What’s Going On In Alley Oop? Why do Alley Oop and Ooola have a daughter? October 2022 – January 2023


Myc, their daughter, is some weird organism ageing dozens of years in a day. It’s attached to Alley Oop and Ooola because they’re the lead characters. Past that we’re still learning her deal so I don’t have more to say about them.

On another note, Jack Bender, longtime artist on Alley Oop, has died, reports D D Degg at The Daily Cartoonist. I came in to reading Alley Oop and appreciating his work only at its tail end but did always enjoy it. The Daily Cartoonist shares more of his life’s work, including the sports comics he made his name on.

This essay should catch you up on Jonathan Lemon and Joey Alison Sayers’s Alley Oop for early January, 2023. All of my Alley Oop essays should be at this link, so if you’re reading this after about April 2023 there’s probably a more current plot recap there. Now to the past fourteen weeks of shenanigans and whatnot.

Alley Oop.

10 October 2022 – 7 January 2023.

Someone was tampering with Doc Wonmug’s past, going back to divert his young self from an interest in science. It’s Doctor Atoby, of course, Doc Wonmug’s counterpart in Universe-4, the all-villains universe. His goal: to rid the multiverse of 156 of his counterparts, establishing himself as not just the greatest but the hardest-working evil genius in the multiverse.

Alley Oop, Ooola, and Wonmug appearing in the past: 'Since Dr Atoby came a day early, we'll just go back in time one *more* day.' ZANG. Younger Wonmug: 'Nope. He was here *yesterday*.' Doc Wonmug: 'Dr Atoby is anticipating our every move! To keep him from affecting my future, we have to go back even further. We'll go to the day I was born!' The day he was born: they appear in front of the office of Dr J G Atoby, Ob/Gyn. Doc Wonmug: 'Oh, no! There's nothing I can do!' Alley Oop: 'Oh, no! Dr Atoby's a GOBLIN!'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 22d of October, 2022. This all reminds me of a plot thread in David Gerrold’s early-70s time travel novel The Man Who Folded Himself. Also, I do like Alley Oop’s nonsense in the last panel; it’s a good dumb joke to pair with a serious (yet ridiculous) menace from the narrative.

The plan seems unshakeable. Alley Oop and Ooola keep trying to go back to the day before Atoby first visites the young Wonmug, only to find he’s gone back to a day before that. It’s the logical yet funny end and points out one problem of a “Time War” story. It’s hard to see how it could ever be won. Alley Oop and Ooola ask, if Doc Wonmug’s history has been rewritten so he never got into science how does he still have a lab and all? Wonmug explains something about changes in time taking time to change the present. It doesn’t make sense but if we don’t have some buffer like this we can’t have a story, okay?

The Clawed Oracle, cat-shaped being unbound by time and space, has advice for Alley Oop and Ooola. (Doc Wonmug is getting too much into free jazz and other “silly” arts stuff, as the time changes seep into ‘now’.) That advice is: take the battle to Doc Atoby. So they venture into Universe-4, the villain world. It’s a difficult place to be. Everything kind of operates on the inverse-logic of Bizarro World so it’s confusing working out normal conversations. Like, when the person who works the Misinformation Booth offers to help, should Alley Oop clobber them or what?

On the barren far-future Earth. Oola: 'If there's one thing I know about villains, it's that you love a dramatic monologue about a convoluted plan.' Doc Atoby: 'Guilty as charged.' As Alley Oop moves around in the background Ooola says, 'Once you abandon us here in the future, we'll start mining for minerals. Then we'll process those minerals into useful materials. Using those materials, we'll build a time machine, then find you and bring you to justice.' Doc Atoby: 'Preposterous! Do you truly think you're capable of such ingenuity?' Ooola, shoving Atoby backwards, where he falls over the kneeling Alley Oop: 'Nope!'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 2nd of December, 2022. Another strip I really like, as a good blend of comedy and dramatic movement. Also that it’s really clever of Ooola to monologue in this plausible-enough say while Alley Oop silently sets up for the actual plan. I understand the people upset the strip has shifted to comedy first, adventure second, but even they couldn’t be upset if they were all like this.

Our Heroes barely start figuring out a plan when Doc Atoby captures them. His Time Heptahedron is far more powerful than their Time Cubes. he brings them seven billion years in the future, when Earth is a lifeless void, a half-billion years from being consumed by the sun. He plans to leave them there. But Ooola outwits him, and Alley Oop catches him, and they’re left with what to do with the villain. Abandoning him in the dead future Earth is so villainous he approves. Lecturing doesn’t work. What about going back into his childhood to make him less villainous? That’s only arguably murder.

So, they go to Doc Atoby’s childhood and give him a puppy, to make him less villainous, or at least a villain with a cybernetic evil dog. Hard to be sure. But when they get back to the present, Doc Atoby’s a much less evil, less ambitious mad scientist; he’s into free jazz and all that stuff. So this somehow undoes all the time-tampering done with our (Universe-2) Doc Wonmug. I assume also the other versions of Doc Wonmug since there’s a couple that are surely jokes they’ll want to come back to. And with that, the 16th of December, we come to a happy conclusion.


Myc: 'Mom, are you guys really okay that I'm a fungus?' Ooola: 'Myc, your father and I are time travelers. We've had some pretty wild experiences. It takes a lot to shock us. One time, in another universe, we saw George Washington officiate a wedding between a duck and a banana peel.' Myc: 'I don't know what any of that means, but it sounds beautiful.' Ooola: 'OH, it was, honey, it was. Hold on a sec and I'll fetch the souvenir wedding album.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 4th of January, 2023. This story’s done a nice job of having Myc be quite intelligent without having her automatically know things she couldn’t, like who George Washington is or what a banana peel might be.

The 17th of December started the current story, with Alley Oop and Ooola getting back to Moo. Inside Alley Oop’s cave is a crying infant. Nobody in Moo knows who she is. Or why she’s growing so fast, going through years of (human) growth in hours. She tells Our Heroes that her name is Myc. And … she’s pretty sure she’s a fungus. Is that weird? No, of course not. They’ve lived. They know people from Mastodon who are feral dreams hoping to invade shampoo by way of Louisa May Alcott novels. Being a rapid-ageing fungus from space is mundane in all but the literal sense. But what her deal is, past that? We don’t yet know.

Next Week!

Mozz’s Prophecy comes to pass! Or it doesn’t, because we saw it, so it can’t unfold like we were told! If we were told it correctly! If you’re confused, hold on about a week as I get to Tony DePaul and Mike Manley’s The Phantom, weekday continuity. Or read Tony DePaul’s blog because he explained everything using better-chosen words about two weeks ago. Your call.

Why is everyone mad at _Funky Winkerbean_ this week? (December 11, 2022)


I don’t figure to publish nothing but Funky Winkerbean updates until the strip ends later this month. But why not keep people up to date on the strip’s turn to bonkers? Only in an inferior way to the Son of Stuck Funky blog, which has a depth of knowledge and a community that can’t be matched by me? Still, there’s people who’d like a brief recap of what’s going on and that’s what I can serve.

Last time everyone was mad at Funky Winkerbean we’d learned the school janitor was a time traveller there to make sure Summer Moore wrote her book. Since then Time Janitor Harley Davidson has been explaining how he used his super-powers of nudging people’s minds. This all with the mission to make sure Summer Moore gets born. This brought up a sequence of snapshots of the Relationship of Les and Lisa, told in such brevity as to become cryptic.

For example. Last Sunday Harley explained how “when Susan Smith’s actions threatened the possibility of your parents getting back together before they were married … ” he gave “a gentle push to an already guilty conscience”. We see, in the recap, Les Moore consoling Susan Smith, who’s in the hospital. The reader who doesn’t remember the mid-90s well can understand there was a suicide attempt, but not how this fit together. So.

Story from the mid-90s. Susan Smith, one of Les Moore’s students, has a crush on him somehow. And she’s mistaking routine, supportive comments from her teacher as signals that he’s interested too. This was deftly done, at the time. Like, you could see where Smith got the wrong idea, and where Moore had no reason to think he was giving her signals. And was all funny in that I’m-glad-I’m-not-in-this-imminent-disaster way.

This turned to disaster when Smith learned that Moore did not, in fact, have any interest in her. And, particularly, had a girlfriend, Lisa, who was tromping around Europe for the summer. Most particularly when Les asked Smith to mail out the audio tape he was sending Lisa, with his wedding proposal to her. She destroyed the tape, and tried to destroy herself. The thing that Smith confessed was that she had destroyed the tape and that’s why Lisa wasn’t answering the proposal.

Summer Moore: 'When you say 'nudge' ... ' Harley: 'I tough minds ever so slightly to influence an outcome. For example, when Susan Smith's actions threatened the possibility of your parents getting back together before they were married ... ' Flashback to a hospital room, where Young Les Moore tells Smith: 'And by helping you, I did the world a favor too ... because there's a lot of poetry in you that won't be lost now!' Smith answers, 'Mr Moore ... WAIT! There's something I have to tell you ... !!'' In the present day, Harley continues: 'All I had to do was give a gentle push to an already guilty conscience.'
Tom Batiuk and Chuck Ayers’s Funky Winkerbean for the 4th of December, 2022. Boy, has to be a heck of a thing if Les never told Summer about what role a student’s suicide attempt had in her parents’ courtship, right? Still not answered: why Harley stuck around as janitor at Westview when Summer was off at Kent State for a decade. Oh, and there was a strange energy talking about this story on Usenet, as it first unfolded in the 90s, when a woman named Susan Smith became scandalously famous for drowning her children. (That’s the sort of scandal that got nationwide attention in the 90s.) It had nothing to do with the strip, naturally, but it made rec.arts.comics.strips discussion of the character weirder.

The revelation set Les off to Europe to chase Lisa down, incidentally the first time I ragequit Funky Winkerbean. The thing he kept missing her, getting to tourist sites ever closer to when she left, down to where he was missing her by seconds and the story wasn’t over yet. Anyway, he finally caught up to her in Elea, Greece, at Zeno’s world-famous escape room (it’s a tunnel one stadia long, empty apart from a tortoise and an arrow at the midpoint). As you’d think, Summer Moore got born and all.

I don’t remember, why Les couldn’t send another tape, or a letter, or call like a normal human being might. But I do remember that “intercepted proposal” is a story Tom Batiuk would use again, in Crankshaft. There, Lillian, who I bet has a last name, revealed to her comatose sister Lucy that she was why Lucy’s Eugene stopped writing while deployed overseas. Eugene wrote a proposal letter and promised if Lucy didn’t reply he’d stop trying to communicate with her. Jealous, Lillian hid the letter, and so her sister never married. The story premise might not work for you but it seems there’s something that appeals to Batiuk in it. Also now you understand why Lillian — who’s become a little old lady writing cozy mysteries about bookstore-related murders while running a tiny used bookshop herself — draws hatred from a streak of Crankshaft readers.

Other miscellaneous stuff. There’s a reference to the post office bombing storyline, a 1996 story detailed well on Son Of Stuck Funky for people who want the details. (The story was a loose take on the 1995 bombing of an Oklahoma City federal building by white supremacists.) Harley revealed it was his mental influence that got the band and the football team to donate blood. We should have seen that coming. Why would community leaders come together in a crisis like that of their own free will?

Finally Summer asks whether Harley’s ever ‘nudged’ her mind, a question that can only be believed if answered ‘yes’. Harley says ‘no’ and unloads a double- and then a triple-decker word zeppelin. Its goal: to explain how Crankshaft and Funky Winkerbean both happened in the present but were ten years out of synch with one another. Immediately after Lisa Moore’s death Funky Winkerbean jumped ahead ten years. This allowed Tom Batiuk to skip the sadness of Les Moore getting over Lisa’s death and jump right into the sadness of Les Moore’s inability to get over Lisa’s death. But there was no reason for Crankshaft to jump like that. So, for a long while, when Crankshaft characters appeared in Funky Winkerbean they were a decade older and vice-versa.

Summer: 'Did you ever nudge or influence *my* mind?' Harley, in a series of word balloons that fill up *so much* of the comic space: 'No ... I couldn't do that! Your mind had to remain free of any influence from me directly so as not to alter what you may write. That's why there was always my risk of being discovered by you ... and, even though my influence on others was slight ... it still created a bit of an out-of-sync time bubble for this immediate area ... so that Westview actually sped ahead of other localities like Centerville by a bit ... but once I'm assured that your book will happen ... as I now am ... I can see to it that the bubble is absorbed back into the timestream.'
Tom Batiuk and Chuck Ayers’s Funky Winkerbean for the 7th of December, 2022. There has long been a rumor in the comics snark community that the strips are drawn a year or more ahead of time, but the word balloons and final script not filled in until shortly before publication. (To my knowledge neither Batiuk nor Ayers have confirmed this, but I’m willing to begrudge people who can corect me.) This may sound daft, but it’s not very different from the “Marvel Method” used to produce comics in the 1960s with, generally, better integration of art and story. If true, though, it would explain things like why the word balloons here so badly match the natural pauses in Harley’s speech here. Speech balloon placement is very hard, but look at how awful a set of sentences that is in the second panel, and how badly it fits that grand staircase of word balloons.

Not to brag, but I followed this and even why Tom Batiuk would do that. It’s a riff on DC Comics’s old Earth-1 and Earth-2 and so on worlds. Earth-1 was roughly the Silver Age superheroes, and Earth-2 their 20-year-older Golden Age forebears. Some characters, particularly Superman, appeared in both and so were older or younger when out of their home universe. But it was also confusing to anyone whose brain isn’t eaten up with this nonsense and is why I don’t brag about my brain. And so three percent of the last month of Funky Winkerbean was spent explaining why now Crankshaft won’t be out of synch with it anymore.

A problem endemic to stories about time travellers meddling with history is character autonomy. Add to that Harley’s claimed power to nudge people’s choices — including, we learn, getting Lisa to move back to Westview, and getting Crazy Harry a job with the comic book shop so he wouldn’t move out of town — and Summer has good reason to wonder about her parents. Harley owns up to changing Les and Lisa’s schedules to have the same lunch period. And to set it so nobody else would sit near them. But no, he says, Lisa chose of her own free will to go talk to the only person she could.

Comics Book Harriet, at Son Of Stuck Funky, has an outstanding deep-dive into Les and Lisa’s high school relationship, as it developed in the 1980s. It’s (of course) not this relationship of destiny, but a much more ambiguous and generally funny thing. The element I had completely forgotten is that Lisa started out as a terrible girlfriend. The comic logic is correct: you can preserve Les’s role as a loser if his girlfriend’s a terror. (It does play a bit into a misogynist idea of The Women They Be Crazy Harridans. But when you look at the full cast, with characters like Cindy Summers the Popular But Shallow Girl and Holly Budd the Hot Majorette … uh … well, sometimes you have to go with the cast types that give you scenarios.)

Anyway with that complete lack of reassurance Harley … explains how he got his name? And this was what confirmed I’d need to do another “why is everybody mad at Funky Winkerbean” essay. Because we’re told that when he arrived in Sometime In The Past Westview he needed to establish an identity. He saw a guy on a Harley-Davidson motorcycle and figured, yeah that. I’m not faulting him for choosing a goofy name. He needs to blend in with a community where people have names like “Funky Winkerbean”, “Les Moore”, “Holly Budd”, “Jack Stropp”, “Bob Andray” (cute!) (strip of July 18, 1976), “Mason Jarr”, “Chester Hagglemore”, “Cliff Anger”, and so on. He doesn’t know where to find a level. (I made a version of this crack on Son of Stuck Funky and folks asked why I didn’t list “Harry L Dinkle” among the names. And I don’t know; it just doesn’t strike me as the same sort of goofy as, oh, “Rocky Rhodes” or “Ferris Wheeler” do.) My issue is: he didn’t work that out before leaving his home time? He has a time machine and he couldn’t spend an extra day thinking out his cover? The only way I can see that making sense is if Harley had to leap into the past before he was ready. Since we haven’t seen anyone trying to stop him, this implies some Quantum Leap scenario, where Harley is moving uncontrolled from event to event, forever hoping his next expository lump will be the lump drone.

Oh also, today (the 11th) we learn Summer Moore’s not-yet-written transcendentally important book will also be her only book. As if anyone could live up to that standard. Also that Harley hasn’t messed up the book by telling her this. Why? Because she somehow “figured out” all of this on her own, without sharing any of it with the reader. Good grief.

It is technically too soon to say whether everyone will be mad at Funky Winkerbean next week. [ Added after seeing Monday’s strip: Yes, everyone already is and will still be. ] However, Epicus Doomus promises in a Son of Stuck Funky comment that “this thing is about to take the stupidest possible turn you can imagine” while staying “staggeringly boring too”. I, too, am curious.

Why Is Everyone Mad at _Funky Winkerbean_?


This may be hard to believe but as recently as the 21st of November, nobody was mad at Funky Winkerbean. At least nobody was mad enough at the soon-to-expire strip to click the ‘angry’ react at the bottom of Comics Kingdom’s page. That changed the 22nd, and since the 25th of November there’s been only one day that the strip got fewer than a hundred angry reactions, as of when I write this. So I want to explore that since people mad at comic strips is good for my readership.

But first, anyone really interested in this should visit the Son of Stuck Funky blog. It has always provided daily snark and commentary and research on Funky Winkerbean. The community there knows the strip with a depth and insight I can’t match and, yeah, they’re feeling extremely ambiguous about what to do next year.

So. The current, and it appears final, Funky Winkerbean story began the 24th of October. Summer Moore, the much-forgotten daughter of Les Moore and Dead Lisa Who Died of Death, returned from college. Her absence as a significant character for like a decade was explained as she kept changing her major. Now she’s thinking to take a gap year in her grad studies. Her goal: writing a book about Westview, the small Ohio town where Funky Winkerbean takes place. She figures to write about how the community’s changing over the last couple decades. Her plan is to use oral histories of her father, her father’s friends, and her dead mother’s diaries. Dead Lisa left a lot of diaries. And also a lot of videotapes. She recorded them after she decided it would be easier to leave a lot of video tapes with advice for her daughter rather than not die of breast cancer. (I sound snide, but what did happen was after a relapse she decided not to restart treatment.)

Les: 'So you're not going to be doing any interviews for your book today?' Summer: 'Actually, I'm reading Mom's diary ... so I'm interviewing Mom.'
Tom Batiuk and Chuck Ayers’s Funky Winkerbean for the 21st of November, 2022. The last Funky Winkerbean (as of this writing) that nobody was angry at. It’s possible that there was some anger that got unrecorded because of Comics Kingdom changing out their commenting system and destroying years of earlier comments.

She started just in time! She’s barely decided to write a book when Funky Winkerbean, the character, announces he’s closing his restaurant, Montoni’s. The pizza shop was the social center of the comic strip since 1992. This event went so fast — in under a week of strips they were auctioning off the fixtures — and with so little focus that it felt like a dream sequence.

By the way if this storyline turns out to be a dream sequence, it would both make more sense and deserve even more to be punched.

So after some interviews Summer goes to the Westview High School janitor, a guy named Harley. Who turns out to be a longtime background character; ComicBookHarriet found he entered the strip no later than 1979. Summer says she kept finding a pattern, not shared with us readers, where Harley’s name popped up too much. And she read something in her mother’s diary about feeling watched. Harley curses himself for being a novice and starts to unreel the story that’s got everyone mad.

Because it turns out that Harley is not merely a janitor who’s been there since before they invented high-fiving. No. He is, in fact, a Custodian, one of a group of people from some other time, with a mission to tend “important nexus events in the timeline” so they’re not disrupted. You know, like in Voyagers!, which you remember from my childhood as somehow the only TV show even more awesomer than Battlestar Galactica. Or like the early-2000s Cartoon Network series Time Squad, which answered the question “what if Voyagers! had three main characters but they were all jerks?”

So he’s been around for forty years watching over Westview High School as a janitor. Apparently it wasn’t intended, exactly. It’s that his Time Helmet got stolen, years ago, by … Donna, who back in the 80s wore this goofy space-guy-ish helmet to play video games as “The Eliminator”. Part of modern Funky Winkerbean lore was that she had worn the helmet to disguise her identity. This way, fragile boys wouldn’t freak out at a guh-guh-guh-girl being good at video games. (Which, eh, fair enough.) (Also she got her Mom to call her ‘Donald’ to help her cover.)

We’ll get back to this in a second. But a lot of what has people mad about this is that the strip revisited The Eliminator’s helmet a few months ago. This in a story where Donna’s husband, Crazy Harry, found the helmet in the attic, put it on, and found himself somehow back in April of 1980. He met up with his high-school self. He told Young Lisa that Les Moore liked her in a not-at-all extremely creepy way. He almost told her to get regular mammograms. He bought a copy of Spider-Man’s debut (a comic book twenty years old at the time) at a convenience store. And lost it, for John The Comic Book Guy to find. And he blipped back to the present. Everyone agreed that was wild. It must have been a hallucination from the helmet outgassing, the way 40-year-old plastic will. Anyway after that weird yet harmless experience they throw the helmet out. But a stray cat wandered into it and blipped into hyperspace. This in just the way The Eliminator would back in the day.

Harley: 'I couldn't just take back the helmet from Donna without drawing attention and possibly disrupting the timeline ... so I gently nudged her mind to make her think that she created it ... ' We see in flashback young Donna picking up an issue of 'Eerie Comics' with something like the Time Helmet on it. Harley: 'And I touched the mind of the comic artist Ken Kelly to put it on a comic book cover to give her the inspiration for it.' Flashback to Donna playing Defender: 'I'm the Eliminator, the most feared video game player in the galaxy!' The Eliminator vanishes, Harley: 'So I knew where the helmet was should I need it! Although, I did get a fright the first time Donna disappeared from the present for a couple of seconds!'
Tom Batiuk and Chuck Ayers’s Funky Winkerbean for the 27th of November, 2022. Again, not clear how this was easier than just breaking into Donna’s attic and swiping it in the decades that the helmet sat forgotten in a box there. The bit of Eliminator blipping out there reflects a common old Funky Winkerbean motif where wacky stuff would happen, like a character blipping into hyperspace. And apparently that needs explanation now because we can’t just have whimsy. Yes, that’s another thing to be mad about.

Back as it were to the present. So, Harley took a job as a janitor to be where he could watch over stuff. OK. He lost his Time Helmet when the young Donna swiped the cool-looking helmet form his supply closet. He couldn’t snag it back because that would disrupt the timeline. But he could touch her mind enough to make her think she’d made it herself, like she’d always told people. And touched the mind of comic book artist Ken Kelly to make a design that Donna would use as the basis for her helmet. Because that’s easier than touching Donna’s mind to bring the helmet back. And all this mind-touching isn’t creepy or weird so you will stop thinking it is, starting now [ snaps fingers ]. Anyway he figured he could always snag the Time Helmet if he really needed it … except that then it went missing a couple months ago and he has no idea where it went. It’s that cat wearing it.

There’s the first big thing everyone’s mad about: how the heck does it make sense to leave the Time Helmet lost in someone else’s attic for 40 years? And was his mission supposed to be “hang around Westview High School for forty years in case something happens?” And if that was the plan, then what Time Admiral’s great-grandmother did he punch out as a baby to draw that assignment?

Next big thing: what big nexus is it he’s there to protect? And can we shut down everything if his mission was being sure Les Moore wrote How Dead Lisa Died In The Most Tragically Tragic Thing That Ever Happened To Anyone Ever? In a twist, considering Dead Lisa has been the center of most every Funky Winkerbean story the past fifteen years, it is not. No, the thing that needs protection is the book that Summer Moore is about to start writing.

Yes. As you might think if you watched Bill And Ted Face The Music but missed the movie’s thesis that utopia can only be created as an active collaboration of all people, Summer Moore’s going to create a utopia. Specifically, her book connecting the grand sweeps of history to Westview inspires “a science of behavioral-patterend algorithms that will one day allow us to recognize humanity as our nation!” If I have this right, Harley means she lets them invent psychohistory, like in Isaac Asimov’s science fiction novels. In The End of Eternity and Foundation’s Edge, Asimov’s capstones to exploring the implications of a mathematically predictable future history, he concluded psychohistory would be a bad thing. I have to paraphrase because I don’t have the energy to dig up either book. But viewpoint characters come to see the future psychohistory creates as “condemned to neverending stasis by calculation”. I agree we could make a much better world if we treated all people as worthy of our brotherhood. But if the powerful can choose to shape future history they will not choose one for the good of the powerless.

Summer: 'You're here to make sure I write my book!? But what's so special about it?' Harley: 'Your ability to detect patterns will allow you to write a book that connects matters of ordinary small-town households to matters of immense consequence. What you write about sparks others to build on it to create a science of behavioral-patterned algorithms that will one day allow us to recognize humanity as our nation!'
Tom Batiuk and Chuck Ayers’s Funky Winkerbean for the 2nd of December, 2022. Recommended reading: Katherine MacLean’s short story “The Snowball Effect”. Anyway, the pattern I would like explored is why this strip has major characters named Crazy Harry, Harry Dinkle, Holly Winkerbean, and now Harley Janitorman. What’s with all the two-syllable H-y names, huh?

So that’s what else has people mad. First, the declaration that yet another character in this strip is going to become an important author. Authors already in the strip have written a blockbuster biggest-movie-of-the-year superhero franchise, a bestselling memoir that got turned into an Oscar-winning movie, and an Eisner-winning graphic novel. Second, not even an important author but someone who makes a better future. Third, an author whose work is so important it’s worth having a league of Timecops send one of their members to while away his life watching over her. But not someone good enough to do things like “not lose his Time Helmet for forty years”. Also not good enough to “maybe get a job somewhere near where Summer spends ten years in college”. Or even a job “where Summer spent anything but four years of her life”. Fourth, that it’s toying with some respectable comic book or science fiction ideas, badly. As said, it’s fiddling with what you see in the Bill and Ted movies, or with The End of Eternity, but missing their points. And, what the heck, because all this is being presented in big blocks of exposition rather than, you know, a mystery. Summer’s presented in-text as though she had cracked an elaborate mystery. But we-the-readers never saw any clues or even more than maybe two people mentioning the janitor had been here forever.

