We have another Gene Deitch cartoon this week. It’s directed by John Halas, Joy Batchelor, and Tony Guy, so it’s one of the British-made cartoons rather than the Czechoslovakian ones. But no story credit that I’m aware of, unfortunately. Here is 1960’s Dog-Gone Dog-Catcher.
Popeye is a good character. He is not particularly lawful, though. He’s aware authority can be corrupt or malevolent or wrong. A lot of his best moments are standing up to bullies who happen to have rank. There are shorts where Popeye has to talk up how he obeys and respects, mostly, the police. But cast Brutus as the authority figure and have him make a few snide comments to the camera and Popeye can clobber him without bothering anybody.
So I’m bothered that this short doesn’t quite get it right. The setup is all right. Popeye’s given Olive Oyl a new dog, a poodle who’s described as male, possibly the only male poodle in pop culture. His name is Zsa Zsa. Brutus comes along as a thieving dogcatcher and scoops up Zsa Zsa. Popeye goes undercover to free him. He wears one of those cartoon dog outfits that’s so seamless your every real-world Halloween costume disappoints.
My problem is that it’s not clear Brutus was in the wrong here. He was shown wanting to steal a dog and make life hard for the owner. But he is also the city dogcatcher. We see Zsa Zsa let loose, without a collar or license, and menacing-or-something a cat. An honest dogcatcher would likely try to grab Zsa Zsa given that. It throws the moral balance of the cartoon off. It already started wobbly, with the time-constrained need to put Zsa Zsa out unsupervised early on so the story could start. It makes Popeye and Olive Oyl look like negligent dog-owners.
I don’t demand that characters be all one tone. That’s boring, and it’s not realistic. Characters should also make mistakes. But it’s usually better form, when they get it wrong, for it to be part of the story hat they have blown it. But these cartoons are too short, and the audience-appropriate plots are too direct, for Popeye to explore the difference between being good and acting rightly.
If you can get past this — I imagine many of you can — there’s a fun cartoon here. Popeye’s in an impossibly perfect dog costume, which freshens up the action some and lets him mess with Brutus’s head. We get a spinach-flavored dog biscuit, a rare Deich cartoon case where Popeye doesn’t trust to luck for spinach to show up. (Also a weird edit where we have to infer he eats the dog biscuit.) Popeye declaring “I am smarter than the average dog” and I’d love to know if that’s meant to be a Yogi Bear riff. Popeye getting stopped by a cop and explaining he only has a dog license. The cop asking Brutus if dogs can talk, and a rabbit popping up between them to say, “I never heard anything so preposterous!”
That’s all solid stuff. I just don’t like that I’m not sure Popeye was in the right.
Today’s is a Gene Deitch cartoon, so the only credits I have are his direction and William L Snyder’s production. From 1962 here’s Roger.
This is the rarest of all kinds of Popeye cartoons: the sequel! Apart from clip cartoons I can’t think of any other Popeye short that directly referenced another one. (There are a few shorts, How Green Is My Spinach from 1950 the most notable, where characters remember how this stuff always goes. But none of these are sequels to anything particular.) This is so unexpected that at first I thought this was a repeat of Canice Caprice, which introduced Roger the Dog. It’s not. It’s a completely different story centered around Roger the Talking Dog.
We meet up with Roger, who’s promising to never cause trouble again if Popeye and Olive Oyl take him back. This includes a promise not to speak except to them. It’s a promise Roger will keep even if it forces him to do dumb stuff, like make Popeye look like a fool to the cops. For this time Roger overheard men plotting to rob Mr Tiff’s jewelry store, and he even got the story correct. (He’s on a mission to get Popeye tobacco, which is the only time I can remember anyone mentioning what it is Popeye smokes, too.)
It’s an interesting character choice that Popeye tries to pass this off to the cops. Reasonable, yes, but why isn’t Popeye’s first plan to catch the robbers himself? When he does try catching them himself the cobs nab Popeye and toss him in jail; it reminds me of Potent Lotion, another Gene Deitch cartoon. Olive Oyl tries to shame the robbers, which works as well as you’d imagine, but it does feel like the sensible choice for her. Roger brings Popeye a can of spinach. Once more Popeye doesn’t leave the house carrying any. That’s been so consistent a thing across Gene Deitch cartoons it must be he, or his writers, thought that made for better storytelling. I suppose they’re right. It answers the question of why Popeye doesn’t eat his spinach sooner in the cartoon. I’m not sure that’s a question that ever much bothered the audience, though.
I regret having started these Popeye cartoon reviews too late to ask Gene Deitch anything he cared to share about them. I’d love to know what motivated doing a second Roger cartoon. Not that it should be Roger, of the characters created by Gene Deitch. I’m not sure there were other characters good for a second story besides Roger and maybe Professor Underwater. But why do a sequel at all?
I can imagine a story-creation narrative that makes sense. You want Popeye to know about a crime by some means he can’t explain. So, a talking animal overhearing this fits. And then it’s either Roger or something as good as Roger. (Eugene the Jeep? He’s been in Gene Deitch cartoons.) And then you need some reason the talking animal won’t talk to the cops, thus, a promise that he keeps outside all common sense. That’s all reverse-engineering the story creation, though.
Popeye eats his spinach off-camera, an event exciting for its rarity. Adds some suspense to what we all know. He catches the robbers, who turn out to be working for Mr Tiff. It’s insurance fraud, the crime every child wants to see foiled when they watch TV or movies! I mean if they’ve had their fill of “bad person is pirating music”. Catching Slippery Sam leaves the cops so grateful they forget how breaking out of jail is still a crime even if Popeye shouldn’t have been there. Happy ending all around.
I’d call this the better of the Roger cartoons. Popeye guides more of the action, even if it’s prompte by Roger. And Roger behaves more sensibly apart from not following Popeye’s direction to tell the cops what he knows. The characters are balanced together better, is what I’m saying. It bodes well for the quality of the next Roger cartoon.
It’s been a while since I was studying the King Features Syndicate-made run of Popeye cartoons. I’m going through the roster as King Features gathered them on their YouTube channel, so these follow no logic I’m aware of. For today, it’s a Gene Deitch-produced cartoon from 1962, Canine Caprice. Let’s enjoy.
Gene Deitch, famously, didn’t care about Tom and Jerry when he got the contract to make Tom and Jerry shorts. Didn’t feel the characters were interesting. What I’ve never known is what he thought about the Popeye shorts. The only important animator whom I know to have said a bad word about the 30s Popeyes, for example, is Chuck Jones. And that’s only if we count as negative his observing that they’re scrawny-little-hero versus big-round-bully, like any generic generic black-and-white cartoon.
What gets me wondering is this short. It’s got Popeye in it, but it’s all driven by Roger the Dog. Who’s a talking dog that Popeye buys, in falling for a talking-dog scam. And who takes over the short, messing up Popeye’s life for not much obvious reason. The dynamic’s a lot like that of Shorty, from three of the most loathed Famous Studios cartoons. But Shorty you always knew what his deal was. Why does Roger not talk in front of Olive Oyl until the end of the short? No idea.
