What’s Going On In The Phantom (Sundays)? Who are these Avari people? April – July 2019


This recap of Tony DePaul and Jeff Weigel’s Sunday continuity of The Phantom is up-to-date for mid-July 2019. If you’re reading this after about October 2019, or you’re interested in the separate weekday-continuity storyline there may be an essay at this link more relevant for you. Also if you have Phantom questions in general I know The PhantomWiki helps me all the time. It might do the same for you.

And as usual I discuss some comic strips with mathematical themes over on my other blog. You might enjoy, or at least like the pictures.

The Phantom (Sundays)

21 April – 15 July 2019.

The Phantom was nearing the end of his tale of The Little Detective when I last checked in. This inadvertent stowaway had kept logs of the animal smuggling going on under guise of B-29 air shows. The Phantom had gone to rescue her. The smugglers talked up the need to respect the Greatest Generation, so The Phantom started punching, as is right.

[Slow learners want another go at the Phantom.] Smuggler: 'Get him, men!' (They charge The Phantom.) [Phantom pulls his punches.] (He punches and knocks over each airman.) [He needs fliers in shape to fly ... fly to the LAST PLACE they want to go.] Airman, trembling on the ground, holding up a hand begging for mercy: 'Bangalla! B-Bangalla it is, mister ... '
Tony DePaul and Jeff Weigel’s The Phantom for the 5th of May, 2019. “I know this is bad, guys, but you gotta admit this is still better than the time Mark Trail punched us all and then our plane blew up.” “Shut up, Les.”

Once they’re punched enough, they agree to fly The Phantom, his wolf, and the Little Detective home to Bangalla, and to stand trial. (Some of the animals they smuggled were from Bangalla, which is why they have any standing in the matter.) And with that, The Phantom finishes telling his story. It ran 26 weeks.


The new, current, story, began the 19th of May. It’s The Free Avar Front, the 188th Sunday continuity story. That according to the Phantom Wiki, which also agrees that The Little Detective was the 187th Sunday continuity story. So that’s at least staying consistent.

It starts in the Bangallan capital of Mawitaan, where an activist tries rousing the public. She tells of the iron rule of the Khagan, tyrant of the land of Avaria, in the adjacent Misty Mountains. People are skeptical. Start deciding that tyrants are unacceptable in governments and pretty soon you don’t have any governments left. Plus, nobody knows what’s in the Misty Mountains. Who can even say if there’s people living under dictatorial rule there?

What’s there is the Lost Kingdom of Avaria, populated by refugees from the Romans and the Franks. The 10th Phantom encountered them in 1748. The current, 21st, Phantom encountered them in a Sunday-continuity story in 2009 and 2010. (Here I’m cribbing from the Phantom Wiki about the events.) Their leader, the Khagan, poisoned The Phantom on their first encounter. Kit junior, along for the ride, freed The Phantom by using his wits and a cannon. The Phantom kidnapped introduced the Khagan to the neighboring Misty Mountains kingdom of Baronkhan. He’d hoped introducing the leader of this fearsome, isolated, warlike people this would improve things.

Things are still rough. The Khagan’s secret police kidnap the pamphleteer from Mawitaan. The secret police are women dressed in Roman-esque armor. This is part of the Avarian warrior style. They take the woman to a secret camp the Khagan has set up in the wilderness. She wants names of other “traitors”.

[Encampment of The Khagan, absolute ruler of the Avarian realm, in the Misty Mountains. No mercy.] Khagan: 'Before you die you'll give me the names of your fellow conspirators!' Resister: 'I will not! And we are NOT conspirators, Khagan! That's your word!' Khagan: 'You'll GIVE me the names. In so doing your death will serve the greater good of the realm. Avaria is mine alone to command! Only I can do it!' Resister: 'No, Khagan! Freedom is coming! Kill me --- kill us all! It can't be stopped! Sadly, you will be the VERY LAST to see what's happening in the hearts and minds of the people!' (Outside the tent The Phantom listens.)
Tony DePaul and Jeff Weigel’s The Phantom for the 23rd of June, 2019. So, yeah, the updating of Prince Valiant for the King Features Cinematic Universe takes kind of a dark turn, but that’s so it can achieve a greater light later on. Trust the narrative.

This kind of thing won’t go unnoticed. The Phantom’s network of gossips and eavesdroppers hears the woman’s neighbor talk about the kidnapping. The Phantom picks this, of all the things going on in Bangalla, to follow up on. Granted a squadron of warrior women in Romanesque costumes stands out from, like, the reports of animal smugglers. So he follows the trail and encounters the Khagan. She remembers him. He insists Bangallan law protects the prisoner. The Khagan asks how a leader, “rendered weak by your laws”, can hope to lead in times of danger. The Ghost Who Walks argues that leaders serve their people, by serving the rule of law, which is what keeps a land free. This is where the story’s reached today. I assume next week the Khagan mentions how The Phantom, in his spare time from being a vigilante, secretly commands a multi-national paramilitary force answerable to no authority but himself. And I make no guesses about what comes after that.

Next Week!

Whatever happened with Edward’s dog? And what’s with the patient coming in to Rex Morgan talking about chemtrails and healing crystals? What does Rex Morgan know about people who don’t actually practice medicine? Barring surprises, Terry Beatty’s Rex Morgan, M.D. is my next plot recap subject. See you soon.

Advertisements

What’s Going On In The Phantom (Weekdays)? Is Kadia’s mother even alive? March – June 2019


This is my snapshot of the March-through-June 2019 storyline in Tony DePaul and Mike Manley’s The Phantom, weekday continuity. If you’re looking for the plot of the separate Sunday-continuity Phantom, or are reading this after about September 2019 and want something more up-to-date you’ll want another essay at this link. If you’re looking for the latest mathematically-themed comic strips, that’s at this link. Thank you.

It’s too soon, as I publish this, to say whether Kadia’s mother is alive. The past three months of story were built on The Phantom assuming she’s alive and well. But she’s not been seen on-camera. Nor has anyone with authority to know said she’s dead. This may change in the coming week.

The Phantom (Weekdays).

11 March – 1 June 2019.

The Ghost Who Walks was riding a weird ship last time I checked in. He and Bangallan President Luaga had gotten Heloise Walker and Kadia Walker, née Sahara, out of New York City. Kadia was still reeling from the discovery her father was the international terrorist The Nomad. She’s coaxed Kit Walker into rescuing her mother. At least to arranging the rescue; he claims to know someone who could do it. One of the Nomad’s militias holds her at one of his estates, hostage to secure his silence about their activities.

Kadia draws the best map of the compound she can for her newly-adopting father. Kit Walker promises this will be a big help to him, and by him he means the person who’s going to rescue Imara and, uh. You know, at some point they’ll need to have a talk about the Walker family business but that can wait. Well, Kadia’s doing quite well with this whole learning-your-father-has-a-secret-life thing.

Kadia, as she and Heloise board the plane: 'There's no friend.' Heloise: 'Sorry, what?' Kadia: 'No associate, no expert ... Heloise, I'm not stupid! He's going there himself!"
Tony DePaul and Mike Manley’s The Phantom for the 3rd of April, 2019. I have wondered at what point Kadia is going to be brought in on the secret of her new family. In any event it’s nice seeing Kadia work out things on her own. I can accept easily people keeping secrets from their family, but those are usually secrets that require fewer days of emergency surgery.

In Mawitaan, Diana Walker’s found a new school and apartment for Heloise and Kadia. They set off for that. Kit Walker sets out for North Africa, by himself.

And we set out for somewhere in New York. Secret Service guys are visiting David Palmer and his sister Lily. David Palmer’s the uncle of Diana Walker. He’s been in the strip, off and on, since 1940, and been an intelligence agent at least some of that while. The Secret Service people want help. They’ve confiscated the video of the unknown party who crashed The Nomad’s plane and made a cop arrest him. They know who the party is. They want to know what Heloise Walker was doing for the Bangallan President. He doesn’t know she was doing any such thing. They want to know what he’s been saying about Imara Sahara. He denies having ever said such a name. They want his advice on blowing up The Nomad’s North African compound. He has none to give them.

David Palmer, pouring tea: 'Those agents think that I know more about Lamanda Luaga's business than they do. That the woman in North Africa is an asset, one whose survival is in our national interest.' Lily: 'Oh, Dave, I thought you were through with all this!' David, while the picture is of The Phantom at night infiltrating the grounds: 'I am, Lily. That's why I'm not in a dark room right now, advising those fellas on whether to bomb the place flat in the next ten minutes.'
Tony DePaul and Mike Manley’s The Phantom for the 25th of April, 2019. So part of me curses my compulsion to look for load-bearing strips for these plot-point-illustrations. I was really amused by the strip for the 13th of April, for exactly the reason you’d expect: I like building models too. Well, having unbuilt model kits, anyway. I’ve never known someone in the model-building community to actually build a model.

It seems like a curious detour. Men come to bring David Palmer into the story, and he refuses to be part of it. It does serve to re-establish what role Heloise Walker has had in all this, and why this North African expedition might matter to anyone. One of the many hardest parts of any serial story is helping casual readers not lose the plot without annoying the dedicated readers. And then also …

Well, on to North Africa. The Phantom readies to infiltrate the Nomad’s compound. Last time he tried something like this he got suckered by a decoy, and quite badly wounded. He’s better-armed, better-shielded, and ready to do one of his classic one-man infiltrations.

Phantom, thinking as he runs up to and tackles two unsuspecting guards: 'The sound of the surf is on my side ... the only penalty in *this* game is if the players get back up!'
Tony DePaul and Mike Manley’s The Phantom for the 1st of May, 2019. So what do you figure the guy on the right was looking at on his phone? I’m thinking otter memes. You?

The complication: oh yes, American military forces are figuring to bomb the compound like it’s a wedding party. Their drones detect The Phantom moving in. So the drone warriors pause. They can’t figure what his deal is, and they’re not eager to wait for early June for me to explain it all to them. They couldn’t even get David Palmer to explain things to them, no matter how much they invited him into this story. They hold off on the bombing a bit, though.

The Phantom finds some useful cues. A pile of ammunition he can use to blow stuff up. A crate containing a chunk of ham on a bone that’s good for 20 health points. People he can beat up for intelligence. Some cute chances to call back to things other characters said.

Terrorist minion: 'Already we have won! No matter what you do! We don't need her alive to compel the Nomad to guard our secrets!' The Phantom: 'You just need him to *believe* she's alive. [ Slugging the minion. ] We're assuming he *cares*, aren't we?'
Tony DePaul and Mike Manley’s The Phantom for the 1st of June, 2019. I’ll admit the part of the story where everybody starts openly double-crossing everyone else is typically where I get lost. But I’m hanging on so far and, in any case, I’ll have until late August or early September to work it all out. That’ll be plenty of time to get organized!

He’s not going undetected in the compound, though. He’s already knocked out a bunch of low-level minions, and they’re starting to be discovered. He collects a not-unconscious minion. The minion reports Imara Sahara is in the safe room, as The Phantom expected. There’s four guards holding her. Two of them have orders to kill her rather than let her be freed. It’s going to make an already bad situation worse.

And that’s where the situation is. The Phantom, alone, trying to rescue Imara Sahara. She’ll have have no idea who he is or what he’s doing. She’s held by a militia ready to kill her in case The Phantom gets too close. That’s if she is still alive. The interrogation this week made clear the militia has limited reasons not to kill her. And American armed forces are ready to blow up everything. Bit of a fix. Well, I suppose he knows his business.

Next Week!

I finally get what should be my easy week. Scheduled in seven days is Mark Schulz and Thomas Yeates’s Prince Valiant. Oh, wait, I have to read it through Comics Kingdom’s really quite bad redesign. Hm.

What’s Going On In The Phantom (Sundays)? Will I ever stop complaining about the Comics Kingdom redesign? January – April 2019


I’m glad you want to know the happenings in Tony DePaul and Jeff Weigel’s Sunday-continuity The Phantom. If you’re reading this after about July 2019, this recap may be out of date. A more up-to-date recap should be at this link, as will be recaps of the weekday continuity. Also, The PhantomWiki is a nice handy reference for stuff. And the Comics Kingdom redesign has gotten less bad but I’m still not happy, and shall explain later.

The Phantom (Sundays).

27 January – 21 April 2019.

The Phantom Sunday continuity was partway through its flashback when I last checked in. He had returned a Xanangan child to her village. She was a stowaway on a vintage B-29. The plane’s crew flew at air shows. And they flew stolen wildlife from show to show. And don’t you think Mark Trail won’t be quite cross about all this smuggling when he finds out. But The Little Detective, accidentally locked into the cargo hold, started keeping notes. She dropped postcards at airshows. She trusted someone would mail them off.

Finally someone did. It was a letter to her family, who finally had some assurance that was alive and somehow in Sweden. Her family turned the news over to the Jungle Patrol. They turned it over to the Unknown Commander, our favorite stripey-panted walker. Meanwhile she keeps notes on what the smugglers take, and where they take them.

Smuggler: 'C'mon! Which one of you pigs keeps cleaning out our grub store?' Smuggler Two: 'And to whoever took my flashlight ... oh, man, you must be *trying* toget hurt!' The Phantom, narrating: 'Our young heroine documented every move the crew made in the unlawful trade in wildlife. Philippine forest turtles. The endangered Philippine crocodile. From Australia, lace monitors and black-headed pythons. Our intrepid little detective had the goods on this gang of smugglers! It was time for her to come home.' (It's shown examples of the Little Detective looking at each animal; the final panel is the Phantom sneaking up on the B-29 at a small, sleepy nighttime airport.)
Tony DePaul and Jeff Weigel’s The Phantom for the 17th of February, 2019. So the Comics Kingdom web site redesign has been tinkered with. It’s no longer so sluggish or all-around annoyingly bad. But it still isn’t as good as what the site used to be. The Sunday strips, particularly, are turning into messes like this. The four-row, two-column format might not be too bad, if the comic naturally rendered at the full width of my browser, the way it did in the old design. As it is, I can zoom in on the image, and see parts of the art in good detail. But … I mean, my eyes are good, for their age, and they’re not finding this an easy read.

The Phantom catches up with the B-29. I’m not sure where. He must have figured there aren’t that many touring B-29s that have made stops in Bangalla recently. He sneaks into the cargo hold at night, catching The Little Detective by surprise. Diana points out, so, he and his wolf named Devil, in the middle of the night, snuck into the cargo hold where a lone girl has been hiding from the crew for months. He concedes he could have introduced himself less alarmingly. But there was a deadline. The plane was leaving just before dawn; this was his best chance of contacting her before a fight.