Oh also, that we’ve never seen evidence that Summer writes, or is any good at writing. Sometimes a newcomer has an amazing talent, yes. To get back to Isaac Asimov, he write “Nightfall” — acclaimed for decades as the best science fiction short story ever — when he was about twenty. It was only his seventeenth published story. Writing about the experience, Asimov noted that, had someone told him the night before he began writing, “Isaac, you are about to write the greatest science fiction short story ever”, he would never have been able to start. He’d have been destroyed by the menace of that potential. I think we don’t have enough time for a clash between forces helping and hindering Summer’s writing. I can imagine the story, though; Jack Williamson wrote something like it, in the Legion of Time. I’m told, anyway. I haven’t read it.

Anyway, everybody likes that the strip is trying to go out bonkers. But it’s fumbling the ideas, so the plot points don’t hold up to casual scrutiny. And they’re being delivered in time zeppelins of word balloons. I’ll try to post updates, when they’re deserved. But again, Son of Stuck Funky is the place to really know what’s going on here.

What’s Going On In Alley Oop? Why is Doc Wonmug visiting his past self? July – October 2022


The current story in Jonathan Lemon and Joey Alison Sayers’s Alley Oop sees Doc Wonmug finding his young self living a ‘wrong’ life. It appears to be from someone meddling with his own past. But he didn’t have any hint this was going on, when he started this. He had started out with moping about his childhood.

The seed of this moping may have come from the previous story. It revealed that, to hold the devices he was solving Moo’s problem with, he went back to swipe some of his own childhood toys. Ooola observes that’s a weird choice to make. Wonmug says yeah, he had an unconventional childhood; “some guy kept stealing all my stuff!” Though it’s not explicit, we could suppose this is what got his childhood on Doc Wonmug’s mind.

All this should catch you up to mid-October 2022 in Alley Oop’s story. If you’re reading this after about December 2022, or if any Alley Oop news breaks, there should be an essay here of more use to you. In the meanwhile, let’s go messing with the time stream again some.

Alley Oop.

25 July – 8 October 2022.

A new, futuristic city appeared in Moo, with skyscrapers popping up daily. Newly-elected President Krash sees this and runs fast. Alley Oop and Ooola are left to investigate.

The settlers are from New Cleveland, from the overpopulated world of 2155. A weird portal popped up there a couple days ago. They’re taking the chance to go somewhere there isn’t a waiting list to see the sky or get on the sidewalk. A quick trip to 2155 to see overstuffed cities in a world with 100 billion people convinces Ooola and Alley Oop there’s maybe some justice in their fleeing? It’s not like Moo doesn’t have empty space?

First Moovian: 'I know we haven't met those settlers yet, but why not? Seems shifty to me. They should stay away.' Second Moovian: 'Aren't we all settlers, in a way? I, for example, sleep at Alley's house when he's out of town.' Alley Oop, off-screen: 'Wait, what?' Third Moovian, clutching a small boulder: 'Are they going to outlaw our rocks? I'm not giving up my rock.' Fourth Speaker 'The settlers are destroying Moo's way of life, which is fine, because I don't even live here.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 11th of August, 2022. By the way, 100 billion people isn’t really that enormous a population, if people are living in high-density places like we see in New Cleveland. Some of these are going to have to be in climactically challenging places like northern Canada or Texas, but build a dome city and you can have a pretty nice place and still have lots of raw wilderness. Earth is a really big planet, when you get down to it.

They take the issue to the Moovians. Moo is, unfortunately, a very new democracy, and it’s filled with people. The community meeting to discuss what to do winds around some very Springfield/Pawnee doddering. That’s when Doc Wonmug pops back in from the 21st Century, promising to fix whatever problem they’ve got now. He snags some toys of his childhood and using some Time Cube-like technology sends the settlement to the seventh-and-a-half dimension. Somewhere beyond normal perception, at least.

Alley Oop: 'So, is the settlement gone for good?' Wonmug: 'Yes and no. It's still right here, but in a half dimension. So it occupies the same space but sort of ... diagonally.' Alley Oop, waving his arms, 'So can hey feel this?' Wonmug: 'No.' In the half dimension one settler asks, 'Do you feel that?' Second settler: 'For some reason, I feel like I'm at a nightclub where nobody knows how to dance.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 27th of August, 2022. Oh, I remember this short story about trillion-person Earth sending the surplus population off to other dimensions. It … reached two punch lines at once.

Wonmug then pops into the year 2155 to figure out why the world is so crazy overpopulated. Especially considering that by 2160 it’s not nearly so crowded. By the mid-22nd century humanity managed to overcome every known disease and cause of premature death, so, what could ruin that? And we see some kind of bug hop off Wonmug’s arm and into the soon-not-to-be-overpopulated world of tomorrow. So that’s a bit of a grim joke to end the story on.


With the past, at least, saved, it’s time for a new story. This one started the 5th of September. Doc Wonmug gets to moping about his childhood and decides to go to his childhood home. He ditches Alley Oop and Ooola, somewhere in his past, to find his nine-year-old self. His nine-year-old self, though, has sworn off inventing in favor of visual art. It’s not something Doc Wonmug remembers from his own past. He takes young Elbert forward seven years, to find their 16-year-old self.

Wonmug: 'Elbert, it's time to come clean.' Young Elbert: 'Sounds good, person who randomly showed up on my doorstep while my parents were out.' Wonmug: 'I'm you from the future. More accurately, you'll be me someday.' Elbert: 'Wow! I live to be 100 years old?' Wonmug: 'I'm not THAT old! I just have precocious wrinkles. But the question is HOW can I be you? Because the you you are isn't the me I was.' Elbert: 'This is so interesting. Stay right here while I definitely don't get the Creep Eviscerator 5000.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 15th of September, 2022. Well, now, mm. Doc Wonmug first appeared in the comic strip in 1939, and was an adult then, so he has to have been born at least a quarter century before then, so in a sense he has already lived to be a hundred years old? At least in the same way Fritzi Ritz is a hundred years old.

This self, Burt, is a snide, sullen teenager. He’s not winning science competition; he’s reading comics. Doc Wonmug can’t figure what’s gone wrong, but Burt and Elbert offer something. Several months ago — to both of them — an old guy came, convincing them that science was a waste of time. Also paying a couple hundred dollars to convince them. But neither can offer a useful description of the guy who bribed them. So — leaving Elbert with his alternate-teen-self — Wonmug goes ahead to find his 25-year-old self.

Burt: 'Hey, Gramps. I remembered something you might want to know. A few months ago, some old guy came and convinced me that studying all that science junk was a waste of time.' Elbert: 'Yeah, the same thing happened to me!' Wonmug: 'And you both believed some random nobody? That makes *no* sense!' Burt: 'You're right. It made *dollars*. Two hundred of them, to be exact.' Elbert: 'Hey, the old guy only gave me a hundred!'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 27th of September, 2022. I’m a little curious what the history-alteration mechanism is that Old Guy felt the need to talk both 7-year-old and 16-year-old Wonmug out of science while 100-year-old Wonmug doesn’t know anything about it. But I’m also curious why I’m getting a better Young Funky Winkerbean vibe from seven-year-old Elbert in the second panel there than I get from the actual Funky Winkerbean strip doing flashbacks.

His 25-year-old self has a lab, as he ‘should’. But it’s not a science lab. Instead, this The Lab a free jazz club. Wonmug could not be more horrified, or helpless. But Benny, sax player for The Lab, recognizes Doc Wonmug as looking familiar. He sketches the familiar-looking person, who has a weekly gig at The Lab. He looks like Doc Wonmug with ‘an evil mustache’. This might be Doc Wonmug from an evil or villain timeline; who of us could say? I imagine we’ll learn in the weeks to come.

Next Week!

The Ghost Who Walks now knows how his rescue of Savarna Devi will bring wrack and ruin to his family — or does he? And he marches on regardless, to save a kindred spirit from an unjust judicial murder — or does he? I’ll summarize the goings-on in Tony DePaul and Mike Manley’s The Phantom (Weekdays) in six days — or will I? I’ll make the attempt at least, yes.

In Which I’m Watching Old Game Shows Again


So this episode of the 1960s Password came up, and the password they were supposed to guess was “Tweet”. Well, sure, I watched that and thought, boy, if this were today you’d just give ‘Twitter’ as the prompt. And then the celebrity prompted with ‘chirp’ and the contestant guessed ‘Twitter’. So I just wanted to say to time-travellers, please, I understand the temptation but we need you to stop the collapse of the ecology and the descent of the world into fascism. Let’s make “messing with Arlene Francis’s head” like, job number six, okay?

60s Popeye: Have Time, Will Travel, a rich subtle web of continuity


Now in King Features’s YouTube channel we’ve entered a strange space. They’ve decided to cut opening credits, not just from the first video, but from all of them. I had to resort to the Internet Movie Database to confirm that this was a Gene Deitch cartoon, although I kinda knew already. IMDB does say the short was directed by Darko Gospodnetic, which I think is the first specific credit I have for any of the Deitch cartoons. Also, that this is a 1961-produced cartoon, which may explain one mystery. Here we Have Time, Will Travel.

And a content … advisory. I’m not sure it rises to the level of warning. In the short Popeye and Olive Oyl get caught by a tribe of … Neanderthals Or Something I Guess. It’s playing with the tropes of the “primitive cannibal(?) tribe”. It didn’t quite trip over the point of too much, for me. But you should be aware if you are more alert than I am to the racial ideas bundled into the basic idea of showing “primitive tribes”.

I like this cartoon and I can’t quite say why. Energy, I suppose. Watch it with the sound off; there is all sorts of movement, all this vitality to it. It hits a good midpoint between the wild energy of a Jack Kinney short and the strong discipline of Paramount Cartoon Studios. The premise is a great one — Popeye with dinosaurs, always a winner — carried out half-well. Somehow we get off dinosaurs and into a mean tribe like could happen, only more racist, without Popeye having to leave his era at all. And we get a lot of odd stray moments. I imagine that, as a kid, I’d accept without question Popeye ordering a time machine out of a catalogue. That it’s a tinker-toy construction? That’s weird for the sake of weird and you might need to be an adult to notice how arbitrary that is.

Also arbitrary: for some reason Olive Oyl’s house hasn’t got any heat. I’d so like to know, was this in the first draft of the story? Or was it fit in so that there’d be something to do with the Neanderthal’s spears, once those were put into the story? Or was the tribe put in because they had to give something for Olive Oyl to burn? (But then why not have Popeye and Olive Oyl escape, and them burn the time machine in frustration for putting them in a scrape?)

Popeye and Olive Oyl sitting on the bare seats of a time machine made of what appears to be tinkertoys. It has a large square seat back, and a triangular-prism out front, but it's mostly just a wireframe figure.
That shape there is a loose allusion to the time machine of the 1960 movie, right?

Popeye dubs the first dinosaur they encounter, the one they pull a thorn from the foot of, “Oscar”, saying he reminds him of a guy he knows in Brooklyn. This is an intriguing continuity moment. In the comic strip there’s a regular minor character, Oscar, there to be the dopey incompetent sidekick Popeye sometimes needs. Oscar’s barely made it to the cartoons; I think he has one or two appearances as a background character. Is that the Oscar we’re supposed to think of when we see a brontosaurus?

I want to shrug that off as a meaningless coincidence. But Popeye opens the short by saying how if Professor O G Wotasnozzle can build a time machine so can he. Wotasnozzle’s time machine was a recurring setup to put Popeye in weird situations, including facing yet another dinosaur. But this was a recurring gimmick of Jack Kinney cartoons. Gene Deitch (or someone working for him) was aware of what the other studio had done, and trusted that kids would remember that, and chose to explain why they weren’t using Wotasnozzle’s time machine. I was startled enough by the second Roger The Talking Dog cartoon recapping the first for everyone. (Though Roger postdates this cartoon.) Why did Deitch want his cartoons to connect even to other studios’ Popeye cartoons?

A brontosaurus cries out in pain at the tiny thorn in their paw. Popeye leans in, looking at this, dangerously small and close to being underfoot.
I think this is also how Alley Oop met Dinny. (I actually don’t know and can’t find their story offhand.)

As I said at the top, I liked this short. The energy is a big piece. But it could also be these tossed-off hooks to other Popeye stuff. They’ve got me engaged and thinking about the short in ways a lot of these cartoons don’t.

I like the tribe folk shrugging off spinach as “dinosaur cabbage”. Fun little bit. Of course we all know spinach was only bred about two thousand years ago but we have to accept there’s worse anachronisms here. As Doc Wonmug explained when he first learned Alley Oop lived with dinosaurs, there’s stuff we haven’t heard about yet.

What’s Going On In Alley Oop? Did a story start in the Sunday Alley Oop? February – May 2022


I’m hesitant to call it a story. But the Sunday Little Oop comics seem to have changed premise. After a couple years of Little Alley Oop being trapped in the present day, he and Penelope are back in prehistoric Moo. Penelope’s time machine got swiped by a pterodactyl, Angry Hank, and there’s no obvious way for her to get back. I’m interested how this different set of fish-out-of-water jokes will go.

But that’s the Sunday comics. The weekday comics are the main continuity and that’s what I hope to catch you up on here. This should explain Jonathan Lemon and Joey Alison Sayers’s Alley Oop through to early May 2022. If any news about the comic breaks, or if you’re reading this after August 2022, a more useful essay is likely here. Thanks for time-travelling with me.

Alley Oop.

21 February – 7 May 2022.

Alley Oop and Ooola had just ducked out to 2782, when Earth is finally Eutopia. And it sure seems nice. Lots of leisure. Tubes from from ears of corn pop out on command. What’s not to like, besides the ominous warning of the corn dog guy who’s dragged away and replaced?

Stev: 'It's come to my attention that you've been asking a lot of questions about Eutopia. I'm going to need you to stop that.' Alley Oop: 'Sorry, Pal. You can't stop our natural curiosity.' Stev kneels beside an enormous pit: 'Well, *this* is the alternative.' Alley Oop: 'Pfft. A bottomless pit? I'll just live the rest of my life falling. Get a falling job, start a falling family.' Stev: 'There *is* a bottom. And it's covered in *spikes*.' Oop: 'Oh, no! That will really cramp my falling lifestyle!'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 2nd of March, 2022. Stev and his threats play less of a part in the story than highlighting them like this suggests. I mostly like the camera angle in that third panel and Alley Oop’s plans to develop a falling lifestyle. It’s a level of building-on-a-dumb-premise that tickles me.

So they ask a couple basic questions and Stev, leader of Eutopia, is ready to banish them to the death pit. They instead explore behind a forbidden door. They’re caught, fitted with shock collars, and impressed into the huge underclass of degraded laborers, or laborers. Their job: be at the ready to load the pneumatic tubes with corn or books or whatever the surface-worlders demand.

A note under the pillow interrupts Ooola’s drudgery. It’s an invitation to the Revolution. Krev, the security guard who put Oop’s shock collar on, sent it. Krev’s realized the world sucks. The strange, curious outsiders of Alley Oop and Ooola may be what’s needed to take down the dystopia. The three of them look for support from other oppressed workers. They gather a revolutionary vanguard of almost twelve people, most of whom we never see.

Ooola: 'Why did you want to meet with us, Krev?' Krev: 'You two are legends around here. Word is, you appeared out of nowhere and started asking forbidden questions. You're right that Eutopia is not all it seems to be, and I'm going to help you take it down.' Oop: 'Let's blow up the whole planet!' Krev: 'I was thinking something a little more strategic.' Oop: 'Fine. We'll start by blowing up small things and then do bigger explosions.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 30th of March, 2022. As a person who’d rather be playing some grand strategy game far too complicated for himself to understand than do most anything else … uh … yeah, Alley Oop understands strategy.

What can they do? Sabotage. Pneumatic tubes offer great chances for this. They start a campaign of putting the wrong stuff in tubes. Cross-connecting tubes. Reversing tubes. After a couple hours they check up stairs and, what do you know, society’s collapsed. Wen, the guide who’d explained Eutopia to Alley Oop and Ooola, is guarding his precious box of remaining corn. Stev cowers behind the remains of his throne before abdicating and running away.

Alley Oop: 'We should probably head home, Krev.' Ooola: 'It was a pleasure overthrowing a corrupt socio-political system with you.' Krev, walking into the ruins: 'Be well in the 21st Century. Maybe you can take some of what you learned and create a new utopia there.' Silent penultimate panel. As they zang back to the present, Oop says, 'I give it a year before their whole perfect society collapses.' Ooola: 'A year? I was thinking a week!'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 30th of April, 2022. Hey, remember that last time a couple years ago the Republicans shut down the United States federal government, and it was impossible for them to resolve the problem, and then the air traffic controllers went on strike for about 25 minutes and the Republicans settled down and funded the government to basic levels of functionality? Just a thought that crossed my mind about the corrupt sociopolitical system.

Krev declares they’re starting a new world, a true utopia, a more equitable and egalitarian society. And with bold hopes for a new future, that Ooola guesses will last maybe a week, Our Heroes return home.

Oh, yeah. Remember last time I mentioned noticing the strip where Ooola sees a white rabbit running along? And I felt good that despite being a STEM idiot I can recognize allusions to some of the most foundational images of our culture? Yeah, that white rabbit never figured into the story in any way. Sorry.


With the 2nd of May, we start the new story. Dr Wonmug, Alley Oop, and Ooola are off to 1501 Italy to meet Leonardo da Vinci, little suspecting he’s one of the cast of Bill Holbrook’s comic strip Safe Havens. (Honest. Lot of backstory in that strip.) And that’s as far as we’ve gotten. We’ll pick it up in eleven weeks or so, if things go as I expect.

Next Week!

The Phantom is, as we all know, the Man who Cannot Die. What Tony DePaul and Mike Manley’s The Phantom weekday continuity proposes is, what if he could? They figure it would go something like this. I’ll catch you up on it in a week, unless Mozz warns me of disaster to unfold if I do.

What’s Going On In Alley Oop? What’s with all these alternate-universe Alley Oops? December 2021 – February 2022


I don’t know. Jonathan Lemon and Joey Alison Sayers’s Alley Oop has embraced the idea of the multiverse and that lets them have silly variations of the core cast. I grant this has dramatic economy. This past story introduced Allen Cooper, the analogue of Alley Oop from the all-villain Universe 4. We do get a glimpse of Lula and Doc Atoby, the villain-world counterparts to Ooola and Dr Wonmug, so that’s banked for future use.

The Alley Oop we’re following is Universe-2’s character, by the way. The original newspaper character is Universe-1. He’s safely ensconced in a continuity that has none of the Lemon/Sayers run’s silliness. And this story also saw a brief visit from Ollie Arp, from the more competent (though still goofy) Universe-3.

So this should catch you up to mid-February 2022 in Alley Oop. If you’re reading this after about May 2022 a more current plot update is likely at this link. Thanks for looking up story elements here.

And after a stumble last week I hope to resume my Little 2021 Mathematics A-to-Z tomorrow. What mathematics term do I try to pick up and explain in an essay a normal person can understand? Why not just look and see, in about 18 hours from when this essay posts?

Alley Oop.

6 December 2021 – 19 February 2022.

Doc Wonmug tracked down the history-rippling destruction of Earth’s atmosphere to the year 2000. Our Heroes went to the Rocky Mountain cave holding the Atmosphere Fixer. It’s a 200-year-old device that daily cleans the world’s atmosphere. (Wonmug notes, defensively, it’s not an “everything on Earth” fixer, which is why there are still environment problems.) It was created by one Janet Higgins, a brilliant scientist suppressed to history. And now, the machine’s been sabotaged to make it look like the Y2K bug destroyed the device and the atmosphere.

Wonmug: 'I appears they damaged the temporal rod, causing the machine to fail. I believe they were attempting to make it look like it succumbed to the Y2K bug.' Ooola: 'But why engage in subterfuge? Any damage would have had the same result.' Wonmug: 'Agreed. Whoever did this was *not* a master villain.' Allen Cooper, emerging from hiding: 'Correction! *I* did this, and I *am* a master villain!' Alley Oop: 'You heard the man. He's handsome *and* a villain.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 24th of December, 2021. Have to say this for Cooper and the rest of his Universe-4 band: they are right up front about their villainy. They don’t go concern-trolling of how they’re just so extremely worried that someone might pretend to be trans so they could take women’s soccer scholarships, or that someone taking food assistance nevertheless has luxuries like a phone and a freezer.

Ted emerges and identifies Alley Oop as the saboteur. Ted is a robot Higgins created and watching the Fixer. (I get an impression of Tik-Tok of Oz looking at Ted, but that might be coincidence.) Oop’s innocent, of course. It turns out to be Allen Cooper. Cooper claims to be avenging his parents, killed when the atmosphere failed to save them, and anyway this isn’t his universe. And leaves.

Alley Oop pursues him to Universe 4 and falls into Cooper’s trap. Then punches his way back out of it, a nice reminder that he is a strong and dynamic guy. (Though the actual escape gets done off-panel for comic value.) Alley Oop figures to bring Cooper to Time Court, but doesn’t know how to do that. Fortunately Ollie Arp, their Universe-3 counterpart, pops in and is happy to bring Cooper to Time Justice.

Wonmug: 'Apart from having a missing part, your atmosphere fixer has held up remarkably well for the last 200 years.' Higgins: 'I assume I've finally gotten the recognition I deserve? For saving humanity?' Alley Oop: 'Sorry. No one's ever even heard about --- OOF!' [ as Wonmug elbows him in the belly. ] Wonmug: 'Of COURSE you've received recognition. Every city in the country was renamed Higginsburg.' Higgins: 'Eh, it's a start.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 1st of February, 2022. So, not to take this trifle seriously, but I’m curious how the Atmosphere Fixer ended up put in the Rocky Mountains in 1800; it seems like a hard place for a white woman to get. Why not an Appalachian mountain, or somewhere in Great Britain where all the atmosphere trouble started? Also we have to seriously respect Higgins’s mechanical-tooling skills, especially if she were working from North America in the 18th century.

Back in our universe Doc Wonmug and Ooola haven’t had any luck fixing the broken atmosphere fixer. So Ooola goes back to 1800 to find Janet Higgins. Higgins is a bit prickly, but content to go to the future and save the world again. She assumes she’s finally gotten the recognition deserved and Doc Wonmug nudges Alley Oop out of telling her the truth. And she is delighted to be reunited with Ted, who’s also felt every moment without her was a millennium.

Higgins fixes the thing fast. And Wonmug, considering the hard life she’s had, offers her and Ted something better. He sends them to the year 2782, when Earth finally becomes a Utopia.

Ooola; 'This is kind of like being back in Moo. But without the dinosaurs.' Alley Oop: 'Yeah, I miss them too.' Ooola: 'Strange that we haven't seen anyone yet.' Oop: 'Maybe that's *why* it's Utopia.' Wen, emerging from behind a tree: 'Oh, we were just letting you settle in. My name is Wen.' Oop: '*AH*! You startled me! My heart is racing.' Wen: 'Don't worry, only the finest adrenaline flows here.' Oop:'You're right! It *does* feel nice.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 15th of February, 2022. This seems fine.

The 11th of February, Alley Oop and Ooola sneak off to Utopia — Eutopia, they soon learn — against Doc Wonmug’s warning that they’ll just wreck it if they visit. (He includes himself as someone who would definitely screw utopia up.) They’re welcomed and everything seems great. Can’t help noticing Ooola watching a white rabbit run off somewhere, though, in one strip. I am a STEM idiot, yes, but I am capable of recognizing an allusion sometimes.

Next Week!

I hope to catch you up on how The Phantom, the Man Who Cannot Die, learns how he was going to die. It’s Tony DePaul and Mike Manley’s The Phantom, weekday continuity, one week from now. As ever, that’s if all goes well.

What’s Going On In Dick Tracy? Were those drones from the future watching Dick Tracy? October – December 2021


The big storyline in Dick Tracy was set off by “Time Drones”. That is, the kind of hovering aerial camera/microphones used to record viral videos of drivers attempting the new traffic circle. The Time Factory blew up, though we saw many drones hovering over the ruins. And Smith asks if Tracy remembers “what my first time travel drone, the ‘mystery ship’, saw”. Tracy does, and Smith says, “I think that future is now”. Tracy’s memory is better than mine, or those of most readers. jonahhex1, a GoComics commenter, identified what all this was about. The fleet of drones was not from our, 2021’s, future. By “The Future” what was referenced was this moment from 2014, the story introducing the time travel shenanigans into our strip:

Diet Smith, explaining: 'As you remember, Tracy, my son, Brilliant, was killed by the criminal, Big Frost. I began project 'Blue Image' to go back in time and save him. I tried countless modifications. But it was impossible to dictate the era the 'Mystery Ship' would travel to. Each try became more perilous. So I stopped. Of all the images we received, the last was most telling. It was of this building, all gone but for some rubble atop its cornerstone, while aircraft filled the sky overhead.'
Joe Staton, Mike Curtis, Shelly Pleger, and Shane Fisher’s Dick Tracy for the 6th of November, 2014. I think we’re all impressed that Staton and Curtis dropped in something that they wouldn’t pay off for seven years. But I would like them to pop over and borrow some narrative bubbles from The Phantom because one little tag reading “Nov 6, 2014” would have saved me a lot of confusion reading the strip. Now on to resolving the haunting of B.O.Plenty’s home!

These drones, then, are not a fleet of onlookers from the future gawking at a major disaster. They’re just contemporary drones gawking at a major disaster. Diet Smith has said he doesn’t plan to build new Time Drones, and nobody’s been shown trying to change his mind.

This should catch you up to December 2021 in Mike Curtis, Joe Staton, Shelley Pleger, and Shane Fisher’s Dick Tracy. (Joe Staton stepped down from the strip in late October.) If you’re reading this after about March 2022, or any news about the comic strip breaks, I should have a more useful essay for you here.

And a last bit of self-promotion. While I’ve put my mathematics glossary project on a (brief, I hope) hiatus, I do still have what I think are quite nice discussions up there. And I’m bringing some older discussions out of the misty past, using the old-fashioned time-droning of going on at length. Thanks for considering my pop mathematics writing.