Roger and Shorty are not a bad concept. As he got domesticated, Popeye stopped looking for fights, and he got boring. A character pulling Popeye into trouble fixes that. And if you think I’m making a case for Scrappy-Doo, well, yeah. Scrappy being a relative answers why Scooby puts up with him. We don’t get so much information for Roger. I’m still stuck on why Roger didn’t talk to Olive Oyl when they first met, and why Popeye talked to him after that. Roger firing up Popeye’s jealousy over the piano teacher makes sense, although Olive Oyl could have said something sooner. At least there Roger had good intentions.
The story starts hobbled. But granting that, the rest of the short holds up. Deitch’s animation looks cheap, yes, but the characters all move, with a good range of motion. You don’t get characters standing and blinking. The dialogue’s okay enough. It includes Popeye’s weird statement that “fights bores me”, which can only make sense if he means televised fights that he’s not in. Or Popeye’s domestication and boringness got really out of control.
I, too, am curious why Popeye’s packing a valise full of spinach cans. In the Deitch cartoons he never seems to have a can on him, so, what is this for?
The current story in Karen Moy and June Brigman’s Mary Worth has focused on Wilbur Weston, a giant mayonnaise sandwich of a man. As usual for his stories, it’s about how he’s screwing up his own relationships by acting dumb. Wilbur Weston’s day job is advice columnist. Doesn’t this strain credibility?
I rule that it does not. First, it is hard for any of us to change the ways we screw up our relationships. We wouldn’t screw them up if it were easy for us to spot what we were doing wrong, or to do something else. Second, an advice columnist gets a problem in a clean, discrete lump that sets out (one hopes) all the relevant information. Spotting the relevant information while in the midst of the mess is hard. Yes, I would expect him to be better than average at diagnosing his problems and prescribing a cure, once he was aware he was the problem. And I don’t expect him to be any better than any of us in following the cure.
The current storyline, which has been pleasantly wrinkled, started the 16th of August. Wilbur and Estelle, whose last name I don’t seem to have recorded, are having more dates where they get together and sing. Estelle’s one-eyed cat Libby likes to sing along, somehow raising Wilbur’s ire. Wilbur locks the cat in the bedroom, where neither she nor Estelle want her to be.
Wilbur’s position is simple: he doesn’t want the cat interrupting his singing. Estelle’s position is simple: Libby’s a cat, she likes being with her. Libby’s position is simple: she can make Wilbur’s life miserable. So she does, including peeing on his end of the sofa. Estelle forgives this; Wilbur does not, and demands the cat apologize. Estelle declares that she and Wilbur need to take a break.
While pondering how anyone could choose a pet over him, Wilbur runs into Saul Wynter. He knows Wynter as that grumpy old recluse. But Wynter’s changed, becoming a warm, outgoing, sunny person, which he credits to his new dog Greta. This seems a bit weird since Wynter had a dog, Bella, when he was all misanthropic and unliked. But I rule this acceptable too: Greta, a rescue dog, was shy and needful in ways that we can suppose Bella was not. And the experience of helping Greta seems to have given Wynter an emotional security that Bella didn’t.
Wilbur has the brilliant idea to draw the wrong lesson from this. He goes to the Animal Shelter and adopts the first dog he sees, a French bulldog he dubs Pierre. At the dog park Pierre meets Sophie, a French bulldog kept by Carol. And Carol meets Wilbur, an experience both find pleasant enough. Carol explains some of the little things an expert dog-owner knows, like that dogs should have toys.
Estelle catches a glimpse of them going to the pet store, and leaps to the conclusion Wilbur has a new girlfriend already. So does Wilbur, who mentions how he and his ex loved having singalongs. She doesn’t like singing. She likes salsa dancing. He doesn’t like dancing. He likes travel. She doesn’t. He likes talking about everything his ex liked and did. When he accidentally calls her Stella, she calls the date off. This may seem abrupt but we’ve seen two or three panels of him every day. She’s seeing the full thing.
“A woman’s heart is a deep ocean of secrets.” — Gloria Stuart, 1 August 2021.
“I will trust you — I will extend my hand to you — despite the risk of betrayal. Because it is possible, through trust, to bring out the best in you, and perhaps in me.” — Jordan B Peterson, 8 August 2021.
“He did not care if she was heartless, vicious and vulgar, stupid and grasping. He loved her.” — W Somerset Maugham, 15 August 2021.
“Those who’ll play with cats must expect to be scratched.” — Miguel de Cervantes, 22 August 2021.
“I never met an animal I didn’t like, and I can’t say the same about people.” — Doris Day, 29 August 2021.
“Love is unconditional, relationships are not.” — Grant Gudmundson, 5 September 2021.
“Attitude determines the altitude of life.” — Edwin Louis Cole, 12 September 2021.
“The biggest room in the world is the room for improvement.” — Helmut Schmidt, 19 September 2021.
“Morning will come. It has no choice.” — Marty Rubin, 26 September 2021.
“Back in my day, people met in the real world, not on their telephones.” — Julianne MacLean, 3 October 2021.
“Jealousy is all the fun you think they had.” — Erica Jong, 10 October 2021.
“I am not what you see. I am what time and effort and interaction slowly unveil.” — Maugham, 17 October 2021.
“I’ve had a perfectly wonderful evening, but this wasn’t it.” — Groucho Marx, 24 October 2021.
That woman is Ashlee Jones. She did not take well Drew Cory’s having to cancel their photoshoot when he got called in to his actual work.
There’s a bunch of content warnings I need to give for this plot recap of Karen Moy and June Brigman’s Mary Worth. The first is that the main story, the one that began at the end of December and wrapped up in mid-April, concerns a survivor of spousal abuse. It also takes a detour into pet endangerment. The pet is physically unharmed and quickly recovers from his ordeal in this case. But the pet is also shown to have been physically harmed in the past. If that isn’t enough, the current storyline features a character that looks ready to become a stalker. Certainly emotionally dangerous, anyway. If any of that is stuff you don’t want to deal with in your recreational reading, you are right, and we’ll catch up next time. My next Mary Worth plot recap should be linked here, sometime after mid-August 2021. So should any news I have about the strip. Thanks for reading.
Over a dinner at home Wynter asks if Lourd has talked to a professional. Yes, she has started talking to a therapist. This would seem to resolve the story, but doesn’t. It continues another two months. One small slice of this is discussion of Wynter’s own problems. His parents pressured him to marry someone he didn’t love, and he grew bitter and cranky over that for decades. But then he got a great dog and he feels he’s all better.
If you feel that “great dog” is a redundancy, good news: Karen Moy and June Brigman agree. Much of the two months covered here is Wynter and Lourd agreeing how dogs are great, and then getting worried when one goes missing.
The one who goes missing is Max, Eve Lourd’s Labrador retriever. They have a very tight bond. When her husband once tried to shoot her(!), Max got in the way, taking the bullet instead(!!). It’s a heck of a moment to take.
