60s Popeye: Not much, What’s News with yous?


A bit of fun business ahead of things. Fred Grandinetti was kind enough to let me know about an essay he wrote regarding the King Features Syndicate Popeye cartoons. Grandinetti offers some information about the technical aspects of production, things like budgets and how the cartoons were received. Received by audiences, that is; they always attracted negligible interest from critics. Grandinetti also discusses the six studios which got the work, and reviews their characteristic styles. It’s a much higher-level view than what I’m doing here, but the person out there who is interested in the 60s Popeye cartoons is likely to enjoy that.


Now to the regular stuff. It’s another Famous Studios-animated Popeye cartoon this week. Once again Seymour Kneitel is credited for story and for direction. My expectation was that the cartoon would be professionally made, with everybody on model and the movement reasonably smooth, even if the story was a bit dull. So how foiled were my expectations? Let’s watch.

We start with Popeye in the desert again. He spends a lot of time in the desert for a sailor. But he and Olive Oyl are taking over the Puddleburg Splash, newspaper for the laziest town in the world. The cartoon’s set in the Old West, although the era is only vaguely set. Mostly that Popeye writes with a quill pen. We never find out why he wants to run a newspaper, or why he picks a newspaper in a town he knows nothing about. I’m all right with that, though. I think there’s even a Segar storyline where Popeye takes ove a small western town newspaper for vague reasons. Popeye can just do that.

We get a couple jokes about how lazy the townspeople are. Best is probably Olive Oyl having to point different directions, with the local telling her when she’s pointing in the right direction. It’s also got a slick little bit of animation, when Olive Oyl points at the camera. It’s a rare break from the standard police-lineup pose. Also a nice bit of animation is the sheriff lifting his eyebrow to raise his hat. This is all accompanied by some nice languid music. I suppose it’s something from the Famous Studios music library. It’s nice getting some different stock music.

There’s more social commentary than I expect from these cartoons. The first is Popeye working out that he has to open a school, to teach people to read, so there’s demand for his newspaper. It’s a benign example of marketing into existence demand for the thing you want to supply. The second is the revelation that the people in Puddleburg aren’t unable to read out of laziness. The school Popeye builds is demolished by the Bruiser Boys, local thugs who figure an ignorant population is easier to control through terror. It’s a method of control, yeah. And it diffuses some of the conflation of laziness and stupidity that’s been in the cartoon.

Curiously, the Bruiser Boys are not Brutus. Why have original cast for this? In Dead-Eye Popeye, which I once mentioned without reviewing, Brutus and two identical Brutus-oids terrorize the western town. I’m curious if this resulted from the confusion about whether Bluto was a King Features or a Paramount-owned character.

There is an odd moment where newspaper-editor Popeye hires a cartoonist, B Looney Bologna. His panel is the chicken-crossing-the-road gag, used for generations now as the symbol for tired old humor. (I’m persuaded that it’s an anti-joke, myself.) I suppose it builds the direness of Popeye’s plight, that he can’t even use the funny pages to get an audience. Mostly it takes a spot of time for a joke about a bad joke.

Inside a vandalized schoolroom, Popeye, sitting in a wheelchair and dressed up as an old granny, wheels his right arm back to knock one of the Bruiser Boys up the bell steeple.
Why are there arithmetic problems on the board if Olive Oyl hasn’t been able to teach anyone yet? Was she practicing?

In the climax Popeye decides that the townspeople have to learn the Bruiser Boys aren’t that tough. All right. He decides to show them that even a woman can stand up to them. … Why? I suppose they’re a bit more humiliated if a granny in a wheelchair beats them up than if the newspaper editor does it. But it’s not like they won’t be beaten up anyway. If it is important it be a woman, why not have Olive Oyl take her spinach power-up? It stands out to me that Popeye doesn’t eat any spinach this cartoon. I’m curious if Kneitel had some rationale here that got lost in editing. Or if the cartoon started out as an independent thing, or a story meant for another character, that got imperfectly rewritten for Popeye.