Dick Tracy.

3 October – 25 December 2021.

Diet Smith’s newest super-invention is the Time Drone, able to bring aerial surveillance to anyone, anytime, through all history. I know, you’re busy thinking how “the past” includes split-seconds in the past. But I ask you to consider how much this could mess up Silver and Sprocket Nitrate’s forged-historical-movies business. By day it offers glorious opportunities to historical and archeological researchers. By night it offers Sterling Eliot, Smith Industries mole on behalf of The Apparatus, the chance to find lost loot for the crime syndicate. And, for himself, a chance to look at this coming week’s lottery numbers. At least until the Time Drone apparatus explodes, killing Eliot and two others, and wounding Diet Smith.

Sterling Elliot, working the Time Drone apparatus; in view is a newspaper mentioning the $1.75 billion lottery jackpot. Elliot thinks: 'I've done all the footwork and erased the tracks for The Apparatus. After this trip, I can write my own ticket out of here.' Something goes awry with the Time Drone, that shivers and wobbles around uncontrollably: 'What? ... The diagnostics report was clear ... I CAN'T STABILIZE IT!' The Time Drone explodes, with the explosion going on to shatter the whole building.
Joe Staton, Mike Curtis, Shelly Pleger, and Shane Fisher’s Dick Tracy for the 17th of October, 2021. I’d thought the problem might have been the attempt to send a Time Drone into the future, rather than the past. But the ‘Mystery Ship’ went into the future all right, in that 2014 strip. I suppose we have to conclude it was just a mishap of technology that’s still young, even if it could be operated by a lone person, that caused Sterling Elliot’s untimely death.

Diet Smith convalesces under the care of Daddy Warbucks, a man who knows how to not get in trouble when people around him turn up dead. (Fun fact: both Oliver Warbucks’s first and second wives died while with him at sea.) Tracy, meanwhile, pursues Briar Rose. She was the Law Enforcement Magazine reporter who’d interviewed him the previous month, and was going on to interview Diet Smith. She was a fraud, not affiliated with Law Enforcement Magazine or any other magazine. It’s a slender lead, but the only one they have.

It’s also a good one, as she is under The Apparatus’s protection, whether she likes it or not. She has some criminal “business” going on, that I can’t quite get clear. But The Apparatus is the bigger fish, so if they say she has to work from their hotel room, she has to work from their hotel room. Ace of Spades, the head of The Apparatus, decides she’s a good one to take the blame for whatever the heck happened at Smith Industries. He has her put somewhere Dick Tracy can find her after her shocking death.

Briar Rose, being arrested: 'Yeah, I'm okay, but he was going to kill me!' Sam Catchem: 'He's not a problem anymore, Ms Rose. I'm Detective Sam Catchem. We've been looking for you.' Rose: 'I know. Take me to Dick Tracy. I'll explain everything to him.'
Mike Curtis, Shelly Pleger, and Shane Fisher’s Dick Tracy for the 15th of November, 2021. One can snark that this is another Dick Tracy mystery resolved by dumb luck. If Catchem hadn’t decided to try a new deli he’d have missed the whole thing. But Briar Rose’s offer to tell everything is motivated, at least if we trust she worked out that the promise of a ‘safe house’ was a lie. It’s a reasonable thing for her to work out, even if it was worked out off-screen.

Sam Catchem finds her, though, as she’s being moved in. It’s a lucky break; he happened to stop at the deli underneath the death-site apartment. He follows, catching and shooting the zentai-clad assassin holding Briar Rose. Rose is happy to flip, and I can’t blame her.

Dick Tracy moves fast, taking on the disguise of the Jack of Spades, Rose’s failed assassin. So he’s doing some actual super-detective work here. Mumbles takes him back to the Ace of Spades, who wants to know, where is Rose’s body? If Rose is dead, why was “Jack” unconscious when Mumbles recovered him? What about this makes any sense? And as it’s weeks away from my plot recap, they tear his hood off and reveal Dick Tracy. Meanwhile the cops, who’ve been listening over the two-way wrist radio, move in and grab everyone with a weird face or speech gimmick. Ace of Spades as well as Doubleup are able to escape through the plot tunnels, but otherwise it’s a pretty good catch of villains.


The next phase started the 11th of December. This with a museum exhibit on America’s Top Cop. That would be Dick Tracy, who’s been fighting The Apparatus (under various names) for 90 years now without clearing them out of the city. But then The Apparatus (under various names) has been trying for 90 years to kill Dick Tracy and that hasn’t taken. So Ace of Spades, from his new hiding place, hires Richard “Mr Bones” Bonhomme to take a shot at him. No rush, just, you know, succeed this time.

Blackjack: 'Mr Bones? From the DT Collector Forum?' Bones: 'Correct! I should have known you'd be here, Blackjack.' Looking over the Wall of Hats, Bones says, 'Ah! Even Dick Tracy has a collector's streak in him. Each hat represents a moment when he cheated death!' Blackjack, thinking: 'Except mine, of course.' Bones: 'Let's take in the rest of the exhibit.' Blackjack: 'Agreed!'
Mike Curtis, Shelly Pleger, and Shane Fisher’s Dick Tracy for the 18th of December, 2021. Blackjack’s Hat doesn’t represent a time Tracy cheated death. Way back in March 2012 when we met Blackjack, he surrendered to the cops once he was allowed to set Tracy’s hat on a fire hydrant and shoot it. This so he could get a credit on Tracy’s Wall of Hats without risking harm to “my pal”.

Mr Bones’s thoughts turn to Blackjack. You may know him as that guy who played Chumbawumba’s “Tubthumpin” (“I got knocked down/ but I get up again”) while robbing banks and being a Dick Tracy superfan. Blackjack’s storage lock of Dick Tracy memorabilia got stolen recently, and Blackjack broke out of jail to find it. Mr Bones — “From the DT Collector Forum” — hangs out at the exhibit until Blackjack appears, and admits: he’s the one who stole Blackjack’s collection. But he’s happy to return it … we don’t yet know what for.

Yes, it does seem like Mr Bones stole Blackjack’s collection before being hired to kill Dick Tracy. I don’t know whether this is because Mr Bones was hired long before we first saw mention of it. He did say he suspected Dick Tracy might be the target, but I don’t know when he got the idea The Apparatus wanted him to kill someone. It’s also possible (as I write this) that Mr Bones is bluffing about the stolen collection, to manipulate Blackjack.

Also I appreciate that the in-universe Dick Tracy Collectors have a Forum. I hope this means their main social group is on a charmingly semi-maintained phpBB forum rather than being a Facebonk or Reddit or Discord something bad like that.

Meanwhile, Patty Cure, a woman who’d been letting The Apparatus use her doorstep as a package drop, turned herself in. The Apparatus came to her looking for someone with “management experience to run an escort service”. And they didn’t stop pressuring her after the big raids. Lizz Worthington goes under cover as Cure, to learn what The Apparatus does want her to do. And that’s where we stand on the brink of the future.

Next Week!

Is that Halloween party still going on? Why aren’t we seeing more Santa Claus? I look in on Old Time Radio’s own Jim Scancarelli, and Gasoline Alley, to ring in 2022, I hope. See you then.

What’s Going On In Dick Tracy? Why is there time travel now? July – October 2021


The current story in Joe Staton, Mike Curtis, Shelley Pleger, and Shane Fisher’s Dick Tracy has super-inventor Diet Smith sending machines back in time. It’s presented as the continuation of something he had tried before with humans.

Back in 2017 there was a throwaway mention of Diet Smith experimenting with time travel. Denny Lien was kind enough to explain a bit. Some years before 2017, Diet Smith mentioned working on a time machine to rescue his long-dead genius son Brilliant Smith. Brilliant, inventor of the two-way wrist radio, was killed in 1948 by the racketeer Big Frost. But there was no controlling when the time machine would send you, which limits its use for this sort of rescue operation.

I don’t, and Lien didn’t, know quite when this earlier time travel experimentation was done. I assume it’s something from that period in the 60s when Chester Gould tossed all sorts of wacky sci-fi fangles into the strip. You know, the Space Coupe, the psychic Lunarians and Tracy Junior’s bride from the Moon. The nation that controls magnetism controlling the universe. All of that stuff Gould put in with the assertion it was as much hard science as anything done in a forensics lab, scoring an own goal. But I can’t find when time travel was in the strip before. It could have been one of the antics in the Dick Locher run, for example, when the stories became very weird and impressionist and hard to follow. But it’s hard to think of Locher-era characters as driven by the emotions normal people have.

So this should catch you up on Dick Tracy for early October, 2021. If there’s any news about the comic strip, or you’re reading this after 2022 starts, there may be a more useful essay at this link. I’ll try to have one anyway.

And in mathematics blog news: I have interesting material on my mathematics blog. I’ve started my Little 2021 Mathematics A-to-Z, a glossary of various mathematics terms. The first essay of this year’s set discusses Multiplication.

Dick Tracy.

11 July – 2 October 2021.

Vera Alldid and Mysta Chimera have disappeared, eloping, according to their social media. Everyone agrees it’s unlike them. It threw Alldid’s popular comic strip J Straightedge Trustworthy into unexpected reruns, mid-story. And Mysta Chimera, who’d been doing publicity as the comic strip’s Mars Maid character, had thought Alldid a creep. Still, what are the cops supposed to do about two people vanishing on a story nobody who knows them believes? Look for them?

Tracy: 'I'm familiar with Vera Alldid and his comic strip. We've met on many occasions.' Homer 'Peanutbutter' Barley: Then I'm sure you've seen the news. *Do you believe* he eloped with miss Chimera?' Tracy: 'Not a chance. I know Mysta Chimera very well. She'd never marry him.' Tracy, thinking: 'But it's odd nobody close to her has raised the alarm yet.'
Joe Staton, Mike Curtis, Shelly Pleger, and Shane Fisher’s Dick Tracy for the 28th of July, 2021. Believe me, I feel weird too wondering why Dick Tracy is showing such restraint in investigating the disappearance. I guess it is better that he’s willing to suppose it isn’t inherently a crime if Mysta Chimera marries someone he doesn’t like.

Homer “Peanutbutter” Barley, a freelance cartoonist and old acquaintance of Dick Tracy, takes action. He points out to Dick Tracy that Mysta Chimera is not actually a Lunarian. She’s the brainwashed, genetically-altered daughter of the quite human crime boss Posie Ermine. Thus she is a missing attractive white woman. With this to go on, the cops swing into action. Tracy checks in with Brock Archival, the last person the missing people were known to meet.

It’s the obvious lead, but it’s a good one, since the wealthy Brock Archival has kidnapped them. He intends to keep them both on his private island, and he’s got the private island — and the ring that neutralizes Chimera’s Lunarian powers — to do it. Alldid shoves them into a secret room when Tracy knocks on the door. Mysta uses her last ounce of strength to blast a telepathic cry for help that Honeymoon Tracy (herself half-Lunarian) picks up. And she relays that to her grandfather.

You might ask: wait, Mysta’s telepathy had been starved by lack of direct sunlight. How can she now have the energy to send out a last blast? Yeah, because if there’s one thing we can’t buy in narratives, it’s the last gasp of an exhausted hero finally making the difference.

Narrator: [ Tracy's search of Archival's home yields silver. ] Tracy, thinking: 'It's some kind of metal object, but it seems to be stuck beside, not under the molding ... A used pen nib! The type Alldid uses to draw with ... now I see ... no caulking and *there's an opening in the wall here*.' Out loud: 'Sam, come here, and bring Archival with you!'
Joe Staton, Mike Curtis, Shelly Pleger, and Shane Fisher’s Dick Tracy for the 12th of August, 2021. I don’t know how Alldid’s pen nib got stuck there. I don’t see where Alldid planted it on-camera or had an unsupervised moment when he could have off-camera. Still, the pen nib is there, isn’t it?

With something that kind of resembles probable cause if you squint, Tracy asks to inspect Archival’s mansion. And he consents, because how could you find people shoved into a closet? This does give us some actual super-detection. Tracy follows strange scuff marks in the carpet to find one of Alldid’s drawing pen nibs. From there he finds the secret room holding Alldid and Chimera. Archival fumes that Tracy can’t possibly prove a kidnapping charge and Chimera kicks him in the Great Hall.

So, the 20th of August, this story resolves. Alldid gets back to his studio to draw comics. Chimera gets home again. The powers-controlling ring gets handed to Diet Smith because when would he ever do something ill-advised or dangerous with super-technology?


The next and current story got seriously under way the 21st of August, although it had a teaser a few weeks earlier. This debuts Diet Smith’s newest creation, the Time Drone. It’s a drone, like you might fly over the park and record video with, except it travels through time and space too.

Hooded woman, wearing a Queen of Spades card: 'Stealing the time drone won't be easy. Dick Tracy's a close friend of Diet Smith. He always shows up when Smith's tech is threatened.' Ace of Spades: 'I have plans for Dick Tracy. There will be plenty to keep him busy.' Queen: 'And what about your friends in the Apparatus?' Ace: '*What* friends?'
Joe Staton, Mike Curtis, Shelly Pleger, and Shane Fisher’s Dick Tracy for the 8th of September, 2021. I suppose as long as they keep looking around and not seeing a Time Drone pop into the room gathering evidence they can feel confident their plan is working.

Smith’s got a few videos. Dick Tracy’s iconic villain Flattop. The building of the Great Pyramid of Giza. He sends one to Ford’s Theater to catch a show. Another to see Washington’s Inauguration. The “treasure pit” at Oak Island, Nova Scotia. He announces this to the public, and the Ace of Spades, new head of The Apparatus crime syndicate, sees opportunity.

We don’t know his plans. From the 9th of September we got a short diversion, Dick Tracy talking with Briar Rose of Law Enforcement Magazine. Tracy tells the story of how the murder of Tess Trueheart’s father spurred him to move from patrolman to detective. How the city attracted newer and weirder criminals. How Tracy stepped up to become the super-scientific detective of world renown. It all smacks of an anniversary celebration, and it’s curiously timed: the comic strip debuted on the 4th of October, 1931. I’m not sure why this sequence ran a few weeks early except perhaps to get us fans talking about it early?

Tracy: 'I'm glad to tell you what I know of our precinct's history, Miss Rose. It won't be dull, I promise.' Rose: 'Thank you, Detective Tracy.' Tracy: 'This precinct was established during the era when gang bosses, made rich and powerful by Prohibition, reigned over the city with little fear of consequence.' Rose: 'My! How wild and woolly were those days?' Tracy: 'The lives of ordinary citizens were often in peril. It wasn't unusual for gun battles to be fought on city streets. Some of the older buildings still have bullet holes. In fact, it was during a robbery that my fiancee's father was shot and killed.'
Joe Staton, Mike Curtis, Shelly Pleger, and Shane Fisher’s Dick Tracy for the 12th of September, 2021. This particular strip comes up to but doesn’t quite force us to accept that Tess’s father’s murder was in the Prohibition era (for us readers it was in 1931). Look at precisely what’s said. So that’s a fair squaring of the circle that these characters don’t (much) age without retconning events to have happened later than they appeared in the newspapers.

And then one more story promising to start. Blackjack broke out of prison. Someone stole his collection of autographed Dick Tracy memorabilia and he intends to do something about it.

Not particularly threatening to be a story: Rikki Mortis is pregnant with Abner Kadaver’s child. So there’s the hope for a new generation of horror movie hosts to be Dick Tracy villains.

How does the Time Drone fit into Blackjack’s plans? I don’t know. They might not at all. Staton and Curtis are comfortable introducing something they don’t follow up for months. Sometimes years. Several years ago B O Plenty complained that his house was haunted. Could that be the Time Drone which we saw used to take photographs of the whole entire family? I’m not confident saying it is. We’ll have to check back in a couple months.

Next Week!

Bears discover fire, and they don’t approve. All that and leaf-gathering as as I recap Jim Scancarelli’s Gasoline Alley, if things go well.

What’s Going On In Alley Oop? Did the Apollo astronauts meet an alien on the Moon? June – September 2021


No. Alley Oop and crew observed Neil Armstrong and Buzz Aldrin going through a mysterious door in the Sea of Tranquility. It turned out to be the bathroom. The Apollo 11 crew did not find the Moon Alien, Frodd. Alley Oop, Ooola, and Doc Wonmug met him later.

So this should catch you up on Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the start of September 2021. If any news about the strip breaks out, or if you’re reading this after about December 2021, there may be a more useful essay at this link. If there isn’t, well, we live in complicated times.

Alley Oop.

20 June – 4 September 2021.

This story almost exactly fit my publishing cycle. It started a week before my last Alley Oop update, with the gang going back to 1969 to watch the Apollo 11 moon landing. They start with understandable celebrity-creeping behavior. Pretending to be NASA workers. Messing around in training facilities. Then it escalates to following Apollo 11 all the way through the landing.

In front of a Saturn V rocket signed 'Apollo 11B', Doc Wonmug says, 'Guys, I think I found our ticket to the Moon!' Ooola: 'Doc, this sign says 'for display use only. Not for space travel'.' Wonmug: 'I'm sure we can make it work. I am a scientist, after all. I have a brand-new roll of duct tape.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 6th of July, 2021. Sure, you may sneer at using a display prop as a rocket. But almost exactly this idea appears in renowned science fiction author Stephen Baxter’s 1997 novel Titan. In it, the Saturn V Structural Test Article — used in the 60s to develop processes for handling the actual rockets — is refitted and launched into space as part of sending a space shuttle to Saturn’s moon Titan. And do we call Baxter’s Titan bad? Yes. It was appalling in its badness. It was a novel I finished because if I threw it across the bus someone else might have picked it up and read it, and I could not inflict that on an innocent stranger. The comic strip, though? That’s cool.

So Our Heroes watch Apollo 11’s moonwalk. This in a strip that ran the 21st of July, a timing miss I’m sure keeps Lemon and Sayers from getting a decent night’s sleep. After solving the mystery of the door, Our Heroes walk over to the far side of the Moon, where it happens also to be dark. There they discover a bored-looking alien playing at a computer.

Doc Wonmug, to Frodd, who's at a video game console on the Moon; 'So, you've been here on the back of the Moon, controlling all life on earth for billions of years? Why?' Frodd: 'Every kid from my world has to do a planetary simulation to graduate. It's like part of our school.' Ooola: 'And you lucked out and got Earth?' Frodd: 'Ha! No. I pushed my teacher's hafktq into a aabaao and got in big trouble. Earth is my punishment.' Alley Oop: 'Yep. Same thing happened to me one time.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 5th of August, 2021. So, folks who played SimEarth on the Mac back in the 90s. Remember there was an easter egg, a little thing where you typed in ‘JOKE’ and got this weird little Dadaist message? Right. So, anyone remember what it was exactly? I can’t find the joke for the Mac port listed in web sites listing video game easter eggs. There’s emulators to play SimEarth, but it’s the PC version, where the joke is it shows an image of the Earth in a giant frying pan, next to some space bacon and eggs, and labels it ‘Pan-Gaia’. I could swear that on the Mac SimEarth, the easter egg joke was something like “How many Glenn Campbells does it take to screw in a light bulb?” (Hit OK, and get the answer) “Two.” But I can’t find any evidence anyone else has this memory at all. Do I have a weirdly detailed false memory?

Frodd’s playing Earth as a “kind of a video game”, for a school project. Frodd starts to defend his Earth-playing skills, but has to come home for dinner, and takes Our Heroes with them. Frodd’s mother sees the humans and grounds Frodd, for “a Froddulon Millennium”, which is something like a billion earth-years.

So Our Heroes escape, Alley Oop along the way swiping some kind of necklace from somewhere. Turns out the thing makes Our Heroes invisible, which is good for getting them away from alarmed Froddians. They get to Frodd’s spacefaring bubble, which turns out to be able to get them anywhere instantly. They return to the Moon, planning to resume the Earth that Frodd left paused. Turns out Frodd’s there. He passed his school project, with a C-.

Ooola: 'I think we're invisible!' Doc Wonmug: 'I don't know about that. I can see you.' Alley Oop: 'Let me try something.' The invisible Alley Oop approaches a Froddian: 'Excuse me, may I ask you a question?' Froddian; 'Who said that?! Oh, no! The inquisitive ghosts are back! Everyone run for cover!' Alley Oop: 'Hmph. I was just going to ask how this necklace worked.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 19th of August, 2021. While it is jumping for a silly punch line, the Froddian’s declaration that “the inquisitive ghosts are back” works for me. I don’t know why it works and others don’t. Maybe because it suggests other stories, relying on the idea the world has more stuff in it than we could get to see.

They talk Frodd out of shutting down this Earth simulation, and even snag a nice moustache toggle for Alley Oop. With a pretty successful week, then, they head home. It’s too early to say what the next story will be, although Doc Wonmug has gone back to prehistoric Moo with them.

I admit some dissatisfaction with the story. A little bit from not caring for the reality-is-a-video-game premise. It’s something a certain streak of nerd loves without learning enough philosophy to know what issues it’s not addressing. But most of us enjoy pop culture items that raise issues it doesn’t address. Besides, if it address an issue well then it stops being a pop culture thing and becomes culture. I’m also a bit dissatisfied that Alley Oop, Ooola, and Doc Wonmug don’t have much to do. For most of the story, they’re just present. Note how little I had to break down what Alley Oop did, versus what Oola did, versus what Wonmug did.

Doc Wonmug: 'Frodd, please don't shut down Earth. There are so many great things about it.' Alley Oop: 'And many terrible things.' Frodd: 'I don't know, guys. Another Froddian left her Earth running, and she got in big trouble.' Wonmug: 'Wait, there's *another* Earth?' Frodd: 'In *this* galaxy? There are thousands. ... Aw, did you think you were special? That's so cute.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 30th of August, 2021. The notion of thousands of Earths is the sort of thing I mean, raising issues the comic strip isn’t dealing with. But those are essentially the issues raised by the multiverse idea — and the changeable-timeline idea — that’s been part of the Lemon and Sayers run on Alley Oop anyway, so it’s not a new issue.

My bigger dissatisfaction is that, in the strip’s focus on having a punch line and a plot development every day, we get some conflicts. I don’t want to call them continuity errors. For one, there’s very little that can’t be harmonized. But we get things like Frodd starting the 40,000-light-year journey to Froddulon A (the 9th of August) by altering Our Heroes’ source code so they won’t age. Later on, when we get back to the Moon (the 2nd of September) Our Heroes just miss some aliens hoping to find someone to bestow immortality on. There’s no contradiction here. But it feels sloppy to do this joke twice in one story. Frodd first explains he’s simulating Earth to get on the high score table (4th of August). The next day he explains it’s an unwanted school project (5th of August). Frodd gets grounded for a millennium (the 12th of August); he’s on the Moon later that day (the 27th of August).

More like a continuity error is Frodd needing to alter Our Heroes’ source code to not age. But we see (the 21st and 23rd of August) that Frodd’s space bubble can travel instantly. We can rationalize that, yes. (And it would wreck the story’s pace if Our Heroes’ escape took 40,000 years.) Puttering around at NASA Alley Oop discovers an Alien Alley Oop (28th of June). But their little launch causes NASA to think they’ve discovered aliens (14th of July). Again, anyone trying could reconcile this. And if an artist has a better idea for an ongoing project they should use the better one. But this feels to me more like they use every idea, which can’t always work.

Alley Oop, kneeling down at some rocks: 'Ooola, Doc, you have to come see this!' Ooola; 'Alley, if it's another rock that looks like someone famous, I think I'll pass.' Doc Wonmug: 'Yes, we do have rocks on Earth, you know.' Alley Oop, to a trio of mouse astronauts in a tiny lunar module: 'It was really nice meeting you. Congrats on being the first Earth creatures to reach the moon.' The tiny lunar module lifts off, and Wonmug asks, 'What was *that*?' Alley Oop: 'Oh, just a rock that looks like Dolly Parton.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 24th of July, 2021. As with the Inquisitive Ghosts, this throwaway joke works for me. Part of it may be that it’s about expanding the world, albeit in a way that makes human-mouse interactions in the strip somehow worse than they are in reality. But also that it’s a basically nice joke, Alley Oop having a nice time with new friends, which is easier to take than the cynical or mean jokes.

And the drive for a punch line every day has good sides too. For example, on the 24th of July, Alley chats with the mouse astronauts who beat Armstrong and Aldrin to the moon. It’s a scene I liked.

Next Week!

It’s been one week longer in arriving than usual, but I look at Roy Thomas and Larry Leiber’s The Amazing Spider-Man for the final time. Did Spider-Man save Albuquerque from destruction at the hands of an alien war machine using nothing more than Rocket Raccoon and the secret alien war machine’s commander? The only person I knew in Albuquerque moved away years ago, so I have no way of knowing. Sorry!

What’s Going On In Alley Oop? Why were the giant crabs pinching people? March – June 2021


The Chrabs were on an alternate Earth, Universe 881, not by their own will. They would pinch people to death as they could not bear being around arguments and had ended up in a most argumentative universe. It turns out to be Ollie Arp’s fault, for once.

This should catch you up on Jonathan Lemon and Joey Alison Sayers’s Alley Oop to late June 2021. If you’re reading this after about September 2021, there’s probably a more up-to-date plot recap here. Thanks for reading.

Alley Oop.

28 March – 19 June 2021.

I last checked in with Alley Oop as he and the gang prevented the murder of Lady Worthington. They’d gone back in time a little bit to catch Clifford, her butler and secret criminal mastermind. They send Clifford to the universe where everyone is butlers “and definitely not all murderers!”. In her gratitude, Lady Worthington admits she had wanted to steal their technology, but what the heck. Also, she already has a time machine, “from a wild-haired farmer with a penchant for inventing”. That would be Doc Wonmug’s clone of Albert Einstein.