A couple nights later a heavy storm rolls in. Max, scared, races out into the storm. Lourd goes to Wynter for help. He doesn’t need cajoling to start a search. He has the idea that Greta, his dachshund, might even be able to track Max down. I’m skeptical that a dog who wasn’t trained for that would be able to. But Wynter also might be telling Lourd this as reassurance, even if the actual work will be their looking around. Wynter does have a thought balloon where he wonders if Greta isn’t following the scent, though.
They find Max, though, at what I think is a bench along their usual walking path. They celebrate with lunch and with treats and praise for their dogs. And talk about how great dogs are. They even speculate whether their dogs could make good therapy dogs. I again wonder if they’re underestimating how hard it is to be a therapy dog. But few people doubt that their own pets are extraordinary members of that animal kind. I say this as caretaker for the most adorably snuggly and flop-prone rabbit in existence.
After this we get the ritual week of thanking Mary Worth for … uh … something. I guess she advised Wynter to let Lourd open up as she felt comfortable. we also get some time with Lourd talking with her therapist about moving on from a toxic or abusive relationship. It seems to be working, though. On a return visit to the mall Lourd isn’t thrown by the men’s clothing store.
And finally, the 11th of April, with Wynter and Lourd sharing frozen yogurt, that story ends. The new, current story began the 12th of April.
It centers on Dr Drew Cory, son of Mary Worth’s eternal paramour Dr Jeff Cory. Drew Cory’s become an Instagram nature-photo person in his spare time. Ashlee Jones, waitress at a diner, recognizes him over lunch. She loves his wildlife and forest scene photos. She’s a photographer too, specializing in selfies as she hopes to be a model. And she has a great idea: why doesn’t he take pictures of her?
He’s skeptical but willing. Unfortunately, he has to break their photo-session date when he’s called in to the hospital, and leaves a voice mail with the bad news. She shows up at the hospital anyway, crying and cursing him out for standing her up. He talks her into calmness, for now … and that’s where the story stands.
Dubiously Sourced Mary Worth Sunday Panel Quotes!
The auto care place up the street continues to simply thank the local economic development council for help staying open through the disaster. So let’s get on to the things that famous people mostly didn’t say.
“To love at all is to be vulnerable.” — C S Lewis, 7 February 2021.
“Instead of forcing yourself to feel positive, allow yourself to be present in the now.” — Daniel Mangena, 14 February 2021.
“Dogs are not our whole life, but they make our lives whole.” — Roger Caras, 21 February 2021.
“We live in a rainbow of chaos.” — Paul Cezanne, 28 February 2021.
“The price of anything is the amount of life you exchange for it.” — Henry David Thoreau, 7 March 2021.
“Everything I know I learned from dogs.” — Nora Roberts, 14 March 2021.
“This life is worth living … since it is what we make it.” — William James, 21 March 2021.
“Food is our common ground, a universal experience.” — James Beard, 28 March 2021.
“Forgiveness is just another name for freedom.” — Byron Kate, 4 April 2021.
“Be present — it is the only moment that matters.” — Dan Millman, 11 April 2021.
“I have found that if you love life, life will love you back.” — Arthur Rubenstein, 18 April 2021.
“The secret to life is meaningless unless you discover it yourself.” — W Somerset Maugham, 25 April 2021.
“Attraction is beyond our will or ideas sometimes.” — Juliette Binoche, 2 May 2021.
“Human behavior flows from three main sources: desire, emotion, and knowledge.” — Plato, 9 May 2021.
This is an unusual one! Fleas a Crowd is one of ten Popeye shorts produced by Gerald Ray. He produced more of the Beetle Bailey shorts, and far more of King Leonardo cartoons. If I haven’t missed, I’ve only done two other Gerald Ray shorts before, Popeye’s Junior Headache and the fascinating and mysterious Take It Easel. Bob Bemiller is listed as director again. There’s no story credit and the IMDB doesn’t try to guess at one. Here’s the cartoon from 1960, in any case.
This is a weird one. I like it, although I don’t know how much of that liking is that I like any weird cartoon. It’s the rare Popeye cartoon in which Popeye and Olive Oyl, though both present, never directly interact. She just watches him on stage; he never shows awareness she exists. Olive Oyl is on a date with Brutus, and stays on a date with him, too. Brutus and Popeye barely interact either. They aren’t even on screen at the same time until 5:19, and that for a moment. Popeye’s fleas beat up Brutus. There can’t be another cartoon where the main triad all appear but have less to do with each other.
So we have Popeye as ringmaster to a flea circus at the Thimble Theater, a joke admirably not dwelt on. It’s just there for everyone who spotted Ham Gravy hanging around a couple weeks back. Jealous of how Olive Oyl looks at Popeye’s flea mastery, Brutus sets a wind-up dog to steal the fleas. Then it’s mostly a Popeye-in-pursuit cartoon. Like those cartoons where he’s following the Jeep or the sleepwalking Olive Oyl or something.
The story’s solid if routine. But creative bits keep poking out, regularly enough I stay interested. Popeye’s fleas, for example, are named Damon and Pythias. When Popeye realizes “I’ve been flea-napped”, Olive Oyl passes out, as though in a Victorian melodrama spoof. The fleas leave a “Dear John” letter for Popeye. “We regret to inform you that due to circumstances beyond our control we are forced to continue leading a dog’s life. PS: heeeeeeeeelp.”
All of this could have been done with plainer but still functional dialogue. They chose to be interesting in the small stuff. For example: the fleas perform the Damon and Pythias Waltz. There is nothing waltz about the dance, and nothing waltz about the tune (Swanee River). Another and great example of this is when Popeye lets the dogs out of the dogcatcher’s wagon. Not the elephant jumping out, although that’s a great absurd moment. Notice that the dogs are not all the same model. I don’t think there’s any two that look quite the same. The joke would have been just as good if it were ten duplicates of the same dog and then the elephant. That Gerald Ray’s animators did more than they had gives the cartoon a higher-quality look.
In 1978 Peter Pan Records released a 7-inch disc adapting the story to audio. The adaptation ends up a good bit longer than the original cartoon and I don’t recognize any of the voice actors. Apparently, they were all the same guy, Harry F Welch, who possibly played Popeye in a couple of theatrical cartoons. Nobody’s sure. It has some delightfully clumsy moments of characters saying what they’re seeing. But as an old-time-radio enthusiast, I have to say: not the clumsiest. The comparison also gives some insight into how much value the pictures, even of these cheaply-made cartoons, adds to the story. Also how much the amount of time available for the same beats affects the story.
There’s familiar names in the credits for this week’s 60s Popeye cartoon. The story’s credited to Carl Meyer and Jack Mercer. Jack Mercer was the voice of Popeye, with a handful of interruptions, from 1935 through to the Robert Altman movie. He’d also written Popeye cartoons, and others, going back to 1942. The director’s Seymore Kneitel, who again had directed Popeye cartoons going back to Paramount’s taking over the Fleischer Studios. Basically, these are old pros. They could have done Dog Catcher Popeye in their sleep. Did they?