Altogether, it’s a decently-made cartoon. The starting point might be odd, but it follows all well enough from there. It’s still odd that Popeye and Olive Oyl would be printing up rooms full of newspapers when nobody was buying them, though. Maybe he was misled about important things by whoever owned the paper before him.

Popeye never reports a specific piece of news in this short.

What’s Going On In Mary Worth? How can you scam a Mary Worth character? January – April 2019


It is a refreshing change that I am not upset with Karen Moy and June Brigman’s Mary Worth. I am still upset with Comics Kingdom, since the redesigned site is quite bad. But that won’t stop me recapping the plot of the last three months. If you’re reading this essay after about July 2019, I may have a more up-to-date plot recap here. Good luck finding what you need.

If what you need is mathematically themed comic strips, though? I’ve got them here. Please, enjoy. Some of last week’s comics should be at this link.

Mary Worth.

20 January – 12 April 2019

Last time you’ll recall, Toby thought her marriage to Ian was in danger. The danger was Jannie. She’s one of Ian’s students. She can stop talking about what an inspirational teacher Ian is only long enough to point out he’s brilliant too. Toby could not believe someone saying stuff like that about her Ian. Ian had no doubts that he is, truly, the greatest Local College instructor of all time. Jannie had no doubts that she had Ian wrapped around her fingers. Toby was sure they must be having an affair. Ian was unaware that this could be, or could even look like, an affair. It’s a specific sort of obliviousness that I believe in.

Jannie figures it’s time to slack off. And she commits to it, slacking off as much as she buttered up Ian in the first place. She skips turning in an assignment, giving Ian nothing but a wink instead. Ian gets so mopey about having to fail a student who didn’t turn in an assignment that it convinces Toby he’s having an affair. Mary Worth reminds her that “talking with your husband about things that distress you” is an option. Toby is unconvinced.

Jannie: 'The ONLY thing you inspire in me is disdain and derision, you old man! In face the ONLY thing you inspire in people my age is EXASPERATION! Why are old &%$!s like you still AROUND?'
Karen Moy and June Brigman’s Mary Worth for the 2nd of February, 2019. And you may ask whether the comics have enjoyed a more wonderful facial expression than Ian’s in the second panel there. The answer is no, not in 2019, not yet.

Jannie is angry that she failed. Ian tries to explain that she didn’t turn in the assignment. She unloads on what an old fool he is and demands to know, pretty much, why he isn’t dead or something. We don’t actually see her ask if she can get extra credit. Jannie goes back to wherever temporary Mary Worth characters go after their plots have ended. She tries to hook up with Michael, who’d been interested in her when she was flattering Ian. He’s got a girlfriend now. So, she can’t talk with him anymore. She’s got to smoke her collapsible blackboard pointer by herself.

Ian comes home, moping about what a fool he is. He tells Toby he needs to talk. This is lucky. Mary Worth has been trying, continuously, since the start of the year to get Toby to try talking with Ian about her anxieties. And it finally took! Ian laughs off the idea he was having an affair with one of his students. Or even that one of his students could find him attractive or inspirational. Fair enough that he doubts himself, in the situation. But it also means his answer to “I’m worried you’re having an affair with one of your students” is “Oh, no, that student was only using me for my gradebook”.

But that is, after all, a happy ending. Toby and Ian are extremely married. They’re happy that they are too. And they’ll even try this “communicating” thing, in case a problem ever comes up again, which it never will.


The new, and current, plot started the 18th of February. It began with a visit to Estelle, who I never figured on seeing again. She’s the widow who adopted Libby, the one-eyed cat that Mary picked up after pet-dating Saul Wynter. Estelle and Libby are having a great time. But Mary Worth is going to keep visiting until Estelle gets herself a very heterosexual relationship. So Estelle tries out a seniors dating web site. Mary is so happy with the prospect she doesn’t even have time to register disapproval of doing stuff on the Internet.