The smugglers return to the plane. The Phantom glad-handles them, praising their cleverness and what a great story they’ll have to tell in prison. One of the smugglers spoils the cheery mood by taking out a gun. The Phantom takes back the scene, though. He explains he’s just moving the action over there so nobody accidentally shoots the airplane. It’s a deft touch, showing how simple persuasion is a superpower. The smugglers hardly notice they are letting The Phantom lead them, not until he grabs their gun.

Smuggler with gun on The Phantom: 'I'm leaving you two right here, masked man! And the wolf!' Phantom: "Devil ... stay!' Smuggler: 'I said GET THOSE HANDS UP!' Phantom: 'I'm going to turn the both of us. Turn us slowly. I'm telling you what I'm doing so you're not frightened. You're nervous, but that's not the same thing. You should be nervous. I'm turning us because nobody wants you to put a hole in the aircraft.' (They turn away from the B-29; Phantom, thinking: 'The girl's safe now.') Phantom: 'It's our flight home to Bangalla. And yours to Boomsby.' Smuggler: 'S-stop talking to me! I know what you're trying to do! Mister, I'm warning you! Don't start thinking you're faster than a bullet!' Phantom: 'Is it me against the bullet, do you think? Or me against you?' (Phantom suddenly flips around and grabs the gunman's arm; he fires, completely missing.)
Tony DePaul and Jeff Weigel’s The Phantom for the 31st of March, 2019. And here we go. About half of the archived strips are four-row formatted strips. But about half of them are two-row formats like this. The panels are a little bit larger, and so easier to read, but not all that much bigger. And I know there are plenty of newspaper readers who’ve been getting this format forever, but I’m used to the pacing of the strip in its three-row format. I do not like the two- or the four-row formats at all. And this thing Comics Kingdom whipped up for today, the 21st? Where it’ll show some strips as six rows of one panel each, each panel just large enough that you can make out there might be something there? That’s exquisitely bad. That’s not just blowing off the usability tests, like everybody has since 2002, that’s going out of your way to be unusable.

Having blown it, the smugglers try to appeal to The Phantom’s patriotism. At least his historical enthusiasm. How can we possibly have both vintage World War II aircraft operating and some pangolin left surviving somewhere in the wild, after all? The smuggler starts some Greatest Generation talk when The Phantom slugs him, correctly. I mean, first, War Hardware fans are the worst. Second, Bangalla was part of the British Commonwealth of Fictional Nations. They, and their Buranda and Qumran brethren, were having people killed for a year and a half before the Americans put anything on the line. Still, The Phantom’s reaction is only at the level of punching. It’s not like these are Avro Arrow fanboys.

And yeah, I talk a smug game. But I know where my standing is weak. I kinda like the various preposterous ideas to do a lunar landing with Gemini spacecraft. There is an audience to which this is a very funny thing to admit and it is not my fault that you are not in it. Anyway that’s where the action has gotten by now.

Next Week!

So how’s the plane crash going? Terry Beatty’s Rex Morgan, M.D. promised excitement and an emergency touchdown. In a week, barring emergencies, I’ll recap what’s happened since then.

And until then? I keep reading the comic strips for mathematical themes, and share the results on my other blog. I’d be glad if you considered that, too. This week’s mathematics comic strip essay is here.

What’s Going On In The Phantom (Weekdays)? What’s that weird Bangallan Navy ship? December 2018 – March 2019


If you’re reading this after about June 2019 I probably have a more up-to-date recap of Tony DePaul and Mike Manley’s The Phantom, weekday continuity, at this link. The link also has the separate Sunday continuity recapped there. If you’re trying to work out all this stuff about Heloise Walker and the Bangallan Embassy? This is a good essay for it.

I try to recap all the syndicated story comics still in production. All those recaps should be at this link. I also discuss the mathematical topics inspired by comic strips. One of those essays, including a challenge to rewrite a joke, is at this link.

Before I get to the weekday Phantom storyline I have a warning. The storyline includes a despairing character considering suicide. If you aren’t comfortable with that, you’re right. Skip this installment. We’ll catch up again in June.

The Phantom (Weekdays).

December 2018 – March 2019.

I last visited the weekday Phantom at the start of a new story. This one, the 251st, is “Heloise Comes Home”. Heloise Walker had crashed the plane of Eric “The Nomad” Sahara and gotten the terrorist arrested. She’d made her way back to the Briarwood School and her roommate, Kadia Sahara. Kadia knew nothing of her father’s avocation. All she knows is her roommate is demanding they flee the country now before it’s too late.

Continue reading “What’s Going On In The Phantom (Weekdays)? What’s that weird Bangallan Navy ship? December 2018 – March 2019”

What’s Going On In The Phantom (Sundays)? Where in Africa is Bangalla? November 2018 – January 2019.


If you’re here to catch up on Tony DePaul and Jeff Weigel’s The Phantom, Sunday continuity, good. If it’s past April 2019, a more current plot summary should be at this link. The link contains both the Sunday and the separate weekday continuities. But you’ll figure it out. And you may be able to use PhantomWiki, a guide to just what you’d think. I keep going back to check stuff on it myself.

And if you’re here to see where the mathematically-themed comic strips are, the answer is over on my other blog. Glad to have you read a couple of paragraphs about such comic strips as Alley Oop, Ask A Cat, and Six Chix.

The Phantom (Sundays).

4 November 2018 – 27 January 2019.

I teased last week the question of how that whole The Rat dying project was coming along. By the time of my last plot update, he had died, yes. The last bit of business was his funeral. The Phantom stole The Rat’s corpse from Boomsby Prison. He was buried instead in The Phantom’s Vault of Missing Men. The Phantom had felt bad about all those times he told The Rat he was going back to Boomsby after all. Also Skull Cave has a private mausoleum for people who’re Phantom-connected. I bet you Bruce Wayne never considered whether the Batcave needed one of those.


The 18th began the new, and current, Sunday adventure, The Little Detective Who Disappeared. PhantomWiki lists it as the 187th Sunday story. It starts with a B-29 crew landing in a remote jungle airfield. Jungle Patrol is there, to take the three-man crew into custody. Evacuating just ahead of them: The Phantom — the Unknown Commander of the Jungle Patrol — along with his wolf Devil, and a girl. The Phantom brings the girl back to her home in a Xananga village. (The Xananga are a tribe in the Elephant Valley of Bangalla. If PhantomWiki hasn’t missed something this is their first appearance in the strip since 1991.)

[Homecoming. A heroine thought to be lost forever.] Phantom, riding his horse with The Little Detective alongside, through a town square packed with celebrating people; he progresses through an afternoon and evening of celebrations. He thinks: 'A great people, thee Xananga. This girl has the grit of the Xananga leaders my ancestors encountered over the centuries. This celebration will go on for days. I'll slip away tonight ... home to the deep woods.'
Tony DePaul and Jeff Weigel’s The Phantom for the 23rd of December, 2018. The easy joke to make is that I share The Phantom’s feelings here, about sneaking out of a party long before it’s over. But that’s got no truth in it. It’s hard rousing me to go out and do a thing, yes. But once I’m there? I’ll stick around until the event’s over, and then put in another half-hour, and then when it’s gotten awkward that I haven’t left yet, will wait for some clear sign that it’s been too long. Ideally, this will involve my hosts apologizing but it has been four days now and they had promised to go do some other party, to which I wasn’t invited, correctly.

That done, The Phantom returns to Skull Cave to tell his wife and Guran and also the audience about what just happened. In flashback it tells of The Little Detective, who’d followed strange noises. And disappeared, to her family’s distress. What she found was wildlife poachers, emboldened by Mark Trail’s long sojourn in Mexico. She was examining the crates in the airplane’s hold — including grey parrots being stolen from Bangalla — when the cargo door closed and the plane took off.

Phantom, recounting: 'With the plane loaded and fueled our Little Detective made a bold move! [She found] grey parrots from Bangalla, pangolins from Asia ... a dozen species inhumanely created for transport. She was about to run for home when [ the door slams shut ]. The crew climbed into the forward compartment. [ The plane takes off. ] Our Little Detective was airborne! For destinations unknown!'
Tony DePaul and Jeff Weigel’s The Phantom for the 13th of January, 2019. That African grey parrots can be found in Bangalla suggests the place would be near equatorial Africa, on the western side. (But I’m aware the country’s location has been vaguely defined, and sometimes redefined, over the strip’s history.) Anyway, the important thing is: pangolins. Aren’t they great? We should be ashamed what we’re doing to them.

The smugglers’ plan: use the B-29 as a show plane, moving across borders with little scrutiny. Vintage trucks and cargo crates were treated as props, and accepted as such by customs officials. Meanwhile the Little Detective, stowaway, found some projects and kept busy. She’d swipe food from the crew, encouraging them to fight each other. She’d drop notes to bystanders at air shows. She’d … I don’t know from there. That development brings the story to the 27th of January. Shall have to follow up in a few months, when we’ve seen more of what The Little Detective did.

I’ve read comments skeptical that this airplane-show-smuggling scheme could work. It seems to depend on a particular laxity or incompetence on the parts of customs officers. My readings of how security-state organizations work leads to to believe they run at about 49% adequate, 51% fiasco, with occasional flutterings one way or the other that make it into true-crime podcasts. So I wouldn’t expect every customs official to ignore cargo being carried by a show plane. But I can absolutely buy an organization that manages to make themselves look boring enough to avoid close scrutiny by un-corrupted officials, at least for a while. I also understand people who figure that of course customs and immigration works like it’s supposed to. Anyway, it’s a story; we can suppose the bad guys are clever enough to out-think the obvious problems. It’s whether they should also be clever enough to out-think the protagonist that’s where credibility can be strained.

Next Week!

Would-be clumsy mugger Delmer Robertson has reconnected with his old pal and comic strip regular Jordan. But it’s just in time to learn he needs a new kidney. But where will we find anyone who can do something medical? I’ll check back in seven days with the plot recap of Terry Beatty’s Rex Morgan, M.D.

What’s Going On In The Phantom (weekdays)? What’s the shortest Phantom story ever? September – December 2018


So this is the first, and surely last, time one of my recaps spans three Phantom stories. I’m delighted. This covers the last couple months of 2018. If it’s much past about March 2019 when you read this you’ll probably find a more up-to-date recap at this link. The link covers both the weekday continuity and the separate Sunday storylines. But it should be clear enough what I’m writing about, either way.

If you like comic strips that mention mathematics, please give my other blog a try. I get usually a couple of posts per week discussing topics raised by the comics. Not this week, it happens. But I am also nearing the end of a glossary of some terms, one for each letter in the alphabet, and what they mean. Might find that fun too.

The Phantom (Weekdays).

24 September – 15 December 2018.

The Ghost Who Walks had spent a couple months on his back, last time I checked in. He was recovering from major injuries after a failed capture of Eric “The Nomad” Sahara. The Nomad was in Manhattan, having one last weekend with his daughter Kadia, before going into hiding. Also spending time with his daughter’s roommate, Heloise Walker. Sahara concluded, wrongly but not stupidly, that Walker was a secret agent plotting to capture or kill him. So he threw together a plan. He reported Heloise as a terrorist to the Transportation Security Authority. They arrested her in front of Kadia and everything. This so Kadia would not try to work out Walker’s disappearance. Sahara then collected the released Walker, planning to fly her somewhere she could be killed without detection. My last recap ened with them on the runway, Sahara getting his private jet up to speed.

Picture of the plane crashing down the street of the neighborhood just past the airport edge. Heloise Walker, narrating: 'The Nomad *had* to be stopped! At any cost! But I --- I'm going to live! Somehow I *know* I am!'
Tony DePaul and Mike Manley’s The Phantom for the 29th of September, 2018. I did see people on Comics Curmudgeon griping that after the plane crash it took forever for a response to come. I think that’s conflating reader time with in-story time, though. The fight between Walker and The Nomad after the crash took a week or so of strips, yes. And Walker fleeing the cop took another week or so. But that’s all things that happen, in-universe, over a couple of minutes. Barely enough time to get the emergency crews to the crash site. Complaints that people hadn’t left their houses to see what was going on are a little more grounded, although I know I’d be watching from the windows. At least once I was confident my house wasn’t on fire from stray jet fuel.

Walker recovers consciousness just into takeoff. She fights him in the cockpit, sending the plane out of control, crashing it into the suburban neighborhood beside the airport. Walker and Sahara are still alive, and keep fighting, Walker thinking of the 21 generations of Phantoms before her. Walker knocks Sahara unconscious and drags him out of the plane before the airport emergency crash teams can get there.

The first cop on the scene is one who’d arrested Walker at Sahara’s misdirection earlier. Walker tells him Eric Sahara is The Nomad, internationally wanted terrorist. She flees. The cop follows, and shoots, but into the air. She escapes.

Cop and supervisor watching the cop's body cam footage. On the footage the cop calls 'STOP!' and Heloise Walker answers, 'What are you DOING? I'm on your side! Guard the Nomad, you fool!' Scene reveals The Nomad, held by a couple Men In Black types: 'You misspoke, officer. There was no girl. This footage does not exist. Understood?'
Tony DePaul and Mike Manley’s The Phantom for the 26th of October, 2018. Oh yes, and a piece of the story is that the authorities chose to conceal Heloise Walker’s existence from the news about this. Their exact reason for this is unclear as yet. But it’s probably feeding Walker’s choices later on and might become less obscure as the current story develops.

Back home in Bangalla, The Phantom wakes after uneasy sleep. He gets the message Heloise Walker left earlier in the morning, and in my previous recap. The one about her having found The Nomad and her then-plan of getting him to share his plans. The Phantom’s ready to run for New York, despite his neck being only barely connected yet. It’s moot anyway. Heloise Walker calls with the news about The Nomad’s arrest.

She’s stumbling around convenience and dollar stores. She’s trying to disguise herself. She’s certain that the authorities have her picture, and soon, her identity. The authorities publicly claim the cop’s body camera malfunctioned. That initial reports of a girl being with Sahara were mistaken. That it was that one airport cop to credit for this capture. Heloise guesses, correctly, that that’s a lie. And she’s torn between pride in her having stopped a major international criminal and wanting to go home.