There’s something a bit telling in the credit and title cards. They’re tightly organized, neatly lettered. Smoothly professional enough to be a little boring. This is an era where, yes, a lot of awful cartoons were being made under the Popeye brand identity. Often the most interesting thing about them is the title card, with some mid-century modern abstraction and the title painted in some way that’s maybe even hard to read. Not this; this is neatly stenciled letters. There’s no question what you’re seeing.
And that’s the cartoon. This is a smoothly made production. There’s a clear storyline. A poor tormented dog catches Popeye’s attention; he rescues it. It wants to follow him; he tries to escape. Brutus the actual dog catcher notices the dog; Popeye saves the dog. At no point is there question what characters are doing, or trying to do, or why. All the action is clear and well-rendered. There’s even stuff, like the park entrance or the dog catcher’s truck, drawn in one-point perspective. It’s all well-crafted.
Also boring. There’s not any personality in the cartoon. No weirdness. The only interesting shot is a couple moments seen from the dog’s point of view, where Popeye explains why he can’t adopt the dog. There’s a bit of novelty in the story from Brutus not really being out to get Popeye. Or even being in the wrong.
It’s petty to complain about a cartoon being done with so much professional competence that I can’t even sneer at it. But I also know that I saw this cartoon about 480,000 times growing up, and I’ve watched it three times over the past week, and in two days I’m not going to remember even writing an essay about it. This weekend I also watched an episode of the Emergency +4 cartoon that existed for absolutely no decent reason. And that was fascinating for how it took a whole Mark Trail plot’s worth of dangers in the desert and made it all lifeless and dull. But its incompetence at establishing stakes for the characters? And the bizarreness of its choice to exist at all? Its bold choice to use the temporary music track for the opening and closing credits? I’m going to remember and think about that again.
So the thing about Edward’s dog is that he’s ugly.
Like, supernaturally ugly.
Like, “that’s … a … dog???” ugly.
It’s how the strip introduced him. It’s how he’s presented each time he comes back. This is a running joke now. It’s one with respectable comic strip precedent.
Al Capp introduced Lena the Hyena to Li’l Abner in summer of 1946 as “the world’s ugliest woman”. She first appeared unseen, with the editorial note that they must hide her face to protect the readers. She would be seen, when the great Basil Wolverton achived the horrible. I had thought there were more examples of too-hideous-to-see characters in the comics. I’d imagined there’d be one in Chester Gould’s Dick Tracy for example. I seem to be wrong about that, though. Ugly Christine had hair covering her face, but we did see most of her. (Searching for other unseeable characters lead me to Spots, only seen in profile or three-quarters shots, with spots floating in front of his face. He’s not on point for this, but he does present a heck of an image.)
Al Capp did also have Big Barnsmell, the “inside man” at the Skonk Works, who did unspeakable things with skunks for unknown reasons. I haven’t found reference about whether Barnsmell appeared on-screen, though. The last few appearances of Simple J Malarkey in Walt Kelly’s Pogo had the man’s head covered. (This was not a joke about Joe McCarthy’s deep ugliness, though. Kelly was working out his irritation at editors afraid of offending evil people, who demanded Malarkey’s face not be shown.)
There are more examples of this joke in other media. Most familiarly these days, Norm’s wife Vera on Cheers, and Niles’s wife Maris on Frasier, were presented as too hideous to ever be seen. Then there’s old-time-radio. On Fibber McGee and Molly, half of Wallace Wimple’s whole schtick was telling horror stories of his wife. She would never be on-screen to present her case. … I’m a bit unsettled that Edward’s dog is the first example I can come up of too-ugly-to-see that isn’t about an adult woman we’re supposed to laugh at. (The other half of Wallace Wimple’s schtick was saying he would look something up in his “bird book”. They knew how to make a gag run back then.)
In any event. Terry Beatty is mixing this running joke into Rex Morgan, M.D.. This is why the dog is only ever put off-screen, and explained with narrative bubbles and arrows pointing at ‘Dog’. I have no idea whether Beatty intends to ever depict Edward’s Dog, or to hold a similar contest. He may be satisfied with Dog as-is. He has been writing the comic as a more humorous one. The change in tone is less than what’s happened in Alley Oop, but still. He’s bringing more jokes in.
Rex Morgan’s plane was landing in the middle of the desert when I last checked in. It’s an extreme emergency, but the only way to keep Rex away from a medical conference in Phoenix. The touchdown takes a week of action, roughly, with Rex yelling reassuring things at his young temporary ward Brayden. And with Mister Cranky, who wanted booze and lots of it on the flight, yelling about how he was going to sue. Cranky was a particularly obnoxious fellow through January. But I can’t fault him yelling angry things about the airline as it lands by some ham radio operator’s shack in the desert.
The passengers, fully evacuated, get off the plane. Mister Cranky tries grabbing his carry-on, and gets scolded by the flight attendant. But again I sympathize; I don’t know how hard it would be for me to abandon my laptop in the circumstance. They’re well outside cell phone service range, but all’s not lost. The ham radio operator called in the emergency before driving his jeep up to the plane. His shack can be at least a gathering point for the passengers while a jet engine finishes exploding.
Mister Cranky, having had enough of this, decides to leave. He notices the radio ham left the keys in his jeep. So he sits in the driver’s seat and is immediately snarled at by a large dog. Chased out from there, he sits on a large rock, ignoring Rex Morgan’s warning to Brayden about checking for scorpions. And what do you know, but, a scorpion bites him on the rear end! And the cops arrive and arrest him for trying to steal a car! Which has this curious state where it’s true, but I don’t think there’s any evidence except for his thought balloons. Cranky said he was “just sitting down” and I think that’s all they could prove. Anyway, he’s made fun of by the local news. On Morgan’s word the cops take him to the hospital first. But I’m sure as they transferred him from the ambulance to the hospital someone slipped, and his wheelchair rolled out of control, downhill into the county Manuratorium. And then he crawled out of that only for a cartoon elephant to sit on him.
Rex, and everyone, call to their loved ones as soon as they can. Brayden’s father is grateful beyond words for Rex’s help. You might ask what Rex did for Brayden. He was flying, unaccompanied, from his mother to his father. The flight attendant asked Rex to just watch over the weirdly old pre-teen. Brayden handled the emergency better than I would have, but still. Brayden’s father, wanting to do something for Rex, gives him a ride to the airport and a change of clothes from his store. All their stuff was left in the plane, after all. I did see commenters complain that this evokes the old, Woody Wilson-era “What Can We Give The Morgans Today” writing style. I guess that’s so. But the scene feels true to me. His son came through a plane crash unscathed. It’s natural for him to lavish money on the nearest person with the slightest involvement in that.
Morgan attends the conference after all, although since it’s all medical talk we don’t see it. On the flight home, who sits next to him but … Mister Cranky?