Mary Worth thinks: 'Estelle is a lovely woman. I hope she has some luck with online dating.' Her luck: a man 14 years older than death. 'Oh no!' A chauvinist from a 70s sitcom: 'Check, please!' A huge, blubbering polygamist: 'NOPING right out of here.' A dirty, homeless-looking guy who's licking the plate: 'No way!' A Talosian explaining about how The Last Jedi sucks: 'UGH!'
Karen Moy and June Brigman’s Mary Worth for the 3rd of March, 2019. So, yeah, the Sunday strips are among the things that Comics Kingdom has screwed up with their very bad redesign. The way the strips had been, this comic would run on three rows, and be larger and easier to read. I believe it might also have had another panel. The more old-fashioned Sunday strips are often designed with a panel that can be dropped without loss of narrative cohesion in order to allow newspapers to lay them out like this. I’m not sure, because I didn’t save this strip at the time of publication. (More modern strips, here I mean the ones that will use a full Sunday spread to do, like, a two-panel comic but with lots of solid-colored background shapes, don’t do this. I don’t know whether the artists draw different compositions for newspaper needs or whether they just don’t offer alternate layouts.)

Estelle tries out a couple of dates, which all go hilariously wrong. One guy turns out to be old! Another is a male chauvinist. Another is polygamous. One is even a poor. It’s a fun week watching her have fantastically bad dates. Fun enough I don’t mind that they could have talked on the phone for ten minutes before the date. Or they could have gotten a coffee mid-afternoon instead. Estelle could have saved herself some awful evenings. I don’t care.

And Estelle doesn’t give up. She’s going to keep online-dating until she finds the right scam to fall for. That would be Arthur Zerro, a “widower, construction engineering manager, music lover, and traveller”. He’s working in Malaysia. But he lives in Santa Royale, and is eager to get back home in a couple months. It looks like a great match. They both love travel. Estelle says she loves “multicultural cuisine”. We longtime Mary Worth snarkers take this to mean she likes those combined Taco Bell/Kentucky Fried Chicken/Pizza Hut places.

Mary Worth: 'How long have you been corresponding with Arthur?' Estelle: 'A few weeks. It's been a whirlwind. His voice and his words fill me with joy! He professed his love ... and I may feel the same!' Mary: 'That's ... GREAT!'
Karen Moy and June Brigman’s Mary Worth for the 16th of March, 2019. Contrary to the easy jokes, Mary Worth likes the Internet. It allowed her the chance to be an advice columnist for people all over the world who can’t figure out how to ask their appropriately suitable partner what’s worrying them, and who need an inspirational quote of dubious origin to set them straight.

Arthur Z continues being too good to be real. He loves cats. He calls to read poetry to Estelle. He wants to devote his retirement to Estelle’s happiness. And she thinks that sounds great. He wants to have a nice exchange of questionnaires, the way real people will really do for real in reality. She offers answers. Her favorite food. Her hobbies. What kind of car she drives. What was her elementary school teacher’s pet’s maiden name. What’s her bank’s routing number. Still, the questionnaire part goes great. Arthur even has the same favorite band that she does! It’s the Beatles.

It’s not much of a story if nothing weird happens, though. In an e-mail Arthur misspells his name. I’d be snarkier about this except I know how many times autocorrect has fixed my ‘Jsoeph’ at the end of e-mails this past month. I think my keyboard has issues. Anyway, we also finally see Arth[e|u]r on-screen. He’s not the stunningly good-looking man of his profile picture. He’s more what you get when Louie DePalma didn’t realize that Oscar Madison was also in the transporter pod. So now we experienced readers know something must be up. Persons are only untidy because they’re using all their organizing energy running a confidence scheme.

Artheur falls silent. When he finally connects he has woes. There was an accident on the job site. He’s all right, but the job is going to take months, maybe a year longer now. At least, unless someone has ten thousand dollars that she could wire him. Just as a loan. You know, like someone whose credit score has fluttered between 785 and 813 for the past thirty-six months might be able to swing. Its a hard story, but Estelle decides she had best fall for it.