Ooola: 'We should get some clothes so we blend in.' Alley Oop: 'I'm on it!' (Comes back with a heap of Western duds.) Oop: 'Here we are!' Ooola: 'Thanks, Alley. Where did you find these so fast?' Oop: 'I found a ... store ... over there called 'Give Me Your Clothes, Or Else'. ... AND they were free!' Doc Wonmug: 'Wow! What a friendly universe!' Three guys in the background walk past wearing rain barrels.
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 15th of April, 2021. So when I first read this I didn’t notice the guys in barrels, and just took it at face value that Alley Oop had robbed a general store. Yeah, the dialogue doesn’t support that but I read a lot of comics, I can’t pay attention to the words too. It’s a small shame we didn’t see Alley Oop getting the clothes since the eagerness of his victims to comply could have been a sign of what the gimmick this Universe was. But it’s not like it took forever to get to that point either. This was a quickly-told story.

The new, and just-wrapped-up, story began the 12th of April. The gang chooses to explore the mysterious Universe 881, an unexplored and locked universe. (Its password is “password123”.) It looks like an Old West themed world. Alley Oop gets some clothes by going up to some guys and demanding their clothes. They’re happy to comply.

It turns out everyone in this Old West town is happy to comply. Amicable. Someone accused of cheating a poker game denies they could ever value a game over their friendship. An actual showdown turns out to be competitive dancing. The locals don’t ever fight, over anything, because they don’t want to die. Also, on this Earth, if you fight, the Chrabs come out and pinch you to death.

Oop: 'Is all this business about the Chrabs true? It doesn't sound true.' Garnet: 'Now please don't go doin' *that*. You sound argumentative.' Oop: 'I'm NOT!' (A crack in the ground appears and a giant Chrab claw snaps out, trying to grab any of them. The claw vanishes.) Oop: 'I still say I wasn't arguin--- MFFFFF!' (Doc Wonmug covers his mouth.)
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 29th of April, 2021. Garnet, the prospector-y type here, ended up being their companion for the story, and he survives through to the end even.

There weren’t always Chrabs. One day there was a flash of light and then anyone who got a little disagreeable got pinched to death. So Alley Oop and all venture into the City of the Chrabs, using a disguise that gets them arrested immediately. They’re taken to Queen Chrab. (Her name. She’s the democratically-elected president.)

Queen Chrab reveals they’re not from this universe. They’d been minding their own business. There was this flash of light, and then they were stuck in this universe. Doc Wonmug arranges to send the Chrabs back to their home Universe 7. It’s a bigger project than they planned: there’s almost a hundred million of them.

Queen Chrab: 'Thanks again for helping us get back to our universe. We never wanted to be in Univers 881, pinching all those cowboys. We're peaceful beings.' Doc Wonmug: 'See, Alley and Ooola? I've always tried to show you the core benevolence of all living things. It is the nature of life to be kind, and ... ' Alley Oop, being pinched in one of the Chrab's claws: 'Um, Doc.' Pinching Chrab: 'Oops, sorry. Old habits die hard.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 1st of June, 2021. I felt it was too far off point to include but I enjoyed Queen Chrab’s complaint the 20th of May about Universe 881 not having the Interclaw. That’s “a global pinching network. Wherever you are, you can pinch anyone or anything you want!” Also the Chrabs’ whole deal reminds me of one of Jim Toomey’s Sherman’s Lagoon strips, in which Hawthorne the hermit crab gives a utilitarian argument for his pinching people.

So the Chrabs are home. Universe 881 is free of the pinching menace. Everyone can go home. It’s a brilliant success, which is when Ollie Arp, of Universe 3 appears. Ollie’s there to explain what a stupid failure that all was. He sent the Chrabs there, because the Universe 881 humans were far too violent. They were on the brink of destroying their own world. Ah, but the reign of the Chrabs must have made a lasting change in their temperament, right?

Doc Wonmug: 'Things can't be that bad in Universe 881 since we left. I really think they learned their lesson. They seemed very peaceful.' Ollie Arp: 'Hmm. We'll see about that.' They ZANG into Universe 881, where everything is postapocalyptic ruins. Wonmug: 'We were here only an hour ago!' Arp: 'Something tells me you've destroyed universes faster.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 12th of June, 2021. So I concede that dropping the Chrabs into Universe 881 was good for that world. But the setup does mean Ollie Arp went and kidnapped a hundred million people. Yes, you can forgive a crime committed in case of urgent need, but it’s also hard to have urgent need when you have easy control of a time machine and a universe-hopping device. I have to blame this mess more on Ollie Arp for a change.

Ollie Arp figures to try and save … whoever’s survived. He sends Our Heroes home, without charges, since they were trying to do good. And once hope, Ooola ponders whether they actually are doing any good.


There’s not much self-examination, though. From the 18th of June what seems to be a new story starts, with a trip to the 60s to see the Moon Landing. They arrived in 1969 last week. Might know by September how that works out for everyone.

Next Week!

I had just been wondering if we’d ever see Captain Savarna again! And now Tony DePaul and Mike Manley’s The Phantom, weekday continuity, is off to find her. We’ll see how we got to that point, and how it’s working out, if all goes well next week.

60s Popeye: Quick Change Olie and another Whiffle Bird cartoon


We’re back with Paramount Cartoon Studios today, in a 1960 cartoon. Quick Change Olie has a story by I Klein, and direction and production by Seymour Kneitel. And two special guest stars, too! Let’s watch.

We start (and end) at the Rough House Cafe, getting a view of Rough House himself. We don’t get any dialogue from him. But what could he do that would be useful? Complain about Wimpy calling his food poisonous?

They have some talk about ye olden days, with Wimpy imagining the chance to eat things like roast venison, roast boar, or roast full oxen. Wimpy’s gluttony shifting from hamburgers to “just lots of food” is a change of character although not a ridiculous one, seems to me.

A still-hungry Wimpy catches the Whiffle Bird with plans to eat her, because he did not learn from that time he got turned into a werewolf. Yes, yes, that cartoon’s from 1961 and only a fool demands continuity between Popeye cartoons anyway. Whiffle explains how rubbing her feathers grants wishes. Wimpy wishes them back in Ye Olden Days, and they’re lucky the Whiffle Bird doesn’t think this is a caveman cartoon or something. A minute and 57 seconds into the cartoon we’re finally at a castle.

A king crying woe is me, and who for a wonder is not Blozo, tells his tale. Olie the Wicked Magician kicked him out of his castle and kidnapped the princess. Popeye doesn’t need much encouragement to go saving the day. Wimpy, who got everyone into this fix, meanwhile vanishes.

Olie turns out to be Brutus, wearing robes, saying “ye” instead of “you” and sometimes affecting a generic accent. He’s a legitimate magician, though, using his powers to disappear when Popeye tries to punch him, or turn to flame when Popeye grabs him. Popeye counters with spinach magic, and a jackhammer punch that shrinks Olie to half Popeye’s size. This drives him off, because the cartoon is running out of time. Otherwise, like, this is the first thing Popeye’s done that’s at all effective against Olie. And I’d think if you can make yourself a giant at will it’s no great threat to be shrunk.

In a vaguely medieval castle, a large and ugly Princess holds Popeye in her arms and off the ground. Popeye's reaching a hand eagerly to the Whiffle Bird, who looks sad at having been captured again by Wimpy.
Is it possible that the Whiffle Bird isn’t actually good at magic and that’s why she keeps getting into these fixes?

But as I said, there’s not time for more action, or something that would exhaust Olie. So the King has his castle back, and Popeye would get to marry the princess except — ho ho — she’s ugly! And fat! And has a grating voice! Not to worry; Wimpy’s reappeared in the story. While he was out, it seems, he couldn’t find anything to eat, so he grabs the Whiffle Bird who also decided to be in the story again. Wimpy figures to eat her, an unaccountable lack of insight from a normally sharp operator. Popeye knows what to do and wishes them back to Rough House’s Cafe. Or restaurant, whichever.

I feel like these descriptions get more plot-recappy the less I like what’s going on. There’s a fair enough premise here. And I liked in principle that Ye Olden Days characters weren’t King Blozo and, for the princess … well, I don’t know. Olive Oyl if you want the princess to be attractive, the Sea Hag if you don’t. But that creativity’s messed up by having Olie be Brutus in a new costume. I like Olie being actually able to do enough magic to mess with Popeye. And, yeah, once Popeye eats his spinach the villain is vanquished. This all felt too abrupt, though. An extra half-minure or so in Ye Olden Days could have done very well. Let Olie come back from being shrunk, and Popeye punch (or whatever) him out of the castle. Then I think I’d be more satisfied.

I don’t understand the cartoon title. It nags at me. I want to say it’s an old theatrical or vaudeville, term. Maybe meaning something that explains why the villain isn’t called Brutus. I can’t confirm or refute that, though.

What’s Going On In Alley Oop? Why was Lady Worthington killed? January – March 2021


Hasn’t been revealed yet why someone wanted to kill Lady Worthington at this dinner of inventors she’d summoned. Or why she summoned them. The obvious supposition is money, but the truth may be something sillier.

This should get you up to date on Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the end of March, 2021. If you’re reading this after about June 2021, there’s likely a more up-to-date plot recap here. The link also will have any news about the comic strip which I notice.

Alley Oop.

3 January – 27 March 2021.

Alley Oop, Ooola, and Doc Wonmug had contracted a case of shrinking last we saw. This after getting zapped by shrink rays several times over. They first settled in at paramecium-sized. Then spontaneously re-shrank to bacterium-sized. Then to DNA-sized. Then into the subatomic, coming to be the size of quantum strings. Also, in the Alley Oop universe, it turns out string theory is right. Once shrunken so, though, they meet someone.

Wonmug, Ooola, and Alley Oop meet a bald humanoid figure wearing a long robe, against a blank white space with closed dotted loops scattered around. Wonmug: 'So, Plank, who are you?' Plank: 'I'm just Plank. I'm ageless, genderless, and timeless. I'm infinite and nothing all at once.' (He turns into an octopus.) 'I don't even have a set physical form. I can be anything I want.' Alley Oop: 'Whoa. Can *I* be you?' Plank: 'No, friend. But you can have this cool scarf I made out of quantum strings.' Alley Oop: 'That's even better!'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 19th of January, 2021. I liked Plank, who was a consistently pleasant character. They didn’t have the snarky or mean streak that so many Lemon-Sayers characters do. I imagine they’ll be back, and hope they keep this otherworldly niceness.

Plank seems to be a pleasant, all-knowing, mysterious entity. They’re able to show Our Heroes the wonders of alternate dimensions and the Theory of Everything and all that. And then it’s time to shrink some more. And what happens when you shrink smaller than anything can be? That’s right: you end up bigger than galaxies. Like in that ancient science fiction short story. Plank guides them to shrinking all the way back to Earth, and their proper size again. Wonmug hopes to chat physics with Plank some. Alley Oop and Ooola dash back for home.


They get home the 2nd of February and get exciting news: Garg is getting married! He doesn’t know to who. He’ll find out at the ceremony. Also everybody else is getting married too. Why is everyone marrying at the same time? The Mighty Feather, their new spiritual leader, decreed it. So that’s looking creepy and evil, however much everyone denies their evilness, in unison. Also, the Mighty Feather talks about how everyone needs to jump in the volcano tomorrow, so this needs action.

Alley Oop, wearing his thinking-feathers cap: 'Maybe I could pretend to be the Mighty Feather.' Ooola: 'That will never work, Alley! You don't look anything like her!' Alley: 'Maybe you're right ... ' Moo resident, walking past: 'Excuse me, Mighty Feather, thank you for sharing your infinite love with your flock.' Alley, standing proud: 'It's all about the confidence.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 11th of February, 2021. Lemon and Sayers’s Moo is really developing this Springfield/Pawnee vibe for the mob picking up a goofy obsession of the week.

Alley Oop puts on his thinking feathers and realizes, why not pretend to be The Mighty Feather, cult leader, and guide Moo back to normal? And it turns out that’s all anybody needed. The story wraps up the 17th of February.


From the 18th the new, and current, story starts. They get an invitation to a “gathering of geniuses” at the palatial estate of Lady Worthington. The butler greets them, with a warning against “the butler did it” jokes. She’s gathered the finest minds in the world as she’s lost the key to her safe full of riches and needs help. Alley Oop finds it underneath a fake rock in the bureau, so on to a nice after-mystery dinner.

Lady Worthington, at the table: 'I must confess there is another reason I summoned you all here. I ... ' (Click; the panel goes dark. The lights return.) Alley Oop: 'That was weird.' Wonmug: 'Gasp! Lady Worthington is *dead*!' (She's slumped on the table, with a knife in her back.) Alley, looking away: 'Pfft. Why would she summon us here for *that*?' The butler looks in from the distant door.
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 6th of March, 2021. And, look at that last panel. You can’t say they weren’t playing fair with the audience about who the killer was.

At the dinner it turns out all the guests but Ooola and Alley Oop are inventors. As Our Heroes ponder this strangeness, Lady Worthington admits she gathered everyone for a second purpose. Then the light flicks out a moment. When it comes back, Lady Worthington is dead, stabbed in the back.

It’s easy to solve a murder when you have a time machine like Doc Wonmug. The time machine won’t work. Another inventor has a post-mortem communicator. It doesn’t work. Another inventor has a reincarnator. it doesn’t work. Nor does the robo-cloner. Alley Oop’s club even acts weird. Wonmug deduces the presence of a Faraweek cage, interfering with the workings of technology.

Our Heroes explore the manor and find the Faraweek cage in the basement. Ooola snips the correct wire and all the technologies become available. The reincarnator, for example, is able to bring Lady Worthington back to life, only to die again of her stab wound. The post-mortem communicator gets Lady Worthington’s spirit demanding that nobody get her money and hangs up. The robo-duplicator produces a dead robot Lady Worthington. Finally we get to the time machine.

Wonmug: 'We've traveled to right before Lady Worthington was killed. We should be able to see what happens and stop the murder.' They see the Butler stepping in, knife in hand: 'Heh heh, I sure do love a perfectly planned murder, that is virtually unsolvable.' He's startled to see Alley Oop (wearing a Sherlock Holmes hat) in his way. Butler, turning and walking way: 'Like I said, just going to go watch old episodes of 'Murder, She Wrote'.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 27th of March, 2021. Alley Oop picked up the Sherlock Holmes hat as he got into solving this cozy mystery the old-fashioned way. I enjoyed seeing him be enthusiastic in this little weird way.

So, yes, the butler did it. And since they went back in time and interrupted the murder, Lady Worthington now isn’t dead and we get another bit of timeline-changing.


In the Sunday strips, there was one Little Oop comic where Penelope took herself and Alley Oop back to Moo. This teased a resolution of the scenario where Little Alley Oop’s in the present day. But it wasn’t followed up on the next week. So there’s not a real story resuming there.

Next Week!

What’s got a lucha wrestler police deputy chief from Mexico breaking into a Rhodian prison? Who is Towns Ellerbee and where has he got off to? Tony DePaul and Mike Manley’s The Phantom (weekday continuity) gets a recap, if things go like I hope.

What’s Going On In Alley Oop? What’s with all the talking animals in Alley Oop? October 2020 – January 2021


I have to suppose Jonathan Lemon and Joey Alison Sayers like putting talking animals in Alley Oop. That’s all. They do a good mouse-in-a-lab-coat.

So this should catch you up on Alley Oop for the start of 2021. If you’re reading this after April 2021, there’s likely a more up-to-date plot recap at this link. There’ll also be any news about the strip at that link.

On my other blog I’ve finished the alphabet, for my 2020 A-to-Z. I hope to have some concluding thoughts posted this week. I have to go off and have thoughts now. That’s the hard part. On to plot recapping.

Alley Oop.

11 October 2020 – 2 January 2021.

Our Heroes had defeated Einstein Clone’s culture-destroying device and returned to Saint Louis of the year 3277. Despite this, Future Saint Louis looks only a bit better off. The Clawed Oracle, an immortal spirit from earlier this story, explains that’s how history-changing works now. With that, the 17th of October, the Great Culture Famine story ends.

Alley Oop: 'Hey, look! It's the CLAWED ORACLE! How did you get here?' Clawed Oracle, a cat: 'I am not bound by the laws of time or space.' Wonmug: 'I thought we made such a big change to the timeline, but here we are, 1,200 years later, and it didn't make that big a difference.' Oracle: 'It is nearly impossible to make significant change to the timeline. History heals itself. Many outcomes are predestined and will always come to be.' Wonmug: 'That takes the pressure off US quite a bit.' Alley Oop: 'Now I can do whatever I want!' Ooola: 'That's nothing new.'
Jonathan Lemon and Joey Alison Sayer’s Alley Oop for the 16th of Octber, 2020. There are several ways to address changing history in time-travel stories, all of them with perils. There being a single deterministic timeline that can’t be changed seems to rob the protagonists of agency; whatever they do was “always” right. A multiverse in which every timeline “happens” seems to rob the story of consequences; everything, good or bad, not logically impossible happens anyway. A single malleable timeline makes your characters responsible for every horrible action they choose not to prevent. So of all the ways to handle this problem, “you can do what you like and it doesn’t much matter” is at least a wishy-washy way to do it. Yes, I am aware Asimov more-or-less got away with it in The End of Eternity but at least a part of that book is the characters realizing humans can’t handle having actual responsibility for changing history.


The next story started the 19th of October. It starts out looking like it’s about some corporate intrigue. Potato chip magnate Leslie Stenk calls in a favor from Doc Wonmug. She needs something done about Chip Hamberden’s far more successful potato chip company. Wonmug takes the Civil-War-Enthusiast Hamberden on a time trip back to the Battle of Antietam. And leaves him there, where he seems happy, which, fair enough.

When Wonmug gets back to the present, Ava is gone. All that’s present is an Interdimensional Soul Reanimator and a set of time coordinates. It’s the lab’s location, four billion years in the past. This makes me wonder, like, location on the continental plate? Or latitude-longitude? How is the prime meridian handled over that length of time? Not important. They get some magic breathing apparatuses and pop back to the primordial soup.

Wonmug: 'Last time I saw her, Ava was sitting right next to this interdimensional soul reanimator. Which is strange, because I don't know what that is.' Ooola: 'Look, a note! It's a list of numbers. Maybe it's a clue.' Wonmug: 'It's probably a secret code.' Alley Oop, picking up the phone and dialing: 'It is!' Phone: 'We're sorry, but your call cannot be completed, since you seem to have dialed a bunch of random numbers.'
Jonathan Lemon and Joey Alison Sayer’s Alley Oop for the 3rd of November, 2020. I’m really, really amused by Alley Oop dialing a bunch of random numbers into the phone and getting that response, so, that’s where my sense of humor is.

Ava is there, though she’s floating in the air and shooting flame-breath at Wonmug. Also she’s calling herself Zanzarr, “master of the demonic souls of the afterlife”. Zanzarr’s plan: zap the primordial soup with demon energy to prevent life as humans know it ever existing. It’ll be nothing but demons. I don’t know how to square this with what The Clawed Oracle just said about timeline changes.

Wonmug tries appealing to Ava, who must be wrestling Zanzarr for control of her body. Ava notes how lousy her job actually is. It’s a beat about what a jerk Wonmug can be, augmented by Ooola and Alley Oop saying they forgot to invite her into their union. I know being a jerk has been a staple of comic scenes since forever, but it doesn’t need to be nasty.

Four billion years ago. Wonmug: 'How are we going to get that demon out of Ava?' Alley Oop, tying up the possessed Ava: 'I've got an idea!' He holds a jar up behind him: 'Oh, look, a cute little kitten. It's so full of goodness and 100% alive. I hope nothing BAD happens to it.' Demon, flowing out of Ava and into the jar: 'Here, kitty kitty! You delicious little --- ' As Alley Oop closes the jar lid: 'Guys? I think you forgot to put the kitten in here.'
Jonathan Lemon and Joey Alison Sayer’s Alley Oop for the 24th of November, 2020. This, too, is a strip that tickles me. I think it’s hitting a good blend of the events of a serious story and childlike, playful motivations. At least I find it more fun than adding snark to actions.

So, they get the demon out. Wonmug sets it at the dinosaur-asteroid-impact-spot. I suppose that’s practical and maybe even responsible — Zanzarr was trying to destroy all life, after all — but it’s also murder. Also, he leaves ten seconds before impact. What if his time thingy had decided to reboot? Anyway, Wonmug promises to at least buy Ava a better office chair. (There’s also a casual mention that Ava dated a female demon, back in college. So the time-travelling caveman comic strip acknowledged lesbian-or-bisexual relationships before Mary Worth did.)

One more thing, though. How did Ava leave a note with the time coordinates for Wonmug to find? And … she didn’t.


From the 30th of November we moved into a new story, but one that grew out of that loose end. Who wrote the note? The author enters the 2nd of December. It was Rody, a mouse in a lab coat, speaking now to them for the Coalition of Tiny Scientists. To further their talks, Rody shrinks Wonmug, Ooola, and Alley Oop to mouse-size. And you thought I was tossing off a joke last week when I talked about Hank “Ant-Man” Pym hanging out with Doc Wonmug. I was; I forgot there was a shrinking tie-in there.

Shrunken Wonmug: 'Wow! Did you make all this stuff?' Rody, lab-coat-wearing mouse, showing around the miniature laboratory: 'Yes. I use materials I find here and there to make my inventions.' Wonmug, noticing a credit card up against the wall: 'Hey! This is my credit card!' Rody: 'Haha ... I use it as a ... table?' Wonmug: 'This is why there was a charge for a tiny centrifuge on my account last month!' Rody looks smug.
Jonathan Lemon and Joey Alison Sayer’s Alley Oop for the 8th of December, 2020. So I’m addressing this to maybe four people out there but: wow, it’s heartening that David Gonterman’s The Rangers of NIMH made it to the comics pages at last! There’s hope for us all!

The shrink ray is incredible, but you know what would complete it? An unshrinking ray. Rody doesn’t have one. But Ant #3229BX — inventor of the shrink ray — might have an idea. Rody shrinks the bunch to ant-size to better talk with her. She isn’t interested in an unshrinking ray either. But she does have a genius aphid they should talk to, and she shrinks them to aphid scale. But they’ve had enough of this silliness. (Meanwhile Rody does make some wonderful progress on un-shrinking.)

Wonmug thinks he knows how to reverse the shrink ray. Alley Oop’s able to follow #3229BX’s pheromone trail back to the shrink ray. But, whoops, they have an accident and get shrunk even further, to microscopic size. They’re lucky they still have the magic breathing technology from their trip to four billion years ago.


Oh, and what about the Sunday strips? In those Little Oop stories, Alley Oop’s stuck in the present, and hanging out with the kid inventor who stranded him in 2020. This was a less dire fate when the thread started. The strip is ignoring the pandemic and I don’t blame it. But there hasn’t been a story going on here. It’s strips of Little Alley Oop in school, or at the mall, or making friends or such. I suspect Lemon and Sayers have figured this is a more fun Sunday strip to write than Little Alley Oop in prequel Moo. If I’m right they’ll keep him in suburbia until they run out of jokes. I’m sorry not to have another Sunday-continuity strip to recap. Sunday-only strips are fun and also easy to recap. But they’re also hard to create and I don’t fault them not wanting that challenge.

Next Week!

No shrinking! Yet! It’s instead Tony DePaul and Mike Manley’s The Phantom (Weekday continuity), if all goes to plan. See you then.

60s Popeye: Time Marches Backwards, or Prehistoric Popeye done early


Now let’s journey back in time to 1960. Time Marches Backwards is another Jack Kinney-produced time-travel cartoon, with story by old reliable Ed Nofziger and direction by Hugh Fraser.

I am once again annoyed, slightly, that there’s no production order information for these cartoons. Mostly that doesn’t matter, as there’s no important continuity. Here’s the exception. If this was not the first O G Wotasnozzle time-travel cartoon, then what’s going on? We have too long and too slow a buildup to explain it as the cartoon filling up on stock footage. There is a lot of time spent introducing Popeye to the distant past. And, in a rare touch for these Wotasnozzle time-travel cartoons, we see him come back. I imagine after two or three of these they realized it wasn’t necessary to explicitly reset the status quo.

So if the frame explains why Popeye is in some weird setting, what explains the rest of the cast being there? Right away Popeye meets Wimpy trying in his ineffective way to catch a cow, or a cowasaurus. Popeye surmises that Wimpy hasn’t changed much in 50,000 years, which is a lucky guess about how far back in time he is, and also not an answer that would satisfy me at age seven. Olive Oyl cries out for Popeye by name, but how could she know his name? Unless there is a proper caveman Popeye that happened to miss the action because present-day Popeye was on the scene.

There is not a lot to this cartoon, once it finally starts. Brutus drags Olive Oyl by the hair, like cavemen always do to cavewomen in cavecartoons. This always seemed the most inefficient way to abduct someone, to me. She cries out for Popeye to save her and there’s what sure sounds like a tape glitch over and over again. You hear it at about 8:57 in the video, and again, many times over. Wimpy crosses the line of action, following without doing much to the cowasaurus. Repeat these starting points for all the screen time you’ve got. In the last iteration the cowasaurus has Wimpy caught on the horns, a good resolution. The cowasaurus’s complete indifference to what’s happening is maybe the best laugh of the short.

Popeye holds up a club. Meanwhile, Caveman Wimpy is carried off on the horns of a cow-dinosaur.
OK, OK, now I see what you all are complaining about with Alley Oop these days.

It’s all a very okay cartoon, at least for the series. If you get into this kind of tone-poem cartoon where there’s no plot, just a bunch of beats that it shifts between. If you don’t like its tone-poem nature, then the cartoon’s completely lost. There’s some nice backgrounds and that’s it. Everybody but Popeye and Wotasnozzle is out of their usual clothing, so the animation is even rougher than usual. (That said Popeye and Brutus hitting each other on the head, on that stone arch bridge, sure looks like repeated animation to me. I can’t think what it’s from, though.) Most notable here is how indifferent the mouth movements are to dialogue. I don’t expect the lips to be good. But I do expect them to move just about the same time that someone’s speaking, and then stop.