Well, no. It’s a sweet, polite, kindly person who just looks like him. He’s J T Needle. Mister Cranky was his twin brother, T J Needle. J T demonstrates how he’s the good identical twin by explaining how he’s always been the nice brother. T J’s always been self-centered and rude, doing stuff like trash-talking his relatives and all. Morgan questions the plausibility of sitting right next to Mister Cranky’s twin on the flight home. But he points out, he and his brother both live in Arizona, while their parents live in Glenwood, so of course they’d fly between those cities. Morgan accepts that this coincidence will now not get listed under Plot Holes.
The last plot thread — about when Rex Morgan would get his luggage back — was resolved the first of April. The airline delivered his stuff back to his house. So that’s all covered.
Starting the 6th of April came the tease of a new storyline. Jordan Harris is ready to open his restaurant. He’s invited the Morgans to be part of a test-run night. His fiancee Michelle Carter is the acting hostess. Everything’s going great. This includes Delmer Robertson. He’s recovering from his addiction and homelessness and kidney transplant and all that.
That’s not, so far as I can tell, the story. It was an epilogue to the Jordan/Michelle/Delmer storyline from last fall. Instead we’re following young Sarah, and her former-bully-turned-friend Edward. And his improbably ugly dog. They run across a crying young girl. Some older kids made her drop her ice cream. Edward buys her a replacement before his sister makes him come home. And it looks like Sarah has a new friend. That’s all we’ve seen about this storyline so far.
The big flu of 1957 was an outbreak of Influenza A subtype H2N2, a pandemic less severe than that of 1918 (but what wasn’t?). It wsa popularly referred to as the Asian Flu. I know it mostly from a Peanuts strip in 1958 where Charlie Brown suspects he’s coming down with it, and Lucy mocks him for getting the flu six months late. Smiley Burnette was one of those prolific singer-songwriters who’d get to play the sidekick to your Roy Rogers-class performer. So that’s some things you would be expected to know for this episode, which first aired the 22nd of September, 1957.
And here’s the rundown:
Opening Music. Once again no cold opening.
Opening Comments. Stan Freberg is getting over the “Swiss Flu”, so as not to offend anyone.
College Football Report. Report from the BearcatPantherTigers. Stan Freberg is doing a pretty sharp impersonation of Colgate Sports Newsreel reporter Bill Stern. The setup is easy, a long buildup to a question to which the athlete gives one- and two-word answers.
Peggy Taylor gives Stan Freberg the pretext to sing Hoagy Carmichael’s “Monkey Song”. They can’t all be “Stardust”.
How an Agent Operates. Foster Pelt, agent to 64 dogs. He gets them character parts a lot: derelicts, good-natured slobs, friend of the leading child. There’s a constrained structure here, where Pelt negates any joke that Freberg might advance. That’s okay as long as it’s building to something, like the dog that plays jazz trombone. But it does also have a tone like Pelt is trying to negate the sketch.
Question from the Audience. A guy doesn’t believe in the show so far.
Peggy Taylor singing “Famous Last Words”.
Composite Preview of TV Westerns for the Fall. “Bang Gunly, US Marshall Fields” which (as usual) catches the sounds and tones and pacing of its primary source precisely. The actual radio Gunsmoke wasn’t quite so leisurely, but did run that way. It didn’t spend quite this much time establishing plot points either, but it could feel like that. The in-show sketch for “Puffed Grass” riffs on ads for Quaker Puffed Wheat (“the breakfast cereal shot from guns”) commercials. The relentless establishment of the fact the fence was cut evokes the throwaway joke at the start of St George and the Dragonet, about that 45 automatic being checked by the lab and learning that, yes, it was a gun. The close, a quick exchange with Pedro, riffs on the comic sidekick Pancho of the Cisco Kid. He’d close each episode with a corny gag. Gunsmoke was a grown-up western; Cisco Kid a kids’ one. So it is a tonal non sequitur that he should show up here.
Closing Remarks. Freberg encourages people to write for tickets and asks for something for cold, even if it’s just Dr Christian. Dr Christian was a long-running doctor’s-office-based light drama, the small-town doctor helping quarreling lovers reconcile and wayward youths straighten out, that sort of thing.
I’m not sure who I’m asking this favor from. But I know out there at least one of you is in an Internet community that’s talking about movie sequel subtitles. And that’s looking around for what’s the right all-purpose movie sequel subtitle to use now that we’re moving past Electric Boogaloo and even The Squeakquel is starting to wear out. I’m not saying that anyone is wrong in supporting The Secret Of The Ooze or The Legend of Curly’s Gold as all-purpose subtitles either. And I don’t dispute you putting those in as your votes for all-purpose sequel subtitle.
It’s just that I think we’re forgetting about the second Cats and Dogs movie, which is a shame, as its subtitle The Revenge of Kitty Galore is clearly ready to be put underneath all sorts of movie franchise titles. So whoever’s in that discussion for all-purpose movie sequel subtitles? If you could enter The Revenge of Kitty Galore for me, I’d be grateful. Thanks and take care, please.
Some things I couldn’t find any use for writing in January; if you can find a good use for them, please do. I ask only to hear if any of them went on to be happy.
I’m rotten at choosing clothes. You can judge that from the slightly pained but amused look on my love’s face when it becomes obvious that once again I’ve dressed myself. If you can’t see my love’s face, I’m sorry that you’re missing such a fine experience. But instead look at any picture of people from the 70s or 80s and identify the person wearing the most regrettable outfit. I’ve worn that as recently as Tuesday. I don’t care. They’re clothes and I’m happy to wear them. — Cut from some piece or other, I think the one about crafts. Not really relevant to the main point of the article and besides it ended up long enough as is.
The thing is that gives me the idea to start wondering about something. — Cut from like fourteen pieces because it could go into any of my bits and that’s one of those warning signs I shouldn’t be putting it in any of them. Warning: I might use this to see how long a sentence I could make that doesn’t say anything at all. You’re still free to use it, just, there’s no being sure you’ll have it all to yourself.
If you have that job you either grew up wanting to be someone who makes those little paper flags hung on toothpicks or else your life took turns bringing you to making them. — The thing about my clothes (to get back to them) is that I don’t need to talk about it that much because you’ve seen ugly clothes before. Not necessarily on me, but yeah, on me.
I’m not going to stop making boxed macaroni and cheese wrong because I know it’s easier to keep doing it wrong than to remember to look at the directions and do it right for once. — Also cut from that crafts essay which had more cuts than usual. Also I don’t want to make my clothing problems seem too bad. Like, that look my love gets when noticing I dressed myself? It’s not, like, horrified or anything. It’s like, imagine if you were fixing a car engine. And you called to your dog saying, “Monty! Fetch me the 15 mm socket wrench” and figured you were making a good joke. And the dog was confused but understood there was something about fetching going on there. And the dog came back holding an ice scraper in his mouth. Also the dog’s named Monty. You know the look you’d give the dog, delighted that he was doing his best to do the perfectly hopeless? That’s the look I get when I dress myself. It doesn’t hurt any and I can usually find the socket wrench after that.
