Thanking You For Listening


As a white guy who’s liked Popeye’s Fried Chicken I’m often asked why I don’t host a pop-culture hangout podcast. “Hey, you!” people will gather around my house to cry out. “There’s stuff you watch and read and listen to that you think is bad! Why aren’t you snorting into a microphone about that with some of your friends?” It’s becoming a nuisance. “I’m just putting these old fenceposts out for someone on Freecycle who says they’re going to pick it up tomorrow but is lying,” I answer. “I don’t have time to podcast!” They’re unmoved. But I have reasons.

First is that I have this problem with my voice. I mean, I have one that I use almost every day. But I’m hard to understand. I’ve avoided having my New Jersey accent be incomprehensible by not saying much of anything out loud. I’m not trying to hide my voice. I just don’t know how to talk loud enough to be heard over other people, or ambient music, or background noise like our pet rabbit breathing. Or my own breathing. When I say something the words come out of my mouth, then plummet, bouncing off my feet and rolling underneath the bookshelf, there to be harvested by mice.

Also I have to cough, a little but insistently, every 26 seconds. I’ve had this condition since like 1997. I’ve tried to ask my doctor about this, but she can’t hear me. We could edit around that, but editing seems like a lot of work for a pop-culture hangout podcast.

I could set the microphone on my feet so when words tumble onto them some get caught. But then there’s my sentence problem. At some point I figure I’ve said as much of any sentence as could benefit anyone to hear, and then I stop. I trust people to work out the rest. For example, suppose my love wants to know what that racket out back was. I might say, “I knocked over two of the empty flowerpots, but they didn’t break.” But that takes more words to say than interest in the subject warrants. I’m sorry to spend so much time on it now. So I would answer, “I knocked over two”, and figure that’s as much of that as anybody could stand. Oh, I’ll drift off, letting my voice get somehow even softer. My love can probably work out the rest of the sentence from context anyway. That and the flowerpots. But I know that’s not good asynchronous radio.

Plus there’s getting together with friends to record something. I’ve got friends, people I know well enough to help them move furniture. But most of them are online. We could only record a podcast by organizing whatever the Internet equivalent of a conference call is. I hear there are people who can do this. But I also hear there are people who can climb Mount Everest in their shorts or who can magic Magic-Eye Puzzles work. I’ll never manage the trick. People I know in real life — people near enough that I could lick their bodies — are mostly folks I see at pinball events. They’re fun to hang out with, but who could record over all that pinball and bar noise? I don’t know how pinball podcasts do it. I imagine a lot of shouting.

Oh gads and then there’s voices. I’d probably have to do some characters by way of funny voices. I can’t. I haven’t got any way of making my voice do anything on purpose. I could do a character that’s “me, only talking a little faster”. Or I can do “me, only talking a little slower”. But could I do, like, Columbo? Popeye? Any of the supporting cast of The Simpsons? Not even remotely. I’d have to call in experts to support me. That runs into money and social obligations.

Plus there’s having feelings about stuff. You can do a pop-culture hangout podcast about stuff you like, or about stuff you hate. But that means you have to like or hate stuff. I don’t trust strong feelings about stuff, even if they’re my own. It’s asking a lot out of me to have them, never mind to keep them viable for, what, a half-hour of recording before I can get to letters from listeners?

So that’s why, despite my record of being a guy who sometimes likes dumb stuff, I don’t figure on starting a podcast anytime soon. Thanks for listening, and remember, Patreon subscribers at the $5 or above level get my monthly special episode about which Funky Winkerbean comics most make you want to slug the guy who writes Funky Winkerbean. Next episode’s dropping Sunday. See you then. If you need some fenceposts, please, come take them now. They’re just taking up space.

Making Years Without A Santa Claus


Like most people do this time of year we’ve been watching Rankin/Bass stop-motion animated specials and trying to figure out more of how the whole Rankin/Bass Christmasverse works together. But we were on The Year Without A Santa Claus yesterday and noticed that a lot of Mickey Rooney’s dialogue as Santa is various grunts and groans and aching and paining about, which fits the whole plot about calling Christmas off because he’s too grumpy this year.

Thing is that’s got us wondering about the voice recording sessions. Did Mickey Rooney just do his dialogue for every scene in order, including his grunts about his aching ball joins and whatnot, as they came, or did they crowd all those into a single afternoon of recording Mickey Rooney go “Oooh. Owww. Ugh. Argh”? And, did he get all the groans down in one take, or did the director have to say stuff like, “OK, Mickey, that was great but could you do that round of grunting again, this time with maybe a hint of the agony from suspecting that somewhere there might be a mouse writing bad stuff about you in the local newspaper? How many feet of recording tape are nothing but out-takes of Santa groans? And who has possession of that Santa groan out-take tape today? What are they keeping it for? What do they intend to do with it?

To borrow a phrase, these are all questions I feel I cannot answer.