A warning before we start. The current-as-of-June story in Karen Moy and June Brigman’s Mary Worth includes a woman who’s been hit, hard enough to need hospitalization. The story is not (so far) about that. It’s backstory, the reason that physician assistant Jared Mylo would get to know her. I don’t want people caught unprepared by sensitive material, is all.
Toby has nightmares about may happen if Moss tells on her. So that’s another wonderful Mary Worth Dream Sequence, with visions of her losing her job and her husband and having schoolkids taunt her for k-i-s-s-i-n-g. Her fear may seem exaggerated. But remember in Funky Winkerbean how Susan Smith had to leave her job at the school when she, an unattached adult woman, kissed Les Moore, a widower attached only to Dead Lisa Moore. But surely that was a special case: how could coworkers respect someone to chose to interact with Les Moore? (Don’t cry for Smith. She got to leave Funky Winkerbean entirely after the thing we were told was a scandal somehow.)
She wakes from one nightmare to another: how to avoid telling her husband, who loves and respects and supports her, about the thing making her most miserable. She visits Mary Worth, who advises she tell her husband, who loves and respects and supports her, about the thing making her most miserable. And it turns out Toby only needs one week and one visit to do the obvious and needed thing.
Ian’s not worried about a student having a crush on Toby. He is shocked to hear of Helen Moss’s suspicions, though. To be specific, he’s shocked that it’s Helen Moss. In a sequence that seems like it’s setting up more depth than it does, we see Moss looking through her college yearbook. It has photographs of her in her student days and Ian in his young-instructor days. As she looks at this Ian enters her office. They embrace, and he tells her this has to stop.
And so it does. We don’t see or hear anything of what they say, not directly. In a Mary’s Muffins Meeting, Toby summarizes. Back in Ian’s days at Franklin (I don’t know if that’s the name of a college or the town the college was in), he flirted with Moss, a student, and they became close. Then he left, for a new job, and never imagined how much he hurt her. And … that’s it? Toby guesses that Moss realized Ian was too clueless to realize he was leading her on. This seems like a charitable assessment, but I suppose we all need some charitable interpretations.
Also I’m not sure that “person who is vigilant about instructors not taking advantage of students” is necessarily the villain. Yes, she was wrong about Toby. But her base stated concern was reasonable and she did see (coincidental) circumstances suggesting Toby might be giving Cal special treatment. I’m not even sure she knew Toby was connected to Ian Cameron, which would have made clear whether Moss was bugging Toby particularly or whether she’s like this for anybody.
But that’s settled. So Toby worries, what if Cal tries hitting on her again? At Mary Worth’s suggestion she has Ian stop in at the end of her class sometime, when they can kiss where everybody sees. Cal is horrified to learn Toby is into olds, so asks the nearest available woman of similar age to have a food with him instead.
The next we see Helen Moss she’s packing her things, and thinking of how she’s thankful for the opportunity to learn, and that she only has “memories … some of which I’ll leave behind”. Having to leave the Santa Rosa Community College seems a bit harsh for being mistaken about the wife of your 30-years-ago-crush flirting with a student. But, you know, that Susan Smith rule. It’s impossible to continue at a workplace once someone learns you’ve had emotions with another person. Or it could be I’m mistaken. There’s a lot we haven’t seen on-screen here. Could be hear leaving is a coincidence and she happened to be moving to a bigger school.
With the 22nd of May, that story closes. The 23rd starts the current story, about Dawn Weston and her boyfriend Jared Mylo. And this is a story which has as a key character a woman who’s been hospitalized because of someone beating her. I’m setting the rest behind a cut tag for people who do not need that in their recreational reading.
The current story in Karen Moy and June Brigman’s Mary Worth has Toby afraid someone will report her to “school management”. She’s teaching at a community college. While I suppose the school has management, every school I’ve ever had dealings with has called that administration. It’s such a weird and needless error I’m wondering if this is some odd localism. Like, I’ve never lived in southern California. I don’t know if community colleges there call it management instead? The way there’s some places where, like in Gil Thorp, the school sports teams go on to playdowns rather than playoffs?