“The Tasmanian rainforest is considered a Gondwanan relic.” — I brought that back from an earlier scraps file because I was sure there was something I could do with that, and there wasn’t. It’s pretty nice as it is, on Wikipedia, but I got nothing.
I remember coloring when I was a kid, and we’d get boxes of crayons from school. There’d be as many as 62 Extremely Dark Colors Equally Likely To be Purple, Black, Navy Blue, Blue, Or Any Other Color You Do Not Want, all with the wrappers peeled off in every box of sixteen crayons. — Cut because my problems with coloring in elementary school weren’t so much about what shade of some extremely dark blue-like-or-black color I had available but more that I was never satisfied with how uniformly a crayon could color things. Also I liked the part where you colored in letters. By you I mean me, or in this context, I. I couldn’t get enough letters to color in like that. So in hindsight, again, I understand why I was treated that way.
And then the person working the Wendy’s counter warned me they were out of potatoes, which means they know me as the guy who comes in like once a month and orders two baked potatoes, so now it’s too emotionally involved going there and I don’t dare visit ever again. — Anyway these days I just wear a solid shirt of one color and pants. Pants of a different color. I learned my lesson the day in grad school when I went out wearing an orange shirt and orange sweatpants and caught a glimpse of myself in the glass door and realized what I was doing. So I have learned to do slightly better, that’s the important thing.
Good luck with February, everyone!
Another Blog, Meanwhile Index
The Another Blog, Meanwhile index dropped nine points after Michigan’s official state groundhog refused to emerge from her lair and make a weather prediction, which is surely all normal and just fine, right? Tell us that’s normal and just fine. We don’t know anymore.
So maybe raccoons in drinking glasses wearing eyeglasses.
Or any animals in drinking glasses wearing eyeglasses.
3-D glasses would work too.
Oh, uh, I dunno, maybe you as a kid doing that Calvin and Hobbes “Let’s Go Exploring” final-ever panel? That’s art, right? I bet that’s art.
Another Blog, Meanwhile Index
The Another Blog, Meanwhile index found itself at 103 today and fell into a quarrel about whether the trading floor was suffering from deja vu, from plagiarism, or was just victim of an astounding coincidence. The matter was not settled by press time, but the arguments have got into who was showing disloyalty to who in a bitter fight eighteen years ago so this is sure to turn out well.
The film opens with an alcoholic abusive clown, Norm Snively, and his Golden Retriever Old Blue, doing a show at a child’s birthday party, naturally enough. Due to Old Blue causing trouble at the birthday party and both being tossed out of the house, Norm angrily takes him in a kennel to a dog pound, until the kennel falls out of his truck, naturally enough. Old Blue is homeless until he meets 12-year-old Josh Framm, naturally enough. After the death of his father, who died in a plane crash during a test flight, Josh relocates with his mom Jackie and 2-year-old sister Andrea from Virginia to Fernfield, Washington, naturally enough. Due to heartbreak over his father’s death, he is too shy to try out for his middle school’s basketball team and to make any friends, naturally enough. He instead becomes the basketball team’s manager, an awkward offer by Coach Barker which he accepts, naturally enough. He practices basketball by himself in a makeshift court that he sets up in an abandoned allotment, where he first meets Old Blue and renames him Buddy, naturally enough. Josh soon discovers that Buddy has the uncanny ability to play basketball, and decides to let Buddy come home with him, naturally enough.
Jackie agrees to let him keep Buddy until Christmas and she plans to send him to the pound if his rightful owner is not located; however, she sees how much Josh loves Buddy and how loyal he is, naturally enough. When Josh wakes up on Christmas and Buddy is not in his room, he goes downstairs and finds Buddy with a bow secured on his head, naturally enough. She gives Buddy to Josh as a present, naturally enough.
Following Christmas, Josh finds a tryout invitation in his locker, although he does not know how it got there, naturally enough. Puzzled on what to do, he further discovers Buddy’s talent when he discovers that he can actually shoot a hoop, naturally enough. These facts together prompt Josh to follow through and try out and he gets a place on the team, naturally enough. At his first game, he befriends teammate Tom Stewart but earns the disdain of star player and team bully Larry Willingham, naturally enough. Meanwhile, Buddy leaves the backyard, goes to the school and shows up while the game is underway, naturally enough. He runs into the court, disrupts the game, and causes mayhem, but the audience loves him after he scores a basket, naturally enough.
After the game and once Buddy is caught by Josh, the former sees Coach Barker abusing Tom by violently pelting him with basketballs in an attempt to make him catch better, naturally enough. He leads Josh, Jackie, and the school principal Ms. Pepper to the scene, naturally enough. As a result, Coach Barker is fired and replaced by the school’s kind-hearted engineer, Arthur Chaney, at Josh’s suggestion, naturally enough. Buddy becomes the mascot of Josh’s school’s basketball team and begins appearing in their halftime shows, naturally enough. After the Timberwolves lose one game, the team has subsequent success and qualifies for the State Final, naturally enough.
Just before the championship game, Norm appears after seeing Buddy on television, naturally enough. Hoping to profit off Buddy’s newfound fame, he forces Jackie to hand over Buddy as he has papers proving that he is Buddy’s legal owner, naturally enough. Knowing they do not have a choice, Jackie forces Josh to do the right thing and give Buddy back to Norm, naturally enough. After a period of feeling withdrawn and depressed, Josh then decides to rescue Buddy, naturally enough. He sneaks into Norm’s backyard, which is muddy and where he finds Buddy chained up, naturally enough. Norm, who is on the phone scheduling performances, initially does not notice Josh in the yard due to a stack of empty beer cans on his windowsill until it falls and Josh is caught in the act, naturally enough. Josh gets the chain from Buddy and they escape, naturally enough. Norm gets into his dilapidated clown truck and pursues Josh and Buddy through a park where Norm scatters a small swing set, a couple’s picnic, the sign of Fernfield, and hits a parked car, naturally enough. The pursuit rages on to a parking lot near a lake, during which Norm’s truck falls apart and crashes into the water, with the latter surviving and swearing vengeance, naturally enough. A few minutes after the pursuit, Josh then decides to set Buddy free in the forest to find a new home, naturally enough. Initially, his team is losing at the next championship to the opposing team until Buddy shows up, naturally enough. When it is discovered that there is no rule that a dog cannot play basketball, Buddy joins the roster to lead the team to a come from behind championship victory, naturally enough.
Norm reappears and attempts to sue the Framm family for custody of Buddy despite lack of ownership papers, naturally enough. Upon seeing Buddy, Judge Cranfield is disgusted and initially reluctant on a case over a dog, but only agrees only under a strict condition of the case being executed seriously, naturally enough. After numerous protests, Arthur arrives and suggests that Buddy chooses his owner, naturally enough. As a fan of Arthur himself, Judge Cranfield accepts his proposal, and moves the court outside to the lawn, naturally enough. The rule is for both parties to call Buddy while staying put on their spots, and one single step towards the dog would result in a loss, naturally enough. During the calling, Norm takes out his roll of newspaper, which he often used as a punishment to hit Buddy, and yells at him, naturally enough. Buddy angrily rushes at Norm, bites him, rips up the newspaper, and runs towards Josh, naturally enough. Judge Cranfield grants legal custody of Buddy to Josh’s family while an angry Norm rushes toward Buddy and Josh in a last ditched effort to try to get Buddy to himself, but is leed away by the police and arrested for animal cruelty, while Josh and the rest of the citizens rejoice and gather around Buddy to welcome him home, naturally enough.