Popeye running across some primitive, prehistoric spinach made me curious about spinach’s domestication. Apparently it happened about two thousand years ago, in what’s now Iran, and it spread from there east, first. It reached Western Europe in the 9th century. So, like, all the great philosophers of Ancient Greece? Not a single one of them ever had a can of spinach. Except Pythagoras, I’m sure, according to his followers. Spinach turns out to be from the same taxonomic family as beets, which makes sense, since every vegetable we eat is either a beet, a tomato, a mustard, or a potato. So that’s nice to know.

60s Popeye: Astro-Nut, in which Popeye just breaks the universe


Gene Deitch gets to direct this next King Features Popeye cartoon and you know what that means: I have no information about who the story’s by. The producer’s William L Snyder, though, and the production date is 1960. And now this … is Astro-Nut.

There was something glorious in the early 60s, when all you needed to join the space program was to be a cartoon character. If Top Cat and gang could be astronaut candidates just because Officer Dibble questioned their patriotism, the doors were open to everyone. I’m sure that when I get into King Features’s other cartoons of the 60s I’ll find one where Snuffy Smith joins NASA.

For this Gene Deitch production, Popeye joins the space program to do a simulated long-duration flight. Can a person survive in a tiny capsule with no human contact for sixty days? Cartoon NASA is getting ahead of its game with this test; nobody would spend sixty full days in space until Skylab 4/3, in 1973-74. (Skylab 3/2 came in about six hours short of 60 full days.) Still, better to know sooner than later, I suppose.

Popeye seems poorly briefed for the space-related mission he’s signed up for. I know, it’s to give the audience useful exposition. But there’s room to ask whether this was the actual space program Popeye was working for. I mean, Popeye’s only human contact is supposed to be one tape of his friends’ voices, that he can listen to over and over, making use of the world’s slowest rewind feature? And they didn’t check the tape to make sure that Brutus didn’t use his time to taunt Popeye about how he was going to steal Olive Oyl away? Maybe they thought this was playful teasing? Popeye did sign up for a 60-day simulated flight, after all. What did he imagine Brutus was going to do?

Popeye, in a spacesuit, looking angrily at the camera. Behind him is a reel-to-reel tape with two buttons on the player, Rewind and Play.
“What? Not one tape by The Tornadoes?”

We get a montage of Brutus dating Olive Oyl. Seems like they’re doing a lot, too. We see them swimming (he pushes Olive Oyl into the water). Going for a car ride (Olive Oyl has to hold the car up and run, a scene that looks like a separate car-themed cartoon broke out; watch this space). Going to the horse races (Brutus steals some money form her). Going to the amusement park (they ride an improbably steep coaster). All this in what we learn is just two days.

Popeye’s torn between his duty to stay in the capsule 60 days and his intense jealous need to punch Brutus. So there’s only one thing to do and I’m not sure just what it was. He swings his fist, anyway, and the capsule spins, and the instant spray spinach starts to spray and then the capsule launches from the ground, heading into space at the speed of light. This, of course, will cause Earth time to go backwards while the capsule progresses at sixty times normal time speed. And somewhere, the young Python Anghelo nods, understanding. All Brutus’s dates with Olive Oyl wind backwards and the capsule lands again. The generals congratulate Popeye for … having done a 60-day endurance test in an hour and Brutus and Olive Oyl are there and don’t undrestand how much time has passed. I feel this is a cartoon whose plot I probably understood when I was a kid. I’m too old to follow its logic anymore. We close out with a song, at least, “Through space in an hour / On pure spinach power / I’m Popeye the Sailor Man”. Also he sprays spinach into his mouth, so I guess his bubble helmet was open the whole time.

Popeye, in a spacesuit, shaking a general's very long arm. He's outside a space capsule which has a sharp bend in its midsection, and a door that bends to match that, so it's not clear how the hinges would work on that. The deadbolt-style time lock is on the hinged side of the door, instead of where it would most effectively block the door.
“Congratulations, Popeye! I, too, have no idea how that door is supposed to open on that hinge! But I also don’t know how the time lock was supposed to lock that door! I guess this is why we couldn’t get Roger Ramjet into that thing!”

So, it’s weird. It’s Gene Deitch, what do you want. There’s good bits here. Popeye sees a vision of Swee’pea in his pipe smoke, for example, while hearing his voice, and that vision’s wrecked by Brutus coming in. Popeye acts reasonably crazed with jealousy as he thinks about Brutus and Olive Oyl together. The repeated rewinding of the tape to Brutus’s sneering “I’m keeping company with poor lonesome Olive” is a good tension-builder.

But the cartoon gets stuck at the dilemma Popeye outlines. He can desert his post or he can give up on Olive Oyl for at least two months. He can’t do either and still be Popeye. Rather than break Popeye, we break the universe, and do the ending of Superman I 18 years early. It’s an interesting writing lesson: it’s easier to break all narrative logic than it is to defy Popeye’s nature.

Also, sixty times an hour is two and a half days. I know, it doesn’t matter. It’s a messy way out of the problem, but there’s not a good way.

There is no good reason for me to remember any Top Cat story. I apologize for the inconvenience.

60s Popeye: Popeyed Columbus, which could have gone much worse


One step back into 1961, one step back into 1960. Jack Kinney is the producer again. The cartoon’s got a story by Raymond Jacobs and direction by Hugh Fraser. So here is Popeyed Columbus. Well, that’s not a premise that’s aged badly or anything.

It’s another cartoon framed by O G Wotasnozzle, the daffy inventor who moved from Sappo in to Thimble Theatre. The King Features cartoons used this frame for a bunch of stories when they wanted to justify a weird setting. It does suggeset Wotasnozzle spends a lot of time just casually messing with history every time he notices Popeye listening to his own theme on Vague Jazz TV.

For some reason most of these time-travel cartoons Popeye isn’t asked and doesn’t even know he’s time-travelling. It’s a great coincidence Popeye was watching Vague Jazz TV while muttering how he wondered “if Chris was as brave a sailor as history says”. We have to assume he means Chris Columbus. He could be wondering about any sailor named Chris.

Usually these time-travel cartoons just drop Popeye into a historical (or future) setting. Here he’s actually dropped in as Christopher Columbus, on the day the ship’s supposed to sail. We have Brutus there, Captain of the Nina and ready to mutiny, and I suppose that’s sensible enough. Also now Olive Oyl is the Queen of Spain.

For a cartoon that is about Popeye the Sailor as Christopher Columbus there’s not much sailing. It’s a long set of jokes at toasting the voyage, and the Queen, and throwing drink on Popeye. Also of people swinging their mug at the camera, which is a good bit of staging whose charms wear off after the 900th time. Well, everybody’s in non-standard clothing the animation has to save money somewhere.

Popeye, dressed as Columbus, and Olive Oyl, as the Queen, stand on the deck of a ship ready to fight a couple of mutineers.
I know, I know. It doesn’t feel right that both Popeye and Olive Oyl are being effective at the same time, does it?

Popeye gets hiccoughs that turns into a running joke. The Queen stops in with some presents and tries to stop the hiccoughs. For all the directions a Columbus cartoon made in the 60s could go this is a harmless enough one but it’s still a weird direction. Eventually Brutus gets around to his mutiny, and Popeye and Olive Oyl team up to punch all the mutineers back on the ship. This seems like a bad plan to me, but I guess Popeye’s the Admiral.

Popeye finally sails and in a bunch of short, jerky hiccoughs crashes into the New World, at a sign marked “American Indian Village”. That’s all we see, which is probably for the best. One scene later the “American Indian Village” sign is replaced with the “Junior Chamber of Commerce” and signs for the Lions, the Elks, and the Optimists Clubs. If I thought it was on purpose I’d say it was a wry joke about replacing the American civilizations.

Wotasnozzle then explains “and the hiccoughs maybe is why Columbus smashed into America instead of finding out a quick way to the West Indies”. I am sorry to report such a factual historical error on the part of this Popeye cartoon.

There were a lot of ways this cartoon could have been so bad I wouldn’t review it. The cartoon dodged all of them, but in a way by not being about Columbus at all. It’s a strange turn of events.

What’s Going On In Alley Oop? Is Jules Rivera destroying Mark Trail yet? July – October 2020


OK, so it’s not Mark Trail’s week. But yes, Jules Rivera took over the daily strips on Monday. Her Sunday strips start next month. This is why Mark Trail looks different. Any news about the Mark Trail that I get, I’ll post in an essay gathered here. Yes, I too am worried by Tuesday’s revelation that the new Mark Trail may be a tiny little bit self-aware, but, hey. We adapted to Mark Trail sometimes internalizing thoughts for James Allen, after all. Mark Trail can notice how much Mark Trail has blown up boats and cars and islands the last few years.

But this essay is, in the main, about Jonathan Lemon and Joey Alison Sayers’s Alley Oop. This should catch you up to mid-October. If you’re reading this after about January 2021, if there is a January 2021, you’ll likely find a more up-to-date plot recap at this link. Also any news about Alley Oop, if there is news.

And, last, on my mathematics blog I’m still working through the alphabet, explaining terms. This week we get to ‘R’. No, it’s not a joke about the beloved statistics computing and graphing programming language! Ho ho! Had you going there, though, I bet.

Alley Oop.

20 July – 10 October 2020.

Everyone was hanging around in Moo, last we left off. Ooola was rehearsing a play. She impressed Gromp, the director. Gromp pitches another job for her: using the play as cover to enter neighboring land Lem and steal King Tunk’s giant opal. She hates the plan. Gromp sends his dinosaur, Steve, to make her see reason. She beats Steve in a fair fight, though, and hauls Gromp off to be in a desert island cartoon.

Gromp, tied up, on a palm-tree-deserted-island: 'What are you doing? Are you just going to leave me here?' Ooola: 'Yep.' Gromp: 'But I can't swim!' Ooola: 'I hope you like coconuts.' Gromp: 'I do! Especially shredded over a nice chocolate dessert. And the milk is divine! [ Noticing Ooola swimming away. ] Oh, very funny. Hey, how am I going to open them?!'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 1st of August, 2020. It looks harsh, but if there’s one thing we know about being in a desert island cartoon it’s that someone else is coming along any minute now.

That, the 1st of August, wraps up that little story. From the 3rd we get a string of events leading into the current story. It starts with a joyride: Alley Oop wants to go to an amusement park. So they return to the present, and Doc Wonmug looks for the greatest amusement park, past, present, or future. But who can tell him what that is? rec.roller-coaster just fights about Kennywood versus Knoebels versus Efteling versus Holiday World. (Did you consider Waldameer? Especially if you have a family? Very under-rated park, especially if you aren’t all about high-intensity everything.) So he goes to The Clawed Oracle.

Ooola: 'You know, I'm kind of looking forward to the amusement park.' Wonmug: 'What's in the fanny pack?' Alley Oop, showing off his fanny pack: 'Zinc for my nose, quarters for skeeball, antacids in case I overeat, a compass so we don't get lost. I'm so excited!' Wonmug: 'You know, they might not have corn dogs in the future.' Oop: 'What? I changed my mind! I want to go somewhere else!' (As they ZANNNNG! into the future.)
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 13th of August, 2020. A fanny pack. Really. I would not have guessed Alley Oop was also in the American Coaster Enthusiasts group.

The Clawed Oracle, off in a never-before-mentioned room of Wonmug’s Time Laboratory, is a cat. She pronounces that the greatest amusement park ever is in Saint Louis in the year 3277. They zip off to Future Saint Louis. The place stinks, apart from the giant pine tree air freshener hanging from the Arch. What looks like an abandoned warehouse is labelled Amusement Park #41. Inside is an array of virtual-reality goo-filled tubes. Despite the ominous everything, they go in.

Attendant, to Our Heroes in their goo-filled VR tubes: 'Once I press this button your body will stay here while your consciousness controls an avatar in the park. When you're ready to leave, just say the password 'finicky veranda garbanzo' and your session will end.' Wonmug: 'How long do most people stay in?' Attendant: 'Ten years is average.' Ooola: 'Wait, WHAT?' Oop: 'That doesn't seem great.' Attendant: 'Enjoy!'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 21st of August, 2020. A throwaway line established that the admission price was about ten thousand dollars (in 2020 money), which sounds like a lot, but if you can live for ten years on that? That’s a pretty sweet deal. Well, except the upcharges get you: Wonmug wasted another fifty thousand (2020) dollars in avatar-change shenanigans. I have to suppose that, like, park fries or the reverse bungee rides are similarly scaled.

It’s a good time, though, until the fortune teller learns they’re from the 21st century. On that she leads them to a secret reality within the virtual reality. And to Phil, leader of the Underground Stronghold Alliance. He tells of the Great Culture Famine, a mysterious event that destroyed culture. All that’s left since 2081 are these virtual-reality amusement parks. But what can three time travellers do? They leave the park and journey to Phil’s coordinates in 2081. And there they meet … The Clawed Oracle.

It turns out The Clawed Oracle is an eternal ethereal being who manifests on earth as a cat, so that’s a nice gig. She reveals who’s responsible for the Great Culture Famine. It’s Dr Wonmug, yeah. Indirectly. It’s really the clone of Albert Einstein that Wonmug made and then abandoned on a farm. She sends them off to deal with Einstein Two. (Why not Zweistein?)

Einstein Two: 'I'd like to show you something. It's the culmination of the horrible hand that life dealt me. It's taken me nearly fifty years to build. I kept it secret from my parents until the day they died. [ Revealing a machine ] Ta-da! Behind the grand culture eraser! It will destroy all forms of art and culture, past, present and future.' Wonmug: 'This is LITERALLY what I was talking about before, when I asked about the Great Culture Famine.' Einstein Two: 'I guess they COULD be related, but I just don't see it.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 3rd of October, 2020. In the follow-up we learn Einstein Two’s gone on to become a local politician, successfully defunding the library and the school’s dance program because everybody has smart phones now.

Einstein Two’s gripe: his parents insisted he put all his scientific energies into the farm, and the zany cow bra business. So he invented a Grand Culture Eraser, to destroy all forms of art, past, present, and future. He has justification for this: he’s grown up to be a STEM jerkface so doesn’t see why gadgetry is not a life. Einstein Two proclaims this a gift to every child whose love of science was crushed by small-mindedness. Then Alley Oop punches his machine to rubble. Ooola smashes his backup, too. Dr Wonmug tears up the machine’s plans. Alley Oop digs up and rips up the backup plans. So that’s some success.

And that takes us to the start of the week. Also into a new timeline. Saint Louis of 3277 “now” has a giant chandelier hanging from the Arch. And Amusement Park #41 is the aquatic stadium any amusement park used for dolphin shows back in the 1970s when we were making that mistake. This looks like the resolution of a storyline. But it could also be the transition to a new story. Too soon to tell.

Next Week!

So how did the reunion between Kadia and her mother Imara Sahara go? Pretty good, right? It’s, like, literally impossible it could have gone bad. We’ll check in on Tony DePaul and Mike Manley’s The Phantom (Weekdays) next week, all going well. Thank you.

What’s Going On In Alley Oop (Sundays)? Is there a plot in Alley Oop (Sundays)? April – July 2020


So maybe yesterday you noticed I didn’t tag the recap for Jonathan Lemon and Joey Alison Sayers’s Alley Oop as the weekday continuity. It’s not that I forgot that there was an ongoing story in the Sunday, Little Oop, strips. It’s more that I am not sure whether there is a story going on in the Sunday strips.

Since Lemon and Sayers took over, the Sunday Alley Oop strips have been a separate continuity. (Under Jack and Carole Bender they had been a recap-and-preview of a week’s worth of strips.), The Sunday strips are set when Alley Oop is a little kid. In February a story seemed to start: Penelope, a young science-type genius girl of the year 2020, popped into Little Alley Oop’s world. She brought him back to the present. Then then the time machine broke.

Penelope: 'Mom, this is Alley. He's going to stay with us a little while, OK?' Mom: 'No way! I'm not letting some stranger live in our house.' Penelope, holding up the Convince-O-Ray: 'Oops. Forgot to turn this on.' With a purple light shining on Mom: 'Mom, this is Alley. He's going to stay with us a little while, OK?' Mom: 'Of course! The more the merrier. I'll fix up the guest room for you, Alley. ... Wait a minute. Are you using your Convince-O-Ray on me again?' Penelope: 'Um ... no, Mom. This is my new anti-aging machine.' Mom: 'Oh, well, in that case ... ' Little Oop: 'I don't know, Penelope. Something about this invention doesn't feel quite right.' Penelope: 'It's no big deal. Now go stand in that purple light for just a second.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 21st of June, 2020. Got to say, Penelope being a little kid makes her brainwashing device more fun. And I know what you’re wondering: so could the weekday-continuity Alley Oop grab the Convince-O-Ray next time he’s in 2020? They’re all in the same continuity and everything, right? I don’t know, I didn’t think to wonder that until I started writing a caption for this strip myself.

Penelope has not been anxious about getting her time machine fixed, although there’ve been a couple attempts at it. Instead, we’ve seen Little Oop get set up in Penelope’s family’s guest room. To start going to school. To meet some of Penelope’s friends and her brother and all that. It’s read more like we’re getting a revised setting to the Sunday strips more than anything meant to go anywhere.

Teacher: 'And that's how we know that humans and dinosaurs never coexisted ... yes, Alley?' Little Oop: 'I think my pet dinosaur, Max, would disagree. In fact, I know tons of dinosaurs back home. My gym teacher is one. I mean, sure, they're not *all* great. My cousin almost got eaten by a Utahraptor, but he's a bit of a daydreamer. What I'm trying to say is that you don't have the slightest idea what you're talking about.' (Teacher points Little Oop out the classroom.) Little Oop, to another student outside the principal's office: 'I guess my teacher wants me to tell the principal all about my dinosaur friends too.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 12th of July, 2020. Incidentally, V T Hamlin handled the question of “but dinosaurs went extinct way before humans ever appeared” way back in April 1939, when the new premise of the caveman strip was just being introduced. Also, if you want to see Little Oop’s gym teacher, here he is organizing a rockball game. He doesn’t look much like Gil Thorp even for being a dinosaur.

So at this point I can’t give a plot recap because there isn’t really a plot. There’s just Little Oop getting into cute shenanigans in the present day. If this turns into a story I’ll add it to my regular plot recaps. But for now, it seems to be just stand-alone incidents. At least once you know what a caveboy is doing in 2020.

If this changes, or if I get any news about Alley Oop, I’ll post an essay at this link. Thanks for reading.

What’s Going On In Alley Oop? Is Alley Oop off the hook for Time Crime? April – July 2020


Yes, it looks like the thing where Universe-3 is prosecuting our, Universe-2, Alley Oop and company is resolved. The charges are dropped until some later nonsense happens. The original, V T Hamlin-created Alley Oop is in Universe-1, not a part of these shenanigans. Glad to catch you up on Jonathan Lemon and Joey Alison Sayers’s Alley Oop, as of mid-July 2020. If you’re reading this after about October 2020 there’ll likely be a new plot recap at this link.

My other blog has given a break to reading comic strips for a while, but I am building a little glossary of mathematical terms, one a week, at this link. You might like that, too.

Alley Oop.

27 April – 18 July 2020.

In the most surprisingestly surprising surprise in the history of surprises, billionaire Drew Copious was up to something evil. Last time, Copious hired Dr Wonmug and his gang for some little time-travel adventures. This got him a pencil from the useless aliens who watched the Egyptians build the Pyramids. The pencil was a communicator to some alien named Farfell.

Ooola: 'Where were you guys? I was in 2485 for almost a year!' Oop: 'We traveled all over time looking for you, from the Big Bang to the heat death of the universe.' Wonmug: 'Finally, we went back to the moment that Copious sent you to the future and looked at the date on the time cube.' Oop: 'And we brought you back to just a short while after you left.' Ooola: 'So after a year, you finally did the easiest thing possible?' Oop: 'We really didn't want to cheat!'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 15th of May, 2020. So this is one of those little ways that time travel would change computing as we know it, by the way. (Also, in rescuing Wonmug from the past, Oop “originally” returned to ten days after he set out, earning Copious’s mild praise, then went back to just ten minutes after he set out, doing an “amazing job”.)

Copious separates Alley Oop from Dr Wonmug and Ooola. He has a test. Copious abducts Wonmug and Ooola, losing them somewhere in time, and Alley Oop has to rescue them. Wonmug’s stranded at a Beatles concert. It takes Alley Oop some time to find him, until he remembers he has a time machine. It takes longer to find Ooola, who’s hidden in the post-apocalyptic year of August 2020 2485. At least until they realize they can use the time machine to check where Copious sent her.

Oop: 'Ooola, what was the year 2485 like?' Ooona: 'It wasn't too bad. I was president of the zombies for a few months. I built affordable housing on the Moon. Oh, and I started a business selling food pills.' Oop: 'Wow! The future has food pills?' Ooona: 'No. I went out of business right away. I lost millions.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 16th of May, 2020. All right, but if she sold those little cubes of bright-colored food you saw on the original Star Trek? And if they were blocks of cheese? That would be different. My point is if someone opened a nothing-but-cheese buffet near me I would never eat anywhere else for any reason, not until I was too large to fit through doors.

Why all the testing? Because Copious wants to know if they’re up to helping him conquer the multiverse. He’s teamed up with the Nudellians, the useless aliens from the Pyramids. Copious explains they’re intelligent but gullible, and thus, useful. They sold Copious a device to travel between universes, which stopped working. We readers know why that is. To escape Time Court, Wonmug got a Universe Transit Device that locked out cross-universe travel. Copious is looking for a way to overcome that.

There’s one party Alley Oop and gang know who could help. That’s Ollie Arp and Eeena, their Universe-3 counterparts. And the ones who brought them up for trial in Time Court. And the only way to contact them is Copious’s pencil. Alley Oop sneaks up on Copious and distracts him by whacking him unconscious. Arp and Eeena debate it a little and decide saving the multiverse is worth dropping the charges.

Ollie Arp: 'I can't help but notice you guys ran out on your trial.' Wonmug: 'Oh yes ... ha ha ... well, I left my ... mechanical bull running and ... ' Alley Oop: 'I have a question. Was that even a real trial? What authority did you have to arrest us?' Ooola: 'When did you learn so much about the legal system?' Oop: 'Well, I did get into some trouble as a teenager back in Moo.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 9th of June, 2020. One advantage to making your story a comedic serial adventure is you never have plot holes. You have “hey, wait a minute” jokes set up for later use.

Arp and Eeena guide Wonmug in the use of Copious’s universe-travel device. It sends him to Universe 92, one where money was never invented. Arp and Eeena send Copious’s accomplices to Universe 212 and a hot bath. They were just “a few bad noodles”, paying off the pun set up by saying they were from the planet Nu-Dell. So the multiverse is saved, Universe-3 dropped the Time Crime charges against Our Heroes, and all’s well. That wraps things up … let’s call it the 24th of June.


The 25th of June everyone goes back to Moo. Wonmug included, since he hasn’t got anywhere else to be. Also there’s some weird giant ominous cloud looming over the Time Lab.

In Moo, Oop asks, 'So, Doc, why didn't you go back to your place? Everything okay?' Wonmug: 'I just have a weird feeling about going home.' Oop: 'Why? Are you afraid you left the oven on or something?' Wonmug: 'Haha. Something like that.' Back at the Time Lab, a gigantic storm cloud in the shape of a sinister face gathers, shooting lightning bolts.
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 27th of June, 2020. ObFuturamaReference: “Hmm, must be a friend of theirs!” (Hi, Love!)

Bad news in Moo, though. Dinny the dinosaur’s run away. But he’s not hard to find: he went to Inspiration Peak, where to canoodle with Francine, a dinosaur he met at the dino park. They’ve just started dating, no idea where this is going. They’ll see what happens. So that’s sweet.

Meanwhile, Ooola, who went off to the hot springs, is in some kind of fight. With her cry of “Die, fiend!” we reach the 18th of July and the nominal end of this recap period. (She’s rehearsing a play, we learn on Monday and Tuesday.)

Next Week!

More ghosts than usual have been walking! What did it all mean? I’ll try to say something organized about Tony DePaul and Mike Manley’s The Phantom (Weekdays) next week. If something doesn’t disrupt the lineage of 21 plot-recap comics snark bloggers before me. Thanks for reading.

60s Popeye: Out Of This World and it’d be nice if it were


We’re back to the Jack Kinney studios for 60s Popeye this week. Once again the story is from Ed Nofziger, who’s given us some great fairy tale riffs and some general weirdness. The directors are Volus Jones and Ed Friedman, new names to me. So let’s have some thoughts about 1960’s Out Of This World.

First, I have to amend an earlier entry. While reviewing Invisible Popeye, with a better premise than execution, I wrote “it’s better than Popeye, Olive Oyl, and Brutus doing their usual routine in a Suburban Boring house that also has computer buttons. Which, you’ll trust me, they could do”. Perhaps they could. But I was thinking specifically of this cartoon, in which they do not. There’s no Brutus here. There’s just the disembodied voice of Jackson Beck. We do have Swee’Pea, though. And we have Suburban Boring, but in The Future. Invisible Popeye at least gets weird.

It’s another O G Wotasnozzle cartoon. And another where he uses his time machine to send Popeye to a novel setting. Eventually. This cartoon runs five minutes, 41 seconds not counting the closing credits, which King Features has chopped off here. One minute 43 seconds of that is credits and the generic footage of Wotasnozzle deciding to send Popeye somewhere in time. “What the heck,” the great inventor thinks, “he’s probably just sitting at home listening to his theme on the Dixieland station”. So that’s why Popeye’s sent to either the year 2500 or 2500 years into the future. The framing device almost explains why everybody’s in the future, and lets the cartoon be one-fifth stock footage.

Also Olive Oyl and Swee’Pea are in the future too? Or Popeye hangs with their Future counterparts? Wotasnozzle says he sends Popeye somewhere by pot luck, so how are Olive Oyl and Swee’pea there? Popeye doesn’t seem thrown by the strange world of The Future. There’s a bit where water flows to the ceiling and he complains about something going wrong with the gravity. But that makes equal sense for either 20th or 25th Century Popeye to observe.