I’m also stumped by the sign outside Santa Royale Community College. It has “Santa Royale Community” in large print on two lines, like a normal place, but then “College” tucked off to the right in half-size print. It was done several times, so this doesn’t look like it patched an art error. When I spot something that unnecessarily wrong I doubt my own judgement: is this alluding to something I happen not to know about? Maybe I’m an easy audience. But when I get mean in my snarking I want it to be about a writing issue deeper than a one-line correction in the script.
He washed ashore on a dessert island. He assumed it was deserted but three-day pleasure cruises out of southern California don’t go past many uncharted islands. The place was a resort island owned by the cruise line, and they’re able to sort him out and get him home in a week.
A week that Wilbur’s daughter Dawn, and Estelle, and Mary Worth have spent mourning and telling each other how this wasn’t any of their faults. Their mourning turns to joy and then exasperation when he walks in the door. Joy, yes, for the obvious reasons. Exasperation because why didn’t he tell them he was not dead? He wanted to surprise them. I get the impulse, but this is another reminder that if you ever catch yourself doing something that would happen in the sitcoms you watched as a kid? Stop what you are doing. The women’s exasperation and anger is short-lived, though. I mean, what are you going to do, hold Wilbur to a consequence for needlessly traumatizing you?
Left unmentioned except by comics snarkers is that Wilbur Weston’s side job is his “I Shouldn’t Be Alive” column, interviewing people who survive disasters. And that he got the idea for this column the last time he survived a cruise ship disaster. (That one was his boat capsizing, sadly not in any major shipping lanes.)
With the decision that that’s just Wilbur his story wraps up the 6th of February. The current story began the 7th of February, with Toby Cameron’s birthday party. It’s one of those where she’s haunted by feeling age. Still, her new job, teaching art at Santa Royale Community College, is going well.
One of her mixed-media students, Cal, is very happy with her instruction, and asks for her feedback about his sketchbook after class. They have a pleasant talk, she encouraging him and he lapping up her enthusiasm. He’s also seen the animal figurines on her web site, which lets us know he’s got at least a bit of a crush on his instructor. Cal accidentally tossing a Frisbee into Toby, and her returning it, the next day, reinforces that for him. And she’s glad to show off the Frisbee skills she honed in her youth; little feels better than turning out to still have it.
After Cal stays after class again, talking mechanical pencils, one of the other teachers stops in to disapprove. Helen Moss, Community College lifer, sneers that he’s too young for her, and warns her against the relationship. This sends Toby’s mood into a tailspin; the next day, she goes off to sit on a hill and think. Cal notices her and goes over to ask how she is. Moss sees this and scolds her for giving a student “special treatment”.
Moss warns that if she keeps it up she’ll report Toby to “school management”. Toby tries to work out what this means. Like, is that the school administration? Might she lose her job over this? What if Ian believes Moss that she’s building a relationship with a student? (This seems extreme, but a few years back Toby did, wrongly, suspect Ian of having something going on with one of his students.) So Moss has sent her into a spiral of doubt and fear for the future.
And that’s where the board pieces stand as of early April.
Dubiously Sourced Mary Worth Sunday Panel Quotes!
“The breaking of a wave cannot explain the whole sea.” — Vladimir Nabokov, 16 January 2022.
“I gotta keep breathing, because tomorrow the Sun will rise. Who knows what the tide could bring?” — Chuck Noland (Cast Away), 23 January 2022.
“The moments of happiness we enjoy take us by surprise. It is not that we seize them, but that they seize us.” — Ashley Montagu, 30 January 2022.
“One of the most beautiful qualities of true friendship is to understand and be understood.” — Lucius Annaeus Seneca, 6 February 2022.
“Let us never know what old age is. Let us know the happiness time brings, not count the years.” — Ausonius, 13 February 2022.
“Take the attitude of a student. Never be too big to ask questions, never know too much to learn something new.” — Og Mandino, 20 February 2022.