Estelle: 'Arthur's return was delayed due to an on-site job accident.' Mary Worth: 'Is he all right?' Estelle: 'Thankfully, yes! And he'll be back on schedule now that he has his money to repair his equipment!' Mary: 'Money from ... you?'
Karen Moy and June Brigman’s Mary Worth for the 2nd of April, 2019. “Well, yeah, but only like fifty bucks. I needed it to get the IndieGogo campaign seeded. It’s going pretty well, we’ve had it up four days and it’s already collected $3,500 so we’re thinking there’s a good chance it’ll succeed. I think what’s putting it over is Artheur recording these videos where he explains how to do any home-repair thing anyone who donates $25 asks for. There’s, like, thousands of people who just let the faucets leak a little bit because they’re afraid of how to fix them, and Artheur’s got this great stage persona that lets you know this is about as challenging as replacing the battery in your car. And, gosh, I never realized that was like three minutes of work if you did it slow, not before Artheur did that video about how it works.”

Estelle mentions Artheur’s problems to Mary Worth. Mary Worth underplays her concern. She just asks if it was a lot of money Artheur needed. How well Estelle knows Artheur. Whether Estelle does, in fact, have the common sense that God bestowed upon gravel. But, Mary hasn’t got actual evidence.

So what’s there to do but call on Toby? Who is an expert in this sort of thing. In a sequence that ran in the strip like 800 years ago she fell for a phishing e-mail and she had to get a whole credit card cancelled and replaced. So Toby has skills, and a need to prove them. She’ll wipe out the shame of falling for a “you’re account has exhalated” notice yet! It’s on to a series of panels of “people looking at a laptop”. Thanks to Google Image Search she finds Artheur Zerro’s picture is really that of a “South African male model named Ivan Inghem”. I’m disappointed that my own DuckDuckGo search indicates there’s no such person. I would have been so impressed had Mary Worth used some obscure-to-Americans attractive face.

Anyway, Artheur Zerro’s name is fake too. So now the problem is how to break this to Estelle. That should go great, though. What person do we love more than whoever makes it impossible to ignore how titanic our blunders were? Mary tries the direct approach: show her pictures of Ivan Inghem. Point out nobody in the construction industry knows the name “Artheur Zerro”. That he took ten thousand bucks off her. So this all looks like it’s going well.

I am delighted to have a whole Mary Worth plot recap that does not leave me furious with the story. It’s been a couple of stories of gentle emotional charge. Jannie, Ian, Toby, and Estelle have been acting like clods. But they mostly acted like clods in ways I can accept. Jannie assumed she had a level of trust she didn’t. Ian didn’t think his little problems worth discussing. Toby thought her problems too big to discuss. Estelle fell for a decent line from a scammer. They’re believable enough. And I’m pleasantly surprised that Mary Worth is going back and checking in on the cat she couldn’t adopt because Doctor Jeff was allergic. I’m curious what’s going to follow Estelle’s fall.

Auto Surgeon sign: 'YOU CAN MAKE A DIFFERENCE IF YOU TRY'
I was starting to fear that the car care place wouldn’t update their inspirational-yet-I-can-make-it-despairing message board. But I had just finished the draft on Mark Trail last week when I saw, yay! They had a new message! And only I feel it interrogating me, “So why do you refuse to try?”

Dubiously Sourced Quotes of Mary Worth Sunday Panels!