The Phantom and Guran in the Skull Cave, listening to Heloise Walker about her night: 'I was so dumb to follow The Nomad to his jet! There's something *dead* in his eyes, Dad. I *saw it*, and ... and I went with him anyway.' Phantom: 'Yes, there's something dead in him ... he uses terror to further his aims. The worst kind of man alive on the Earth ... '
Tony DePaul and Mike Manley’s The Phantom for the 8th of November, 2018. I think we have to be more specific about someone who “uses terror to further his aims” or we’re going to have to revisit that bit where The Phantom kidnapped, tied to a tree in the Whispering Grove — where the tree seem to whisper The Phantom’s name — and left for a day, then dragged back to the Skull Cave for scolding a man who wanted to put The Phantom on postage stamps and otherwise promote his “brand”. But one legitimately fun thing about The Phantom is that he does miss stuff sometimes, and it’s occasionally important.

That, the 10th of November, ended “A Reckoning With The Nomad”, which The Phantom Wiki lists as the 249th daily-continuity story. The 12th of November started “Kit’s Letter Home”, the 250th weekday storyline and, at four weeks, surely one of the shortest ever. The Phantom Wiki claims it is. I can only imagine the occasional Christmas story possibly competing. “Kit’s Letter Home” is more of a mood piece, so the plot won’t seem like much. Kit Walker, the presumptive 22nd Phantom, is in Tibet. He’s studying with monks he’s presented himself to as the reincarnation of the 11th and 16th Phantoms. They present themselves as believing him. Kit, awake early, takes a bit to write a letter home.

Kit Walker, writing: 'Dad, I saw plenty of this growing up as your son.' (It's the monks keeping him away from Kyabje Dorje, hiding his injuries.) 'I think my tutor fights on our side somewhere. He fights for what's right. He's that kind of man, I just know it ... '
Tony DePaul and Mike Manley’s The Phantom for the 24th of November, 2018. This is part of a sequence of strips comparing Kyabje Dorje’s behavior to how The Phantom acted when Kit and Heloise were young. And while this does read like a setup to a future adventure, I’m fine with it if it’s not. I like when minor characters have their own quite full lives when they aren’t waiting for one of the title cast to need them.

In this he lays out some of the setting. Notably about his tutor, Kyabje Dorje, who gives off strong Phantom vibes himself. That he’s a scholar, a gentleman. He occasionally returns from disappearances with unexplained injuries. (Be a heck of a thing if he goes flying off to vanquish evil and maybe reconnect with his mentor in El Paso who taught him the mysterious ways of the cowboy, right? By “a heck of a thing” I mean “a thing that seems like the premise of a guest-star Control agent on Get Smart”.) And about Chief Constable Jampa, the local corrupt law agent. They got off to a bad start, with Jampa holding this foreigner at gunpoint. He relented only because Kyabje Dorje’s whole monastery insisted. Since then … well, we haven’t seen anything. But we’ve got the threads for this ready to go.

Anyway, he wraps up, congratulating his dad for capturing The Nomad and all. He makes a couple ironic jokes about his sister having a soft time of it. And he sends his love. And wraps up the letter and burns it to ashes, the better to keep family secrets.


And that’s that story. This past week, the 10th, started the 251st daily-continuity Phantom story, “Heloise Comes Home”. The title picks up from what Heloise said in the last strip of “A Reckoning With The Nomad”. She’s made her way back to the Briarson School, not because she figures she can return to classes. “Crashed Your Roommate’s Father’s Private Jet And Got Him Arrested For Terrorism” gets you out of the semester in most any school. It’s only an urban legend that it’s an automatic A for the semester, though. Walker gets back to her room and very briefly informs Kadia they have to flee now or they’ll never get out of the country. But that’s all she’s had time to do.

I have no information about where the story might be going. (And I’m not seeking any. I’m content to read the comic like anyone might. Let actual comic strip news sites carry teasers.) I can see obvious potential paths. It would be ridiculous were authorities not to investigate Kadia Sahara. This though she does appear to be wholly uninvolved with anything. Fleeing the country would be the first suspicious thing she might do that we’ve seen on-screen. Heloise Walker would likely be investigated as someone near to Eric Sahara even if she weren’t on the body-camera footage. That her mother’s got a senior position with the United Nations is likely to attract more official attention. And it makes me realize I don’t know what the world thinks the senior Kit Walker does. That is, they do see this fellow named Mr Walker who’s always wearing sunglasses and has antique airplanes and the like. I don’t know what people imagine his day job to be.

A running thread of Heloise Walker’s story has been her desire to be a female Phantom. It’s quite fair that she might be afraid of that now that she’s been through an intense and terrifying experience. (Can’t forget that, for all her poise and formal-dinner-wear outfit, she is a teenager, 15 or 16 years old.) Reconciling the fantasy of her family’s superheroic lifestyle with the reality is a solid character challenge as well.

Also, I keep losing this link and cursing myself until I re-find it. So here’s The Phantom Wiki. I keep drawing on it as reference about things like what story number this is and where earlier characters came from.

Next Week!

I get to relax and take things easy. It’s time for Mark Schultz and Thomas Yeates’s Prince Valiant to take the stage again. I’m sure I can recap twelve Sunday panels sometime before the actual Sunday arrives, even with this being a busy season. What me fail to do so. It’ll be fun.

What’s Going On In The Phantom (Sundays)? Is The Rat Nearing Death Yet? August – November 2018


There’s always two answers about what’s going on in The Phantom. The Sunday strips, written by Tony DePaul and illustrated by Jeff Weigel, are one thread. That’s the one I recap here. The weekday strips, written by Tony DePaul again but illustrated by Mike Manley, are a different storyline. Both have plot recaps at this link, because I can’t think of a better way to arrange the tags. I never learned that you can easily have subsidiary categories of a main tag, and have been able to on WordPress blogs for years, you see. It’s a shame and someone should tell me. Anyway, both storylines are recapped there and you can get the most recent update to both by using it and a bit of sense.

The Rat is getting farther from death, but on the other side of the event.

Also, I look at comic strips for mathematical topics. That’s over there. You might like it. You might also like my progress through the alphabet, looking at and explaining mathematical terms. Thanks for considering it all.

The Phantom (Sundays).

12 August – 4 November 2018.

The story of The Rat, who must Die, reached its one-year mark since the last time I checked in. The Rat had lead The Phantom to his former partner-in-crime, The Boss. The Phantom had promised to recommend time off The Rat’s sentence for his help bringing in The Boss. The Rat failed spectacularly at getting away from The Phantom. But in the struggle between The Phantom and The Boss, he took a chance to clobber The Phantom with The Shovel. And The Boss was readying to run down The Phantom with his car.

The Phantom shoots his gun at the driver. He forgets that in Rhodia they drive on the other side of the road. I liked that bit. I like superheroes who make realistic mistakes such as that. The car still smashes against The Phantom. The Boss comes out to kick The Phantom before shooting him. The Phantom staggers to his feet, holding a knife against The Boss. The Rat warns that The Phantom’s never going to give up. The Rat finds The Phantom’s other gun, and declares he knows for sure how this plays out.

Phantom: 'I'm giving you one chance ... to drop ... that ... weapon.' Boss: 'Ha ha! Do you believe this guy?' Rat: 'I do! He never gives up!'' [ Cutaway: Jungle Patrol inbound. ] Rat: 'Hey! I got his other gun right here! Now I know for sure how this thing plays out ...' (Rat oints the gun toward Phantom.) Rat, to Boss: ' ... Old Buddy.' Boss thinks, 'Uh-oh'. The Rat shoots the Boss, who shoots back.
Tony DePaul and Jeff Weigel’s The Phantom for the 16th of September, 2018. When I first read it, I did misunderstand the action of the final panel, and thought The Boss had shot at The Phantom as he was being shot himself.

The Rat turns again: he shoots The Boss, who fires back. They’ve killed each other. The Rat takes a bit longer to die. It gives him the chance to say how he wished he could have a life more like The Phantom’s. And chuckles that, hey, he got out of Boomsby Prison, never to return, after all.

[ Final Matters ] The Rat, dying: 'Sorry about the sucker punch. Oh, and yeah, the, uh, shove.' Phantom: 'Don't mention it.' Rat: 'It feels so weird ... doing something not for me ... for somebody else ... *told you* I wasn't going back to Boomsby! ... I owe you, brother.' Phantom: 'You owe me? How do you figure that?' Rat: 'You got me out.' (He dies; the Jungle Patrol helicopters arrive.)
Tony DePaul and Jeff Weigel’s The Phantom for the 30th of September, 2018. That’s a pretty neat split-screen effect in the first panel, bottom row. It reads well even though it defies the normal left-to-right order of word balloons.

Jungle Patrol arrives. The Phantom had called in his private air cavalry earlier in the story. They collect the bodies and return to Bangalla, and Boomsby Prison. The Warden soon has a report for Bangalla’s president, Lamanda Luaga. They believe The Phantom kidnapped and executed The Rat. They don’t know the Jungle Patrol is under The Phantom’s control. President Luaga publicly dismisses this as legend. And privately concedes he doesn’t know why The Phantom wanted The Rat dead but is sure he had a good reason. It’s nice to see a superhero who’s got the confidence of the authorities these days. But, jeez, that’s putting a lot of trust in someone’s judgement.

And there’s another mystery. The Rat’s corpse has disappeared from the morgue. The Phantom took it, of course. He’s giving The Rat a funeral, with the help of Bandar pallbearers. His wife asks a question that’s been nagging at me for a year-plus: what was his name? The Phantom doesn’t know.

[ Last Rites for the Rat ] Diana: 'Who was this man? A friend of yours?' Phantom: 'Not exactly ... what an honor! To be carried on one's final walk by great Bandar leaders! Guran, Babudan, friends! Please follow me.' (He leads the pallbearers into a cave.) Diana: 'Darling, what was this man's name?' Phantom: 'Name? I suppose he must have had one. I never knew it. To some he was The Rat. To others, prisoner number 5364278. Let's just call him a man who has gone missing. And so here we are ... the Vault of Missing Men!'
Tony DePaul and Jeff Weigel’s The Phantom for the 4th of November, 2018. So I know what you’re thinking: if The Phantom didn’t know The Rat’s name, how did he tell the Jungle Patrol that The Rat should get time off his sentence for his cooperation? And the answer is that The Phantom described The Rat, and what was to be done, but trusted that The Rat would be left alive when picked up by the Jungle Patrol.

Tony DePaul was kind enough to reveal this story’s set to end the 11th of November. I’m sorry to miss the end of the story by such a slight margin, but what am I to do, adjust my arbitrarily set schedule for good reason? No, I’ll just include a sentence or two about the end of this story when I get to the next Sunday-continuity recap, sometime around February 2019.

Next Week!

It’s a look at three months of action in Terry Beatty’s Rex Morgan, M.D. Have we seen the Las Vegas Pinball Hall of Fame? Have we talked to every roadside statue in the midwest? Has Rex Morgan seen a patient or done a doctor-y type thing? Well, no, probably not that. But they must have done something or other.

What’s Going On In The Phantom (Weekdays)? What’s The Plan To Kill Heloise Walker? July – September 2018.


Hi, readers interested in Tony DePaul and Mike Manley’s The Phantom. I’m writing here about the weekday continuity. It’s a story separate from what Tony DePaul and Jeff Weigel have going on Sundays. Both storylines get their recaps at this page, although we’re about six weeks from the next Sunday-strips recap. Also at that page should be any recaps that I write after this one. So if you’re reading this after about December 2018 there’s probably an essay recapping more recent plot elements there.

Also posted at least once a week: a review of mathematical topics mentioned in the comics. My mathematics blog over there is also starting an always-exciting A to Z essay series. And it’s hosting the Playful Mathematics Blog Carnival this coming week, too. Please give it a try.

The Phantom (Weekdays).

2 July – 22 September 2018.

The Ghost Who Walks had got back to his cave and gotten sewn up last time I checked on the daily strip. It was part of a story, A Reckoning With The Nomad, that began the 19th of February. It’s the 250th weekday-continuity story. Eric Sahara, supercriminal terrorist known as The Nomad, had lured The Phantom into a raid on his bungalow. The Nomad wasn’t there. Many gunmen were. The Phantom got out, but with serious injuries. He wondered: Where is The Nomad?

The Nomad: 'Who is this girl? This ward of a president ... what do we really know about her?' Kadia: 'Dad, DON'T! She's the first real friend I've ever had!' Nomad: 'Who is she speaking to so ... secretively?' [ In the other room ] Heloise: 'Dad, I ... I think I'd better tell you something ... '
Tony DePaul and Mike Manley’s The Phantom for the 18th of July, 2018. In this conversation she only tells The Phantom that she loves him, so that’s delaying the cavalry a bit.

He’s in Manhattan, it turns out, visiting his daughter Kadia. She’s attending the prestigious Briarson School. Her roommate is Heloise Walker, daughter of the current Phantom. Also twin sister of the Phantom-apparent. Heloise would rather like to be a Phantom herself. It’s not a ridiculous plan. The Chronicles of Skull Cave record Phantom-connected women donning the purple-and-stripes for various missions. And not only in stories told recently, as we might expect a decades-old comic strip might try to downplay old casual sexism. Comics Kingdom runs 1940s and 1950s-vintage Phantom strips as well, and those have had stories of women acting as the Phantom. (The story linked to there, from 1952, is neat as it talks about that Phantom’s twin sister who decides to get into the superhero game, much as Heloise has been saying she could do.)

Still. Phantom has known for a while his daughter was roommates with The Nomad’s daughter. He’d kept this secret from his family, the better to not worry them. He had a change of heart after the ambush made him go horse-riding with a massive wound in his neck. Walker tells his daughter exactly who she’s roommates with. “Better late than in the middle of the dinner your loved one is having with the international supercriminal terrorist”, goes the Old Jungle Saying.

Because the Nomad is figuring it’s time he disappear. So he’s visiting his daughter for one last weekend before he vanishes. His pleasant tourist weekend with Kadia and Heloise was that last weekend. It’s also a neat bit of plot rhyme to the weekend Kadia and Heloise spent with The Phantom and his wife, by the way. Heloise gets this news in the middle of dinner with him. She’s ready to tell her father where The Nomad is. Fear overtakes her: if he knew, Walker would jump on an airplane right then, despite the risk to his life. She figures she can do at least as well by sticking close to the Nomad and if lucky getting an idea his plans. Pass that on to her father when he’s well enough to fight, and everything will be in great shape.

