antagonist. And I hope it’s not long before they bring Rocket around for another session.
Another Blog, Meanwhile Index
The index continued its downward slide as investor confidence was shaken by the realization that after so much hype about the testing of the state’s tornado warning system nobody actually heard any sirens. That’s even more suspicious than the earlier things we were suspecting.
So The Phantom, The Ghost Who Walks, is a bit of an overachiever. It’s understandable. He’s the 21st in the line. Consider how many family businesses fall apart when the fourth generation would have taken over if anyone could be found to run things. He must’ve been raised barely able to imagine anything else in life. So while Mark Trail might take Sundays off and Alley Oop might just reiterate his adventures and Spider-Man might get a bit of work done, The Phantom gives us a whole separate story. It’s the only story strip doing that. So it gets a second round of story-recapping from me. Last week I covered the dailies and stuff hasn’t changed much since then.
The Phantom (Sundays).
The Phantom is sworn to defend the people of Bangalla. But it’s a complicated, global world. It always has been. The first Phantom was an English sailor caught in the spice trades. The Phantoms who’ve been on-panel since the comic strip began haven’t been less worldly. This serves some good purposes. For one, it defuses the strip’s built-in concept of the White Savior To These Helpless Black People. That’s also defused by the development and ongoing presentation of Bangalla as a functional liberal democracy. But it helps if The Phantom uses his time and suspiciously great wealth to fight crime wherever it leads, anywhere in the world. And it means the strip can leave the jungle behind without straining its premise.
The current Sundays storyline began the 26th of June, 2016, with a plane crash, always the start to a good jungle adventure if you’re not on it. The plane carries Mikey D’Moda, teenaged idiot scion of the Chicago Mob who’s being traded to the Chinese crime syndicates in exchange for not having him around until he’s eighteen. That and a shipment of authority-attracting guns are supposed to bring a truce to the underworld, because that plan always works out.
Mikey escapes to a freedom lasting whole minutes before The Phantom catches him. Meanwhile the grownups in the Chicago and China Mobs get arrested and interrogated, there to scatter some plot seeds that haven’t yet blossomed. Incidentally along the way the Jungle Patrol gives one of the prisoners the private phone call to his lawyers he’s entitled to, but “accidentally” records it on a phone. I mention this because it’s something true about The Phantom universe.
The good guys are, basically, good guys. But they fall way short of the superhero ideal. They’re not scrupulous about civil rights or the law or ethical behavior. See, for example, The Phantom’s vast wealth, said to be acquired from among other things pirate treasures. That’s fine for a pulp adventure hero; but, in the real world, stuff doesn’t stop having a legitimate owner just because someone else stole it. The Phantom could probably make a claim on stuff that has no recoverable provenance, but he’s not going to that effort.
The good guys typically get away with their cheating because the writers are on their side. But it does come back to bite them sometimes. One of the lingering human rights abuses has been The Phantom keeping the terrorist Chatu in a private, secret prison. This is understandable. Chatu arranged the kidnapping and faked-murder of The Phantom’s wife from his actual professionally-built prison cell. But, still. Is keeping him in a wood hut in the jungle really better? I believe that’s being left around to generate future stories.
After spending minutes listening to Mikey, The Phantom decided the thing to do was punch the crime out of both Chicago and China. He heads first to Chicago and then, conveniently, China follows along. Or someone does, anyway. In a long sequence The Phantom’s chased around the D’Moda Crime Estate by mysterious shadowy figures who look to be ninjas. Yes, I associate ninjas more with Japan and turtles than I do with China, but c’mon. It’s the Chinese Mob. They can hire out. My supposition is that the Chinese Mob is offended that the truce fell apart when Mikey’s plane crashed. This seems to me unfair. But I suppose if you aren’t sure about the good faith of another party then it’s not worth your time to work out the difference between accidents and betrayal.
So, now, The Phantom is in the dying elder D’Moda’s bedroom, as at least one ninja closes in. The Phantom’s getting to some Peter Parker-y levels of snark against his opponent. It’s a good way of keeping the panels from being too much just guys hitting each other and grunting.
And now the index rose back above the psychologically important 100 barrier. Likely this reflects people’s relief at having that whole index-rises unpleasantness behind them and how we’re just going crazy eating the Valentine’s Day candy while it’s in style.
[ Edited the 6th of May, 2017 to add: ] Hi, Readers. Thanks for being interested in the goings-on of The Phantom, the comic strip. This post may be outdated by the time you find it. My recap of the most recent Phantom stories should be somewhere in this link, though there might be a recap of the Sunday continuity in the way. Weekday and Sunday strips have independent stories and I cover them separately. Good luck.
Today’s, and next week’s if all goes well, What’s Going On segments are about the same strip. That’s because it solves the problem of Sunday and weekday readerships being different in decisive form. The weekday and the Sunday strips carry on different stories. Neither sequence has to wait for the other. Surely these can be fit into some order so as to preserve the all-important continuity of The Phantom‘s universe. I admit I’ve never tried.
The Phantom (Weekdays).
