And now, finally, the finish of Mystery Science Theater 3000 inspired by Johnny Pez’s “Safety First”. The whole of the MiSTing is at this link. The previous installment put for the thesis that humans, including our brains, are three-dimensional and therefore we have a 13-symmetry eigenvector of psychology. This will lead us to why there’s a God.
A small content warning. The source being riffed here speaks about “mental retardation” and about IQs as though they were worth anything. It’s about trying to understand the existence of different mental abilities in people, but, if you don’t need that nonsense in your recreational reading you’re right and should maybe skip this. Or jump to the closing sketch, which isn’t based on any of this Scientific Proof Of God stuff.
In the closing sketch here I was finally able to use many of the jokes that my friend Rob S Rice donated when I was stuck for a host sketch.
As for references that need explaining. Mm. The Effect of Gamma Rays on Man-In-The-Moon Marigolds is the title of a play and a movie that I remembered hearing of in the 80s (the movie was from 1972). I never saw it. Tom’s riff about “oh-four-w-w-NUG” is a Henry Blake line from an early season of M*A*S*H. “Gun repair, bookkeeping, and accounting” was the closing refrain of a longrunning series of commercials offering you courses you could take at home. “Seven sixes in a circle” is lifted from Bloom County. The line about who would believe Asimov as French alludes to his use of the name “Paul French” as pseudonym for a couple juvenile novels. “Love of Chair” is a reference to The Electric Company, and I think marks the start of my putting complete nonsense in my closing credits here.
The closing sketch has a line about mathematicians at an airport. There exists a joke that mathematicians tell about putting Polish mathematicians on one side of an airplane. It’s a pun about these things called ‘poles’ and what their placement on the abstract sort of plane implies for a dynamical system. I make no use of this pun and I can’t think why not, as it would have made sense to as many as two people in my audience, with me as one of them. Well, something for the remastered edition, I guess.
> "Intelligence" with the past 65 years on "Personality",
TOM: And the leftover ten years of daytime talk shows.
> thus explaining
> the ENTIRE 100 YEAR HISTORY of Psychometry.
CROW: Except, strangely, for 1987.
> BUT… this isn’t why Hammond fainted..!
JOEL: It was because he had low blood sugar.
> At the moment that he
> realized that the Structural Model was 4-DIMENSIONAL (not 3-dimensional),
TOM: And that meant suddenly he had plenty of room to put all his stuff!
> and that it was caused by the entire 4D space-time metric….
CROW: Wait, I thought we weren’t converting to metric anymore.
> he also
> IMMEDIATELY REALIZED that therefore, the oblique 4×4 Metric of E,N,P,g
JOEL: And a touch of R for good luck.
> represented the CURVATURE OF PSYCHOMETRIC SPACE,
TOM: And its effect on man-in-the-moon marigolds.
> and that therefore
> there was a SINGLE HIGHER ORDER FACTOR caused by this curvature,
CROW: The pursuit of girls!
> which had to be caused by the "brain growth deficit" discussed above
JOEL: Everything else had a good alibi.
> (since IQ loaded on it from Mental retardation IQ measurements) and
> THEREFORE, this factor had to be the GOD that was suspected all along
TOM: It does?
> from the brain growth studies above (Section A. above)…
CROW: Wait, they were all Section A.
> HAMMOND HAD DISCOVERED THE WORLD’S FIRST SCIENTIFIC PROOF OF GOD
TOM: It’s just a shame he’s keeping it to himself.
> Not only that, since the psychometry metric
JOEL: And its measurement in the psychometric metric metric…
> is CAUSED by the Space-time
CROW: So gravity causes personality?
> i.e. X,Y,Z,t causes E,N,P,g (g=IQ),
> and it is known that the
> curvature of space-time is Gravity,
JOEL: And gravity is what makes the world go around.
CROW: Gravity and angular momentum.
> is seen therefore, that Gravity is
> the cause of God.
TOM: So at mass we should be praying to gravity?
> Needless to say, Hammond immediately checked out all of the details
CROW: If it’s needless, why is he saying it?
> from anatomy, Biology, Neurology,
> Psychometry, Factor Analysis,
> Relativity, Gravity,
> Theology, Psychology,
> History, Zoology,
> Embryology, Philosophy etc.
TOM: Gun repair, bookkeeping, and accounting.
> etc. etc. To make a long story short,
> 20 years of grueling 16 hour a day
CROW: But … it hasn’t been five years yet.
> labor searching for the Structural
> Model finally found it…
JOEL: It’s always in the last place you look.
> and in what must be characterized as one of
> the most amazing accidents of modern science….
TOM: Seven sixes in a circle look like a dandelion!
> turned out to yield
> the world’s first and only,
JOEL: The one and only! The man, the myth, the …
> SCIENTIFIC PROOF OF GOD.
[ JOEL picks up TOM, starts to leave. ]
CROW: [ As he leaves ] Boy, that’d be neat to hear about.