The Nomad’s got plans for Heloise too. He’s learned Heloise Walker was for a time the young ward of Bangallan President Lamanda Luaga. And that this is something she’s never found worth mentioning to Kadia. His conclusion: she’s a young agent of the Bangallan government, sent to get to him through his daughter. It’s wild but not absurd. It depends, for example, on ascribing deep meaning to Kadia and Heloise being roommates. In-story, that was set because the school’s headmaster thought it cute. Or why Heloise reveals so little about her past, or her parents. Well, there’s other good reasons for her to be quiet about all that.

So he figures to kill her before she kills him. He forms a plan that seems, at first, confusing. But the indirectness is for good reason. He doesn’t want Kadia distressed about Heloise. And also doesn’t want her asking questions about Heloise’s disappearance. So the next day he goes to the Transportation Security Agency with a report of how he’s heard Heloise goes making pro-terrorist statements like “terrorists are great” and “I love that terror stuff”. He tells them he’s glad to keep Heloise busy while they ready to arrest her. But he’ll have to act like he protests when they take her, for the sake of her daughter. You know he donates so much to the TSA’s widows-and-orphans fund? (Which is a heck of a sick joke that DePaul left there for you to realize was there.)

Chief, explaining to his cops and The Nomad: 'Here's how I want this handled ... ' The Nomad, thinking: 'Useful idiots ... in time, Kadia will come to believe Heloise Walker was not a friend, but a dangerous foreign agent. Her unexplained disappearance will be entirely plausible! And I, in Kadia's eyes, forever blameless ... '
Tony DePaul and Mike Manley’s The Phantom for the 3rd of August, 2018. Oh, such a cynical take on the security apparatus here. … Hey, remember that time a couple years ago the FBI crime lab admitted they just made up their reports? And we decided we were okay with that as long as we didn’t know the wrongly convicted either personally or because a really good podcast investigated their case?

The Nomad treats his daughters to dinner on his own private jet, on the runway yet. Heloise steps out to text her father about how she knows who the Nomad is and how she’s going to get his trail. She’s barely done giving the cavalry pretext to arrive when she’s arrested. Kadia demands her father do something. He does: he pretends to talk with the Chief. And that the Chief told her Heloise is going to federal custody. He takes the batteries from Kadia’s phone and tells her to rest. And to process the news that Heloise is some kind of terrorist and going away to Federal custody. Thus he has this goal: Kadia has a story to why Heloise will never be seen again.

[ The Nomad's Lies ] Nomad, faking ap hone call: 'Yes, Chief ... I ... I understand. No, we had no idea. She deceived us rather convincingly ... ' Kadia: 'Dad! What's happening!?' Nomad: 'Thank you for your vigilance, Chief. Goodbye.' (To Kadia.) 'They're turning your friend over to federal authorities ... she's not the person you think she is!
Tony DePaul and Mike Manley’s The Phantom for the 27th of August, 2018. I’m impressed that The Nomad can fake a phone call like that on his smart phone. When I’ve held a smart phone I can’t get it to start a call, or make a call, or end a call. If my 2008-era phone ever gives out I’ll just have to never speak to anyone on the phone ever again, which would be all right, really.

Meanwhile the security apparatus has done some investigating. They’ve worked out that Heloise Walker may be a Bangallan national. But she is white and rich and I’m guessing Anglican. (I mean, the original Phantom was born in England in the 16th century, so there’s an obvious guess but also plenty of room for that guess to be wrong. And there’s five hundred years since then, even if the family’s settled on some strong traditions. Doesn’t seem to be practicing any European religion strongly, anyway.) They let her back into the Nomad’s custody. This seems quick. But a cop that The Nomad encounters on the airport tarmac does say how Heloise checked out, and it’s worth reporting people anyway. You never really know.

The Nomad, faking a call to his daughter: 'She [ Heloise ] wants you to exit the jet and show yourself. Ha-ha! Yes! I've told her that myself --- she's being QUITE ridiculous!' Heloise: 'Kadia would NEVER say that about me! You see, I happen to KNOW and LOVE her far better than THE NOMAD ever could!'
Tony DePaul and Mike Manley’s The Phantom for the 8th of September, 2018. I’m glad Heloise wasn’t suspicious about The Nomad’s “Ha-ha” laugh. Truth be told, I do that myself. Also “Hee hee” and “Tee hee”, because I’m pretty sure I learned how to laugh by just trusting that the noises people made in the comic strips were what the hew-mons did in reality.

The Nomad brings Heloise back to his plane and explains that of course he’s dismissed all his servants. Also Kadia’s totally on the plane. She insists on calling Kadia first. When she only gets voice-mail, she fears The Nomad has killed Kadia. And lets slip that she knows who he is. She flees. He catches her and knocks her out. He takes her into the plane. He’s going to fly her to somewhere he can throw her into the sea.

(One of her shoes fell off, since high heels are always doing that. The cop I mentioned earlier drives up when The Nomad’s picking up the shoe. He considers killing the cop, to cover up that possible thread. But the cop only talks about the importance of keeping everyone under surveillance, and doesn’t seem to notice the shoe, so The Nomad lets him go.)

(The Nomad, throwing a shoe onto the unconscious Heloise on his plane.) 'This is YOURS, I believe. And now we're free to queue for departure! Join me in the cockpit when you're able. We'll speak of your guardian, the great Lamanda Luaga! And what fools you both are ... '
Tony DePaul and Mike Manley’s The Phantom for the 19th of September, 2018. Still impressed by The Nomad’s phone-call-faking game, by the way. Just didn’t have space to mention it in the previous caption.

The unconscious Heloise dreams of sparring with her brother Kit. His dream-image is urging her to wake, now. The Nomad’s holding for clearance to take off.

Next Week!

It’s time to check in on Mark Schulz and Thomas Yeates’s Prince Valiant. Has the strip been invaded by the Byzantine Empire under Justinian? You’ll know soon!

What’s Going On In The Phantom (Sundays)? Is The Rat Dead YET? May – August 2018


Looking to understand the events in Tony DePaul and Jeff Weigel’s The Phantom, Sunday continuity? I’m happy to help. This update should get you ready for mid-August 2018, and maybe for a month or so after that. If it’s later than about November 2018, I should have a more up-to-date story summary and you can read it here. That link will also catch you up on the separate weekday continuity. Happy to help.

The Phantom (Sundays)

20 May – 12 August 2018.

The Rat Must Die, promised this story, which began back in October of last year. The Rat figured he could ease his way out of Bangallan prison by turning jailhouse-informant on his former partner, The Boss. The warden laughed him off. The Boss ordered a hit on him. The Phantom decided to take The Rat up on this offer. Not for freedom, just for The Phantom’s good word recommending a lighter sentence. They began a long hike out of Boomsby Prison, and then through the jungle. This lead them to the neighboring fascist state of Rhodia, where the Partner’s mansion was.

Last time I checked in, The Rat made another attempt at getting free of The Phantom, shoving the Ghost Who Walks into a carport. This fails instantly. One of the recurring motifs of The Rat’s story is his utter failure. He failed at whatever criminal activity sent him to prison, obviously. He failed at selling information for freedom. He failed several times over at breaking away from The Phantom. He failed to talk The Phantom into giving up his superhero ways. It leaves me a little sad for him. But his plans are all fairly dumb ones; he acts as if he figures, he’s a big, tough guy. Of course he can do whatever he wants. And it just doesn’t work. (It reminds me of dumb Mob scion Mikey D’Moda, from several Sunday stories ago.) Anyway, trying to take The Phantom by surprise just gets him clobbered, knocked out in two blows.

Minion, leaving the rec room: '[ Belching ] Anyone want anything from the kitchen?' The Phantom, thinking: 'He's not coming back, but it's the thought that counts.' [ A Bad Man Alone With The Phantom, in the kitchen. ] Minion, chopping up fruits for a smoothie: o/`I .. don't ... like your ... lit-tle games .. o/` (He runs the blender, and pours the smoothie.) The Phantom: 'That looks good.' (The Minion gasps, and The Phantom clobbers him. The Phantom sneaks up on the rec room, drinking the smoothie.)
Tony DePaul and Jeff Weigel’s The Phantom for the 10th of June, 2018. The Phantom’s really got to like the chance to drink with bendy straws if it’s going to make him go to the effort of cleaning his fingerprints off that glass. I empathize.

The Phantom strolls into The Boss’s house and takes out the guards easily. Comically so. Well, it’s late at night, nothing much has been happening, they figure The Rat is already dead. You never expect The Phantom to go knocking heads together. In a free moment The Phantom calls the Jungle Patrol. In his guise as the Unknown Commander he orders the extraction of The Boss’s minions. Also The Boss and The Rat. And that The Rat should get time off for helping bring The Boss to justice.

Then it’s just a matter of actually grabbing The Boss. That’s easy enough, since he’s sitting in a hot tub, not paying attention to some women there with him. The women flee. He comes along with The Phantom, protesting how this is totally illegal. Then The Rat clobbers The Phantom with a The Shovel. This gets The Rat and The Boss back on good terms. At least for long enough to talk themselves out of shooting The Phantom in the head.

The Boss: 'Hey! Let me get SHOES on my feet!' Phantom: 'No need ... they have prison shoes where you're going.' [ Criminal likes the law for once. ] Boss: 'It's not right! I --- I can't be extradited to Bangalla! Rhodian law says I can't!' Phantom: 'Are you a citizen of Rhodia?' Boss: 'Maybe I am, maybe I'm not. The point is --- you don't know I'm not!' Phantom: 'No difference to me either way ... file a complaint with your friend, The Rat!' (As they approach the garage.) Phantom: 'He's right over ... ' (He's not there.) '... Here?' (The Rat clobbers The Phantom with a shovel.)
Tony DePaul and Jeff Weigel’s The Phantom for the 22nd of July, 2018. I will say this for The Boss: best I can tell, he avoided building a McMansion for his criminal lair. The place looks big, yes, but all the elements seem reasonably scaled, and all the rooms we see have clear purposes and are scaled about right for those purposes. So, you know, The Boss has a not-awful side.

The Rat at least has a stroke of conscience about it. All their conversation while journeying has left him kind of liking The Ghost Who Small Talks. The Boss, well, he just wants to “turn this guy into soup” before shooting him. This he starts by trying to run The Phantom down with his car. This raises natural questions about the quality of his corn chowder. Phantom wakes up in time to start dodging. But he only has his sidearm against a rampaging car; he’s faced with maybe shooting The Boss. Bad form to use deadly force if there’s an alternative, but what alternative does he have?

And that’s where we stand as of mid-August, 2018.

Next Week!

Why do I think there’s maybe a 40 percent chance that Terry Beatty is snarking back at me? Read my planned recap of the last several months of Rex Morgan, M.D. to find out! Or look at my Twitter feed a couple days ago. Well, whatever you feel moved to do, you can see what mathematically-themed comic strips I’ve talked about recently on my other blog. You might enjoy that too. I know I do.

Seeing Myself in The Phantom of 1951


This is not a further What’s Going On In The Phantom post. It’s got that tag, but just because I wanted to talk about a couple strips from the Comics Kingdom Vintage page, which is currently running a story from 1951. If you want updates on the current Sunday or weekday continuities I’ll have them at this page, when they’re ready to go. (Barring a surprise or interruption my next update on current Phantom strips should be a Sunday-continuity update around the second Sunday in August.)

But thanks for reading on anyway. So this strip turned up in Comics Kingdom’s vintage comics. It’s from a story in 1951 where for reasons I honestly don’t remember, the Ghost Who Walks’ then-girlfriend, Diana Palmer, is slated to swim Whirlpool Channel. And the baddies are trying to prevent her success, I think to settle some gambling debts or something. Their earlier attempts to stop her have failed, so they’ve fallen back on the old kidnap-the-Phantom-while-releasing-man-eating-sharks-into-Whirlpool-Channel trick. (Imagining Maxwell Smart mentioning how that’s the fourth-largest whirlpool channel he’s ever seen.) And this is where it’s gotten:

[ Diana starts her long, hard swim across Whirlpool Channel. ] Dice: 'She's off! Okay, Scratch, cut the net [ to release the sharks ]!' The Phantom, thinking: 'How can I stop this? Hmm --- ' Aloud: 'WAIT, you fools! Those are sand sharks! They won't go near a human being!'
Lee Falk and Wilson McCoy’s The Phantom for the 1st of June, 1951, and rerun the 10th of July, 2018. Yes, The Phantom asked where on earth they even got two man-eating sharks (one for Diana, one for him). Dice’s funny but correct answer: ‘Where do you usually get sharks? Outa the ocean!’

Dice: 'You say those sharks aren't man-eaters? The skipper said they were! How do you know?' The Phantom: 'See the fins --- and those markings! Whoever sold you those sharks pulled a fast one!' [ A splash of salt water catches Scratch by surprise --- his gun drops for a moment. ] Phantom: 'Why, everybody knows the difference!' [ But a moment is all The Phantom needs! ] (He slugs Scratch.)
Lee Falk and Wilson McCoy’s The Phantom for the 2nd of June, 1951, and rerun the 11th of July, 2018. I mean, I love spouting nonsense and seeing who’ll bite. But my mind would probably have gone to how they needed woman-eating sharks and these are able to distinguish male from female and so preferentially eat males that it’s silly to send them after Diana.

And yes, I understand, that in a dire fix like this the hero will say anything to distract, confuse, and thus take by surprise the baddies. And that if you say anything authoritatively enough, quickly enough, people will at least not immediately ponder whether what you’re saying makes a lick of sense. But I truly love that the bad guys are at least momentarily buying into the premise that of course The Phantom will bring to their attention that they’ve gone and brought the wrong kind of sharks to send to eat his girlfriend. He might not want his someday-fiancee to die, but to let them go off being wrong about their death-trap design? Unthinkable. It is such a me thing to do, honestly. My love has had to have words with me about this, albeit in less dire situations.

What’s Going On In The Phantom (Weekdays)? Is Your Podcast’s Mattress Advertiser Grenade-Proof? April – June 2018.


Hi, readers interested in the 250th weekday-continuity storyline of long-running superhero comic strip The Phantom. I have no idea what that story is going to be. I’m writing this in late June 2018, in the midst of storyline number 249, A Reckoning With The Nomad. When story 250 starts — or other stories do — I’ll try to cover them, as well as any Sunday-continuity stories — with essays at this link. Thank you.

Meanwhile on my other blog, I talk about comic strips. That’s a mathematics blog, so I talk about mathematically-themed comic strips there. I hope you’ll give that some consideration too.