This is a standard circa-1960s view of The Future. Flying cars. Flying lounge chairs. Tourist space rockets to the Moon. Skyscrapers built into helter-skelter slides. Swee’Pea is splitting atoms and getting neutrons all over the rug. The ambiguously defined family of Popeye, Olive Oyl, and Swee’Pea eat roast beef pills and soup-and-salad-crystals and all. It seems like they have to eat a lot of pills. Maybe they’re eating their trail mix?

Establishing shot of a City of the Future, with one apartment tower that's surrounded by a spiral walkway, and mousehole-shaped entrances all along its length. Other buildings have a similar style and the place is arranged without clear communal flow.
Hey, it’s the John F Kennedy tower back in Troy, New York! I loved the look of that building. … Do you suppose anyone lives in that Grandma’s Weird 50s Table Lamp in the background?

And, yeah, you don’t watch cartoons like this for The Future. You watch them for The Present, spoofed by its placement in future trappings. And obviously a cartoon that has four minutes for all its business can’t compare to The Jetsons, still in the future when this was made. So we can look at what parts of The Present of 1960 the cartoon thought worth spoofing?

Well, the home. I read the place as suburban, but just because it seems boring. I guess it’s meant to be the City of Tomorrow. And then the road trip. Particularly the trip done by either bus or train. (I guess a five-minute rest stop is more a bus than a train thing, especially by 1960. I know train stops at eateries used to be a thing. I’ve been in the room while parts of The Harvey Girls were on TV.) It’s a fair premise, but there’s nothing done with it. Swee’Pea gathers asteroids. Why not go to a roadside attraction? You have a perfectly good chance to show, I don’t know, the largest robot cog this side of the asteroid belt and don’t use it?

Popeye, Olive Oyl, and Swee'Pea emerge from the rocket ship. They each wear small propellers above their heads, attached by poles to a mechanism strapped to their chests, to float around.
Oh sure, you laugh. But you also laughed at that Segway guy when he said they were going to re-engineer whole cities to cope with how that gadget changed civilization and who’s laughing now?

Then we get the Moon as a quaint, rustic tourist destination. The Upper Peninsula to Earth’s Michigan. There’s a similar notion in Futurama, where the Moon is part backwater, part tacky tourist trap. Arthur C Clarke’s novel Rendezvous with Rama has a line about how in the politics of the solar system, the Moon was a suburb of Earth and always would be. (I don’t remember it being clear what that meant exactly.) I am sure neither is responding to this cartoon. The idea is too sparsely entered.

We get a joke about the rustic moon offering old-fashioned stuff like the cars, gas stations, and airplanes of 1960. “Our present is, to the future, the past” isn’t a deep observation, but it is the sort of observation a kid in the target audience would appreciate.

So as seems to happen a lot, I like the characters, and I like the premise. I just don’t like that nothing happens, and that the premise isn’t used well. If I could wish any Popeye-related product into existence, though, a Popeye Of The Future comic might be it.

60s Popeye, Invisible Popeye: the heck am I watching?


Settle in, kids. We got a weird one. I know, I can hear you getting excited. The weird cartoons are fun even if my review just becomes live-tweeting.

It’s another cartoon from the Jack Kinney studios. Hugh Fraser gets credit for the story and for the animation direction. Here, featuring Professor O G Wotasnozzle, is Invisible Popeye.

O G Wotasnozzle, inventor, was created by Elzie Segar to give us a reason to read his other comic strip, Sappo. He migrated to Popeye, bringing the strip the occasional wacky invention. In the King Features cartoons he showed up a fair bit, usually with the time machine that Olive Oyl dusts at the start. The cartoon does nothing to explain what this is or why it would do anything, but you know? When you’re seven years old? Somehow you never need anything explained. Each year I regret I can no longer follow the plot of Rudolph and Frosty’s Christmas in July. To a kid, it makes intuitive sense. Of course Olive Oyl should accidentally activate the time machine and get sent off to … somewhere.

Olive Oyl gets a cute line about how “scientists don’t seem to mind a little dust as long as it’s cosmic”. That is such a 1960 line. It’s not that space scientists have lost an interest in cosmic dust, but when do you ever hear about it anymore? Also Olive Oyl looks back over her shoulder at the camera. For this era of cartoon, it’s a subtle movement. This is also about where everything falls apart.

Wotasnozzle comes in and, using stock footage, discovers his time machine tampered with. And in other stock footage realizes that “they’ve” got Olive Oyl. Also that “they” are an entity that exists. Who are “they” and what do they want with Olive Oyl? … Great questions.

Professor Wotasnozzle smiling wildly while patting the input of his time machine, which is this big clock face with an eye, a mouth, some computer-y grids, a light bulb, and a satellite dish.
He has fun.

Wotasnozzle phones Popeye, who’s in what looks like stock footage of sleeping. His half of the call has something to do with something being “decontaminated”. And what was contaminated? Great question. Popeye rushes over to Wotasnozzle’s lab and eats his spinach right away. It’s the sensible thing to do, but raises the question why he doesn’t start every cartoon with the spinach power-up. Other than for fear of making the cartoons too short. Then we see the time machine as its stock footage normally works. Thus the gloved mechanical hand sliding Popeye through the air while Wotasnozzle runs merrily around the machine. Given all the work Wotasnozzle has to do to make this run it’s surprising Olive Oyl could get sent anywhere without help.

The time machine sends Popeye to my heart’s deepest desire, a great domed city. Apparently it’s in space for how Popeye flies around it. But he can’t break through, so Wotasnozzle hurries him back for more preparation. The tool that will make all the difference: invisibility pills. He swallows them in a cross-section animation. I recognize it from early-60s parodies of some indigestion-relief pill. I don’t know which. All I know is the parodies.

Does the invisibility work? Sure does, illustrated by using stock footage of Popeye doing the sailor’s hornpipe but leaving out parts of the animation cells. You have to animate invisibility somehow, and Fraser goes for having Popeye just not be seen. When we the audience have to know where he is, it’s footprints. It’s a workable answer. It doesn’t explain how Wotasnozzle can follow along on his viewscope, but there is a lot about Wotasnozzle’s lab that isn’t explained. Anyway this has all been a bunch of plot. Now it’s time for the cartoon to really sit on our heads and make us beg for mercy. There’s three minutes, 15 seconds left.

Back in the future(?), Popeye figures he can now sneak past the guards. What guards? Where did they come from? Wasn’t the problem an impenetrable dome? … Great questions.

He strides past a robot(?) guard to the civic center. He pushes through a crowd made up of the robot(?) helmets, without bodies, because to walk around he’d have to take two steps to the right. He reads that Olive Oyl’s on exhibit. Off to the monorail for a ride to the Palace Circle. This is important because it sets up a monorail chase that won’t make sense later.

A giant robot statue holds a vast opaque dome. Near it, a zig-zaggy glowing line forms a bridge-of-light between two short walls, one of which is attached to a ladder. The background, however, is the panel for an interior of a spaceship, with riveted panels and windows, wholly out of scale. It's disorienting to look at.
The thing is a bridge isn’t just about letting you get somewhere you couldn’t easily get otherwise. A bridge can be about getting there in style.

He arrives at a giant robot statue holding an enormous dome. It looks like the cover that snooty waiters use to bring food to the Marx Brothers. And then we jump to the completely wrong background. We’re supposed to see Popeye trying to figure how to get over a moat to the Olive Oyl exhibit. But since what we see is a giant interior of a monorail car. So good luck figuring out why Popeye can’t walk across what looks like as open a plaza as anything on the Brutalist college campuses I attended. Also how do we know this is Palace Circle? How do we know Olive Oyl is here? Where do those two guards blip to when they disappear? … Great questions.

Popeye frees Olive Oyl from her captivity, a chair that doesn’t have armrests. Also a ball and chain. He tears off the ball and chain, throwing it at the guards to get them fighting. His invisibility starts to wear off, giving him the chance to use the sailor’s hornpipe stock footage again, this time with bullets shot at him. Then he swallows the other invisibility pills Wotasnozzle gave him for just this sort of emergency. There’s a curious glow around where Popeye’s chest should be here. It’s a neat effect, suggesting maybe that he’s supposed to become visible again. But there’s so little of this cartoon that seems like it was animated on purpose. I can’t rule out that it’s a long-lived compression artifact in the YouTube file. The glow starts about 20:46, though, which probably means it’s just some weird effect.

Two short robots shoot bullets at the feet of Popeye, whose legs are the only visible thing in frame. Popeye is doing the sailor's hornpipe dance. There is a weird patch of light about where Popeye's chest would go.
Even allowing that they’re shooting at an invisible guy it seems like they shouldn’t be missing.

Popeye ties the guards’ antennas together, which starts them electrocuting each other, which seems like a design flaw. Olive Oyl warns they’re calling out the guards and what do you know, but the giant robot statue in the Palace Circle orders the guards called out. Also the statue is itself a robot, I guess. It could be the robot king. Who knows?

They make a getaway in the monorail, which is brilliant except for being stupid. It turns out that cars behind and ahead of them converge on Popeye’s car. Popeye declares that he’ll “bam-bobble them with me invisible muscles”. By this he means he’ll have his car go on the underside of the monorail, which is a thing that monorail cars can do. The pursuing cars collide. Also Popeye’s car crashes into the robot statue back at the Palace Circle, which is an occurrence that makes sense. Popeye and Olive Oyl climb out from right where they started and Wotasnozzle remembers he can just bring them back now.

Popeye’s got one of the robot(?) helmets stuck on his head. Still, he knows they’re home safe and sound. While sneezing, Olive Oyl inhales two invisibility tablets right off the counter, which is a thing that happens, and she blips out of the cartoon. Well, she kisses Popeye some. The Sailor Man declares, embarrassed, “this invisibility has ruined my visibility”. The declaration seems like it meant something to somebody at some point.

Two cars on the top of a monorail track race toward each other. A third car races away, clinging to the underside and racing toward a support pylon.
Try this one weird trick to make your railroad friend hate you!
… Of all possible features for Future Space Robot Mars why is the church the one we can make out?

This cartoon invites us to ask many questions, but most of them are versions of “the heck am I watching?”. It’s not that this has to be an incoherent story. The premise is good, and up to Popeye’s return to the future it’s presented well. But then we’re hit with what seem like missing scenes, such as establishing that there’s a guard for Popeye to get past. Or that the giant robot statue is not just decoration but can bark out orders. Or that the robots even speak: they’re mute for so long that it’s weird when the robot starts to speak. Add in the animation glitches and what should be a straightforward cartoon loses coherence.

It’s also a disappointing vision of the future. It’s basically a domed city, a monorail, and the light bridge. These are good props but there’s not much done with them. And the background error makes the introduction of the light bridge seem pointless. Certainly having Olive Oyl get lost, and Popeye get sent after her, demands a good chunk of the five-minute run time. But why not have Popeye interact with a local instead of push his way past a crowd they don’t want to really draw? Popeye having a false start and having to return to Wotasnozzle is a nice bit of business, but would the cartoon have been better if we met the Future Robot(?) King instead?

But if they didn’t have some good jokes about of future-life to, it’s better not to force it. I’m content with a weird cartoon where everything falls just short of being motivated. It’s better than Popeye, Olive Oyl, and Brutus doing their usual routine in a Suburban Boring house that also has computer buttons. Which, you’ll trust me, they could do.

What’s Going On In Alley Oop (Weekdays)? What’s with the aliens at the pyramids? February – April 2020


And now let me catch you up on the main, weekday continuity for Jonathan Lemon and Joey Alison Sayers’s Alley Oop. All my posts about the strip, Sunday and weekday, should be at this link. If you’re reading this after about August 2020 I should have a more up-to-date plot recap, too.

Alley Oop.

3 February – 25 April 2020.

I last checked in when Alley Oop was starting a new story. The gang had fled Time Jail and locked the other universes out of their, Universe-2, continuity for a year. So let’s see what they’re doing with that time.

Wonmug, in the house of a colonial Loyalist: 'I think I've made a terrible mistake. I really should go.' Loyalist: 'You're on the wrong side of history, my friend.' Wonmug: 'I've heard that one before.' Loyalist: 'God save the King! Taxation without representation is fine by me!' (As Wonmug flees) 'I'll never stop fighting for our dependence!'
Jonathan Lemon and Joey Allison Sayers’s Alley Oop for the 12th of February, 2020. Just on the off chance, I did check to see whether the Loyalist here — Phineas Bottleneck — was a real person and, no. This did, though, lead me to discover the “Free State of Bottleneck”, a small chunk of German territory west of the Rhine composed of territory not occupied by the British, French, or Americans. It had a quasi-statehood from 1919 until 1923, when the French occupied the Ruhr and made the other zones of occupation irrelevant. And it left behind stamps and currency, so that’s exciting for people who collect those things. Anyway I’m always delighted to learn of more obscure, short-lived microstates and Free Cities and stuff.

The team has a mission: get some tea from the Boston Tea Party. The billionaire Drew Copious wants some. All right. They zap back to Boston and have some trouble hooking up with the tea party. Falling afoul of Loyalists, not being able to find the right wharf, that sort of thing. But they find the spot, and join in tossing tea overboard, except for one crate that Alley Oop swapped out ahead of time. With success and tea in hand, they head back to the present.

Wonmug, Alley Oop, and Ooona arriving at Copious's manion. Oop: 'Here we are! Wait, where are we?' Wonmug: 'We're at the estate of new newest client, billionaire Drew Copious.' Ooola: 'Can I ask him how he got his money? Find out of it was by exploiting his workers or through the dumb luck of the genetic lottery?' Wonmug: 'Let's not lead with that.'
Jonathan Lemon and Joey Allison Sayers’s Alley Oop for the 2nd of March, 2020. Such a naive question, Ooola! He’s a billionaire. He needed both.

Copious offers another mission. And promises wealth beyond their reasonable dreams if they finish his tests. The first: he wants proof that aliens built the pyramids. Ooola finds something fishy about all this, but Wonmug points out: money! You don’t get billions of dollars without falling for loads of racist pseudoscientific codswallop. So they’re off to Ancient Egypt.

They get to a pyramid construction site. Oop falls in with the brick-movers. Wonmug passes himself off as an architectural inspector, and while snooping around finds an alien! Sellomina is a creature from the planet Nu-Dell, and is … just … nothing. Kind of a clod. They’re only, maybe, six or eight weeks more advanced than humans. And that only in some areas. They bought a Marinarian spaceship to get here. And can’t even get the eight-track to work. (Explanation for younger readers: the eight-track was a thing that cars had in the seventies. It didn’t work.)

Wonmug, walking in the desert with an alien: 'So you didn't come to Egypt to share your infinite knowledge?' Sellomina, the alien: 'Oh my, no! But for you, I will share something you may find verrry interesting. You may not know this, but sometimes a pyramid is POINTY at the top!'
Jonathan Lemon and Joey Allison Sayers’s Alley Oop for the 6th of April, 2020. So one problem with the snarky tone of the strip is that it’s not obvious from one day’s panel that Sellomina here is dumb and not sarcastic.

Ooola, meanwhile, gets mistaken for the Princess Lula, and is whisked away to the royal apartments. Where the real Princess Lula also is. They’re somehow identical. Lula is not upset. She sees this as a great chance to set up a Parent Trap situation. Not the movie, which she doesn’t know about. No, she wants to put her parents in a trap, so she can get away and marry Pardel, an alien she loves. Ooola is up for this.

Lula's mother: 'All right, Lula, we're here. What is it?' Lula's father: 'We're standing on the X, just like you asked, not that we don't have better things to do.' Lula: 'Now!' and Ooola pulls a rope; a wooden cage drops on Lula's parents. Mother: 'What is the meaning of this?' Father: 'Let us out right this instant!' Lula: 'What are you doing?' Ooola, who was opening the cage: 'Sorry. They're royalty! I thought I had to do what they said.'
Jonathan Lemon and Joey Allison Sayers’s Alley Oop for the 13th of April, 2020. And this is the end of the Lula storyline. She thanks Ooola for her help and gives her a jewel-encrusted scarab as a reward but we’re left to infer the rest of her whole story with Pardel, including whether they do ultimately marry.

So things work out for the player-characters. Ooola helps Lula trap her parents. Alley Oop finishes building a pyramid himself. Wonmug is convinced that the aliens were just in the way of building the pyramids. Sellomina gives Wonmug the highest piece of Nu-Del technology: a pencil. Used for cleaning gunk out of ears. Pretty sure the Nu-Del aliens don’t have ears.

Ooola: 'So aliens didn't help build the pyramids?' Wonmug: 'Oh my, no. I think they'd have trouble building something small and two-dimensional, much less something as monumental as the pyramids. From what I could ascertain, they've been no help whatsoever. Mostly just getting in the way and asking a lot of dumb questions.' Alley Oop: 'Hey, why are you guys looking at me?'
Jonathan Lemon and Joey Allison Sayers’s Alley Oop for the 18th of April, 2020. It’s an understated dramatic irony that off in his own neglected subplot, Alley Oop did build a pyramid without Wonmug or Ooola noticing.

A pencil isn’t much of an alien artifact, but it’s what they have. They return to the present and give Copious the news. He’s not disappointed to learn that aliens are dumb. He declares if there were intelligent life in the universe, it would have visited him. So, yeah, can’t fault the characterization here. He’s got more missions, and gives them the run of his mansion for a couple days off.

And, in private, does a thingy with the pencil. The image of an alien he calls Farfell appears. Farfell acknowledges Copious acquiring the device and asks if he’s ready to commence their plan. So that’s something.

I feel the last couple months have been strong ones for the weekday continuity. There’s been a solid enough story. While there have been side bits of nonsense, they’ve been kept short. Princess Lula talking about the Parent Trap, which seems like a reality-breaking joke, subverts that expectation. Having aliens be in Ancient Egypt, but just killing time there, is a fair enough joke. Having Copious and Farfell up to something makes the joke also a useful story element. I’d say this is reflected in how I see fewer complaints about what’s happened to Alley Oop. But I suspect the bigger factor is people wanting to know what’s wrong with Mark Trail suddenly. And after that it’ll be [spinning the wheel] what the heck happened to Gil Thorp.

Next Week!

The Ghost Who Walks, weekdays! It’s to be Tony DePaul and Mike Manley’s The Phantom and his mission of … punching out The Python, unless something interrupts. See you then.

What’s Going On In Alley Oop (Sundays)? How does Little Alley Oop time-travelling fit continuity? February – April 2020


Something I didn’t expect happened the 9th of February, 2020, which you may remember was three million years ago. This was a Sunday strip, when Jonathan Lemon and Joey Alison Sayers have been doing panels about Little Oop, Alley Oop as a kid. They started a story.

This story’s been going on since then. I do not know whether they mean to make the Sunday strips a regular ongoing continuity. So I don’t know how to fit it into my weekly plot recaps. For now, I’m making it a side post to my main weekday-continuity plot recap. I’ll keep the Sunday recaps, and the weekday ones, tagged as Alley Oop so you can read them here.

Yes, I agree it’s a weird coincidence that this Sunday story started so close to the last time I did a plot recap. Back in February, I was more distracted that the weekday strips were starting a new story at the same time.

Little Oop.

3 February – 25 April 2020.

The story started with a girl popping in from nowhere, wondering why it wasn’t 1999, seeing Little Oop’s pet dinosaur Max and fleeing. She’s Penelope. She’s invented a time machine. And she’s freaked out by the dinosaurs and volcanoes and ice ages and all that. When a mammoth charges at them she hits the thingy on her thingy, and zaps herself and Little Oop to the present. Bit of a mistake. The mammoth was just eager to share cookies.

Little Oop: 'Got any ideas how to get me home?' Penelope: 'Sorry, Alley, not yet. It's really complicated and I don't now how long it'll take to figure out. Anyway I've got to take a break. The weekend is almost over.' Alley: 'The WHAT-end?' Penelope: 'I've got school tomorrow and I think you should come with me.' Alley: 'Why?' Penelope: 'I can't let you stay here. You don't know anything about modern life. You'd probably try to make a fire in the kitchen to keep warm!' Alley: 'Fair point. Quick question, though, can I make a fire in the living room?' Penelope gets nervous and sweats. Alley: 'Ha ha! Just kidding!' Penelope: 'Oh, phew.' Alley amends a note: 'Where I can make a fire: lab, Penelope's room, Kitchen, Outside, Stairs, Living Room'. Kitchen and Outside are crossed out (Too Scary), and Alley crosses out Living Room.
Jonathan Lemon and Joey Allison Sayers’s Little Oop for the 29th of March, 2020. So, not looking to short-circuit the plot here, and Penelope is a kid of indeterminate age. But if she had watched the Bill and Ted movies she would understand she just has to decide really hard where she’s going to find the parts she needs. And then some follow-through, of course.

Her time machine contracts plot issues. Little Oop’s stuck in the present for a while. He’s got to hide. Penelope figures it’s better if she keeps him close by. So she smuggles him in to school. Still dressed as a caveman, but, trying to put him in regular clothes didn’t really work. Little Oop meets Penelope’s friend Julius. He’s described as a mathlete, and he resembles Little Oop’s friend Garg.

At school. Penelope: 'Don't be nervous, Alley, you'll fit right in.' Alley: 'You really think so?' Penelope: 'Sure, eventually.' Alley's terrified by kids on skateboards, tossing a ball, playing guitar, looking at phones. Penelope: 'It must be pretty different from your school back home, huh?' Alley: 'You have no idea.' Penelope: 'Let's focus on one thing. Look at this wall, you probably had walls at your school, right?' Alley: 'The walls at my school were stone. What are these? Some sort of high-tech rectangle magic?' Penelope: 'They're called 'bricks'.' Alley: 'ARGH! Everything is so different!'
Jonathan Lemon and Joey Allison Sayers’s Little Oop for the 12th of April, 2020. Yes, yes, you know I’m a mathematics person, so the phrase “high-tech rectangle magic” is aimed at amusing me.

Does that resemblance signify anything? Maybe. It did strike me that as part of the Time Jail storyline we met Dr Piedra, Dr Wonmug’s Universe-3 equivalent. She’s a time-travelling scientist and wears a purple … uh … hair thingy. Penelope’s hair is noticeably purple. But if we’re supposed to link them, well, Penelope wears glasses and Dr Piedra doesn’t. There are plenty of explanations for this in real people. But comic strip convention relies on characters keeping some key accessories. (And, yes, their head shapes are different, but to my eye about the same way grown-up Alley Oop and kid Little Oop’s shapes are different.)

Anyway I guess we’ll see in the Sundays whether there are any stories to find in a scientist’s time machine stranding a caveman in the present day.

Next question: How does Little Oop having time-travel adventures in the year 2020 fit with the continuity of Alley Oop? All I can say is to offer the closing lines of the Mystery Science Theater 3000 theme: “it’s just a show, I should really just relax”. If you want it rationalized, treat this as an Alternate Universe Alley Oop. Alternate, maybe, even to the Universe-2 adventures that we’ve been reading since Lemon and Sayers took over the strip.

If you must fit this together? Well, some good news. Alley Oop, when he was first brought into the then-present of 1939, handled his experiences pretty well. He was in the present for only a few hours before … well …

[ Narrator: When Alley Oop got mad and left the house of Dr Wonmug, Ooola assured the eminent scientist that the big cave man would soon return, but ... ] Joe, assistant: 'I'm worried about our cave man, he's been gone for hours.' Wonmug: 'So am I. And it's getting dark. I think we'd better try to round him up.' Ooola: 'You didn't find Alley?' Joe: 'No, Ooola, not a trace!' Wonmug: 'I wouldn't worry. He'll probably turn up in the morning.' [ Next Morning ] Wonmug, getting the paper: 'No sign of Oop yet. Oh, well, he can't have gone far. Nothing much can happen to him.' [ Opening the paper ] 'Good heavens! It's happened!' Banner headline: 'GREAT WHITE APE STEALS & WRECKS FREIGHT TRAIN'
V T Hamlin’s Alley Oop for the 22nd of May, 1939. By the way, Alley Oop left because Wonmug and Joe were laughing at him what with how he didn’t know how to use a spoon or a fork. And, apparently, did not understand why this would be a bad laugh. They didn’t follow Alley Oop right away, on Ooola’s recommendation. But that just means they took the advice of the person most uninformed about the hazards of the surroundings. In short, Wonmug is such a STEM type and should never be allowed in charge of anything, at any time.

So, if you want to head-canon that Alley Oop had some useful childhood experiences that prepared him for adventures with Doc Wonmug and all? You have some room for that. But you do have to work out how it is that Ooola, who was also brought to 1939 Long Island and has not been brought to 2020, handled things better. (Of course, Little Ooola might come to 2020 yet.) Also, you have to rationalize Alley Oop’s problem understanding mirrors.

Alley Oop, pointing to the wreckage of the time machine: 'Y'mean I'm the guy that caused all this mess?' Meanwhile Ooola looks at herself in a small mirror. Joe: 'Yup! You short-circuited the time machine, and two years of hard work went blooie!' Wonmug: 'And now we've no way to send you back where you came from!' Oop: 'Then we ain't in Moo any more?' Joe: 'Not by a million years! You're now in the 20th century!' Oop: 'But where's ol' Guz and his gang?' Wonmug: 'I'm sorry, my friend, but I'm afraid you'll never see them again!' Oop: 'There, now, see? I toldjuh we'd outsmart them thugs!' Oop: 'Yes, yes, Alley, but don't you think my hair looks better this way?'
V T Hamlin’s Alley Oop for the 13th of April, 1939. The machine was wrecked by Alley Oop’s axe. I’m not clear whether this was the result of Alley Oop swatting at the bizarre contraption that had kidnapped him. Or was it was just the material interacted with the time machine in some weird way. In either case, I can’t attach blame to Alley Oop. Oh, uh, Alley Oop and Ooola were fleeing King Guz and all. GoComics doesn’t have the strips but my recollection is Guz thought Oop was trying to overthrow him or something. You know, the usual shenanigans.

I do not know how GoComics decided which Alley Oop stories to add to its Deep Archive. There’s even one from January 1939, before the strip included time travel. But the important one started the 7th of April, 1939, when Doc Wonmug got his movie camera back from the past. If you somehow have a bit of spare time, you might want to read the story. It’s always good to see the work that made something famous. And it’s enlightening to see how the strip has always been willing to go for the dumb joke. Also, that Doc Wonmug has a real problem with being a jerk. Also, turns out, a daughter. Huh.

