Yeah, I am in urgent need of a break in my workload. For a while, then, I’ll reprint reviews of the Fleischer Studios Talkartoons. This is the series that introduced Betty Boop to the world, although we’re not there yet. This essay first ran back in October 2017.
I didn’t ditch the second Talkartoon on purpose. It’s just that the short, a 1929 titled Marriage Wows, might as well be a lost cartoon. According to Wikipedia the UCLA film library has the nitrate elements for it. But otherwise? As far as I’m aware it’s not available online, and it might not even be available for normal non-scholarly people at UCLA to see. There is a 1949 Famous Studios short of the same title, but goodness knows whether it’s a remake of the early talkie. Possibly it is in part; the 1949 short is the sort of string of spot gags that would be as easily made in 1929. And the central song is Me and My Gal, from 1917. But the 1949 cartoon is a Screen Songs follow-the-bouncing-ball short. Talkartoons, as far as I know, never did that. Besides, Fleischer Studios already had the Screen Songs series going in 1930.
I’ll put that aside and go on to the next Talkartoon. Originally released the 13th of February, 1930, it’s Radio Riot. There’s no credits for it, besides the Directed by Dave Fleischer title, but we’ll start getting some idea who drew stuff in the next couple cartoons.
So there we have it. First, yes, the title makes sense and has something to do with the cartoon. The framing device is a day’s worth of radio programming. Morning exercises, a musical number, a scary story for impressionable kids. It’s a short programming day but after all it is only an eight-minute cartoon. It’s a framing device much like SCTV used in its first season, before they got into telling plots of the backstage happenings.
As with last week’s Talkartoon, Noah’s Lark, I believe this cartoon was drawn on paper. After the first scene there’s not much grey in the cartoon; it’s in black and white, mostly. I suspect the frog’s scenes were done on animation cels, and the rest on the old-fashioned white paper.
Speaking of the frog. I know there’s animation fans who see a frog of this vintage and think of Ub Iwerks’s Flip the Frog. He was the star of a couple dozen genial shorts after Iwerks left the Disney studios and set up his own animation company. It’s coincidence, though. The first Flip the Frog cartoon was released in August 1930. Frogs must just have been in the air.
There’s a double dose of Suspiciously Mickey Mouse-like characters. First there’s a pair doing exercises in the scene starting about 3:18 into things. And then there’s a bunch more, mouse kids I assume, in the ghost-story scene that starts at 6:19 and closes out the short.
I’m not sure there’s a proper blink-and-you’ll-miss-it gag that I really liked. Possibly the way the exercising radio receiver and table about 1:15 in are out of step with the frog’s direction. But I did enjoy the frog explaining the exercise program was brought to you by the “Noiseless Biscuits Company”. It sounds enough like a company name that you don’t right away notice the nonsense. That’s often the best sort of nonsense.
The most startling joke to me: the goldfish doesn’t jump back in the fishbowl! The heck, guys? It also looks to me like the first pair of mice meet a grizzly yet not-quite-on-camera end. There’s implicitly something sad going to happen to those flies caught on paper as part of that radio star’s “Where o Where Has My Little Dog Gone?”. Video is innocent in this one.
Does the short have an ending? Yes, it has. The framing device implies there’ll be a last broadcast of the day, and of the short, and that makes narrative sense. And the scary part makes for a good closing act. I am again satisfied.