The Phantom (Weekdays)

9 April – 30 June 2018.

Where was the story in early April, last time I checked in? A failed airport bomber offers to reveal the identity of The Nomad, international terrorist and menace to The Phantom since 2011. The Phantom knows who The Nomad is: he’s Eric Sahara, father of his daughter’s roommate at Briarson School in New York City. The Phantom figures some kind of legal and political chaos will follow the Nomad’s naming, if he is truly publicly identified. So he figures to break into The Nomad’s compound and abduct him. He saw the Nomad from afar, acting strangely non-fleeing for someone who could expect authorities to be closing in on him. And that’s where we had been.

The Phantom gets past the security guards the way superheroes always get past security guards. Mostly with a bunch of well-placed punches that don’t attract other sentries. He grabs The Nomad out of bed. The terrorist cringes, whimpering and begging for mercy, and tells an incredible story, backed up by flashbacks on-camera. He’s not Eric Sahara. He’s just a Parisian man, abducted, surgically altered, and forced at gunpoint to be a decoy Fake Nomad. No-Nomad? That’ll suffice; I missed the fellow’s actual name. The Real Nomad’s plan succeeded. The Phantom’s trapped in a jungle bungalow, surrounded by armed guards. Who, you know, weren’t working too hard to stop his breaking in, earlier in the paragraph. Ah. No-Nomad runs, begging for his life, telling his captors how they don’t need him anymore now that their plan has worked. They murder him.

No-Nomad: 'I'm a PRISONER! Please believe me!' The Phantom, thinking: 'That accent! He's mastered it. More Paris than Algiers.' No-Nomad: 'I can prove it!! Just look!' The Phantom, thinking: 'I can prove it!! Just look!'
Tony DePaul and Mike Manley’s The Phantom for the 3rd of May, 2018. While telling his story the No-Nomad explains how he had to act as if he were giving stern speeches and to just blather on about anything. He tells of how he’d recite fairy tales, and The Phantom thinks how he has to learn how to read lips. This startled me with the discovery that The Phantom couldn’t read lips already. I assumed that was part of the hypercompetent superhero starter kit of powers and abilities. Considering what he does manage to do in this story it’s startling to learn of an actual definitely-established thing you can fake him out on.

They’re ready to murder The Phantom too. Also his pet wolf, Devil. And they have an enviable tactical advantage. They surround the bungalow’s exits. They’re stocked up with 800 million jillion kerspillion rounds of ammunition and grenades and rocket-propelled grenades and missiles and neutron bombs and photon torpedoes and Starkillers and a couple right nasty rubber bands flung from between their fingers. Plus I bet they call him nasty names too. Those really hurt.

The Phantom, to his wolf Devil, in a building taking all kinds of gunfire: 'This is a DEMOLITION CREW after us!' (He picks up and throws a grenade back out.) 'We're getting out of here, Devil!' (Thinking to himself.) 'I'll know the way when I see it ... '
Tony DePaul and Mike Manley’s The Phantom for the 25th of May, 2018. Alternate title: everyday life in 2018.

So it’s a well-organized trap. Their one mistake: they left a mattress in the No-Nomad’s bedroom. It’s cover. It lets him deflect a rocket-propelled grenade so as to blow open a new way out, an action both cool and absurd. (This broke the ability of one of Comics Curmudgeon’s commenters to suspend disbelief. I understand. I’m still along for the ride, but I would also have watched the Mythbusters episode where they tested this one.) Phantom and Devil race through the new opening. They escape The Nomad’s underlings who somehow fear they’ll be punished for letting The Phantom escape the death trap. The Phantom decides, yeah, he’s definitely going to take advertising from that silver-threaded mattress-kit delivery service on his pop-culture hangout podcast, The Ghost Who Walks Out Of Bad Movies. (Highly recommended if you need some more stuff to listen to. He and Mandrake the Magician have this great running gag of pretending to be Confused Johnny Hazard not understanding the exposition no matter how simple they make it.)

The Phantom, examining a wound in his neck: 'Might be wood ... metal ... can't seem to ... ' (He tugs it out, and bleeds profusely.) 'Uh-oh! I shouldn't have picked at that ... '
Tony DePaul and Mike Manley’s The Phantom for the 8th of June, 2018. Crow T Robot pops in from the corner: ‘Yeah, don’t ever pick at the plausibility of your superhero stories. You’re not gonna like the result.’

The Ghost Who Brings A Mattress To A Rocket-Propelled Grenade Fight is scathed, though. He unwisely pulls some shrapnel from his neck, opening up an artery. There’s nothing for it. He rides Hero, his horse, back to Skull Cave, while keeping as much pressure as he can on it. (This is another point that shattered a Comics Curmudgeon’s suspension of disbelief. I’m more sympathetic to this.) He makes it to Guran, though, and emergency surgery. Also a blood transfusion that surely will not result in his no longer being able to turn into The Incredible Hulk.

That’s the night The Phantom has had. Other people have had it worse. The failed airport bomber started to name The Nomad. His police motorcade came under attack, live on cable news. Other people had it superficially well. But even they have fraughts of danger all around them. Eric Sahara turned up at his daughter’s school. He plans to disappear. But before that he plans to spend a day with his daughter and, what the heck, her roommate. This makes a neat mirror of the day The Phantom spent with the young women at the start of this story. He doesn’t seem to have anything particularly devious planned for The Phantom’s daughter. But plans change, especially if he comes to realize who she is.

Kadia Sahara: 'How long will you be in New York, Dad?' Eric The Nomad Sahara: 'A few days. We'll see the sights. The three of us!' (Thinking.) 'And then, daughter, I must bid you goodbye ... with this relentless Phantom on my trail, it's time for the Nomad to disappear forever.'
Tony DePaul and Mike Manley’s The Phantom for the 20th of June, 2018. So to nitpick the plausibility here: did The Nomad know already that his rather plausible trap for The Phantom had failed? He’d have to feel like a real dink if he went to all the trouble to set up a new identity only to learn The Phantom had died of blood loss in some remote part of Bangallan rainforest anyway. Or is he just assuming that however good his traps are they aren’t going to work on The Phantom? Or is he just taking a belt-and-suspenders approach, doing his level best to kill The Phantom and also to take on a new super-criminal identity that’ll take a few years to unravel?

And that’s the major developments the last several months. As the shortness of this essay indicates it hasn’t been a dense plot. It’s had plenty of action, and intrigue. It’s just been a lot of stuff happening on one very busy night for everyone.

Next Week!

Palace intrigue! Border panics! Murder and coverups. Trade disputes. There’s not very much of Prince Valiant the last couple months in Mark Schulz and Thomas Yeates’s Prince Valiant. But I’ll do my best to talk about what is there instead.

What’s Going On In The Phantom (Sundays)? February – May 2018.


I know you’re interested in Tony DePaul and Dave Weigel’s The Phantom. This is my attempt to catch up on what’s happening, as of mid-May, 2018. Is it not fairly close to that? Then there might be a new story. If I’ve written a new recap, it should be at or near the top of this page. But it’ll share space with Tony DePaul and Mike Manley’s weekday continuity for The Phantom, which is a different story. And you might get more fast-breaking news from Tony DePaul’s blog directly.

You’re maybe also interested in mathematics. But want comic strips about mathematics. I’ve got some good news for you! Please enjoy.

The Phantom (Sundays).

25 February – 18 May 2018.

My last recap of the Sunday-continuity Phantom involved a lot of walking. This is because the strip involved a lot of walking. The Ghost Who Walks was earning his title alongside a Bangallan prisoner known to us only as The Rat. The Rat was figuring to buy his freedom with information about his ex-partner, since the partner wasn’t doing anything about breaking him out of prison. The Warden would have none of it. The Phantom would have some of it. He lead The Rat out of Boomsby Prison, the plan being to capture The Rat’s ex-partner, and maybe get The Rat a recommendation for time off his sentence. The Phantom promised, repeatedly, that The Rat was going back to prison, no matter what The Rat’s ideas. As of late February, they finally got out of the prison, into the Boomsby Mines.

The Phantom provides The Rat with a horse, and leads him to the nearby border of fascist Rhodia. The Rat’s ex-partner is in there somewhere. The Rat tries, as promised, to slug The Phantom and break free. That doesn’t work out for The Rat. They go tromping into the woods. The Rat’s luck holds up: a boomslang snake drops around his shoulders.

The Rat, cringing as a snake rests on his head and The Phantom aims his pistol at them: 'Don't! I-I'm gonna grab the snake r-real fast and ... and ...' Phantom: 'Really? After what they said in Boomsby? 'The Rat must Die!' Make a grab for that boomslang and you'll prove them right! Seriously? You want to try to grab that deadly animal?' The Rat: 'Yeah! Yeah, I- I want to! It's MY life! Back off!' The Phantom: 'Fair enough ... grab him high! Right behidn the jaws. Go on three! I'll give you the count ... one ... ' (The Phantom whips out his pistol and shoots, over The Rat and the snake's heads.)
Tony DePaul and Jeff Weigel’s The Phantom for the 15th of April, 2018. The Rat’s been shown to have Charlie Brown-levels of success in getting anything to go the way he figures. It’s all been darkly funny to see him plugging away at the hard-prisoner tropes that ought to work and just explode on him. This is the point in the story where I shifted outright to pitying the guy for being so unable to get even the slightest break. He’s doing his best to burn off that pity, as he carries on as though he’s going to outsmart The Phantom on anything important ever. But still. This guy, you know?

The Phantom takes the chance to mess with The Rat’s head, holding his pistol and making ready to shoot the snake off him. He’s teasing, of course. The Phantom shoots in the air, scaring the venomous snake away. The Rat does a bit of analysis, figuring that he now understands. He speculates The Phantom had a mean life, one that beat toughness into him. Absurd, of course. Kit Walker had a kind, loving father who raised him from birth to be a crimefighting superhero, the way nineteen generations before him had done. The Rat wants to know what The Phantom gets out of all this do-gooding, when he could be amassing riches and power instead. So The Rat hasn’t heard about the treasures in The Phantom’s lair. And doesn’t suspect his ties with the Bangallan president or with the Jungle Patrol. The Phantom might need to improve his brand identity and maybe needs to seed some new Old Jungle Sayings.

The Rat: 'We're fighters, you and me! But here's what I don't get about you, Phantom.' The Phantom: 'There are a whole lot of things you don't get. But go ahead ... I'm listening.' The Rat: 'How come you never used your power to get what you want?' Phantom: 'What I want?' Rat: 'Yeah --- from others! I mean, a guy like you could have ruled Boomsby! Ruled Mawitaan!! From any cell in the joint! Instead you settled for what? Being some kind of do-gooder? That messes with your thinking! Like when you say I'm going back to Boomsby!' Phantom: 'You are, actually. You and the man I'm after.' Rat: 'You have NO IDEA what I'll do to not go back. You won't even see it coming ... '
Tony DePaul and Jeff Weigel’s The Phantom for the 6th of May, 2018. You laugh, but The Rat has already figured out a plan where he distracts The Phantom by pointing at the ground and yelling out, “Hey look, someone left free cake!” and then running off to the side. This plan is foiled when The Phantom doesn’t hear his sudden cry, and the Rat runs into the dry riser so fast that he’s knocked unconscious by his stomach hitting the gas meters for the whole building complex.

But that’s got us — at last, really; this story began in early October — to The Rat’s partner’s lair. Ready to strike. And The Rat clobbers The Phantom into the side of a carport. This will turn out well for him.

As indicated, this has not been a densely plotted story. It’s had several solid sequences, the boomslang the most interesting one to me. It’s been a lot of atmosphere, with some character and a bunch of sequences of The Phantom letting The Rat make a fool of himself. This is fine for the story. It just makes for a short plot recap. Next week will be different.

Next Week!

Has young but genial third-wheel Justin finished choking? Has Rex Morgan committed any actual acts of medicine? Are comic book artists just the best people ever? Terry Beatty’s Rex Morgan, M.D. might just have answers for us!

What’s Going On In The Phantom (Weekdays)? January – April 2018


Hi there, readers curious about the 248th weekday-continuity story of Tony DePaul and Mike Manley’s The Phantom. Or about the 249th story, which is partially completed as I write this. If you want my most recent Phantom plot updates please look at or near the top of this page. Any later-written essays — Sunday or weekday storyline — should be there.

Also there, but in a different place? My regular write-up of mathematics themes touched on in the comics. That’s on the mathematics blog and I’ve taken to including lots of pictures there, so do please enjoy.

The Phantom (Weekdays).

15 January – 7 April 2018.

The Return of the Locust was the story’s title. The Locust, a magical superhero poking around the American Southwest, warned The Phantom that this weird cult was hanging around Walker’s Table. The Table had been in The Phantom’s family since 1499 and this got Kit Walker out of Africa and into Arizona-ish climes. There, the Ghost Who Walks discovered Savior Z, a messiah-ish figure warning his flock of the alien spaceships hovering by the Moon and ready to invade. (An event of low but not dismissible probability, I have to say. The Phantom shares the universe with Mandrake the Magician, and all sorts of crazypants stuff is always happening there. Or was before Fred Fredericks had to retire. But DePaul and Manley have brought Mandrake into The Phantom in recent stories.) Savior Z had identified The Phantom as one of the aliens, part of the invasion vanguard. And, having knocked him out, the cult was now rolling The Phantom over the edge of the cliff.

But they don’t call him The Ghost Who Rolls Away From The Cliff Edge, Regains His Footing, And Throws Cult Members Around Like Rag Dolls While His Wrists Are Bound Together for nothing, and guess what happens? But it’s still pretty dire, and the cult is ready to charge the still-bound Phantom again, when finally The Locust does something. To wit, he sends a bunch of locusts to swarm around the cult. In the confusion Walker breaks his bonds. The cult members aren’t so fortunate, and follow a wildly charging Savior Z right to the edge of the Table, and past that, and then all the merry little fun of this is over. He’s not able to even save one life of the bunch.

Savior Z, running into the locust swarm, hollering: 'FOLLOW ME!' The Phantom, with wrists tied together: 'NO!! DON'T RUN!! STOP!! STAND WHERE YOU ARE!!'
Tony DePaul and Mike Manley’s The Phantom for the 24th of January, 2018. It’s a heck of an action sequence here, and does make visceral the chaos that’s unfolding in the storyline.