I snarked about the importance of continuity to The Phantom. It’s reflexive. The comic strip, started in February of 1936 by Lee Falk, has a continuity. An important one, even.
The Phantom, The Ghost Who Walks, is the 21st of that line, descendant of a chain of superheroes defending the African nation of Bangalla from, in the 16th century, pirates. In the 21st century, it’s … pirates and terrorists. Sometimes stranger stuff. The comic strip shared a universe with Mandrake the Magician and some of Mandrake’s weirdness would leak over. Some of the Mandrake characters have made appearances in The Phantom since that comic ended.
The rough premise of The Phantom may seem overly familiar. Costumed superhero who lives in a secret cave watches for menaces to his homeland. When he finds them he’ll punch them hard enough to leave a mark for decades. (A specially-constructed ring helps with this.) He hasn’t got any superpowers per se. But he deploys intelligence and great physical shape and training plus stunning private wealth to get as close as practical. If it sounds like every costumed superhero comic ever, then remember it got started a couple years before Batman did. I figure to talk about The Phantom‘s universe more next week.
The comic strip, weekday and Sunday threads, are written by Tony DePaul and have been since 1999. The weekday comics have been drawn by Mike Manley since May of 2016. Manley also draws Judge Parker. The Sunday strips have been drawn by Terry Beatty, the artist and now writer for Rex Morgan, M.D..
So here’s the current Phantom weekday storyline. Its essentials were laid out in a week of strips starting the 7th of November and hosted by “Lee Falk”. That’s one of the charming conventions of the comic: a representation of the strip’s originator gives the dramatis personae and necessary backstory for the adventure ahead. If the story’s run long he might pop in again to recap for new or simply lost readers. Or to advance the story to a new point. It’s common enough for cartoonists to be characters in their own strips, but it’s almost always humor strips. Story strips usually leave narration as done by some anonymous source. “Lee Falk” doesn’t really say anything that couldn’t be done by unattached narrative box. But it adds a neat personal touch to the starts of stories that he does.
So the first element is Orson Burley, big, bearded tycoon in the enormous-wealth industry. He’s heard this legend of The Phantom and figures it’d be a good subject for a postage stamp. I have to say I’m on Burley’s side on this. It seems odd that the Republic of Bangalla wouldn’t have already used a semi-mythic protector-legend as subject for a stamp. Local mythical figures on stamps seems like elementary nation-building. Issuing cultural stamps are the first thing you do after gaining independence from the British. Well, the first thing after renaming the street Government House is on to the native word for “Freedom”. But President Lamanda Luaga is cold to the idea, and warns The Phantom of Burley’s investigation. I understand a secretive superhero trying to keep his secrets. But the legend’s been going for four centuries now; this can’t be the first serious scholarly investigation of the thing. Well, so it goes.
Burley’s insisted on learning as much as possible about The Phantom and going ahead with his postage stamp. This despite the warnings of the President and of his limo driver. And Burley’s startled that anyone could see The Phantom as a legend dangerous to investigate. I confess I’d be, too.
Second piece is Akini Ogutu, “CEO of a multinational giant headquartered in Mawitaan”. While Bangalla’s a basically functional democracy it still has problems, even in its capital city. She got targeted and kidnapped, for ransom, by one of those gangs you hear about that hold executives for ransom. The Phantom’s not-at-all-worrisome private army, the Jungle Patrol, finds the hideout. The Phantom goes in alone and rescues her in a daring, exciting raid that full of the sort of superheroics you’d expect. Also that make you wonder, well, why does he have his Jungle Patrol if they aren’t at least doing support on this sort of thing?
(OK, it’s because The Phantom tries to keep his Phantom life and his Jungle Patrol life separate. The Jungle Patrol doesn’t even actually know their leader is The Phantom. They know him only as The Unknown Commander, who issues orders over the phone, and that’s not a potential danger pit at all, is it? But that does shift the question to why not have his army move against the criminal gang, which would seem safer all around?)
Anyway, it must all have been brilliant because he rescued Ogutu. Burley can’t believe Ogutu’s claim that she was rescued by The Phantom, and figures to go on with his research and stamp production. And this week The Phantom has gone to Burley, presumably to explain why not being on a stamp is such a freaking big deal for him. Maybe the 16th Phantom was betrayed by someone selling a fake Penny Red or something.
I mean, the best I can figure is The Phantom figures he’s most effective if he’s surrounded in clouds of mystery and legend. And getting a commemorative postage stamp is the start of a process that leaves him as exotic and remote as Santa Claus. But part of The Phantom’s schtick is that he’s surrounded by a lot of legends and I don’t get how a postage stamp depiction is going to make that greater or lesser. And it isn’t like he hasn’t got, and encouraged, a lot of “old jungle sayings” about his legacy. Is he worried they’ll paint him from an unflattering angle? It seems like a misplaced reaction and I hope something in the coming weeks clarifies matters.
Next week I’ll try to explain the Sunday storyline.
Another Blog, Meanwhile Index
The index fell nine points today, inspiring people to point out where we were at this time a week ago. This time a week ago we were at 124. Hoo boy but it’s been a long week.