“I don’t see myself as extremely handsome. I just figure I can charm you into liking me.” — Wesley Snipes, 27 February 2022.
“In the sweetness of friendship let there be laughter … for in the dew of little things the heart finds its morning and is refreshed.” — Khalil Gibran, 6 March 2022.
“Accusations fit on a bumper sticker. The truth takes longer.” — Michael Hayden, 13 March 2022.
“Where words are restrained, the eyes often talk a great deal.” — Samuel Richardson, 20 March 2022.
“Remember we’re all in this alone.” — Lily Tomlin, 27 March 2022.
“Don’t worry about the world coming to an end today. It is already tomorrow in Australia.” — Charles M Schulz, 3 April 2022.
A bit of fun business ahead of things. Fred Grandinetti was kind enough to let me know about an essay he wrote regarding the King Features Syndicate Popeye cartoons. Grandinetti offers some information about the technical aspects of production, things like budgets and how the cartoons were received. Received by audiences, that is; they always attracted negligible interest from critics. Grandinetti also discusses the six studios which got the work, and reviews their characteristic styles. It’s a much higher-level view than what I’m doing here, but the person out there who is interested in the 60s Popeye cartoons is likely to enjoy that.
Now to the regular stuff. It’s another Famous Studios-animated Popeye cartoon this week. Once again Seymour Kneitel is credited for story and for direction. My expectation was that the cartoon would be professionally made, with everybody on model and the movement reasonably smooth, even if the story was a bit dull. So how foiled were my expectations? Let’s watch.
We start with Popeye in the desert again. He spends a lot of time in the desert for a sailor. But he and Olive Oyl are taking over the Puddleburg Splash, newspaper for the laziest town in the world. The cartoon’s set in the Old West, although the era is only vaguely set. Mostly that Popeye writes with a quill pen. We never find out why he wants to run a newspaper, or why he picks a newspaper in a town he knows nothing about. I’m all right with that, though. I think there’s even a Segar storyline where Popeye takes ove a small western town newspaper for vague reasons. Popeye can just do that.
We get a couple jokes about how lazy the townspeople are. Best is probably Olive Oyl having to point different directions, with the local telling her when she’s pointing in the right direction. It’s also got a slick little bit of animation, when Olive Oyl points at the camera. It’s a rare break from the standard police-lineup pose. Also a nice bit of animation is the sheriff lifting his eyebrow to raise his hat. This is all accompanied by some nice languid music. I suppose it’s something from the Famous Studios music library. It’s nice getting some different stock music.
There’s more social commentary than I expect from these cartoons. The first is Popeye working out that he has to open a school, to teach people to read, so there’s demand for his newspaper. It’s a benign example of marketing into existence demand for the thing you want to supply. The second is the revelation that the people in Puddleburg aren’t unable to read out of laziness. The school Popeye builds is demolished by the Bruiser Boys, local thugs who figure an ignorant population is easier to control through terror. It’s a method of control, yeah. And it diffuses some of the conflation of laziness and stupidity that’s been in the cartoon.
Curiously, the Bruiser Boys are not Brutus. Why have original cast for this? In Dead-Eye Popeye, which I once mentioned without reviewing, Brutus and two identical Brutus-oids terrorize the western town. I’m curious if this resulted from the confusion about whether Bluto was a King Features or a Paramount-owned character.
There is an odd moment where newspaper-editor Popeye hires a cartoonist, B Looney Bologna. His panel is the chicken-crossing-the-road gag, used for generations now as the symbol for tired old humor. (I’m persuaded that it’s an anti-joke, myself.) I suppose it builds the direness of Popeye’s plight, that he can’t even use the funny pages to get an audience. Mostly it takes a spot of time for a joke about a bad joke.