Next Day!

I’ll recap the plot in the weekday-continuity Alley Oop. Unless something goes wrong.

What’s Going On In Alley Oop? Is Alley Oop going to Time Jail? November 2019 – February 2020


Alley Oop is not going to Time Jail, and won’t be for at least a year. If we can take the recent narrative at its word.

Thanks for checking this plot recap, readers angry about Jonathan Lemon and Joey Alison Sayers’s Alley Oop. If you’re reading this much later than about May 2020, I probably have a more up-to-date plot recap at this link. Also if there’s any news about the strip I should put it at an essay at that link. And, I look at mathematically-themed comic strips on my other blog every week. You might like that too.

Alley Oop.

11 November 2019 – 1 February 2020

Alley Oop, Ooola, Ava, and Doctor Wonmug blipped out of existence last time I checked in. It wasn’t my fault. It makes a clean break point for my recaps, though. Thanks for writing it that way!

They awake in a glass cube. It’s a Time Prison. Ollie Arp comes in to explain things. He’s from Universe 3. Last summer Ollie Arp and Eeena had given Our Heroes a ticket and a warning to stop screwing with the timeline. Alley Oop and Oona then accidentally created an alternate timeline where the tortoise-like Cutie-Pies never went extinct two million years ago. They undid that, but, still. Ava’s released, as not having anything to do with this nonsense. But Alley Oop, Ooona, and Wonmug get sent to the Multiversal Court, in Universe 68, “the worst universe of them all”.

Gas Cloud: 'Hi, guys, I'm Petey! I'll be your legal counsel for the trial.' Wonmug: 'But ... you're a gas cloud?' Petey: 'Yeah, kind of funny, right? But this is how people look in Universe 248. Don't worry, though. I got my law degree from Gas Harvard.' Alley Oop, licking his lips: 'You smell like ham.' Petey: 'Thank you! In my universe that makes me VERY attractive!'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 2nd of December, 2019. Ha ha, it would be really funny to think about how people would turn into vapors, wouldn’t it? Unless …

It’s a world of enormous crystals continuously playing the Piña Colada Song. Of DMV lines that wrap around the globe twice. And time criminals. Ollie Arp is the prosecutor, holding this Alley Oop for all the comic strip’s nonsense since Jonathan Lemon and Joey Alison Sayers took over. Their defense: Petey, a cloud of gas from Universe 248. Their judge: Bushney, a tough, old-fashioned computer judge. It looks like an Atari 2600, so, do you get the nerd joke there? (Atari was founded by Nolan K Bushnell.) The jury is volunteers from the multiverse. It includes at least one Cutie-pie, and one of the Time Raccoons that Dr Wonmug created.

Ollie Arp: 'Will the witness please state his name?' Alley Oop: 'I'm Alley Oop, from Universe 1.' Arp: 'That's the newspaper universe, correct?' Oop: 'Gosh! There's so much color an' stuff here!' Arp: 'Mr Oop, PLEASE try to focus.' Oop: 'Y'can't tell me what to do, you hoity-toity lawyer type!' Atari 2600 Judge: 'I'll allow it.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 12th of December, 2019. I don’t know if by ‘the newspaper universe’ we’re being told that Alley Oop doesn’t run in newspapers anymore. I imagine that it hasn’t been a common newspaper comic in ages — I know when I was a kid it maybe ran in the New York Daily News and I’m not sure about that — but I haven’t seen a declaration about whether it is just provided digitally anymore.

Ollie Arp calls witnesses. Mostly from universes made worse by the side effects of Our Heroes’s nonsense. And then, the 12th of December, he calls Alley Oop of Universe-1. That is, the original Alley Oop, the one from the newspapers. The one V T Hamlin created and the continuity we were following through to the end of Jack Bender and Carole Bender’s run. The trial itself is almost an apologia to old fans angry with Sayers and Lemon’s strip. This brief appearance makes it even more explicit. The original Alley Oop wasn’t eliminated by their new run and this Universe-2 stuff. It’s still there, ready to enjoy. Someone else could even pick it up later, unharmed, and do new stuff in it. Anyway, Petey the Gas Cloud Lawyer is excited to meet Newspaper Alley Oop.

Sensing disaster, Alley Oop, Oona, and Dr Wonmug flee the trial. And go looking for help. The helper: Dr Wonmug of Universe-68. Albart Wonmug, son of that universe’s Elbert. Albart Wonmug seems to have nothing but plasma balls. It’s a cover. When Albart learns the gang is fleeing their Time Crime trial he reveals The Wonmug Elite Club.

Wonmug: 'Friends, I'm back! Albart has given us a device to escape our trial.' Alley Oop: 'Is it a stink bomb?' Ooona: 'Or a robotic tiger, to eat the jurors?' Oop: 'Oh, I know! It's a miniature volcano that will cover the courthouse in lava.' Ooona: 'I bet it's T-Rex costumes to throw them off our trail.' Wonmug, to Albart: 'Don't worry. They'll tire themselves out before too long.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 10th of January, 2020. Actual depiction of your favorite pop-culture hang out podcast, as the two zany hosts go riffing each other and the one responsible host bides their time to get them back on topic.

He sets up Universe-2 Wonmug with a Universe Transit Device. It’ll get his party to and from other universes. And can lock that universe so nobody else can go in or out of it for a year. Some of the universes are obviously dangerous: Universe-44 invented cold sores “and the rest of us still haven’t forgiven them”. Some are wackily dangerous: Universe-129 is nothing but puppies and it’s too adorable to leave of your own free will. Alley Oop grabs the Universe Transport Device and whisks them off to Universe-27.

Giant, toothy slug-monster running towards Our Heroes. Wonmug, using the Universe Transport Device: 'So long, Slug Dimension!' They bloop away. Slug Monster: 'Oh, man, they looked *so* delicious!' Human trapped in slug belly: 'And I *really* could've used some friends in here!' Slug Monster: 'QUIET, you!'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 18th of January, 2020. Actual scene from the Netflix series reboot of The Creeping Terror.

Universe-27 is a nice enough place. Idyllic. Utopian even, if you’re one of the gigantic slug monsters eating the terrorized human population. Our Heroes get some distance and flee that universe. It’s a moment I disliked. I grant there’s not much three people with the contents of their pockets could do about a nightmare world of giant human-eating slug monsters. But they ought to feel some urge to try. It’s one thing to be foolish and cowardly heroes. It’s another thing to be foolish and cowardly without the heroism. Belatedly, Alley Oop thinks he could have made friends with one of the giant murder slugs, which is something.

They land in Universe-900. There’s dinosaurs, even though Wonmug says “we didn’t travel through time”. Also as if you could make “the present” in two universes a coherent thought. Well, Alley Oop thinks it’s the handsome universe: everyone in it looks like him. Hundreds of Alley Oops gather silently around. It’s suspicious.

Surrounded by duplicates of Alley Oop in a Moo-like setting. Wonmug: 'There's something not quite right about these Alleys.' Ooona: 'Yeah, they're not talking.' Our Alley Oop: 'Maybe they're just THINKING about stuff. ... What? It's POSSIBLE!'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 23rd of January, 2020. This is the zany alternate universe that I was most interested in seeing more of. But I’m also all right with just leaving it at this. Not every fun little idea needs to be filled out more.

They flee. Back in Universe-900, the Oops regret everyone waiting for someone else to say something first. Too bad; apparently the Alley Oop Universe had a couple things sorted out. Our Heroes, anyway, end up back in Universe-2. Ooona uses the device, locking the rest of the multiverse out of Universe-2 for a year. Again, as if that concept makes sense, especially when the others in the multiverse are time travellers. Anyway, this is all a lead-up to their new mission … which we’ll see over the coming months. It’s another suspiciously well-timed break point for these recaps. I don’t know.

Next Week!

Here’s what I do know: Tony DePaul and Mike Manley’s The Phantom, weekday continuity, is next on the schedule for plot recaps. This is the storyline about teams of suspiciously well-behaved art students tromping through the jungle until The Ghost Who Walks punches them to their senses. And events do look like they’re reaching a climax so this is another well-timed plot recap point. As ever, unless breaking news or me deciding to sleep in on Saturday gets in the way. Thanks for reading.

What’s Going On In Alley Oop? Who blipped Alley Oop and Ooola out of existence? August – November 2019


Hi, person wanting to complain about Jonathan Lemon and Joey Alison Sayers’s Alley Oop. This is a good place to talk about the strip, as I have a plot recap bringing people up to date for about early November 2019. If you’re reading this after about February 2020 there’s probably a more up-to-date recap at this link. Thank you for disliking the comic strip, but I trust, liking me.

Alley Oop.

19 August – 9 November 2019.

I last checked in as Ollie Arp and Eeena, from Universe 3, finished sanctioning the comic for being all wacky and stuff. Universe 3, annoyed with how the new Alley Oop, Oona Ooola, and Doctor Wonmug were messing up time, gave them a ticket, and left. They haven’t played an explicit part in the story since, as of the 9th of November. But, gosh, it sure would be wild if they had something to do with the vanishing of Wonmug’s time lab staff after a really big messing up of time, wouldn’t it?

(This is my inference. I don’t read the strips ahead of the day of publication. I am given to understand that other comic strip bloggers have the Secret Knowledge of ways to get future strips. It requires something more sophisticated than hacking a strip URL to a future date, so, I’m not going to bother.)

And they left Alley Oop and Ooola with their previous mission. This was bringing Plato back to the present day. Genevieve Collingsworth, (fictional) Pulitzer-prize winning writer, hoped to interview him. The disappointment: Alley Oop and Ooola had gotten Plato from a time before he was doing philosophy. It’s from the era when Plato was doing puppetry. Collingsworth makes a Pulitzer-winning book out of it anyway.

Dr Piedra: 'You walked to Dr Wonmug and his partners?' Ollie Arp: 'Yes. I was very clear that they should stop altering the timeline. I was firm, but fair.' Piedra; 'And how do you explain this?' (She holds up a picture of Plato on a scooter, wearing a sleeveless leather vest and short jeans.) Arp: 'Oh ... ha ha ... Plato, uh, always dressed like that.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 5th of September, 2019. This is funny enough, although if you wanted the Slightly Over-Researched version of this joke? Have Dr Piedra show a photo of Plato as a lucha libre wrestler.


With the 6th of September, the new and current storyline starts. It’s to the Galapagos Islands of about two million years ago. Dr Charles Losthouse thinks there was then an advanced tortoise species that used a sharp stick as tools. What’s needed is evidence.

The first two turtles Alley Oop and Ooola meet, two million years ago, push them into the sea. Dolphins pick them up and carry them to another island, one with a stone statue of a tortoise. They find a tortoise playing a flute. The tortoise, Sharp, brings them back to the local city. It’s a futuristic megalopolis.

Alley Oop: 'Wow! Your society is SO advanced!' Sharp: 'Yes, it must be very shocking to you. Apologies that I cannot offer you a banana or a vine to swing on. I know how you primates are.' Ooola: 'Sharp, come on, just because we're primates ... [ Notices Oop doing something with her hair ] Oop, what are you doing?!' Oop: 'I wasn't grooming you. There was just a bug in your fur ... I mean hair.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 24th of September, 2019. One joke used repeatedly, and never failing me, this storyline was this kind of “oh, you know primates” setup. I don’t say it’s a deep joke. I do say I had fun hearing humans described as “a bunch of greasy, hairy bipeds who don’t even have the sense to evolve a shell over their backs … stinky, violent, high-center-of-gravity, fragile creatures … the most annoying and destructive beings”.
They explain to Uldo and Sharp that they’re from the future. Uldo, a scientist, understands. Tortoise society has discovered time travel but never been so reckless as to use it. They don’t dare change the timeline. But then why would future primates not know tortoise scientists? … And Ooola drops the news that in their time, tortoises aren’t, you know, smart. It’s humans who are the scientists. Uldo declares they have to change the timeline immediately.

Alley Oop starts feeling it’d be wrong to let the intelligent tortoises die out. President Shellington can’t believe the news. But she laughs at Alley Oop’s offer of help, and claim that they’re “from the future and kind of smart”. Alley Oop and Ooola go home.

Uldo: 'We must tell the President what we've learned! We must save the Cutie-Pies!' Alley Oop: 'Who are the Cutie-Pies?' Uldo: 'We are! That's what we call ourselves.' Oop: 'That's ... weird.' Uldo: 'Wy? Aren't we cute?' Oop: 'I mean ... not really.' Uldo: 'First we learn about the end of our species, and now I'm called ugly? Can this day get any worse?'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 2nd of October, 2019. I don’t know; I think they’re cute. Also in the next couple days Alley Oop comes to see the Cutie-Pies as fairly cute, really, and deserving saving.

Meanwhile back in the present, Dr Wonmug is annoyed they haven’t brought back the Galapagos Apparatus, needed to prevent the end of the world. Yes, this is the first we’ve heard about the end of the world. Ooola tries to explain what they saw. Dr Wonmug calls in his colleague, Dr Silverstein, a tortoise scientist. In the changed timeline there’s both humans and tortoises. Ooola and Dr Silverstein were good friends. Alley Oop used to date a tortoise. This is bad.

I’m surprised that when this dropped, mid-October, I didn’t see a flurry of people angry at Alley Oop. So far as I am aware the comic strip hasn’t had a malleable timeline. But I am only dimly aware. I’ve read a little bit of V T Hamlin’s original strips, and a couple years of the Jack Bender and Carole Bender era. That’s it. All sorts of shenanigans might have happened and I wouldn’t know, any more than I’d know what happened in the original-run Doctor Who. Which also mostly didn’t have a malleable timeline.

Ooola: 'I don't understand. Humans are horrible to the environment in our timeline, but the world doesn't end there.' Dr Wonmug: 'Yes, that puzzled me at first, too, but I've been running the numbers. The increased biomass of the tortoises in this timeline has put an extra strain on Earth's limited resources. [ Looking over at a Cute-Pie. ] See, I told you it was the tortoises's fault, Silverstein! You owe me a dollar!'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 22nd of October, 2019. Moving swiftly onward from yet another science fiction “oh, we can’t have an environment and avoid genocide, choose one” line of bull: Hey, Wonmug, they want to be called Cutie-Pies. Why you being a jerk about this? Unless we hypothesize that a group’s sense of their own identity might change over two million years which is, of course, absurd and impossible. Anyway there’s a cute moment the 24th, when Wonmug tries to tell Silverstein they were talking about “bananas and body hair”, as primates will.
Anyway, in the new timeline, the world is doomed. Environmental collapse. A combination human/tortoise civilization is too much for the planet. Yes, we have to pretend this makes sense. Doc charges Alley Oop and Ooola with stopping the world from ending. Doc stays with Dr Silverstein. He pledges he’ll “breed a species of hyperintelligent giant tortoises that will rebuild my forgotten society”. Yeah; take a number after the Time Raccoons.

Alley Oop has his doubts about making the giant tortoises not exist. Ooola points out there’s saving the rest of the earth that’s worthwhile. Which, all right, but this is why it’s bad to stare into the ethics of changing history. Anyway, Alley Oop’s first plan to save the timeline is to go back to Moo and stop himself from being born. That way, he can’t go back to the Galapagos Islands of two million years ago. In a serious story this could have a nice moral balance, atoning for destroying so many people by also destroying oneself. In this story, he completely fails to talk his parents out of having children. Which is at least a fun ironic conclusion.

Alley Oop, to his parents: 'I know it's complicated, but I'm your son. I'm from the future. I'm kind of responsible for the world ending. For the sake of the whole world, have you ever thought about not having any kids? You could travel the world, chisel the great Moo-ian novel, collect cool-looking rocks, learn how to ... ' As he keeps talking Oop's father says, 'When he leaves, do you still want to ... ?' Oop's mother: 'Oh, yeah.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 31st of October, 2019. Granting that Alley Oop isn’t offering much evidence for his claims about being from the future and being a threat to the world. But, jeez, if you were Alley Oop’s parents wouldn’t this at least spoil your mood? There’s more than a bit of 90s-webcomic-mean in the writing and I think it gives moments like this the wrong tone.

Ooola has the more sensible plan of just interfering with their own Galapagos Island mission. They go back to about five minutes before their original arrival. The new plan: keep the tortoises they first met from knocking them onto the dolphins. The easiest way to do this is grab the tortoises and hide them. The now alternate-past Alley Oop and Ooola don’t find anything and, presumably, go back to the present. Where, uh, Dr Wonmug has vanished. Ooola disappears in the next panel, and Ava and finally Alley Oop. So I guess the comic strip has ended and nobody will be angry about it anymore? That’s good, right?

Ava: 'Alley! Ooola! I'm so glad to see you! Dr Wonmug is GONE! He just VANISHED!' (As Ooola vanishes behind them.) Alley Oop: 'Don't be silly, Ava. (He looks to where Ooola was, as Ava vanishes.) People don't just ... (As he vanishes.) ... disappear ... '
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 9th of November, 2019. Yes, people disappearing is completely inexplicable in a comic strip about people who disappear through time and occasionally alternate universes.

Next Week!

I trusted that The Ghost Who Walks was about to take Imara Sahara back to the fabulous Skull Cave. How’d that turn out? We’ll see as I look at Tony DePaul and Mike Manley’s The Phantom (Weekday continuity) next Sunday, I hope.

Also this week, on my other blog, I talk about mathematics through the filter of comic strips. You might enjoy that too.

What’s Going On In Alley Oop? What’s With The Alternate-Universe Alley Oop? May – August 2019.


This is my plot recap for my other controversial story comic. That’s Jonathan Lemon and Joey Alison Sayers’s Alley Oop. I’m just here to get people caught up on the story as of mid-August 2019. If you’re reading this later than about November 2019 I probably have a more up-to-date recap at this link.

Alley Oop.

27 May – 17 August 2019.

We were near the start of a fresh story when I last checked in. The Time Raccoons had left, with their leader just promising she’d see Wonmug and all in “another era”. Wonmug dropped Ooola and Oop back off at home and returned to his Time Laboratory. We haven’t seen the Time Raccoons again, but we do get a regular raccoon in a lab coat making coffee. And Alley Oop got back to some good old moping around at home.

Oop, holding Meggs: 'Don't worry, little dino, you're safe.' Ooola: 'What are you going to do to her?' Oop: 'I guess take care of her until I find her mama.' Ooola: 'And let me snuggle her and play with her and tell her how cute she is?' Oop, pulling Meggs away: 'ONLY WHEN I'M NOT DOING THAT!'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 30th of May, 2019. Meggs has not yet been an important part of the storyline, but she is an adorable little dino, isn’t she?

Dinny the Dinosaur prods Oop into action. The action is rescuing a baby stegosaurus from a cliff face. Alley Oop adopts the abandoned(?) Meggs. It’s cute and parallels a thread in the Sunday Little Oop continuity where young Alley Oop gets a pet dinosaur. Little Oop hasn’t had enough storyline to need recaps here but I’m not ignoring it.

Meanwhile in the present were a couple of jokes between Doc Wonmug and reliable assistant Ava. Most of these are about Wonmug being a clueless insensitive jerk. Not my favorite kind of joke. It’s a valid characterization, yes. I just find that sort of laugh-from-casual-meanness to be 90s web-comic-y. Which you could say about the current writing: often the punch lines are light dadaism with pop culture references. Anyway, this Ava-and-Wonmug interlude was are tossing spot jokes around. There’s one strip where Ava’s shown swapping objects with other universes. This reads as setup for something particular. It might be just playing with the fourth wall.

Ava: 'Dr Wonmug, I've been working on a project of my own while you were gone. It pulls an object from another dimension and deposits it in this box.' (ZZZZAAAP) Wonmug: 'It looks like an orange.' Orange: 'Yes, but this one TALKS.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 4th of June, 2019. So the reason I say this is possibly a fourth-wall-breaking strip is, notice artist Jonathan Lemon’s signature. In this strip it’s in the second panel. The lemon is often shown imitating one of the characters. But, yeah, the strip might just be setting up the idea of travel between universes so that the real story can depend on that. But I’m not sure that idea needs to be planted before it could be used in the story.

But the something particular: that storyline began the 17th of June. “In Another Universe” Ollie Arp and Eeena notice strange things outside their high-rise apartment. The Statue of Liberty not dancing. Their books being rearranged. The food printer gone missing with a microwave in its place. Dr Piedra identifies the problem: Universe 2’s Doctor Wonmug is screwing up the timeline. And it’s not only messing up his universe. It’s screwing up other universes too.

Dr Piedra: 'Someone is altering history in their universe, and it's changing ours! The science is complicated and involves dimensional causality and quantum transuniversal nodes. And I obviously don't need to explain it to you, as everyone in our universe is a SUPER GENIUS.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 21st of June, 2019. Look, I needed it explained to me that Doc Wonmug’s name was a joke on Albert Einstein and that’s why I went to Google Translate to verify exactly what Dr Piedra’s name means.

So this is a heck of a bundle of things to put on the reader. One of them seems like an olive branch to readers who Do Not Like The New Alley Oop One Bit, Thank You. The strip reiterates that the stuff we’ve been seeing since Lemon and Sayers started is a separate continuity from the original. If you preferred the old, don’t worry. It’s not getting broken. It’s sitting there, idle, ready for a future project. If you liked the old Alley Oop continuity with more realistic stories of student-repaired Saturn V rockets and warp drive sending Alley Oop to the Counter-Earth on the other side of the Sun, that’s still there. This reminds me of the 2009 Star Trek movie emphasized that the Original Timeline is still there and still counts so please Trek fans don’t hate us just because we made a movie where everybody isn’t tired.

So this move to make peace with readers of course got me riled up. I’ve grown to dislike stories with malleable timelines. It’s more that a setting with a changeable timeline puts on its characters ethical duties that I’m not sure any story can address. Not without being a career’s worth of inquiry. Alley Oop has used time travel as a way to get to interesting settings, and what they do is how history was “supposed” to turn out. Changing that model is a choice, and Lemon and Sayers have the right to make that. But I don’t know that the change was made thoughtfully.

Greek Man: 'I don't know this Plato guy, but I'd say maybe try the Labyrinth.' Wonmug, heading out: 'OK, thanks.' Greek Woman: 'Hey, do you know where to find some good dolmas around here?' Greek Man: 'I don't know what dolmas are, but I'd say maybe try the Labyrinth.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 3rd of July, 2019. I know Wonmug is a STEM type, and has only been more so since Lemon and Sayers took over. But, jeez, I’m a STEM type and I know this. It’s fundamental literacy for the culture you live in. You look for Plato around the Republic, guys. Sheesh.

The story as far as Alley Oop, Ooola, and Wonmug know it started the 24th of June with a trip to Ancient Greece. They’re to interview Plato for an offscreen friend of Wonmug’s who’s writing a book. They go to Ancient Greece. “Present-day Greece” say the Greeks. “Distant-future Greece” says Alley Oop. I like this bit. They get a bad tip on where to find Plato and end up in the Labyrinth.

Oop: Dr Wonmug, tell me again, what does the minotaur look like?' Wonmug: 'He's half-man, half-bull. Very big and very angry.' Oop: 'Got it!' Oop, to an elephant-headed parrot wearing glasses: 'Get this: I thought *you* were the *minotaur*!' Elephant parrot: 'Haha! Not even *close*! I'm *Steve*!'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 6th of July, 2019. So the elephant-headed parrot thing is pretty cute. Also I like this thing where many of the animals wear glasses.

This threatens danger, that all turns out to silliness. Encountering Steve in the labyrinth. Encountering the Minotaur, who’s friendly when he learns he’s got so much in common with Oop. This reminds me of Alley Oop’s peaceful encounter with an alligator last storyline. I’m enjoying this running joke of “menacing creatures turn out to be friends of Alley Oop”. I’m not saying you’re wrong if you say this wrecks suspenseful moments.

Plato: 'You know, Mr Oop, this little dialogue has inspired me. Maybe instead of puppetry I could spend my time exploring knowledge, existence, and beauty.' Oop: 'You mean 'philosophy'?' Plato: 'Yes! That's what it's called: PHILOSOPHY! ... I was going to call it 'Professor Plato's Plentiful Ponderings and Profundities', but 'Philosophy' is MUCH better.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 20th of July, 2019. To get back to what’s controversial about this strip. If this is a treatment of the characters that you just can not get behind, yes, you’re right. At least for now, this isn’t the Alley Oop that you liked. Maybe it’ll grow into something more like you do. Maybe whoever creates the strip after Lemon and Sayers move on will be more to your tastes. Maybe someone has a time-travel adventure comic you do like. I don’t know of one offhand. As web comics go I pretty much read XKCD and Projection Edge and that’s it. But if you know anything that might scratch an old-school Alley Oop fan’s itches, please, say something.

They get the tip to look for Plato, of course, in the cave at the edge of town. They find him as this old guy playing with puppets. So even if you love the new Alley Oop you can see Dr Piedra’s point about interdimensional buffoonery. Plato agrees to go to the 21st century and talk with the historian, but there’s an emergency call from Ava. Wonmug rushes back to the present, while Oop and Ooola go with Plato back to his home in the over cave.

The crisis: something’s jamming the flow of time particles. Soon Wonmug’s time machine will stop working, among other things leaving Oop and Ooola in Ancient Greece. And things are happening fast: already the Time Phones aren’t working, leaving Wonmug out of touch with Ooola and Oop.

Eeena: 'So, Universe 2 is officially cut off from any time-related science.' Ollie Arp: 'Thank goodness. Their antics were really starting to annoy me.' Eeena: 'Surely we should give them the technology to solve their imminent environmental collapse?' Arp: 'Nah, some lessons you have to learn the hard way.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 3rd of August, 2019. Also possibly a fourth-wall riff: Ollie Arp admitting he’s annoyed by the antics of Universe 2’s Alley Oop and Ooona Ooola and Wonmug. Not addressed: how can something in a separate universe be “starting” to do something in another? Like, can there possibly be a logically coherent meaning for “now” when you’re looking at the events in another universe? What can “imminent” mean for time-travellers?