The Phantom waits for The Locust to come in and explain what the heck, man? The flipping heck? The Locust explains how the cult members had lost their lives years ago, following Savior Z. Savior Z meanwhile had come to Walker’s Table, desperate and alone and following a mystical coyote (or wolf, perhaps) who knew about the water underneath. Savior Z, saved from certain doom by this mysterious figure who disappeared in a cloud very like the Locust’s own swarm, decided he needed to use his chance save mankind. Anyway, that’s The Locust’s story. The Phantom isn’t impressed with The Locust at this point. Have to say, I agree. It’s hard to read this as much besides The Locust stirring up a weird but basically stable scenario until a lot of people died.

(Yes, the cult did have anti-aircraft guns and was shooting at the Phantom’s airplane. See earlier essay. I missed where the artillery came from. The cult doesn’t seem big enough to be able to afford equipment like that. If it’s The Phantom’s own defense gear that explains where it came from. But then it’s his own fault for leaving it unsecured and in operable condition. I think he was taken by surprise by the gun’s existence, too. Did The Locust have something to do with the artillery getting there? In which case, what the heck was he thinking? And if it was the cult that got it on their own, well. Yes, it’s a bad idea to leave guns in the hands of irrational people. But was this the best way to handle that?)

But as Walker’s readying to return home he sees a weird sight: The Locust, in his more-human guise, leading the members of Savior Z’s cult through the desert, away from the Table. (No Savior Z, though.) And on that strange, palatably mythological note the story ends, the 17th of February. The Phantom Wiki logs it in at 20 weeks for a total of 126 strips. That seems more like 21 weeks to me but it’s their arithmetic.

Helicopter pilot, bringing The Phantom from the Table: 'Indians were right! They knew! From way back! This stretch of desert? You never know what you'll see!' The Phantom gasps, startled, as he sees The Locust on horseback leading the survivors(?)/ghosts(?) of Savior Z's cult.
Tony DePaul and Mike Manley’s The Phantom for the 15th of February, 2018. It’s a lovely image and it closes the storyline on a poetic touch. But I admit still feeling like I’m not sure what The Locust figured he was accomplishing by kicking off all this trouble, especially given the suggestion that he lead Savior Z to the water supply and the Table in the first place.

With the 19th of February starts the 249th daily-continuity story, A Reckoning With The Nomad. The Nomad, Eric Sahara, is an international terrorist who’s been part of storylines since 2011.

The story starts with Kay Molloy and Hawa Aguda, of “We Quit! We’re Joining The Jungle Patrol!” meme-fame. As Jungle Patrol officers they’re surveilling a person unknown to them, at the behest of the Jungle Patrol’s leader, the Unknown Commander. Meanwhile they speculate about the identity of John X, whom they suspect (correctly) to be the Unknown Commander, and who is also The Phantom. (And whenever I get to looking closely at that I wonder how they can get compartmentalized information to work this well. Really seems like with so many unidentified figures in key positions there’s all sorts of room for trouble, even before deliberate mischief-makers get into things.)

The person under surveillance is indeed Eric “The Nomad” Sahara. And getting all this intelligence is Kit “The Phantom” Walker. He’s figuring to do something about The Nomad just after he gets back home. He and his wife are flying to New York City, to see their daughter Heloise at the Briarson School. There, she’s attending classes with Kadia Sahara. Who is, The Phantom realizes, the daughter of that Eric Sahara. They’re roommates. The Headmistress of the school put them together several storylines ago. She’d figured, basically, they’re both from Africa, they’ll have so much to talk about.

Kit Walker, thinking at an upscale restaurant as his wife and daughter enjoy his daughter's roommate's company: 'Poor kid ... her father's crimes will destroy her family name forever when I unmask him. Kadia will have to change her name and make a new life for herself. My guess is, Heloise will stick by Kadia and be that TRUE FRIEND she's going to need!'
Tony DePaul and Mike Manley’s The Phantom for the 13th of March, 2018. I’m like 45% sure I’ve been at that restaurant with my parents and my aunt and uncle from Rhode Island. Manley’s illustration of the Metropolitan Museum was spot-on so maybe this even happened. Or it might just be that once you’ve got a certain grade of heavy cloth on the tables restaurants start to resemble one another.

Kit, Diana, and Heloise Walker, and Kadia Sahara, spend some time doing some appropriate Manhattan tourism. It’s a pleasant time except for how The Phantom is busy thinking all the time about how revealing Eric Sahara’s identity as an international terrorist is going to wreck Kadia’s life. Diana’s aware of something on Kit’s mind. On the flight home, he reveals to his wife this bunch of secrets. She’s not amused by how thoroughly her husband concealed this from her. She’s only slightly mollified by his explaining that with the collapse of The Nomad’s terrorist networks it’s becoming safe to reveal his identity to the world.

[ Regarding their daughter's roommate's terrorist father. ] Diana: 'And then you kept it from me? How did you let this happen?' Kit: 'I ... didn't want to alarm you?' Diana: 'And yet here I am, Kit! ALARMED!!'
Tony DePaul and Mike Manley’s The Phantom for the 26th of March, 2018. Sometimes, goes the old Jungle Saying, the Phantom emerges from the jungle and hangs out with a Francesco Marciuliano character and he talks like that for a couple days.

Then on TV, Africa Today has a piece on the True Identity of The Nomad. A failed airport bomber is offering to reveal his identity. The Phantom figures his best chance to take The Nomad is to catch him before the bomber can reveal what, if anything, he actually knows. And The Phantom refuses Diana’s suggestion to have the Jungle Patrol catch The Nomad. He figures to get in and take The Nomad by surprise, so that “half his men won’t even know I was there!”

And that’s where the Ghost has Walked to by the first week of April, 2018.

Next Week!

How well is Mark Shultz and Thomas Yeates’s Prince Valiant doing in his quest to get back home from Uzbekistan? I’ll check in and see what I can tell you. Thanks for reading.

What’s Going On In The Phantom (Sundays)? December 2017 – February 2018? (Walking)


Hi, Sunday readers of Tony DePaul and Dave Weigel’s The Phantom. If you’re not reading this in early 2018 the story might have moved on to the point this plot summary isn’t at all useful. If I have written another essay about the storyline, it should be at or near the top of this page, although the recap of the separate storylines in The Phantom weekdays edition, by Tony DePaul and Mike Manley, might be in the way. Also, Tony DePaul keeps up a blog, which you might find interesting.

I have another blog myself, and it reviews mathematically-themed comic strips at least once and sometimes several times a week. You might like that, too. I do.

The Phantom (Sundays).

3 December 2017 – 25 February 2018.

The last time I checked in on the Sunday continuity of The Phantom, the Ghost Had Walked into Boomsby Prison. An exceedingly confident prisoner had tried to trade information about his ex-partner for a lesser sentence. The warden laughed at him. His ex-partner sent a hit man into the cell. The man was hit by The Phantom.

The Phantom offers to break The Rat out of prison — for the night, at least. To lead him to The Rat’s ex-partner, “a cop killer”. Afterwards he still gets returned to jail, maybe with time off his sentence. The Rat takes the deal, weak as it may be. His reasoning: well, once he’s out of the prison he can stay out. He has delusions of killing The Phantom, but you can’t blame someone new to the strip for imagining that.

(Leading The Rat, blindfolded, through the autopsy room.) The Rat: NOW we're headed down! It's about time! But how do we get out!? [ The way out of Boomsby! The dissection room of a bygone era ... ] Rat: 'Where are we?' Phantom: 'Stand where you are.' Rat: 'Smells like bad, *bad* juju in here .. man, like ... like *real* bad.' Phantom: 'Good nose!' (Manipulating some surgical implements on a panel). Phantom thinks: 'One hook turns left, one turns right ... [ secret passage opens ] ... and we start making our way down again, out of the eaves of Boomsby!'
Tony DePaul and Jeff Weigel’s The Phantom for the 7th of January, 2018. Just did want to call your attention to the level of detail here, down to individual bricks in the far wall, the grain of wood doors, and the spiderwebs in the last panel. The original art has to be staggering to look at. … And because something’s always a little wrong in my thinking, I looked over the jar with the abnormal brain and wondered how long a formaldehyde (or whatever preservative) jar like that would stay full if it wasn’t specifically sealed to be museum-grade airtight but was rather in a jar for still-working purposes. (Also curious about the abandoned skeleton, since my impression is good-quality replica skeletons are surprisingly recent things so one in good shape would be moved to the new autopsy lab. But I may be wrong and there’s no reason to suppose the skeleton is actually still usable. Don’t see a right arm on it for example, and there’s no information about whether the hips and legs are still there.)

The Phantom blindfolds him, and leads The Rat on a long, long walk through the prison. Up the spiral tower. Through the old execution chambers. Into the old dissection room. Through the secret cabinet behind the old surgical tools. Down the tower walls. Past the Abbé Faria’s physiology lesson with Edmond Dantès. Into the sewers, although The Phantom insists “I’m not saying we are in the sewers” as part of his headgames with The Rat. Past Jean Valjean hauling Marius Pontmercy’s body around. And then back up into the Batcave, until they find the tracks of an old mine cart.

The Rat, ripping off his blindfold: 'T-The way out! WHERE is it? SHOW ME!!' Phantom 'Put the blindfold ON or I'll leave you here. No one in the prison will hear your cries as you wander the dark.' [ The way out known only to the Phantom! ] (Walking through the sewers.) Phantom, thinking: 'Men have tried to escape Boomsby through the sewers ... the WATER has to get out! So they follow the water ... to their doo. No one ever thinks to walk AGAINST the flow ... in THIS tunnel ... and ONLY this one!' The Rat: 'W-we're going up again? BACK the way we came!?' [ Phantom leads ... The Rat follows ... ] (The panel shows a cross-section of the ground, and the tunnel down and back up that they're following, with insets showing where past panels took place.)
Tony DePaul and Jeff Weigel’s The Phantom for the 4th of February, 2018. That final panel gave me a nostalgic thrill, and after some thinking I pinned down why. It reminded me of those little “bonus” pages in the back of, like, G.I.Joe comics showing the cross-sectional layout of the Joe’s secret base underneath the motor pool of whatever Army base they were stationed in (they were a secret team, you see, operating covertly in like six enormous subterranean levels that most of the base personnel never even suspected was there). Or, later, when I discovered reprints of Silver-Age crazypants DC Comics and maps of the Bottled City of Kandor or other such wild and delightful fancies. The inset dots particularly amazes me and I’m only sad that this wasn’t a strip I could see sprawled out over a half-page of a true broadsheet newspaper.

So this has not been one of the most plot-dense sequences of The Phantom. It’s been very heavy in atmosphere, and in showing off all sorts of great shadowy corners of the Boomsby Prison. Jeff Weigel has gotten to show off his ability to compose these detailed, deep pictures with a lot of light and shadow and moody color choices, most of them in the purples.

Where we haven’t got is particularly close to The Rat’s ex-partner; heck, we’re barely out of prison. The story began the 8th of October, so it’s now reached twenty weeks. Most Phantom Sunday stories have run about 26 weeks the last several years. The last-but-one story, “The Wiseguy”, did run 41 weeks, although that story of crime syndicate scion Mickey D’Moda and the people who put up with him, just barely, had a couple major phases that kept it from seeming that long. I’m guessing that something like that will be at work this story. It would be a bit odd to spend twelve Sunday strips sneaking out of Boomsby Prison and then deal with the ex-partner in two.

Next Week!

Comics art forgeries! Highly adoptable orphans! Old people peeking in on you at the mall! Estranged family members! And, might Terry Beatty be setting up the craziest of all possible things, Rex Morgan, M.D. doing some medical care of some kind? Well, no, probably not that. But come around next Sunday, if all goes to plan, and we’ll see.

What’s Going On In The Phantom (Weekdays)? October 2017 – January 2018


Are you hoping to get up to date on The Phantom‘s 248th weekday-continuity story, The Return of the Locust? Then you’re in luck, if you want to know how the story stands as of mid-January 2018. If you’re looking for later parts of the story, possibly including its conclusion, you’ll need a later essay. If I’ve written one about Tony DePaul and Mike Manley’s comic strip, it should be at or near the top of this page. It has to share that page with the Sunday Phantom continuity, a separate story being revealed to us in parallel. But it’s there. This is about the strips running Monday-to-Saturday.

If you’re interested more in comic strips that are about mathematical topics, and the mathematics those imply, please consider my other blog. I try to round up the past week’s comics and explore the ones that give me something good to talk about.

The Phantom (Weekdays).

23 October 2017 – 13 January 2018.

The Ghost Who Walks had been encouraged to take up flying last time. He got a curious summons from The Locust, a Mandrake-class magician working out of the American Southwest. The Phantom flies his private plane to Walker’s Table, a remote and impossibly inaccessible pillar of rock somewhere in New Mexico that’s been in the Phantom’s family since the father of the first Phantom explored the desert in 1499. And it turns out there’s anti-aircraft gunners on the Table.

So he withdraws, and checks in with the local diner to ask what the heck’s going on. He talks with the guy who runs the diner. He’s called the General and speaks the way characters with backstory do, although I don’t know what it is. The Phantom Wiki doesn’t have anything logged about it either. May just be written like he’s an old hat. Anyway, the General explains how there’s squatters on top of the Table. They hook up with the helicopter pilot who’s been delivering supplies to people he just trusted were supposed to live atop a massive cylinder of rock.

Helicopter pilot: 'That's YOUR place? And you don't even know these people?' Phantom: 'Afraid not.' Helicopter pilot: 'Man, they said it was THEIR place! I'm way too trusting!'
Tony DePaul and Mike Manley’s The Phantom for the 7th of November, 2017. “I can be so gullible! Well, nothing to do now but throw my lot in with the stranger nobody in town has seen or heard from in years who claims that two dozen generations of his family have owned the most remarkable geographic feature in this part of New Mexico!”

The Phantom arranges for the helicopter pilot to fly him, at night, to somewhere out of gunnery range above the Table. And to drop him, in one of those cool wing-suits used by those people who talk with Conan O’Brien about how they jump off of skyscrapers. With this he’s able to land on the Table without drawing attention until he’s ready to shout at or punch people.

Savior Z: 'You're here! You're now! Y-you're really here!' The Phantom: 'I own this place. Of course I'm here.' Savior Z: 'So many said I --- I made it up! I-in my mind! But it's true! Y'you're here! An important man of your kind! ... Important like I am!' The Phantom thinks, 'This is more than I knew a moment ago: he's out of his mind!'
Tony DePaul and Mike Manley’s The Phantom for the 1st of December, 2017. Not even slightly Tony DePaul’s fault but Savior Z’s open of “You’re here! You’re now!” puts me in mind of some late-60s audio clip about something being a happening thing and I can’t track down what I’m thinking of. No, it is not The Peanut Butter Conspiracy’s “It’s A Happening Thing”.

