When you do make your brand-new web browser? You should definitely include an option where it only connects to the good Internet. The good Internet is the one where every web site is some slightly dotty fellow explaining the difference between Mergenthaler Linotypes and Ludlow Typographs. The author occasionally goes off on weirdly long, passionate rants, but they’re all about ligatures. And there are urgent updates, but they’re about the author having encountered some obscure Intertype experimental setup that was used by the New York Daily Mirror for like four months in 1924 and how this adjusts their rankings of All Typesetting Machines Ever, Best To Worst. Also the only images that move without your specific permission are animated gifs showing this web site under construction. This is demonstrated by a silhouetted featureless figure digging, I suppose for markup. Trust me, it’s the best way.
I know I’m being hypocritical if I complain about how niche a topic is that someone decides to joke about. I once built an essay around this time in 1857 the Treasury Secretary estimated how many Jersey City municipal bonds were held by foreigners. And goodness knows I’m as up for type jokes as anyone who used to host a web site with information about Linotype operation would be. But here. This was Monday’s Graffiti comic strip.
I have no explanation for this phenomenon.
This book was typeset in Moins Michael. The typeface was first crafted by a now-unknown craftsman in 1540s Warsaw. We think he was well-liked in his circles at the time. It stayed behind to wait for the first typesetting machine to reach the Polish capital. This made a good laugh since at the time Krakow was the capital of Poland, and they’d had typesetting machines since like the 1470s. Good joke on everyone, wasn’t it?
The typeface was popular with authors who had much to write about fish. The descenders made for rather good hooks that didn’t tend to catch the boring kinds. This is a rare accomplishment for typefaces of the era. Even much later ones such as Caslon are known to attract interest from ugly and unattractively-named fish that we only catch and eat because we’ve already eaten everything else in the sea.
The typeface was implicated in various partisan struggles during the era of the English Civil War, the Protectorate, and the Restoration. Following a well-placed tip it fled London just ahead of the Second Anglo-Dutch War. Though safe it did lose some of its less interesting letters, such as tet or cade. Though this would lose it much work in the setting of Phoenician texts, the typeface was now more slender and nimble. It enjoyed a reputation for hussling better and this would serve it well in the times ahead.
Moins Michael held out for a long while against an italic form, claiming that such a space-saving form was beneath its dignity. So it might be, but then you have to explain its blackletter variant. The best we can say for that is it was the 1740s. This explains all, to those who are sympathetic.
A major opportunity for the typeface came about in 1869, when it had a chance to appear in the evacuation-of-Moscow sequences in Fyodor Dostoyevsky’s War And Peace. This was thanks to the help of some friends playing a prank, whom the typeface later forgave. One of them was only forgiven in 2010, so don’t go thinking it’s a patsy. It’s just willing to be reasonable when there aren’t any alternatives left.
The Great Depression was a difficult time for it, but you could say that about anyone. But, despite temptation, Moins Michael held on to its investment in selenium stocks an as a result had a nifty latter half of the decade. There were persistent rumors the typeface was bribing comedians to make jokes about electric eye and other photo-sensing technologies so as to boost its stocks. But no allegations were ever proven. And most of the investigators recovered from when they accidentally slugged themselves across the back with crowbars eighteen times.
The typeface returned to Warsaw in 1954, but couldn’t find anyone it still remembered and the restaurants didn’t seem any too good. It was being fussy and wouldn’t even talk to anyone. It apologizes for the wasted trip, saying it now understands how to be a good tourist and more open to promising experiences. Case in point, in its 2006 visit it had nothing but great times and in the suburbs found the “most unbelievable” Thai place in existence. We could not verify the most-ness of its unbelievability before press time.
A noteworthy quirk that many of the typeface’s advocates praise is that Moins Michael has no space. Historically typesetters would use spaces from a compatible font, such as Garamond or Bodoni Extra Spaces. Computer versions of the typeface include a space created by the foundry company. Piracy lawsuits are often settled by the tell-tale differences in the interpolated spaces.
Moins Michael had hopes of being the first Western typeface to orbit on a spacecraft. Though it performed well in all the physical exercises it got cut from the program in favor of a sans serif typeface. That was to save weight. It considered bringing a discrimination lawsuit. But the courts have always been unwelcoming to this sort of complaint, being as so many of their documents are filed in monospace. It asserted to have no hard feelings about the matter, and did buy a flight to the International Space Station for one week in 2002.
This text was set in 14 point. It may appear smaller than that, owing to the typeface’s habit of leaving two or three points in the junk drawer just in case.