In the climax Popeye decides that the townspeople have to learn the Bruiser Boys aren’t that tough. All right. He decides to show them that even a woman can stand up to them. … Why? I suppose they’re a bit more humiliated if a granny in a wheelchair beats them up than if the newspaper editor does it. But it’s not like they won’t be beaten up anyway. If it is important it be a woman, why not have Olive Oyl take her spinach power-up? It stands out to me that Popeye doesn’t eat any spinach this cartoon. I’m curious if Kneitel had some rationale here that got lost in editing. Or if the cartoon started out as an independent thing, or a story meant for another character, that got imperfectly rewritten for Popeye.
Altogether, it’s a decently-made cartoon. The starting point might be odd, but it follows all well enough from there. It’s still odd that Popeye and Olive Oyl would be printing up rooms full of newspapers when nobody was buying them, though. Maybe he was misled about important things by whoever owned the paper before him.
Popeye never reports a specific piece of news in this short.
It is a refreshing change that I am not upset with Karen Moy and June Brigman’s Mary Worth. I am still upset with Comics Kingdom, since the redesigned site is quite bad. But that won’t stop me recapping the plot of the last three months. If you’re reading this essay after about July 2019, I may have a more up-to-date plot recap here. Good luck finding what you need.
Last time you’ll recall, Toby thought her marriage to Ian was in danger. The danger was Jannie. She’s one of Ian’s students. She can stop talking about what an inspirational teacher Ian is only long enough to point out he’s brilliant too. Toby could not believe someone saying stuff like that about her Ian. Ian had no doubts that he is, truly, the greatest Local College instructor of all time. Jannie had no doubts that she had Ian wrapped around her fingers. Toby was sure they must be having an affair. Ian was unaware that this could be, or could even look like, an affair. It’s a specific sort of obliviousness that I believe in.
Jannie figures it’s time to slack off. And she commits to it, slacking off as much as she buttered up Ian in the first place. She skips turning in an assignment, giving Ian nothing but a wink instead. Ian gets so mopey about having to fail a student who didn’t turn in an assignment that it convinces Toby he’s having an affair. Mary Worth reminds her that “talking with your husband about things that distress you” is an option. Toby is unconvinced.
Jannie is angry that she failed. Ian tries to explain that she didn’t turn in the assignment. She unloads on what an old fool he is and demands to know, pretty much, why he isn’t dead or something. We don’t actually see her ask if she can get extra credit. Jannie goes back to wherever temporary Mary Worth characters go after their plots have ended. She tries to hook up with Michael, who’d been interested in her when she was flattering Ian. He’s got a girlfriend now. So, she can’t talk with him anymore. She’s got to smoke her collapsible blackboard pointer by herself.
Ian comes home, moping about what a fool he is. He tells Toby he needs to talk. This is lucky. Mary Worth has been trying, continuously, since the start of the year to get Toby to try talking with Ian about her anxieties. And it finally took! Ian laughs off the idea he was having an affair with one of his students. Or even that one of his students could find him attractive or inspirational. Fair enough that he doubts himself, in the situation. But it also means his answer to “I’m worried you’re having an affair with one of your students” is “Oh, no, that student was only using me for my gradebook”.
But that is, after all, a happy ending. Toby and Ian are extremely married. They’re happy that they are too. And they’ll even try this “communicating” thing, in case a problem ever comes up again, which it never will.
The new, and current, plot started the 18th of February. It began with a visit to Estelle, who I never figured on seeing again. She’s the widow who adopted Libby, the one-eyed cat that Mary picked up after pet-dating Saul Wynter. Estelle and Libby are having a great time. But Mary Worth is going to keep visiting until Estelle gets herself a very heterosexual relationship. So Estelle tries out a seniors dating web site. Mary is so happy with the prospect she doesn’t even have time to register disapproval of doing stuff on the Internet.
Estelle tries out a couple of dates, which all go hilariously wrong. One guy turns out to be old! Another is a male chauvinist. Another is polygamous. One is even a poor. It’s a fun week watching her have fantastically bad dates. Fun enough I don’t mind that they could have talked on the phone for ten minutes before the date. Or they could have gotten a coffee mid-afternoon instead. Estelle could have saved herself some awful evenings. I don’t care.