Because a movie about a dog that plays basketball needs a subplot about a custody battle on behalf of an alcoholic abusive clown, naturally enough?
Handwriting was a once-popular way of committing stuff to a written record. For centuries it ranked just ahead of “chiseled into Stonehenge blocks”. But it was slightly behind “made in dry macaroni glued to construction paper” as an informal record-keeping method. It began falling off in popularity with the rise of personal computers, which having risen up to about arm-height were easier to reach. It was lost entirely in 2013 when the new model Glossy Black Rectangle came out.
But handwriting has been lost before. Nothing got written by hand for the two centuries before Charlemagne. The Carolingian Renaissance began when he got people not to stick their hands out the bus window where they might get lopped off. Handwriting also got lost during the Age of Exploration, when it was washed overboard near the Bay of Bengal. And in 1943 handwriting was accidentally left in an unlatched briefcase on the Sixth Avenue El train in New York City. Police and FBI agents were able to recover it, except for the cursive capital Q. The War Production Board immediately issued a “Victory Q”, made of chicory and surplus Z’s. This was extremely popular except that nobody liked it. The prewar Q went back into production in 1954, but old-timers still complain that the new version doesn’t taste anything like the old. What does?
To revive handwriting you need only a few things. Other people can do with more, because they lack self-confidence. First you need a hand. Second you need a write to get written by whoever is in control of the hand. Next you need a writing surface. Third you need a writing implement. You can organize these pieces in any order. The trick comes in the final step. Using the writing surface and writing tool use your hand to write whatever it was that’ll be written at the end. Now that you’ve tried put it aside until you’ve got enough emotional distance to review what might have gone wrong. Here are a couple common handwriting problems:
Wandering Baseline. In this case there’s no attention given to the lower edges of the letters. They’re allowed to just drift up and down and around and over to the living room to watch Turner Classic Movies’s “Underground” non-classic movies. This can be well-handled by a stronger drum beat. If we hadn’t replaced all drummers with percussion machines. The machines have good rhythm but nothing interesting to write about.
Capital G. Under no circumstance should you attempt to write a cursive G. The last person who knew how to make it has been in hiding since 1998, when she met up with the last person who knew how to make a capital Z. If you need either of these letters you should do as on the right and make a little lightning bolt figure. This will add some vital force to your writing. After coming to life it can stomp around the German countryside. Then it makes its way somehow to the Orkey Islands and the North Pole in a framing narrative everybody forgets about. Most of us will not see such impressive results.
Kerning. Kerning is the act of making sequences of letters kern. They are best kerned when, in the words of grammar maven E B White, “that’s all they ken kern and kan’t kern no more”. This means something.
Gemini IX. Gene Cernan’s physically demanding 1966 “walk around the world” spacewalk was an ambitious project. It was undertaken without the underwater training experience later flights used. The shortage of handholds and grips made the Manned Maneuvering Unit impossible to test. Furthermore his spacesuit visor kept fogging up. This made for a most frustrating expedition. But it was only the second spacewalk the United States had attempted, and only the world’s third ever. One shouldn’t be surprised by the discovery of operational difficulties.
Spacing. Here the pleasant, uniform spacing of letters breaks up and descends into a sketch that’s a cute little doggy. This disrupts the flow of writing as the reader will want to toss a ball at it, or maybe just think about dogs instead of the world, for which you can’t blame it. This one handles by adding a little doghouse, so the doggy has somewhere to go while the reader works.
This is not all of the common handwriting problems. There are three more of them. If you spot any do send a note to Handwriting Master Command, which accepts text messages. They will be happy to explain how it is all someone else’s fault.
Instead of city names, especially your city name. Or the name of a beloved celebrity who’s either died or declared that the people complaining about an incredibly racist thing he said are the true racists.
Change a word so a title means something else.
Fit a pop culture thing into some other pop culture thing and maybe say it’s just like your workplace.
Here’s a real word given a fake definition.
Assonance Day Of The Week!
Making Something More 80s, possibly by adding that crashing-synthesizer-piano sting from Yes’s Owner Of A Lonely Heart.
Dogs are awesome. Look at this one!
A sports team has traded a person for something that seems at first odd, like the promise of a future person or the chance to name a dog or perhaps a large bowl of tapioca. Maybe some carpeting. I don’t know. Someone with more characters to explain can explain why this makes perfect sense for everybody involved and two-thirds of the people who aren’t but it’ll still sound odd.
Somebody found a stream of the Hulk Hogan’s Rock ‘n’ Wrestling cartoon from 1985 and we can’t stop talking about that because good lord is this episode really titled Ali Bano and the 40 Geeks? Oh, this is gonna hurt.
There’s something in space and we know about it!
Yeah, dogs are great but look at this bunny! Seriously!
You might have seen this on Reuters in which case I’m sorry but you probably already thought of my jokes about it. I hope we can still be friends. Anyway at England’s Manchester Airport they’re reviewing their team of drug-sniffer dogs just because in seven months of work they never found any smuggled drugs. To be fair this compares well with my track record of finding illicit drugs.
And it isn’t like they found nothing. According to a review the dogs did manage “multiple accurate detections, but most were of small amounts of cheese or sausages, wrongly brought back by returning British holidaymakers and posing minimal risk to UK public health”. And they’re reviewing how it is the project spent £1.25 million on dogs who recovered somewhere around 181 kilograms of meats. I’m a bit unsure about it myself. I would think you could train dogs to sniff out smoked meats and cheese without much more advanced training than saying, “Who’s a good doggy?” while waving a slice of pepperoni. You could do this in an empty room and a good doggy would appear, and then follow you around, pleading for more. I suppose they did get six dogs, and that’s got to be more pricey than one. Still, it seems like there’s something missing here.
I guess the surprising thing is that in seven months British holidaymakers only bring something like 181 kilograms of illegal meat back home through Manchester. I mean, that’s not nothing. The Apollo 17 mission only brought 110 kilograms of moon rocks back. But there were just the two astronauts on the moon, and the whole trip took less than two weeks, and there was just the one of it. Also they probably declared their rocks and didn’t land in northern England. And for another comparison, the early “Schreibkugel” model typewriter which Friedrich Nietzche owned weighed only 75 kilograms. But if the British holidaymakers are sneaking a lot of other meats in, then how are the dogs missing them? Definitely a scandal here.
I’ve been known to exaggerate some aspects of interaction with our pet rabbit so I want to be clear this isn’t one of those times. We had brought him in his little pet carrier to the veterinarian. He’ll put up with being in the pet carrier while he’s actually being carried. Set him on the floor with nothing going on and he’ll give you about two minutes before deciding he should be out. He starts punching the bars of the carrier to remind us that he’s inside the carrier and could be outside instead.