  • “I was a disinterested student.” — David Fincher, 20 January 2019.
  • “Communication is something we all take for granted.” — Miriam Margolyes, 27 January 2019.
  • “Reacting in anger or annoyance will not advance one’s ability to persuade.” — Ruth Bader Ginsburg, 3 February 2019.
  • “A fool thinks himself to be wise, but a wise man knows himself to be a fool.” — William Shakespeare, 10 February 2019.
  • “A successful marriage requires falling in love many times, always with the same person.” — Mignon McLaughlin, 17 February 2019.
  • “As daddy said, life is 95 percent anticipation.” — Gloria Swanson, 24 February 2019.
  • “The single life is not one I willingly chose for myself.” — Jessica Savitch, 3 March 2019.
  • “Falling in love as we know it is an addictive experience.” — Susan Cheever, 10 March 2019.
  • “Falling in love and having a relationship are two different things.” — Keanu Reeves, 17 March 2019.
  • “All that we see or seem is but a dream within a dream.” — Edgar Allan Poe, 24 March 2019.
  • “Rather than love, than money, than fame, give me truth.” — Henry David Thoreau, 31 March 2019.
  • “It is by doubting that we come to investigate, and by investigating that we recognize the truth.” — Peter Abelard, 7 April 2019.
  • “Love is blind.” — William Shakespeare, 14 April 2019.

Next Week!

The Rat is quite dead. But there is The Little Detective, and her work in finding animal smugglers Mark Trail was too busy to handle. Next week, barring emergencies, I’ll look at Tony DePaul and Jeff Weigel’s The Phantom, Sunday continuity. And if you like seeing anything about any of the story strips, they’re gathered at this link. Thanks for sticking around.

What’s Going On In Mary Worth? Is That Student Really Infatuated With Professor Ian? October 2018 – January 2019


If you’re looking for the latest plot recaps for Karen Moy and June Brigman’s Mary Worth, you may want to check this link. If you’re reading this before about April 2019 I probably don’t have a more up-to-date post. But this essay just gets you up to speed for mid-January 2019.

Also, each week I look at mathematically-themed comic strips, in another blog, with a very similar name.

Mary Worth.

28 October 2018 – 19 January 2019

I was furious with Mary Worth last time I recapped its plot. This is just like any reasonable person who has strong emotions about Mary Worth. Saul Wynter, local curmudgeon, was grieving the loss of his beloved dog after 17 years of companionship. Mary Worth decided he’d had enough of that. She dragged him to the Animal Shelter and shoved a dog into his arms with orders to be happy now OR ELSE.

Wynter complies, though. He sees something in Greta, a dachshund who shows signs of past trauma. Greta sees something in him. He takes her home. Greta’s shy at first. But Wynter’s patient, and supporting, and repeats Worthian platitudes about living life sad afraid and grumpy. She recommends not doing that. And Greta sees he’s already bought a food dish with her name on it.

Saul Wynter, speaking to his dog Greta: 'I hope you know that I'm one of the good guys. This is unfamiliar territory for both of us! You're not Bella, but I'm glad you're here. You'll get to know me *and* your knew home. And you'll see that you don't need to e sad or afraid anymore. Greta, lifes' too short to be sad or afraid ... or grumpy.'
Karen Moy and June Brigman’s Mary Worth for the 11th of November, 2018. I do know that look of hesitant distrust in Greta’s eyes, there. My love’s parents have a dog who has been afraid of, among other things, how the bowl holding some table scraps was just too large.

So they get along, and pretty well. In a couple days Wynter’s going out again, introducing Greta to everyone, and smiling contagiously. It’s a sweet moment. It’s a touch odd: when the story started and he had the dog he’d loved for seventeen years, he was also a grouch. But I suppose everyone does sometimes fall into habits, even grumpy ones without realizing they’re doing it. Well, here’s hoping we can all get to a better place, but may it be through smaller traumas.


The 19th of November started a corollary story. And a great one. Wynter’s story infuriated me with its clumsy-to-offensive handling of pet death. This follow-up, though, was almost uncut, gleeful hilarity.

Mary gets a call from Animal Shelter. They need a foster home for one of their cats. Libby is a one-eyed cat with an appealing scruffy look. I’m surprised she wasn’t adopted already. Mary agrees to foster Libby. This leads to a great string of scenes where Libby goes about cat business, and Mary is put out in delightful ways. We don’t often see Mary Worth coming up against someone she can’t meddle into compliance with her view of life’s order. Pets are great. But you can’t have pets if you aren’t emotionally ready, at all times, to have any day transformed into “emergency vet visit because the animal was sitting in the living room surrounded by a three-foot-wide annulus of poop”.