And Estelle doesn’t give up. She’s going to keep online-dating until she finds the right scam to fall for. That would be Arthur Zerro, a “widower, construction engineering manager, music lover, and traveller”. He’s working in Malaysia. But he lives in Santa Royale, and is eager to get back home in a couple months. It looks like a great match. They both love travel. Estelle says she loves “multicultural cuisine”. We longtime Mary Worth snarkers take this to mean she likes those combined Taco Bell/Kentucky Fried Chicken/Pizza Hut places.
Arthur Z continues being too good to be real. He loves cats. He calls to read poetry to Estelle. He wants to devote his retirement to Estelle’s happiness. And she thinks that sounds great. He wants to have a nice exchange of questionnaires, the way real people will really do for real in reality. She offers answers. Her favorite food. Her hobbies. What kind of car she drives. What was her elementary school teacher’s pet’s maiden name. What’s her bank’s routing number. Still, the questionnaire part goes great. Arthur even has the same favorite band that she does! It’s the Beatles.
It’s not much of a story if nothing weird happens, though. In an e-mail Arthur misspells his name. I’d be snarkier about this except I know how many times autocorrect has fixed my ‘Jsoeph’ at the end of e-mails this past month. I think my keyboard has issues. Anyway, we also finally see Arth[e|u]r on-screen. He’s not the stunningly good-looking man of his profile picture. He’s more what you get when Louie DePalma didn’t realize that Oscar Madison was also in the transporter pod. So now we experienced readers know something must be up. Persons are only untidy because they’re using all their organizing energy running a confidence scheme.
Artheur falls silent. When he finally connects he has woes. There was an accident on the job site. He’s all right, but the job is going to take months, maybe a year longer now. At least, unless someone has ten thousand dollars that she could wire him. Just as a loan. You know, like someone whose credit score has fluttered between 785 and 813 for the past thirty-six months might be able to swing. Its a hard story, but Estelle decides she had best fall for it.
Estelle mentions Artheur’s problems to Mary Worth. Mary Worth underplays her concern. She just asks if it was a lot of money Artheur needed. How well Estelle knows Artheur. Whether Estelle does, in fact, have the common sense that God bestowed upon gravel. But, Mary hasn’t got actual evidence.
So what’s there to do but call on Toby? Who is an expert in this sort of thing. In a sequence that ran in the strip like 800 years ago she fell for a phishing e-mail and she had to get a whole credit card cancelled and replaced. So Toby has skills, and a need to prove them. She’ll wipe out the shame of falling for a “you’re account has exhalated” notice yet! It’s on to a series of panels of “people looking at a laptop”. Thanks to Google Image Search she finds Artheur Zerro’s picture is really that of a “South African male model named Ivan Inghem”. I’m disappointed that my own DuckDuckGo search indicates there’s no such person. I would have been so impressed had Mary Worth used some obscure-to-Americans attractive face.
Anyway, Artheur Zerro’s name is fake too. So now the problem is how to break this to Estelle. That should go great, though. What person do we love more than whoever makes it impossible to ignore how titanic our blunders were? Mary tries the direct approach: show her pictures of Ivan Inghem. Point out nobody in the construction industry knows the name “Artheur Zerro”. That he took ten thousand bucks off her. So this all looks like it’s going well.
I am delighted to have a whole Mary Worth plot recap that does not leave me furious with the story. It’s been a couple of stories of gentle emotional charge. Jannie, Ian, Toby, and Estelle have been acting like clods. But they mostly acted like clods in ways I can accept. Jannie assumed she had a level of trust she didn’t. Ian didn’t think his little problems worth discussing. Toby thought her problems too big to discuss. Estelle fell for a decent line from a scammer. They’re believable enough. And I’m pleasantly surprised that Mary Worth is going back and checking in on the cat she couldn’t adopt because Doctor Jeff was allergic. I’m curious what’s going to follow Estelle’s fall.
Dubiously Sourced Quotes of Mary Worth Sunday Panels!
“I was a disinterested student.” — David Fincher, 20 January 2019.
“Communication is something we all take for granted.” — Miriam Margolyes, 27 January 2019.