The trouble is the vet’s was crowded, and they weren’t quite ready for us, so we had to wait. He wasn’t into the waiting. I told him, “You don’t really want to go out now.” He wasn’t buying it. He punched again. I told him, “You won’t be happy with what you see out there.” He was unconvinced. I rotated the carrier so its door faced away from the wall.
Our pet rabbit has met dogs before, mostly those of my love’s parents. Those were very senior, very shy, amazingly timid dogs terrified by such things as our pet rabbit, or me, or the existence of sounds. He’s not bothered by them. What he hasn’t seen before is dogs that’re still very good about being dogs, such as a German Shepherd snuffling around and working out what might be interesting in the area.
He stopped punching. And while I turned the carrier back around so he didn’t have to acknowledge the existence of dogs any more, he also didn’t start punching again. Back home, he spent the whole day inside the innermost reaches of his hutch, sulking. He’s only come out to eat and glare at me since.
(The German Shepherd left moments later, but I didn’t turn the carrier back around. The only other dog in the area was some small dog, maybe a Pomeranian, I forget which and called it a ‘chinchilla’ when describing the situation to my father. But it was smaller than our pet rabbit and I didn’t figure anything good could come of introducing that to the situation.)
“So you’ve been a bit of a terror, by reports,” I said to our pet rabbit. He was looking at the open pet carrier, and considering whether to punch it.
“They were desperate times,” he finally pronounced.
“They were times at your vacation cottage.” This would be my love’s parents’ house. They watch our pet rabbit when we have to be away more than a day. Our pet rabbit can’t be left unattended that long, because he’ll run up long-distance telephone calls. The funny thing is they’re not even calls that would make sense, like ordering stacks of particularly tasty hay. It’s like he just gets carried away with the fun of dialing. In many ways our pet rabbit is a little kid, except that he doesn’t give us colds or tell us complicated and rambling stories about what happened in school.
“There were dogs chasing me!”
“I know those dogs. They’re four years older than the letter `W’.”
“So they’ve had time to practice their fiendish ways!”
“They don’t have fiendish ways. They’re barely up to falling down anymore.” He sneezed, because somehow our pet rabbit sneezes, and then turned that into a snort. “They haven’t even been growling at me because they can’t work up the energy for that anymore.” And this is true. When I first started visiting my love’s parents, the dogs would take turns barking furiously at me, because they were afraid that if they didn’t, I might go on existing. Eventually they would settle down, only for one or the other to suddenly realize that I was still a thing that existed, so they had to go through it all over again. Since then, sadly, the dogs have gotten more frail. They’ll wander up to me and mutter a half-articulated hwurmf. I tell them that’s very good barking and then they collapse on the floor where they are. I’d pat their heads if that didn’t seem like taunting.
Our rabbit put his paws together and shoved on the front of his carrier, a traditional rabbit way of expressing the concept “I want this shoved over there a little”. It works better on hay and towels and light vegetables. I picked him up by his hind legs and shoved him in the carrier, a traditional rabbit-keeper way of expressing the concept “if you won’t go in I’ll just put you in”. He turned around and punched the carrier’s bars.
Finally he said, “I can scare dogs away.”
“You can scare those dogs away. They’re very timid dogs.”
“I didn’t even have to bite and the bigger one ran away!” The dogs are the same size, but perhaps there are rabbit ways of classifying dogs I don’t understand.
“That dog’s been scared away by clouds. You’re not saying you’re just as ferocious as a cloud, are you?”
“Bring me a cloud and I’ll see who scares who!”
“You’re figuring to make a cloud quiver its knees? What has got into you?”
“I had to spend forever fending off dogs!”
It struck me: the “larger” dog came up to the edge of our rabbit’s pen before running away, while the “smaller” one was too afraid of the interloper to get that close. By “running” I mean “kind of shambling about in a way that isn’t technically falling over most of the time”.
“Luckily,” he said, “I know what to do with dogs.”
“You know what to do with those dogs. You’re an expert at existing.”
“I spent my whole life getting ready to exist!”
“You could be in trouble if you had to face other dogs, you know.”
He almost stopped wriggling his nose a moment. “What other dogs?”
“You know there’s more than two dogs in the world.”
“No, I heard them both.”
“Did you ever notice the dogs going over to the window and barking like crazy, then stopping and hiding from the window?”
He nodded, which is the sort of thing that involves a lot of ear-flapping. “When they forgot where I was!”
“No, that’s when they saw there was another dog walking past, outside. They stopped when the other dog noticed them.”
He pushed the carrier door with one paw, letting his fingers melt through the bars. “So there are … 98 dogs in the world?”
“More than that, even. Some dogs they didn’t notice.” I figured it not worth mentioning some of the dogs were walked past the house several times, mostly on different days.
He sniffed. “More than 98 dogs seems like too many. Let’s get home.”
I don’t agree with him on the dog count, but getting home was what I hoped for too.
An advertisement in a London paper reads: “5,000 Hedgehogs Wanted.” Of course, it’s none of my business, especially as it is an Englishman that wants them, but I trust that I may speculate to myself without giving offense.
One hedgehog I could understand, or possibly two, to keep each other company. There is no accounting for taste in pets, and I suppose you could get as attached to a hedgehog as you could to a dog, if you went about it in the right way. I, personally, would prefer a dog, but then, I’m dog-crazy.
But 5,000 hedgehogs seem to be overdoing it a bit. When you get up into the thousands with hedgehogs you are just being silly, it seems to me. And, aside from the looks of the thing, there is the very practical angle that you might very well find yourself hedgehog-poor.
There must be something that hedgehogs do that I don’t know about that makes them desirable to have around in large numbers. They may keep away flies, or eat moths, or even just spread out in a phalanx and prevent workmen from lying down on the ground, or picnic parties from camping out on private property. Whatever their special function, it must be preventive.
Of course, there may be something in the back of the man’s mind about quills. He may be forming a gigantic toothpick combine or starting a movement back to the old quill pen. In this case, he has his work cut out for him. Shearing, or plucking, or shaving 5,000 hedgehogs is going to be no sinecure. And he is going to run out of swear-words the first day. Just the plain, ordinary “ouch” is going to get him nowhere.
On the whole, my advice would be to give the whole project up, whatever it is. Unless, of course, the advertisement has been answered already and he has his 5,000 hedgehogs on his hands. In that case, I don’t know what to advise.
It’s easy to ask why the alien robot has dreadlocks, although asking it answers the question. We’re almost forced to ask why any alien robots wouldn’t have dreadlocks. I think the bigger question is how does the alien robot have dreadlocks, but that’s only longer if you use certain variable-width typefaces which kern the ‘h’ and ‘y’ together a bit tightly. The real question is why the alien robot dog has six legs when the alien robots seem to have only four limbs, although I bet it’s one of those “why does Goofy walk on two legs while Pluto walks on four if they’re both dogs” kinds of questions.