Mary Worth, thinking: 'Time to check my e-mail.' The cat is sprawled across her laptop, with her one eye wide open. Slight blep.
Karen Moy and June Brigman’s Mary Worth for the 27th of November, 2018. Second panel: “Hello, ladieeeeeeeez.”

We get a twist when Doctor Jeff visits for dinner. It turns out he’s explosively allergic to cats. He has to flee the apartment in minutes. It puts Mary in a quandary. She adopted Jeff years ago; it’s not fair to turn the old pet out in favor of the new. Good news, though. It turns out they had another Old Woman character in stock. Estelle likes the one-eyed Libby, and is very optimistic about being able to take care of a cat for the first time in her life. Libby goes off with Estelle. Both return to the primordial xylem of supporting cast members, and Mary reflects on trading the cat for Jeff after all.

Mary: 'It's a relief that you'll be able to visit me at my place and enjoy my meals again!' Jeff: 'I do love your cooking. And I do love you.'
Karen Moy and June Brigman’s Mary Worth for the 13th of December, 2018. That is definitely Mary looking very nearly in Jeff’s direction with very nearly a feeling as he kisses her temporomandibular joint!

The 17th of December started a new, and the current, story. It’s about the marriage of Toby and Professor Ian. And starts, promisingly, with Toby telling Mary about how great it is that she and Ian have a nice boring marriage. With the benefit of separate day lives. Mary suggests, you know, they could try a cruise ship or something to spice things up. Toby chuckles about how not even God could sink this ‘ship.

So, Ian teaches Shakespeare over at Local College. Jannie, a student, comes up after class to talk about how inspirational he is. How he has a great theater voice. How impressive his knowledge is. How she wants to bask in the glow of his brilliance. Toby snorts at how some students will do anything to butter up their instructors. Ian doesn’t see any reason he might not just be “nut-rageously amazementballs”, as he desperately imagines the kids say.

Jannie: 'Just doing your job? You INSPIRE me, Professor Cameron!' Ian: 'Then I'm doing an ADMIRABLE job! It's the hope of every educator to spark that fire of learning in his students! To make a difference!' Jannie: 'Oh, you do *more* than that ... '
Karen Moy and June Brigman’s Mary Worth for the 28th of December, 2018. So, I haven’t taught anything in a couple years. I don’t remember even the students who were enthusiastic about my mathematics instruction being remotely this appreciative of learning any prosthaphaeretic rule. (Prosthaphaeretic rules are ways to do calculations by way of trigonometric functions. This made sense, back in the days we didn’t have calculators but did have tables of since and cosines and stuff.)

Ian is so convinced that Jannie is not buttering him up that he doesn’t even ask why their semester runs across Christmas and New Year’s. (I know this sounds like me not giving them the dramatic license to show events that happen out of synch with the reader’s time. But the strip does pause to explicitly say it’s New Year’s Eve, right in the middle of the plot. Yes, I know there are colleges on trimester systems that have classes running across New Year’s. I’m sticking to my joke.) Why, he asserts, she really and truly likes him. This inspires jealousy in Toby, and fears that she might lose her husband to this undergraduate. She sends up the Mary Signal.

Mary gives Toby some good advice: tell him she’s concerned about this relationship. Toby dismisses this, because she doesn’t want to seem “clingy”. Well, what kind of relationship survives honest talk about the important stuff? Mary asks how she knows that Jannie actually has feelings for Ian. He might be misunderstanding things. Toby can imagine only one reason someone might say her husband “[stands] out as an educated man among Neanderthals”. All Toby will commit to doing is twisting in uncertain agony.

