Since my recent mention of the Foot-Drawing Hall of Fame there’ve been a number of inquiries directed to this office asking for more information about this Hall of Fame, such as where it may be found and whether I made the whole thing up, and what sort of person gets inducted into the Foot-Drawing Hall of Fame. The last is easiest: it tends to be people who draw feet, although there are exceptions made for people who have made great advances — strides, to use the industry jargon — in public awareness of foot-drawing and its associated fields, such as sock envisioning or the composition of toenail apologias.
The Foot-Drawing Hall of Fame as we know it was inspired by the opening of the Baseball Hall of Fame, as many Halls of Fame were. Every baseball player of serious note has or at some point had feet, or knew someone who did, and yet did they get any mention in the Hall? Not a word, and P K Shrelk couldn’t help wondering where all these players would be without their feet? Down a couple inches, was his conclusion, and that was good enough to search out a way to celebrate the drawing of feet, because when he looked into the whole foot there was too much to consider. Just thinking of all the bones alone could make someone have to lie down and come back later. He imagined someday a network of foot-related halls of fame might allow the understanding of the foot in all its complexity for the interested foot viewer. Shrelk died a very tired man.
The Foot-Drawing Hall of Fame opened in 1967 in Sick River Junction, Missouri, making use of the famous sanitarium which was once the Missouri State Home for the Tall. One needn’t worry about the former residents of the home. Medical advances and changing social attitudes allowed Missouri to sort out the patients who could be readmitted to society from those who were incurably tall. Those unlucky persons were few enough that they could be placed in more general-care institutions with cathedral ceilings. Indeed, Anthony Millest — one of the last children to be taken in to the Home for the Tall — was found to be not just healthy but to have a foot-drawing talent great enough that he became one of the earliest docents at the museum. To this day he’s three days a week, greeting kids and sharing stories of the museum’s goals and accomplishments and plucking things off the top of the refrigerator.
The first artist admitted into the Hall of Fame was one Pelter Rebleat, who was of no particular renown in the field of foot-drawing, truth be told, but the directors felt they needed to start with some impressive names. Rebleat was surprised by his induction, as the letter of invitation had been addressed to Peltier Rebleat (arguably the more impressive name) and because of what he described as the kidnapping which brought him to the opening ceremonies. Since then the policy of “once-famous, always-famous” has blocked all attempts to remove him from the hall, and people bring him fresh clothes and adequate food. He often gets together with Millest to play checkers and agree that things have changed and there’s probably not much of a way to stop that, especially on the web sites they use all the time.
Besides hosting the third-largest collection of drawings of feet among states whose names start with M, the Hall of Fame offers informational classes designed to help would-be artists overcome their natural fear of drawing feet. According to longtime museum defender Anabess Sweetkludge, the most common thing artists do wrong in drawing feet is begin too far up the leg, so that the feet fall out of frame. This can be overcome most easily by getting a slightly larger sketchbook or, for those artists who work digitally, holding the drawing tablet closer to themselves. A more complicated solution is to engineer an artistic movement by which ankles and their environs are regarded as the true measure of artistic accomplishment, but that’s regarded as too much work just for some pictures of feet.
I hope this answers some of the more serious questions. If it doesn’t, perhaps this answers some other ones instead.