On the ground he finds Spock’s half-brother Sybok, sporting a long green coat and talking about how this proves everything he ever said. He’s got a bunch of followers, a bunch of mostly young, racially mixed young adults living in tents. They call Sybok the “Savior Z” and cling to his every word, such as “Stop him!” and “He’s getting away!” and “Don’t let him throw all our guns off the edge of the cliff!” and “don’t let him bludgeon us with that meteorite!

After shoving the cult’s artillery over the edge and bluffing Savior Z into giving up his pistol, the Phantom asks what the heck their whole deal is. Savior Z tells his followers that this is exactly the way he foresaw all this playing out, and his followers are fools to question him. His followers look around and shrug and agree, this is definitely all in Savior Z’s vision and they’re not the fools who’d question this. Savior Z has some story about an amassing alien invasion fleet gathered behind the far side of the Moon, and insists The Phantom is the vanguard of the invasion.

Savior Z, to his followers: 'So don't be deceived! We came here to fight! To defend the good!' The Phantom, grabbing him: 'Enough! You've had your say. Now here's mine. Get some rest. In the morning, we're walking out of here.'
Tony DePaul and Mike Manley’s The Phantom for the 21st of December, 2017. Now I’m picturing what it’d be like if The Phantom was a weary assistant professor dealing with yet another round of plagiarized essays turned in for his intro class. Also that every college instructor would like the power to punch hard enough that it leaves a skull-head imprint forever.

By the way, Savior Z isn’t automatically delusional for saying this. The Phantom takes place in a continuity with a lot of wild stuff happening. Within the past decade the Ghost Who Walks himself helped transplant a small population of lizard-men to a more remote, defensible spot here on Earth. And sister strip Mandrake the Magician has, in the past two decades, chased off aliens (these aren’t the only ones in the past four years of reruns) and time travellers abducting people to the far-distant future in order to teach them how to be spanked. In the vintage strips from the 1940s that Comics Kingdom also runs, they’ve dealt with giants, a floating city in the clouds, and I’m pretty sure at least one iteration of Atlantis. When that’s the standard for normal, why couldn’t Savior Z know that the Emperor of the Moon is up to his old tricks?

(And my thanks to the Mandrake The Magician blogspot, without which recaps I couldn’t have found those two instances before my patience ran out.)

Well. The disarmed Savior Z explains they can’t just leave because the elevator’s unsafe. He shows the skeptical Phantom what the problem is: it’s the concussion grenade he booby-trapped the elevator with. The unconscious Phantom dreams he’s visiting his son, off at his Tibetan finishing school. Although his dream starts to fall apart when he realizes it doesn’t make sense, a phenomenon that sometimes happens to dreaming people. (My love has this happen all the time and I’m always amazed by it.)

Savior Z, over the (concussed) Phantom: 'These exoplanet warriors! Just look at him! Hardened in intergalactic battles your small minds cannot imagine! All in my vision! All foretold!' Followers: 'He foretold it all ...' 'I love Savior Z ... follow him anywhere ... '
Tony DePaul and Mike Manley’s The Phantom for the 12th of January, 2018. I am expecting in another day or two that the Ghost Who Walks will try some kicking and stuff. But I am also curious that something like four months into The Return of the Locust we haven’t seen that much of the Locust. Can’t blame The Locust if he figured all he had to do was place an ectoplasmic call in to deal with this oddball cult, but it seems like very little of a return. But, then, Tony DePaul isn’t afraid of long storylines. Six-month storylines aren’t rare, and a couple years back he ran one about the kidnapping of Diana Palmer designed to run over a year and a half.

Some of Savior Z’s followers are a bit put off to learn the elevator was booby-trapped. But some of the others figure out why this isn’t a creepy, manipulative, controlling thing for their cult leader to do: he was protecting him from their own weakness. Lest his cult figure out they don’t even need him to dominate their thoughts anymore, Savior Z tells them that their doubts are exactly part of his plan, and for their part in fulfilling his vision they should enjoy this punch. Also, they should roll The Phantom over the edge of the cliff.

And that’s where the story ended Saturday.

Next Week!

We return to the fantastic and bizarre Far East, as Prince Valiant and his companions try to head back west. Mark Schultz and Thomas Yeates’s Prince Valiant, having conquered his enemies, now has to overcome the elements and find his way home without dying.

What’s Going On In The Phantom (Sundays)? September – December 2017


I’m glad to offer you kind readers an update about what’s going on in The Phantom. There’s two continuities at play in the strip, both written by Tony DePaul. This is an essay about the Sundays-only continuity, drawn by Jeff Weigel. If you’re interested in the weekday strips, or if you’re reading this essay much past December 2017, please look to the essays on this page. The Weekday continuity, and any later essays I’ve written about the Sunday continuity, should be right up top there.

And I also keep reviewing comic strips with mathematical themes on my other blog. I’m glad if you want to read that.

The Phantom (Sundays).

10 September – 3 December 2017.

My last recap of The Phantom Sunday continuity came near the end of the storyline “The Phantom Is Everywhere”. The Phantom Wiki says this was the 185th Sunday story, running the 26 weeks from the 9th of April through the 1st of October. I accept these claims. Also at some point over the storyline the Sunday artist switched from Terry Beatty to Jeff Weigel and I failed to point that out. I apologize to Beatty and Weigel.

The story was mostly wrapped up then, though. Three killers had escaped Jungle Patrol custody. The Phantom, relying on his intelligence network and drummers in the Bandar tribes, managed to capture them all the same night. Also to give them the impression he had captured them simultaneously, burnishing his reputation of being everywhere and timeless. Since my last essay the Jungle Patrol had found the three where the Ghost Who Walks left them. Guran covers up the bit early in the story where he knocks a Jungle Patrol officer unconscious, and reminds the Jungle Patrol about the yet another old jungle saying about how time is nothing to The Phantom. Hawa Aguda and Kay Molloy, women who years ago quit their humdrum jobs and joined the Jungle Patrol with the iconic declaration “I quit! We’re joining the Jungle Patrol!”, wonder if this might have something to do with the mysterious “John X” whom they suspect might be the Unknown Commander of the Jungle Patrol. (He is.)

With the 8th of October began the new story, the 186th, “The Rat Must Die”. The initial setting: Boomsby Prison, Bangalla’s spot for the most dangerous criminals. One is an as-yet-unnamed prisoner who looks like one part Daddy Warbucks, one part the closet monster from the end of The Brain That Wouldn’t Die. The warden laughs at Closet Warbucks’s proposed deal of his freedom in trade for the guy who was supposed to break him out of Boomsby. It’s not clear at this point the guy’s relationship to Closet Warbucks. My thought was he was someone hired to break him out, and who either reneged on the deal or who Closet Warbucks figured to double-cross on the way to getting out. It would be a kind of stupidly overcomplicated plot, but I could rationalize the logic. He’d either break out, or get buy his freedom by spoiling a break-out attempt. And if you’re not coming up with a stupidly overcomplicated plot you’re kind of wasting your superhero’s time.

[A Bid for Freedom ... ] Closet Warbucks: 'What are you laughing at? I know every crime he's planning! I can TAKE YOU to him!' [Meeting's over.] Guard: 'Warden has work to do! Move!' Warbucks: 'Y-you're TURNING ME DOWN!?' (As they walk down the hall, janitor listening. Warbucks: 'That stupid, lousy SUIT! I'll LEAD THE TEAM to my partner's door!' Guard: 'Yeah, yeah, MOVE IT!' Warbucks: 'You don't even have to give me a GUN!" Prisoner: 'There goes a real rat.' [ Nothing said in Boomsby stays in Boomsby ... Nothing ] (as prisoners pass word around.)
Tony DePaul and Jeff Weigel’s The Phantom for the 22nd of October, 2017. So I’ll return to my traditional role of talking about the art in captions rather than the text proper: this is a really well-composed strip. You know what’s significant here even if you don’t read the word balloons. They’re worth reading, since they paint such a sad picture of the Rat, but

Closet Warbucks’s attempted deal is the gossip hit of the prison. Pretty soon the guy — his ex-partner-in-crime, it turns out — gets word of the deal. And the prison janitor, another criminal who’s in the last 125 of his 1200-year sentence, send a note to Walker, Box 7, Mawaitaan. He quickly gets back the Consumer Information Catalogue, Pueblo, Colorado, 81009.

The letter brings out The Phantom, impressing me with his ability to separate valuable information from the noisy, messy volume of tips rolling in. The Ghost Who Walks arrives just as the ex-partner’s hit is on. A corrupt guard delivers a knife and opens the cell doors to a guy who smirks more than the whole cast of Funky Winkerbean, if such a thing is possible. The killer sneaks into the cell, draws his knife, and gets clobbered by The Phantom, who’s taken Closet Warbucks’s place on the bunk. The corrupt guard doesn’t fare better.

(Phantom holding his mouth over Closet Warbucks's mouth, in the dark.) [ The rat fights for air! But darkness awaits him ... A corrupt guard shames the uniform for dirty money.] (Guard letting out the assassin.) 'Step back! And don't forget what I said! Make a move on me and THE RAT won't die --- YOU DIE! Make it quick!' (Pushes the assassin into Closet Warbucks's cell.) 'And leave the shiv!' (The assassin approaches the bunk, where The Phantom has taken The Rat's place.)
Tony DePaul and Jeff Weigel’s The Phantom for the 19th of November, 2017. And this is another well-composed strip. The art isn’t monochromatic, but it evokes the sort of intense suspense that you can get from black-and-white thrillers. And it’s easy to tug my eye away from that final panel and its promise of action.

And there’s the action as of today. I don’t suspect we’re near the end of the story, not just because the last several Sunday-continuity stories have run at least a half-year each. But I’d imagine doing something about the ex-partner-in-crime has to be high on The Phantom’s agenda. No sense getting roused all the way to Boomsby just to foil one assassination of one failed prison snitch. And indeed, The Phantom told Closet Warbucks that he was taking this partner-for-freedom deal. Also maybe we’ll find out why Closet Warbucks wasn’t interested in selling out his partner before the trail began. We’ll see.

Next Week!

If all goes to plan it’s a chance to stop in again on Terry Beatty’s Rex Morgan, M.D. and learn all about how the Morgans are adjusting to life with — er, no, actually, it’s a surprising amount of text about comic-book art forgery and crazy exes and the physical infirmities that we all will endure if we live long enough. Join us, won’t you please?

What’s Going On In The Phantom (Weekdays)? July – October 2017


Are you looking for the latest updates about the happenings of The Phantom, the weekday continuity written by Tony DePaul and drawn by Mike Manley? Then you’re in luck! If you’re reading this in late October 2017 or maybe November 2017. If it’s a lot later than that the story will have progressed some. Maybe gotten resolved entirely and gone on to something not even hinted at here. In that case, you might look at this page, which should gather any Phantom essays yet to be written. Future-to-this-writing updates should be there, although they’ll be mixed in with the separate Sunday continuity, written by Tony DePaul and drawn by Terry Beatty.

And if you just like comic strips at all, and don’t care whether there’s stories, my other blog went over the comic strips with mathematics themes today. Might give that a read.

The Phantom (Weekdays)

31 July – 21 October 2017.

Last time I checked in on the weekday continuity we were deep into The Curse Of Old Man Mozz, a story filled with portents of doom for the then-current Ghost Who Walks. Several times in past years there’ve been foreshadowings of the death of the 21st Phantom. And these foreshadowings grew more urgent when disputes between writer Tony DePaul and the syndicate led to his quitting the comic he’s written for decades. DePaul and the syndicate reconciled and he’s resumed writing. But the end of a story DePaul thought “would have been a superb sign-off to my Phantom career sure sounds like Kit Walker might have his last bad day.

The story started with Old Man Mozz having a vision of the future: The Phantom doing his work at a factory that seems to be churning out thugs at a good rate. One of them, hiding behind a waterwheel, gets the break of the century and this nobody shoots The Phantom dead. Diana Walker learns of the vision and gets the Ghost fully briefed on it. Though his friends advise laying low a couple weeks to let the problem pass, Walker insists on going through and doing something about the factory. The nobody killer finds the good hiding spot by the waterwheel and is set for Walker’s raid.

The Phantom has trouble getting his groove. He’s plagued by a sense of being watched. And thinking how he just knows this is where and when he’ll die, a sense he’s certain his ancestors had as their times came. Which, like Guinan told Riker, is a good way to get yourself killed. But he figures to go out with a bang, and a thud, and a klonk, and also setting all the bad guys’ cars on fire. In all the fire and klonking and panicky gunshots by the gang Walker feels the strange comfort of knowing he’s finally in the zone.

Phantom, prowling around the steel girders and dropping down to clobber people. Meanwhile he thinks: 'If my DEATH IS TRULY HERE, FOLLOWING close behind ... ! It had better MOVE FAST if it wants to keep up!'
Tony DePaul and Mike Manley’s The Phantom for the 8th of August, 2017. You know, the Phantom is going to be so embarrassed if it turns out he went to the wrong factory and the one he wanted to raid was the south end of the industrial park. “Why would the Ghost Who Walks want to disrupt our manufacture of galvanized steel U bolts? What did we do?”

The guy Old Man Mozz foresaw dives for cover and waits for The Phantom to finish punching, smacking, or throwing bricks at everybody. His cover’s the waterwheel, as Mozz predicted. And The Phantom, figuring that everybody not punched hard enough has run into the forests, thinks the night over. Except Walker’s got this sense of suden doom, what with this just feeling like the prophecy of death he heard. The nobody at the waterwheel raises his gun, and gets shot and killed by an arrow.

Walker looks at the waterwheel guy, whom he walked past just like the prophecy said. And finds who fired the arrow. It’s Babudan, an archer from the Bandar tribe. He wasn’t sent by Diana exactly; she just described the problem to him and let him figure out whether to save the guy who’s been superheroing all over the place for decades now. Still, Kit Walker’s of surprisingly mixed emotions about not dying by a coward’s hand. He’d sent Kit Junior off to a remote Himalayan school so his successor wouldn’t even hear about his death when it happened. Diana’s “changed the future for all of us,” and he considers how that’s an “awesome responsibility she bears now, for all that follows”. Which, all right, is true enough but most of us carry on despite the existential haze.