Jannie: 'I don' *need* to *study* for Professor Cameron's class.' She thinks, 'I've charmed him into giving me an easy A'. Michael: 'Don't be fooled by the A he initially gave everyone! I heard he goes easy on his students at first, but expects them to deliver!' Jannie, thinking: 'Maybe you ... but not me!'
Karen Moy and June Brigman’s Mary Worth for the 16th of January, 2019. Anyone who’s taught knows the wisdom of starting your class looking like you’re a creampuff and then getting harder and harder until finally, just before the student evaluations come up, you’re failing 95 percent of the class.

Which all tees up some funny ironies. First, Ian isn’t wavering in his commitment to Toby. As best we can tell, he’s never considered that this should ever be more than listening to how awesome he is. He’s certainly never considered campus policy about appropriate instructor-student relationships, anyway. Second point, Jannie is just buttering him up. We learn this week that she’s figuring a hefty load of flattery will help her ace the rest of the course. And to complete a fun bit of frustrated-or-false crushes, this week we met Michael. Michael is one of her fellow young people. He seems interested in her and her exotic style of vaping though a six-inch countersunk-head nail. She’s too busy chuckling over how she’s out-thought Professor Ian to care about mere classmates.

And that’s where things stand this weekend.

Dubiously Sourced Quotes of Mary Worth Sunday Panels!

[ Back to GRIFFY, on his quest --- he enters the MARY WORTH strip! ] Jeff, on the phone: 'What should I do? There's this oddly drawn guy here, looking for a missing girl!' Griffy: 'I need so see Mary!' [ Soon ] Griffy: 'Morning, Ms worth! I'm from th' Zippy comic! Can we talk?' Mary Worth: 'Young man, you need help, all right. Th'kind only a MENTAL HEALTH professional can provide!' (Griffy, thinking) 'Uh-oh! I'm frozen in place and unable to speak under th'withering gaze of Mary Worth!!'
Bill Griffith’s Zippy the Pinhead for the 19th of August, 2002. The auto care place has not updated their sign since last time I recapped Mary Worth. Please enjoy these not-at-all despairing messages instead.
  • “The strongest principle of growth lies in the human choice.” — George Eliot, 28 October 2018.
  • “Dogs do speak, but only to those who know how to listen.” — Orhan Pamuk, 4 November 2018.
  • “Change is the end result of all true learning.” — Leo Buscaglia, 11 November 2018.
  • “In the midst of winter, I found there was in me an invincible summer.” — Albert Camus, 18 November 2018.
  • “Time spent with cats is never wasted.” — Sigmund Freud, 25 November 2018.
  • “Be miserable. Or motivate yourself. Whatever has to be done, it’s always your choice.” — Wayne Dyer, 2 December 2018.
  • “What greater gift than the love of a cat.” — Charles Dickens, 9 December 2018.
  • “We do not remember days, we remember moments.” — Cesare Pavese, 16 December 2018.
  • “Flattery is like chewing gum. Enjoy it, but don’t swallow it.” — Hank Ketcham, 23 December 2018.
  • “I will praise any man that will praise me.” — William Shakespeare, Antony and Cleopatra, 30 December 2018.
  • “To catch a husband is an art; to hold him is a job.” — Simone de Beauvoir, 6 January 2019.
  • “Worry never robs tomorrow of its sorry, it only saps today of its joy.” — Leo Buscaglia (again!), 13 January 2019.
  • “I was a disinterested student.” — David Fincher, 20 January 2019.

Next Week!

So … uh … the Rat? Did he Must Die yet? Tony DePaul and Jeff Weigel’s The Phantom, Sunday continuity, gets summarized in a week, barring surprises.

Math Comics with a Side of Mathematics comics


Over on my mathematics blog there’s another article talking about the subjects that the last couple weeks of comic syndicated, newspaper-grade comic strips mentioned. There’s also, courtesy of Bill Amend of FoxTrot, a link to a big bundle of FoxTrot comic strips that have some mathematical content and are suitable for inclusion on the doors to mathematics classrooms or maybe PowerPoint slides explaining what the tangent of 45 degrees is.