“Reacting in anger or annoyance will not advance one’s ability to persuade.” — Ruth Bader Ginsburg, 3 February 2019.
“A fool thinks himself to be wise, but a wise man knows himself to be a fool.” — William Shakespeare, 10 February 2019.
“A successful marriage requires falling in love many times, always with the same person.” — Mignon McLaughlin, 17 February 2019.
“As daddy said, life is 95 percent anticipation.” — Gloria Swanson, 24 February 2019.
“The single life is not one I willingly chose for myself.” — Jessica Savitch, 3 March 2019.
“Falling in love as we know it is an addictive experience.” — Susan Cheever, 10 March 2019.
“Falling in love and having a relationship are two different things.” — Keanu Reeves, 17 March 2019.
“All that we see or seem is but a dream within a dream.” — Edgar Allan Poe, 24 March 2019.
“Rather than love, than money, than fame, give me truth.” — Henry David Thoreau, 31 March 2019.
“It is by doubting that we come to investigate, and by investigating that we recognize the truth.” — Peter Abelard, 7 April 2019.
“Love is blind.” — William Shakespeare, 14 April 2019.
If you’re looking for the latest plot recaps for Karen Moy and June Brigman’s Mary Worth, you may want to check this link. If you’re reading this before about April 2019 I probably don’t have a more up-to-date post. But this essay just gets you up to speed for mid-January 2019.
I was furious with Mary Worth last time I recapped its plot. This is just like any reasonable person who has strong emotions about Mary Worth. Saul Wynter, local curmudgeon, was grieving the loss of his beloved dog after 17 years of companionship. Mary Worth decided he’d had enough of that. She dragged him to the Animal Shelter and shoved a dog into his arms with orders to be happy now OR ELSE.
Wynter complies, though. He sees something in Greta, a dachshund who shows signs of past trauma. Greta sees something in him. He takes her home. Greta’s shy at first. But Wynter’s patient, and supporting, and repeats Worthian platitudes about living life sad afraid and grumpy. She recommends not doing that. And Greta sees he’s already bought a food dish with her name on it.
So they get along, and pretty well. In a couple days Wynter’s going out again, introducing Greta to everyone, and smiling contagiously. It’s a sweet moment. It’s a touch odd: when the story started and he had the dog he’d loved for seventeen years, he was also a grouch. But I suppose everyone does sometimes fall into habits, even grumpy ones without realizing they’re doing it. Well, here’s hoping we can all get to a better place, but may it be through smaller traumas.
The 19th of November started a corollary story. And a great one. Wynter’s story infuriated me with its clumsy-to-offensive handling of pet death. This follow-up, though, was almost uncut, gleeful hilarity.
Mary gets a call from Animal Shelter. They need a foster home for one of their cats. Libby is a one-eyed cat with an appealing scruffy look. I’m surprised she wasn’t adopted already. Mary agrees to foster Libby. This leads to a great string of scenes where Libby goes about cat business, and Mary is put out in delightful ways. We don’t often see Mary Worth coming up against someone she can’t meddle into compliance with her view of life’s order. Pets are great. But you can’t have pets if you aren’t emotionally ready, at all times, to have any day transformed into “emergency vet visit because the animal was sitting in the living room surrounded by a three-foot-wide annulus of poop”.
We get a twist when Doctor Jeff visits for dinner. It turns out he’s explosively allergic to cats. He has to flee the apartment in minutes. It puts Mary in a quandary. She adopted Jeff years ago; it’s not fair to turn the old pet out in favor of the new. Good news, though. It turns out they had another Old Woman character in stock. Estelle likes the one-eyed Libby, and is very optimistic about being able to take care of a cat for the first time in her life. Libby goes off with Estelle. Both return to the primordial xylem of supporting cast members, and Mary reflects on trading the cat for Jeff after all.
