So first, the most astounding news about Francesco Marciuliano and Mike Manley’s Judge Parker: Norton has not appeared in the past three months. Almost four months, now, unless there’s a surprise coming in Sunday’s strip. Anyway, all my Judge Parker essays should be at this link, including whatever plot recaps I write after (likely) April 2020. If it’s much past mid-January 2020 when you read this, you might get a more useful plot recap there. Also, Sophie has not yet run away, and has made statements to imply she’s not. But the groundwork is there.
27 October 2019 – 19 January 2020.
Neddy Parker and Ronnie Huerta finally got a call back on their screenplay, last I checked in. It’s based on the super-hyper-ultra-duper-spy nonsense of April Parker, who helped them out, at the point of a gun. This seems harsh, but it is the most efficient way to get someone to actually write. Ellen Nielson, tech-billionaire-daughter with an indie movie studio, wants a meeting.
Back in Cavelton, Sophie Parker finally talks some with Honey Ballinger. She’s one of the classmates and bandmates from that bizarre kidnapping by Sophie’s mother’s half-sister. Honey had escaped the kidnappers who got Sophie and the rest of the band. They’re both having trouble thinking college or anything makes any sense. But they’re able to start trying to be friends. They had not got along so well before the kidnapping and can’t think of a reason why, now.
Also in Cavelton: Abbey’s notion of running a little bed-and-breakfast has proved unworkable. A practical one involves renovating the horse barns into a small hotel. I have not been able to figure what they’re doing with the horses. (Also I have recently seen a bed-and-breakfast which was not made of someone’s oversized home, or made to look like one. So while I don’t get a bed-and-breakfast that seems like it’s just a hotel, I can’t say it’s wrong.) This forces Sam Driver out of his barn office. But he thinks it might be good for him to have an office somewhere near the people who have law work that needs doing off-panel. Rents are steep; turns out Cavelton is gentrifying out from under everyone. Anyway, the barn renovations get under way, then stop, then cost more. It’s a process that makes you wonder if Francesco Marciuliano has been dealing with home renovations himself lately. Then you remember home renovations was a storyline in Francesco Marciuliano and Jim Keefe’s Sally Forth last year. So you stop wondering. Then you remember in the Sally Forth story the work was done as scheduled and without surprise charges or anything. So you wonder again. Look, if you’re not using your creative expression to vent about stuff that bothers you, what are you doing?
Sophie and Honey get together and start playing a little music. Sophie talks of Neddy’s screenwriting dream and how great that’s going. And how is it going? Ellen Nielson thinks their screenplay is a disaster, but there’s a good idea in it. Nielson sees it as a miniseries, with them as story consultants. Neddy and Ronnie see themselves getting murdered by April for straying from their directions. So that’s a downside. But, hey, it’s a sold credit. It’ll be something great for them to talk about over Christmas with the rest of the Parker-Spencer-etc family.
As the barn renovations embody the sunk-cost fallacy everyone gathers for Christmas. Neddy’s happy to introduce Ronnie to everyone. And to see everyone. Sophie is the happiest that any human being has ever been that Neddy’s back. Sophie spills her plan to skip college for a year or two and figure stuff out. Ronnie had done something similar, leaving college after a few semesters. Sophie latches onto this with an eagerness that Ronnie wisely tries to temper.
With Neddy’s support, Sophie explains to her parents that she won’t be going to college right after high school. This goes well, for soap-strip readers, because it’s a nice messy disaster. While Abbey fumes about Sophie’s irrationality, Sophie packs to run away to Los Angeles and live with Neddy. Neddy tries to talk her way, way back from this. She explains Abbey’s fears and needs, and also that Neddy’s actually only using Ronnie’s apartment so there’s not really a place for her.
Meanwhile, Judge (ret) Alan Parker is thinking of running for mayor. Being in prison has let him recognize the carceral state as the great threat to society it is. And yes, the mayor of Cavelton has limited ability to effect the prison abolition we need. But he can do something. And he’s noticed the failings in the social support network. He’s recognized how the gentrification of Cavelton is hurting the people who made their lives in the town. He’s got a flipping account on Mastodon. There’s a 35% chance the words “fully-automated luxury gay space communism” have passed his lips within the past four weeks. The plan is daft, and everyone tells Parker it is. Among other things, he was in jail to about three months ago for helping his son-in-law fake his death. He only got out because said son-in-law blackmailed-or-worse a judge. He promises to at least not run for public office without talking with his son.
And this is where we are. It’s been three months of developing the running stories, without any major crazy new developments. It’s been almost tranquil, compared to the cycles of blowing things up and then retrenching. It’s still daft that Alan Parker thinks running for mayor would be a good idea.
Has The Amazing Spider-Man “returned” with some “great new stories and art” yet?’ Well, as of today it’s still reruns of Roy Thomas and Alex Saviuk’s stories from a couple years back, but I’ll recap that if there’s no breaking news there. Also, I’ve got comic strips to discuss on my mathematics blog. You might like that too. I do.