Ollie Arp and Eeena, yes, created the jam. They’ve shut off Universe 2 from time particles. And venture to Universe 2 to give Alley Oop and Ooona Ooola a talking-to. They convince Our Heroes of who they are and where they come from. And the two super-genius time travellers from the responsible universe issue Alley Oop and Ooona Ooola a citation. “Please be so kind as to refrain from time-travel for the next 14 days as punishment for your infraction”.

And that’s where the story has landed. If this is the end of the Universe 3 storyline then it’s a good-size shaggy dog of a story. But it’s a great setup. Super-science alternate-universe Alley Oop and Ooola meddling with Our Heroes? And (I trust) unaware that Ava’s developed the ability to move things between universes herself? That’s some great story dynamics ready to explore. Please visit again in three months when we’ll see whether they get explored right away.

Next Week!

I’m fortunate to, I think, have a light week of work ahead since it’s Tony DePaul and Mike Manley’s The Phantom, weekday continuity, up for review. Even better I might be able to give a definite answer to whether The Phantom has rescued Kadia’s mother by then. Barring breaking news on any of the story strips that’ll be next week. Thanks for reading.

What’s Going On In Alley Oop? What happened to the time-travelling raccoons? March – May 2019


This is my May 2019 recap of Jonathan Lemon and Joey Alison Sayers’s Alley Oop. It concludes their first storyline, the 80s mixtape one. All my recaps of Alley Oop strips, both by Jack and Carole Bender and by Jonathan Lemon and Joey Alison Sayers, should be at this link. Around August 2019 I plan to have another plot recap, so if you’re trying to catch up and it’s September 2019 you’ll probably want to go there.

Alley Oop.

4 March – 24 May 2019.

Alley Oop and Ooola were in the 1980s, searching for Dr Wonmug’s mixtape. It was stolen. The ransom note demanded three items for ransom. They’d gotten the first, a President Reagan jellybean. Now they were in San Francisco for the second: the master disks for shareware game Caves of Zfgrhkxp. They’re off to the home of 1986-shareware-video-game-famous programmer Steve Hobbes.

Before I go farther, a question for you. Do you find this gather-the-zany-tokens plot pointless? Are you annoyed by whimsical names like Caves of Zfgrhkxp and Steve Hobbes? Then probably the Jonathan Lemon/Joey Alison Sayers era of Alley Oop isn’t for you. It’s still a serial-adventure comic about a time-travelling caveman. But the story has been much more goofy, with a punch line in every strip. That has a good, respectable heritage in the comics. But it’s different from the way Alley Oop was. If you liked the old way and can’t get into the new, hey, you’re right. I’m sorry this isn’t working for you. Maybe Lemon and Sayers will evolve into a creative team you like better. Maybe they’ll only work the strip for a short while. Maybe you’ll come to like the different style, as a different take on a really good premise.

Wonmug, looking at things on the table: 'Aha! I get it now! We are in a dungeon, just like in 'Caves of Zgfrhkxp'. Our job is to escape. We have these three items, and doors to our north and west. Now, 'Zgfrhkxp' is a text-based game so ... [ to the ceiling ] Pick up rope! PICK UP ROPE!' Alley Oop, looking concerned, to Ooola: 'Is he talking to us?'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 13th of March, 2019. So my love and I were at a live text-adventure-game event. In this like a dozen people each took turns giving one action at a time to our “computer”, the host who looked over the story flowchart and told us what the results of our action were. In the previous couple rounds the group, needing our game protagonist to climb to the top of a tower, had successfully gotten a rope and forged a grappling hook. And it was my turn and I said, “toss the hook up the tower” and before my love started to cry out “Nooooooo” I realized what our host did: we had not yet tied the rope to the grappling hook. What could I do? I sat there with my face frozen in the moment of my recognition of what I had screwed up.

But for those who do like this, or are willing to see where it leads, here’s the story. Oop, Ooola, and Wonmug enter the ominous headquarters of Hobbesware Inc. The door locks behind them. The are no exits visible. On the table are: rope, box, envelope. Wonmug recognizes the genre of puzzle he’s in. He chooses to pick up envelope, getting ready to open envelope and examine contents for a puzzle lasting about six hours. I’m glad he’s having fun. Me, I could never get out of the first room of any of these text-adventure puzzles.

Steve Hobbes: 'Hey! You scared the heck of out me! You didn't cheat, did you?' Wonmug: 'No. Of course not. We defeated the, uh, kobolds on level three and then used the ring of ... Gungle ... Thorn to cast a, um, door blast spell?' Hobbes: 'Well, that checks out. Congratulations on solving my dungeon! I'm Steve Hobbes.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 16th of March, 2019. So you know, not to excuse my grappling-hook blunder but in other adventures I plainly saved the day with sharp-thinking actions like looking in the back of the car before going in and using one of our three save slots for right after the group had loaded our protagonist up with the five plot tokens. And yet I still can’t play an actual text adventure game to save my life.

Alley Oop gets through the puzzle, and the wall, by going through the wall. Steve Hobbes is impressed with their speed and acumen. He’s not stupid enough to give them the master disks for his game. (And they aim some nostalgic thrill energy at me by Hobbes pointing out how each disk holds nearly 360 kilobytes of information. “Do you know how much that is?” “Not very much?” “True.” It’s a dumb joke but well-aimed at people who grew up typing in their software.) Wonmug tries honesty. Hobbes is unimpressed by their story of being from the future and needing to ransom a mixtape.

They try to prove they’re from the future, like, by dancing the macarena. I have not checked that this is when I got a flurry of comments from people who hate the new Alley Oop, but I get it if they did. Wonmug makes a more convincing case that they’re from the future by showing off his phone. Ooola’s worried this might screw up the timeline, if timelines are a thing that can be screwed up by Alley Oop time-travel rules. Wonmug’s confident. He left the phone locked, for one, and besides the older Hobbes invents some important smartphone and … uh … Wonmug concludes this must have been inevitable, because “time is a trick science”. Ooola thinks Hobbes has unlocked the phone and that maybe the timeline is changing?

Ooola: 'Doc, aren't you a little worried about exposing someone from 1986 to technology that won't exist for 20 years?' Wonmug: 'Eh, I didn't even unlock it. All he can see is the lock screen. Besides, when he's a little older, he actually invents some integral smartphone ... *uh oh*.'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 27th of March, 2019. “Gee, I don’t know, Ooola. I’m sure that it’s very different to how I feel about the eighty years I’ve spent introducing prehistoric cavepeople to smartphones, cars, airplanes, electricity, air conditioning, pizza, defibrillators, spaceships (with warp drive!), Alexander Hamilton, and for that matter the 22nd century.”

That peril, like most, is played for a joke. One of the first gags of the new continuity was that this was an alternate dimension, just like the original except that tacos are never invented. Showing Hobbes the smartphone of his future design makes some kitchen staff hypothesize about inventing a taco. Anyway, Hobbes gives them the disk and they’re off to the third piece of mixtape ransom.

They don’t know what to get. The ransom note just says “Gator Gertie’s Miasmic Swamp”. It’s in Florida. Oop and Ooola don’t want to deal with that nonsense, and point out how this entire project seems like a colossal waste of time. Wonmug bribes them with a roller coaster ride. And, y’know, as a roller coaster fan I have to say: in 1986? There were like three roller coasters in Florida back then. The place is lousy with amusement parks now, but if Sayers and Lemon aren’t thinking of visiting the now-defunct Circus World park then they Didn’t Do The Research. Sorry to be all snide about this.

They travel, by three-seater bicycle, by hot air balloon, and by zebra-drawn covered wagon, to Florida. So, again, if that strip annoys you without amusing you in the slightest, I’m sorry, this isn’t the comic for you.

Gator Gertie: 'I've been thinking, and I bet the thing you're looking for is this ... the haunted gator-tooth scone. It's a scone I baked ten years ago. While I was mixing the dough, an alligator fell in. Also, it seems to be inhabited by a malevolent spirit. It's one of a kind.' Alley Oop: 'I'll take six!'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 26th of April, 2019. Also around this sequence was some fun business with Alley Oop being menaced by alligators, some of whom wanted to eat him. Again, if you don’t like the jokey tone of the strip these days I don’t fault you. But Alley Oop mistakenly thinking this alligator was related to one he had a beef with, and the alligator mistakenly thinking Oop’s delicious? And their being pals once they’ve sorted out this misunderstanding? That’s some good stuff.

They find Gator Gertie’s. Gertie’s a pleasant, weird-in-that-roadside-attraction-way kind of person. She rents alligators and bakes treats. She can’t think what someone might send them there for. Oh, she has a secret human/alligator dinosaur lab. She doesn’t have a geneticist, but she has taught some gators to wear pants. Oh, and she has this haunted gator-tooth scone, baked ten years ago and containing an alligator tooth and a malevolent spirit. She’s happy to give it over since it’s only caused her trouble and made pants disappear. I’m sorry that Gertie was in such a rush to get out of this storyline; I liked her attitude. And who doesn’t love a daft roadside attraction? Maybe she’ll pop back around.

They get back to Wonmug’s 80s apartment and wait for instructions. Not long. Someone behind the door orders them to give the items over. Oop looks inside. It’s raccoons. They’re wearing lab coats. One has eyeglasses on. They’re building something.

Wonmug, looking over raccoons in lab coats making a device: 'Wh --- WHAT is going on here?' Head Time Raccoon: 'Oh, Dr Wonmug, don't be naive. *You* created us.' Alley Oop, Ooola: 'GASP!' Wonmug: 'Oh, um ... gasp?'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 13th of May, 2019. I don’t know how carefully Sayers and Lemon are plotting these stories out, or want to. But the story did early on mention Wonmug warning not to make eye contact with the raccoons near his 1986 apartment. Foreshadowing? Don’t know. It’s good form for serial writers to toss out many loose ends so that when they need a resolution they can pick one up and it doesn’t look like it comes from nowhere. But you don’t need the reveal of the Time Raccoons to make the original mention of raccoons make sense, either. Gator Gertie hoping to make alligator-human hybrids could also be foreshadowing, even as it is a sufficient joke itself.

Yeah, so it turns out Dr Wonmug did some experiments where he created superintelligent raccoons to do chores. And their intelligence went beyond what he anticipated. Now they’re building their own time machine. The floppy disk has code that solves some of the equations of time-travel. The haunted scone opens a dimensional portal. The jellybean satisfies Gunther’s sweet tooth. And with these final components their time machine is complete and … they’re off! To where? And when?

No idea. The story seems to end on that beat, with the Time Raccoons leaving. Wonmug drops off Ooola and Oop back in prehistoric Moo, and home. They putter around a bit and it all looks like the start of a new story. There hasn’t been talk about the Time Raccoons. It seems like rather a cliffhanger. I don’t know if Alley Oop has done that before, though. It didn’t happen when Jack Bender and Carole Bender, the prior creative team, were working the last couple of years.

Head Time Raccoon: 'So, without further ado, it's time for us to take this baby out for a spin! See you in another epoch, foolish humans!' Wonmug: 'Wait! Can I at least study the device's schematics?' Time Raccoon, climbing into the machine: 'Nope!' (The device disappears with a big ZONG!; Wonmug's mixtape flies out of the flash of light.) Wonmug: 'The mixtape!' (He grabs it.) 'Hey, they didn't rewind it!'
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 18th of May, 2019. By the way, I can be friends with people who disagree with me on many issues. But if you’re going to disagree on “eyeglasses and lab coats are a great look for raccoons” then we can’t be friends. So think carefully before you try to contradict me on this one.

Is leaving something like the Time Raccoons unresolved new? I talk a confident game. But the truth is I am not well-versed in Alley Oop lore. I’ve been reading the daily strip for a couple of years now. I’ve read a couple collections with storylines from V T Hamlin’s day, and enjoyed them. Still, I don’t know whether the Alley Oop universe has ever had a party with a time machine independent of Dr Wonmug’s before. This can be narratively perilous, especially if you’ve bought the idea of a changeable history. There have been stories with rival time-travellers to Dr Wonmug before (one story had a character kidnapped to another era, for example), and the comic strip stayed intact.

Will the Time Raccoons come back? Certainly if I were writing the strip. (I’d thought there was a good chance they’d show up in Moo by the end of this past week.) Rivals are good ways to generate stories. It’s obviously good to have parties who can drop in and add chaos to storylines. Uplifted animals with only casual interest in the plans of humans only heighten the fun. But I’m in no privileged position here. I’m just reading comics and talking about what I see. Indeed, my other blog gets into mathematically-themed comic strips, as here. If I encounter any news about Alley Oop, I’ll pass it on here.

Next Week!

I need a low-key, low-effort week so I’m hoping next on the roster is something easy to recap. Maybe one of the Sunday-only strips. The Sunday Alley Oop comics, the Little Oop adventures, have all been spot jokes. There hasn’t been an ongoing story. There’ve been some things mentioned in the Sunday strips that went on to mention in the weekdays. Like Alley Oop joining the Dino Guides, a Scouts-type group, used after that mention. So the Sunday strips aren’t part of the continuity, but they haven’t needed recapping. So let me just check what’s next on the schedule.

It’s Tony DePaul and Mike Manley’s The Phantom, weekday continuity.

Well, low-key weeks aren’t everything.

What’s Going On In Alley Oop? Who’s Writing Alley Oop Now? September – December 2018


I know everyone’s interested to see Alison Sayers and Jonathan Lemon’s take on Alley Oop. It’s not coming until January. Here I’m recapping the last couple months of Jack Bender and Carol Bender-produced reruns. I figure, at least for now, to keep Alley Oop in the regular story strip rotation. So my first recap of the New Era should come around early March 2019. And it should be at this link. If there’s news updates warranting more articles, they’ll be there too.

Meanwhile each week I look at comic strips for mathematics topics and post the essays here. You might like reading that. I like writing it.

Eight-Ball and Weenus in a cave. Fred Flintstone says, 'Sorry. Batman won't be here for another 2.6 million years.' The cave is filled with caveman figures, including Alley Oop and Ooona, B.C.'s Peter and Fat Broad, the Croods, the kind from The Good Dinosaur, a Far Side caveman, someone from Early Man chasing a rabbit, and a couple other characters. The comments thread on GoComics identifies them all.
Jonathan Lemon’s Rabbits Against Magic for the 2nd of December, 2018. So we at least know Lemon’s figured out how to draw the main characters. Fun fact: my love and I were eating in a Mexican restaurant in Denver once, and noticed on the TV an animated movie, without sound, that seemed annoyingly familiar without being at all understandable. It was the Croods, which we’d seen and liked in the theaters. (They’re the characters in the lower-left corner here.) While a fact, this is not in fact a fun fact. I own multiple books about the history of containerized cargo. I have no functional mental model of what “fun” is. I probably can’t even imagine a person who would know what “fun” is.

Alley Oop.

2 September – 9 December 2018

My last update about Alley Oop covered the end of Jack Bender and Carole Bender’s run as writer and artist. That included the end of a storyline. So I have a clean slate of story here. This has been from a storyline which first ran in 2013. That’s from before I was doing regular plot recaps. So I can’t just reuse an old essay. Gr. But also on this story there’s another credit, for John Wooley. I don’t know what role Wooley played.

Dr Wonmug has a job! A client is paying him to gather samples in 1816 Switzerland. I honestly didn’t know the Doc took jobs like that. The client’s never named, but that doesn’t seem to be a plot element. It’s just an excuse for why he has to “hurry” to travel in time. Anyway, Doc pops in to Ancient Moo, interrupting Alley Oop’s and Ooola’s picnic. And annoying Ooola, who teases that “maybe I’ll have a little adventure of my own”. This hasn’t paid off yet and I haven’t checked whether it ever does.

Ooola: 'Alley, after all this time, do you really have to ask why Doc is here? Why is he EVER here?' Oop: 'Whadya mean by that?' Doc Wonmug: 'She's right, Oop! Ooola, I'm sorry to interrupt your picnic, but I need to borrow Oop for ... ' Ooola: 'Blah, blah, blah! You don't need to explain to me, Doc!'
Jack Bender and Carole Bender’s Alley Oop for the 5th of September, 2018. I usually like it when characters admit they should recognize a situation from all the times they’ve done it before. Alley Oop had asked what Wonmug was doing there, which does have the obvious answer Ooola’s annoyed he doesn’t know. He’s supposed to go tromping around in space and time for something. But it seems like Oop’s got the question, what are they tromping around for this time, and that’s at least as reasonable a question.

Oop thinks this “scientific research” is a new game, but what the heck. He’s up for it. 1816 is a good year for for science research; you might faintly remember it as “the year without a summer”. After the explosion of Mount Tambora the previous year the northern hemisphere suffered widespread cold, leading to food shortages and even more poverty. And a pretty boring summer retreat at the Villa Diodati, in Cologny, Switzerland. There Mary Shelley is fed up with Percy Shelley and Lord Byron going on about electricity to each other. She decides to take her chances walking outside in the cold rain. Oh, should say, nobody’s last name gets mentioned. This is probably to set up the punch line ending. It’s a good punch line for someone who doesn’t know about how Frankenstein was originally written.

Mary sees a flash atop a mountain. It’s the arrival of Doc Wonmug and an underdressed Alley Oop. She’s wondering how they survived what she took to be lightning. Also wondering what’s with this gigantic, incredibly muscular figure surrounded by glowing light. Alley Oop and Doc Wonmug realize they’re being followed. But they figure they can evade this past-dweller long enough. They’re hilariously wrong. But they just need a soil sample, a plant sample, and some insect. It’s an oddly plausible enough scientific mission. I can already imagine the science team very cross that there wasn’t enough soil and they didn’t provide enough photographs to understand the context of the plant sample. Mary Shelley watches them digging up soil and wonders if they’re burying something. Or digging something up.

Alley Oop, struggling to put winter jacket on: 'This weather's miserable, Doc!' Wonmug: 'That's why we came here!' Meanwhile: Mary Shelley looks up the hill at the two. 'It looks like they're moving on!' Meanwhile: Wonmug: 'See anything, Oop?' Oop: 'I think I see that woman again! She must be following us!' Meanwhile: Shelley: 'I must find out how those people survived that lightning flash!' (There's another flash of lightning, silhouetting Alley Oop, who's got his arms and axe raised.) Shelley: 'GASP! What kind of monster is this that I'm seeking?!'
Jack Bender, Carole Bender, and John Wooley’s Alley Oop for the 30th of September, 2018. In 2011 astronomer Donald Olson deduced (on what evidence I don’t know) that the walk during which Mary Shelley had the inspiration for Frankenstein happened after midnight the 16th of June, 1816. If we take his work as correct then this means we can pin down when this particular strip happens to within a couple hours. I’m curious whether news about Olson’s deduction influenced the decision to write this story.

Wonmug explains about the harshness of the year. Oop asks, reasonably, whether they’re doing something to help the starving population of the world. Wonmug says they can’t. I don’t know whether Alley Oop has an unchangeable past built into it or not. If Wonmug and company are wise they’ve never tested it. But I know barely a tiny bit of the strip’s long history and what stories they might have explored.

Plants and insects are harder to find. They spot a small scraggly plant growing on the edge of a cliff. Oop’s able to climb cliff faces like that, even in the freezing rain. While he does, Wonmug sets up a little science kit to measure the atmosphere. And Mary Shelley watches all this strangeness. She gasps as Oop slips (but does not fall). Wonmug follows her, using his iPod’s flashlight feature to spot her in the gloom. She’s afraid of him, for reasons Wonmug can’t understand. As a scientist Dr Wonmug hasn’t got the common sense that God gave scraggly plants growing on the edge of a cliff in the Year Without A Summer.

Mary Shelley: 'Don't hurt me!' Doc Wonmug, shining light from his iPod-class computer: 'Calm down! Why would you think I'd hurt you?' Shelley, pointing ot the iPod: 'Because whatever that thing is, it can't be used for good!' Wonmug: 'Oh ... I forgot ... Forgive me!'
Jack Bender, Carole Bender, and John Wooley’s Alley Oop for the 26th of October, 2018. “I mean, I mostly use it to listen to podcasts, so I’m not sure if that’s really good or bad or what. Have you ever tried I Don’t Even Own A Television? I mean, you don’t, y’know?”

You know what else climbs cliff faces like that, even in the freezing rain? Mountain goats. An ibex watches Oop grabbing at the plant that’s maybe the only food around, and takes action. Oop’s able to grab onto one leaf, at least, before he’s knocked down the hillside. He takes a nasty fall, landing right outside the cave where Wonmug is trying to figure out why Mary Shelley looks somehow familiar.

Oop, dodging an ibex: 'Whew! That was close!' (The ibex eats the plant.) 'I guess he was just protecting his food. Th'thing is, I need a plant sample to take home with me. I just need one leaf! You can eat the rest!' (He reaches for one leaf.) 'Whaddya say?! Let me have one leaf?' (The ibex headbutts Oop in the stomach. He falls off the cliff face and thuds in front of Wonmug and Mary Shelley.) Wonmug: 'Oop!' Shelley: 'Oh my!! Is that your friend?!'
Jack Bender, Carole Bender, and John Wooley’s Alley Oop for the 11th of November, 2018. One of the narration panels in one daily strip told me this was an ibex. This made me want to call the narration box a liar. But it turns out there’s an Alpine ibex, which lives right where the name would make you think. So, neat.

Wonmug can’t feel a pulse. Shelley fears he’s dead, but still wants to take him to a doctor. I guess this is on the grounds that 19th century medicine couldn’t make the situation worse. Me, in the 21st century, is pretty sure they could. But her naming Dr Polidori gives Wonmug the clue to who she is, and the punch line that this Mary Shelley. Anyway, Wonmug’s got a portable defibrillator. He warns about the dangers of the electricity, gives Oop a couple good shocks. He brings this gigantic, impossibly strong human to life. He, grunting, confused, and disoriented, lunges toward the woman he had seen following them. She flees. So you see the joke here. I think the joke’s better when you consider that Alley Oop’s a fundamentally kind, good person being shunned for looking like a monster. Shelley flees back to the villa, where she learns the men around her are going to hold a writing competition.

Alley Oop grunts after the defibrillators have shocked him. Wonmug: 'He's alive!' (Mary Shelly gasps.) Wonmug: 'Don't worry about not getting the plant sample, Oop! All that matters is that you're okay!' (Oop holds up the leaf he'd taken from the ibex.) Wonmug: 'YOU GOT IT! Now we just need a bug, and we're done here!' Oop, dizzily, pointing at Mary Shelley: 'It's that woman who was following us!' (He tries to stand, groaning, arms dangling forward.) Wonmug: 'Oop, meet Mary Shelley! She's ... ' (She's out of there.) Shelley: 'I don't know what that man was like before the electricity brought him back to life, but he appears to be a MONSTER now! I hope he isn't following me!'
Jack Bender, Carole Bender, and John Wooley’s Alley Oop for the 25th of November, 2018. The Sunday strips, for the Benders, would recap the action of the six days around them. But done in six panels rather than six days they lose stuff. Among the stuff lost here: there was this butterfly hovering around the plant Oop was trying to recover. So when that appears a couple strips after this it’s not a lucky break out of nowhere. It’s a lucky break that’s been correctly planted earlier.

Oop asks why they don’t check that she’s okay. Wonmug promises that he knows she’s just fine, which seems like he’s pretty confident they can’t accidentally alter history here. Anyway, Oop has the leaf in his hand yet, so that’s the plant sample. And a butterfly’s landed on his head, a good insect sample and a time-travel joke nicely underplayed. They return to the present.

And Wonmug explains stuff for Oop and anyone who didn’t know the story already. He presents a copy of Frankenstein and suggests, hey, where did she get that idea, after all? And this feeds to a couple strips just laying out the story of how Shelley had a vision of the story. Hm. Oop figures he’d like to read this, sure. Wonmug also offers that they could watch the movie. I’d also like to speak up for the Mister Magoo adaptation. This seems to end the story with a month left to go before the reruns end. But just this weekend we got Wonmug refusing to let Oop go back home again. He was “actually dead” for a couple minutes, after all. He needs some time of observation. And that’s where the story stands.

I’m mostly content with the storyline. The particular time-travel venture makes good sense. That it can intersect with a real historical figure at a real historically important moment is a bonus. But I personally dislike “here’s where a writer got their crazy idea from”. Writers get their ideas by thinking about things that give them ideas. Those ideas are fed from sources, yes, including writers’ experiences. But they’re created by the writers working. To show the “real events that inspired the writer” replaces that hard work with stenography. (Which is, yes, another kind of hard work, but hard in a different way.)

This motif is at least as old as Flash Of Two Worlds, the comic book where the 1960s Silver Age Flash met the 1940s Golden Age counterpart. Silver Flash had read Golden Flash comics when he was a kid. He speculated that the writer of those Golden Age comics was somehow cosmically attuned to Golden Age Flash’s world and could transcribe that. But there, Flash Of Two Worlds was written by Gardiner Fox, who wrote (most of) the Golden Age Flash comic books. He could be having a joke on himself.

Jack Bender and Carole Bender and John Wooley don’t quite do the writer-as-transcriber idea, at least. As presented in this story, Mary Shelley sees a story about electricity bringing a hulking brute to life. Fine; allow the premise that she took this inspiration from something she witnessed. She’s still presented as turning that one great idea into a novel, with so much happening that she doesn’t witness here. So that tempers my complaint.

I haven’t gone back to check the storyline’s original run in 2013. I want to be as surprised as you are and also am lazy. I’m supposing that Wonmug’s assertion that Oop needs observation will give us a couple weeks of puttering around in the present. And that should lead up to the 7th of January, 2019, when Alison Sayers and Jonathan Lemon take over.

Next Week!

International terrorist mastermind The Nomad had an unconscious Heloise Walker, daughter of The Phantom, in his private jet, with plans to fly her to the Caribbean and drop her in the ocean. So we’ll see how well that turned out for him. It’s Tony DePaul and Mike Manley’s The Phantom, weekday continuity.

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