The 17th of December started a new, and the current, story. It’s about the marriage of Toby and Professor Ian. And starts, promisingly, with Toby telling Mary about how great it is that she and Ian have a nice boring marriage. With the benefit of separate day lives. Mary suggests, you know, they could try a cruise ship or something to spice things up. Toby chuckles about how not even God could sink this ‘ship.
So, Ian teaches Shakespeare over at Local College. Jannie, a student, comes up after class to talk about how inspirational he is. How he has a great theater voice. How impressive his knowledge is. How she wants to bask in the glow of his brilliance. Toby snorts at how some students will do anything to butter up their instructors. Ian doesn’t see any reason he might not just be “nut-rageously amazementballs”, as he desperately imagines the kids say.
Ian is so convinced that Jannie is not buttering him up that he doesn’t even ask why their semester runs across Christmas and New Year’s. (I know this sounds like me not giving them the dramatic license to show events that happen out of synch with the reader’s time. But the strip does pause to explicitly say it’s New Year’s Eve, right in the middle of the plot. Yes, I know there are colleges on trimester systems that have classes running across New Year’s. I’m sticking to my joke.) Why, he asserts, she really and truly likes him. This inspires jealousy in Toby, and fears that she might lose her husband to this undergraduate. She sends up the Mary Signal.
Mary gives Toby some good advice: tell him she’s concerned about this relationship. Toby dismisses this, because she doesn’t want to seem “clingy”. Well, what kind of relationship survives honest talk about the important stuff? Mary asks how she knows that Jannie actually has feelings for Ian. He might be misunderstanding things. Toby can imagine only one reason someone might say her husband “[stands] out as an educated man among Neanderthals”. All Toby will commit to doing is twisting in uncertain agony.
Which all tees up some funny ironies. First, Ian isn’t wavering in his commitment to Toby. As best we can tell, he’s never considered that this should ever be more than listening to how awesome he is. He’s certainly never considered campus policy about appropriate instructor-student relationships, anyway. Second point, Jannie is just buttering him up. We learn this week that she’s figuring a hefty load of flattery will help her ace the rest of the course. And to complete a fun bit of frustrated-or-false crushes, this week we met Michael. Michael is one of her fellow young people. He seems interested in her and her exotic style of vaping though a six-inch countersunk-head nail. She’s too busy chuckling over how she’s out-thought Professor Ian to care about mere classmates.
And that’s where things stand this weekend.
Dubiously Sourced Quotes of Mary Worth Sunday Panels!
“The strongest principle of growth lies in the human choice.” — George Eliot, 28 October 2018.
“Dogs do speak, but only to those who know how to listen.” — Orhan Pamuk, 4 November 2018.
“Change is the end result of all true learning.” — Leo Buscaglia, 11 November 2018.
“In the midst of winter, I found there was in me an invincible summer.” — Albert Camus, 18 November 2018.
“Time spent with cats is never wasted.” — Sigmund Freud, 25 November 2018.
“Be miserable. Or motivate yourself. Whatever has to be done, it’s always your choice.” — Wayne Dyer, 2 December 2018.
“What greater gift than the love of a cat.” — Charles Dickens, 9 December 2018.
“We do not remember days, we remember moments.” — Cesare Pavese, 16 December 2018.
“Flattery is like chewing gum. Enjoy it, but don’t swallow it.” — Hank Ketcham, 23 December 2018.
“I will praise any man that will praise me.” — William Shakespeare, Antony and Cleopatra, 30 December 2018.
“To catch a husband is an art; to hold him is a job.” — Simone de Beauvoir, 6 January 2019.
“Worry never robs tomorrow of its sorry, it only saps today of its joy.” — Leo Buscaglia (again!), 13 January 2019.
“I was a disinterested student.” — David Fincher, 20 January 2019.
Over on my mathematics blog there’s another article talking about the subjects that the last couple weeks of comic syndicated, newspaper-grade comic strips mentioned. There’s also, courtesy of Bill Amend of FoxTrot, a link to a big bundle of FoxTrot comic strips that have some mathematical content and are suitable for inclusion on the doors to mathematics classrooms or maybe PowerPoint slides explaining what the tangent of 45 degrees is.