[ 1.. 2.. 3.. 4.. 5.. 6.. ]
[ SOL DESK. JOEL rolls up into view behind the desk; CROW, TOM, and GYPSY are next to him. ]
JOEL: Whew. So, any thoughts about what we’ve learned today, guys?
CROW: I realized there’s a major historian named Gibbon, and a major kind of ape named Gibbon. I think that’s important.
GYPSY: You suppose the historian ever sat down in a chair, reclined, and fell?
TOM: *I* realized there’s a Cato the Censor, a Cato the Younger, and a Cato the Green Hornet’s sidekick.
CROW: I ended up wondering if joining Hari Seldon was better than joining the Hare Krishnas. I don’t think mathematicians go around bugging people at airports, but that might depend on what airline they’re flying.
GYPSY: Do you suppose Seldon harried people often?
TOM: The U. S. Robots people had to cancel the DRR project, because nobody could say R.D.R.R. without giggling.
CROW: Now, I heard that when Asimov wrote a lot of those robot short stories he was working out a philosophy of a C/Fe culture, the carbon-based humans taken on as partners to the iron-based robots.
TOM: Which made *me* think if Asimov were French —
GYPSY: And who would believe Asimov as French?
TOM: They’d be working towards a Fi-Fi culture, where people just don’t make fun of their miniature poodles.
CROW: That sort of thing takes a lot of gaul.
TOM: Which, come to think of it, Ceasar had, didn’t he? I bet he enjoyed his salad days.
GYPSY: Never got over the Germans getting over the Rhine, though.
TOM: A lot of people have that problem, though. Say, you know, a Crowe turned Gladiator not too long ago.
CROW: That’s right. Found the emperor not too Commodious, either.
TOM: Went after him with a gladiolus, which in Latin means either a ‘little sword’ or a flower.
GYPSY: And you’re in a lot of trouble if you get the two mixed up.
TOM: I bet there’s people who mix up the Carthage Rome destroyed with the Carthage in Mississippi.
CROW: It’s a natural mistake, if you’ve ever been there.
TOM: What about you, Joel? What have you learned?
JOEL: That I should stop asking you such open-ended questions. [ Looking up ] What do you think, sirs?
[ DEEP 13. TV’S FRANK stands in front of a brick wall built of those architect’s toys, holding a microphone, with a spotlight on him; DR. FORRESTER sits at the card table with a glass and an (open) soda bottle. ]
FRANK: You know, a lot of people thought Asimov was a God — he was one of them! [ Rim shot. ] It all spiked in Eisenhower’s reelection campaign, when everybody liked Ike. [ Again. ]
DR. F: [ Turning around, to face camera, as TV’s FRANK continues. ]Ahem. All right, Joel. You guys got off a little easy this week.
FRANK: [ Background ] Not everybody liked Ike. Couple editors, they spiked Ike, which he didn’t like. You know, he hung around a group called the Black Widowers, and that was even before the web. It never got too sticky, though. Only rarely turned venomous.
DR. F: And, mark my words, when we find the movie, or whatever, that finally does drive you mad, it will *so* let me take over the world. So *there*. No matter what you think.
[ DR. FORRESTER drops a couple Ever-vescent tabs into his drink, and then pours fresh soda into it. The result is a big explosion of foam and fizz like a small volcano; DR. FORRESTER jumps back. TV’s FRANK continues as if nothing were wrong. The excessive foaming continues. ]
DR. F: Frank! Do something!
FRANK: Do I get a medal?
DR. F: No, Frank.
FRANK: Muttley always got one … [ noticeing DR. FORRESTER’s angered look ] … I’ll just get the button.
DR. F: [ As TV’s FRANK moves off screen. ] Yeah, why don’t you? And the mop, too.
FRANK: [ From off stage ] And be sure to tip your waitresses.
\ | / \ | / \ | / \|/ ----o---- /|\ / | \ / | \ / | \
[ SOUND of foaming continues through to teaser. ]
Mystery Science Theater 3000 and its characters and situations are the creation of Best Brains, Inc. "Safety First" is the creation of Johnny Pez, and is used with permission. The Three Laws of Robotics, Powell, Donovan, and their situations are the property of the estate of Dr. Isaac Asimov. The rants and spam "I Want To Sue The Murderous Pope" by jmck…@bonzai.net, "An Open Letter to President Clinton" by Ken H. Seto, "Past GALACTIC WARFARE in OUR Solar System" by Robert McElwaine, and the "SPOG FAQ" by HAMMOND are the creations of their respective authors. This is not an attempt to claim copyright or any other right over the used material. The MiSTing as a whole is the creation of Joseph Nebus. "Foundation And Its Friends" and the final sketch could not have been completed without the timely and timeless assistance of Rob S. Rice, who wrote all the funny puns; any mishandled or unfunny ones are the fault of Joseph Nebus. Tune in tomorrow for "Love of Chair."
> "Arthur," said Donovan, "just what would it take to convince
> you that the station was safe?"
[ The End … ??? ]