Kit Walker to Diana: 'You needed someone to ... talk to?' Diana: 'Babudan's a good listener! You know that!' Kit: 'The good listener you chose just happens to be a master tracker? A warrior without equal? By the way, he's sticking to your story too.'
Tony DePaul and Mike Manley’s The Phantom for the 16th of September, 2017. I never talk enough about the art in the main essays, but let me point it out to you here. The scenes are very nicely rendered depictions of the aftermath of Walker’s exhausting night, after the moment he was expecting to die, back in the arms of his loving wife. And intercut with a scene that recaps why he did not die and how Diana arranged it.

And that brings to a close The Curse of Old Man Mozz. The story ran from the 13th of March through the 23rd of September. So that clocked in at 28 weeks, according to PhantomWiki. The next daily continuity story, The Return of the Locust, began the 25th of September and is, apparently, the 248th daily story. The name suggests a sequel. PhantomWiki notes that The Locust God was a story, the 211th daily, which ran from the 3rd of May to the 28th of August, 2004. And I don’t know anything else about it either. (Well, the story is in Comics Kingdom’s archives so I could go back and read it. Maybe I’ll write up a summary as bonus content for my Patreon subscribers.)

Normal readers don’t need that much help. The Locust walks on stage, is shot as a trespasser, and dissolves into a cloud of locusts. The Phantom explains to one of the baffled archers that he knows the deal. He met the guy in New Mexico once. The Locust has magic powers to rival Mandrake the Magician, who you might remember does exist in the same continuity as The Ghost Who Walks. So that crazypants story about the far-future Time Ladies who kidnap Mandrake to teach them how to be spanked? That’s in-universe for this storyline. The Locust knows The Phantom isn’t an immortal unkillable creature of myth. Also he’s passing himself off as the creator-god of the Navajo people’s mythology, according to The Phantom. I’m sure there’s nothing going on with that which might be uncomfortable in this comic strip about the generations of white guys who’ve tasked themselves with the saving of an African nation.

Phantom, talking to his wolf, as his plane is shot at from atop the tower. 'That's no POP GUN down there! I'd say HANG ON, Devil, if I thought you COULD!' (While rolling the plane.)
Tony DePaul and Mike Manley’s The Phantom for the 18th of October, 2017. I do not envy Mike Manley’s challenge in drawing this ground-to-air combat. It’s already hard drawing combat because more panels is more time for stuff to happen, but more panels means smaller panels and so a harder time drawing anything recognizable. And it’s hard to give machines a sense that they’re straining to do things; at least people punching each other can show muscles at work. And it’s hard to give airplanes a sense of motion in a single scene too. Overall: yeah, glad I don’t have the job of drawing this script. Really would have tried to strap Devil in, though, because there’s few times that a loose wolf rolling around the airplane cockpit is a good thing.

The Phantom figures this is the Locust’s way of asking for a meeting, and the logical place is atop Walker’s Table, a remote desert butte accessible only by airplane, which The Phantom luckily has.

Not so luckily: as The Phantom flies in, an anti-aircraft gun crew starts shooting him from atop the Table. As we left the action Saturday, The Phantom was hiding from the artillery in the shadow of the butte, and working out what the heck to do next. It’s a good question for him. For me:

Next week!

I’ll make a stirring return to the days of King Arthur, and check out some people who are nowhere near camelot, as Mark Schultz and Thomas Yeates’s Prince Valiant handles Taloon’s hero-crush and some bands of marauders who’ve been hassling refugees.

What’s Going On In The Phantom (Sundays)? May – September 2017


Thank you, reader, for being interested in Tony DePaul and Jeff Weigel’s The Phantom. This essay is about the Sundays-only continuity, which runs independently of DePaul and Mike Manley’s Monday-to-Saturday Phantom storylines. I have updates on those as well. The weekday story recaps, as well as any Sunday story recaps that have been posted since the mid-September 2017 writing of this essay, should be at this link. Good luck finding what you were looking for.

And if you’re interested in comic strips that talk about mathematical themes, please consider my mathematics blog, which reviewed some of them earlier today. And should review some on Tuesday, too.

The Phantom.

14 May – 9 September 2017.

The current storyline — The Phantom is Everywhere — began with the Jungle Patrol jailing some of the terrorist Chatu’s followers. The Phantom’s private little army was celebrating the three arrests when I last reviewed the Sunday Phantom continuity. The killers broke out of jail, though, killing several on their way. This quite riles up the Jungle Patrol, to the point they might have done something irresponsible for a self-selected private army acting outside the control of any governing body.

But they come to their senses, checking in with the Unknown Commander, so far as they know. Luckily it’s is The Phantom they check with. The Phantom’s plan regarding the fugitive terrorist supporters: find them. For this, he doesn’t rely on the Jungle Patrol but rather the many associates of the Bandar Tribe. The Phantom, Babudan, and Guran take their drummers and their expertise to hunt each of the three killers.

Killers on the run. Trail starts here. Jungle Patrol officer on the phone: 'Oh, nothing much, securing a crime scene. So, how have you been? ... Really? And then what did you say?' Guran taps her shoulder. 'Officer?' And blows some sleeping powder into the officer's face. Person on the phone: 'Hello? Did I lose you?' The Phantom and his partners look over the tracks. The Phantom thinks: 'When these killers split up, Devil can't do all the tracking we need. Enter Babudan! Master Trail Finder!'
Tony DePaul and Jeff Weigel’s The Phantom for the 18th of June, 2017. I’m glad to have a Master Trail Finder on the job, since when this is wrapped up they can pop over to North Dakota and not just arrest the bank robber but also help Mark finally do that prairie dog census.

The drummers are an important part of the plan. Their drumming serves to instill in each of the killers the sense that The Ghost Who Walks might be nearby. At any moment he might appear and punch them out. And then what do you know, but he appears and punches them out. That’s probably fairly good psychology, although as storytelling it got confusing. For a couple weeks there it seemed like The Phantom was sneaking up on the same guy, by a campfire, and decking him, week after week. That they were different people didn’t quite stand out at weekly intervals.

It also suggests that the splitting-up of the three killers wasn’t all that useful a plan. They might, theoretically, have ganged up on The Phantom had they stuck together. But they probably also guessed they’d be separated more than about fifteen minutes before The Phantom got the drop on them. I gather they’re supposed to be pretty well-separated. But the three were found in the same night, and The Phantom was able to drop in and clobber each before sunrise.

So, The Phantom was able to deliver the killers into Jungle Patrol custody by morning. Presumably this will satisfy the desire for vengeance that threatened Jungle Patrol’s operating morale. And serve the cause of justice by putting the accused in the hands of a privately-raised police force whose funding and lines of authority are not at all clear to me. Probably nothing to worry about there.

'Phantom moves faster than lightning' --- Old Jungle Saying. Phantom, beating up one of the killers: 'HOW MANY EARS have you filled with THE PYTHON's hateful words?' Killer: 'My COMRADES, Phantom! Find them!! Take them! I beg you!' Phantom: 'I AM taking them. I'm taking you ALL ... at this very moment in time. NONE OF YOU are safe tonight!' Killer, drawing his gun in what he thinks is secrecy: 'I --- I follow YOU now, Phantom! I RENOUNCE the PYTHON! I --- ' And the Phantom slugs him.
Tony DePaul and Jeff Weigel’s The Phantom for the 6th of August, 2017. So I suppose the intent was to give the killers a story that would let them think that maybe somehow all three of them were caught at the same time by The Phantom, and so enhance his prestige as a supernatural entity. Fine enough, although having The Phantom actually there means he does have to be in three possibly distant parts of the jungle nearly simultaneously, and that none of the three have to have checked their phones or watches to see about what time it is, so they could tell the timeline wasn’t actually that close. Also, yeah, I missed the guy in the penultimate panel drawing his gun the first time through, and thought he was just taking that craven turn to the bigger-scarier-boss-guy, which The Phantom would reject on principle. I’m a very word-balloon-oriented reader, I admit.

There’s not been a formal wrap-up panel. But this week’s installation feels like the resolution. I can see, especially reading the whole sequence in short order to summarize the plot, how it works. Still, my impression as the story progressed especially in July and August was that of not being sure I hadn’t seen The Phantom sneak up on and punch this guy last week? Or was that the previous guy? Or was it just a lot of punching? Read all together, the story flows more obviously, although that also points out how linear the narrative was. The Sunday continuity does have a disadvantage, though. It’s much harder to fit a story in to about six panels of space per week; compare how more complex the weekday storyline has been over roughly the same couple months. I am interested in seeing how the Jungle Patrol, riled by the killers escaping prison, reacts to their recapture not involving a single member of the Patrol besides the Unknown Commander. That ought to involve some weird political dynamics.

I hope to be able to share that in the next essay describing what’s going on in The Phantom, in probably something like three months.

Next Week!

It’s time to return to one of the inspirations for these What’s Going On In essays, as I try to explain Terry Beatty’s Rex Morgan, M.D..

What’s Going On In The Phantom (Weekdays)? May – July 2017


Hi, readers of Tony DePaul and Mike Manley’s weekday-continuity The Phantom. This is an essay meant to help you catch up on what’s happened in the strip through to late July, 2017. If it’s not close to late July, 2017, for you, the story might have progressed or a new story begun. I’ll try to have more recent essays that bring you up to date at this link. There’s also a separate, independent, Sunday continuity for the comic strip. That one’s written by Tony DePaul also, but is drawn by Terry Beatty. I’ll also have updates on that continuity, sometime soon.

And if you’re interested in comic strips plucked entirely out of continuity, my mathematics blog discusses comics with mathematical themes, and had a fresh post about that mere hours ago. Please read and enjoy, if you think that’s plausible.

The Phantom

8 May – 29 July 2017

Our last check on Tony DePaul and Mike Manley’s The Phantom, weekday continuity, was about six weeks into The Curse Of Old Man Mozz. The Phantom, 21st Ghost Who Walks, had been so busy clobbering low-level thugs that he barely noticed Old Man Mozz was on the brink of death. His wife, Diana Walker Phantom, investigates. Mozz has been in a series of physically and mentally taxing trances, forseeing …

She’s coy about it, but it’s the death of the current Phantom. In a factory that’s by a charming scenic water wheel, a “weak man” with one of the most punchable faces in the comics will “strike from hiding”, killing the 21st Phantom, shooting him from behind. Mozz promises that this is destiny and no one can save The Phantom. Diana figures she can maybe do something about that. If there’s one thing that’s always avertible, after all, it’s destiny, because we don’t know what the word means.

How To Save The Phantom. Mozz: 'Say NOTHING!' Diana: 'Save his life by doing nothing? NO!' Guran: 'Mozz is right! The DEATH Mozz saw may be the RESULT of us warning the Phantom!'
Tony DePaul and Mike Manley’s The Phantom for the 24th of May, 2017. So, my Rosencranz-and-Guildenstern fanfic for this: one of the other villagers has a vision where Mozz, Guran, and Diana Walker get into an irresolvable squabble about whether Mozz’s vision is a result of warning the Phantom or not warning him, and they have to debate whether to tell Mozz what will happen if he lets his vision be known to anybody else. And then they have to go back in time and prevent the vision from ever being assimilated by the Borg.

But Mozz goes along with it. He decrees that maybe the vision of The Phantom being ambushed was caused by some well-meaning member of his support team warning him. So in a critical moment he would be thinking “is this the critical moment” instead of reacting. Diana is unimpressed by whatever the heck the rules of prophecy are in this story, but chickens out of telling him. Nevertheless, she’s plagued with doubts, and goes to the Whispering Grove, home of Bangalla’s largest forest of demon-haunted trees that seem to be crying out the Phantom’s name. There she reflects how much would get screwed up if the 21st Phantom dies: not least, he’s the only person who knows exactly what strange school in the Far East Kit Walker Junior is in.

The Whispering Grove ... where wind through hollow trees makes an eerie sound. The trees, many of them looking like haunted faces, call 'phan ... tom ... phan ... tom ...' as Diana walks between them.
Tony DePaul and Mike Manley’s The Phantom for the 12th of June, 2017. Most of The Phantom’s legend seems like the kind of stuff that would naturally grow if we allow the existence of a long-running small-family project based on heroically saving a patch of what turned out to be Africa. The forest full of jack-o-lantern trees whispering The Phantom, though, that’s hard to explain. Also not explained: are they whispering The Phantom in English or in the Bandar tongue?

She can’t stand it, and fetches The Phantom back from his mission of riding his big white horse around the jungle. And she makes Mozz tell him of the vision and his doom at the Waterwheel Factory. His team encourages him to take a pass for a couple weeks, wait out the current crisis and then get back to his world-saving duties. Mozz paints a solidly egotistical picture of this, arguing that The Phantom ought to be killed by some great monster like Chatu. Not by some drip who wears an orange shirt with green stars on it and a vest that looks like it ought to be a Home Depot apron but somehow isn’t. Walker thinks it over and decides no thinking necessary. Ghosts Who Walk just don’t ditch their job that way.

Mozz narrates his vision: 'Felled by no great enemy! A common COWARD! Your thoughts are of THE NOMAD! Of CHATU THE PYTHON! TRUE EVIL you leave to the 22nd PHANTOM!' Describing The Phantom laying, dead, as the common-coward cries with joy.
Tony DePaul and Mike Manley’s The Phantom for the 6th of July, 2017. The great unasked follow-up question: “wait, so, Mozz, in your visions you can read my mind? Or are you just taking a fair guess based on what you know about me? Because, have to say, there are some serious privacy concerns here, even putting aside the whole death-at-a-coward’s-hand thing. For one, how far before the moment of my death does your mind-reading ability extend? Do you know what I’m thinking of when I think about Jamie?!”

The Phantom rides his horse to Destiny Date Road, where he finds a truck hauling guns to the Waterwheel Factory. He sends his hose off, riderless, to stop the truck. One of the thugs has always wanted a horsey just like this and Phantom Horse is happy to play along enough for The Phantom to clobber them and take the truck. It’ll be a way into the Waterwheel Factory.

Thug, swinging his gun around randomly in the dark, beside The Phantom's horse. 'All right! Hey, uh ... HA! Pretty good TRICK with the HORSE! Who are ya? I'll, uh ... you know! Hey, I'll SHOOT HIM [the horse], man!'
Tony DePaul and Mike Manley’s The Phantom for the 20th of July, 2017. There is something comforting in knowing that however close The Ghost Who Walks might be to his death, low-level minions at the Thug Factory are still going to be in completely over their heads.

The envisioned killer’s scouted out the waterwheel and figured it’d be a great spot to ambush somebody from, just in case. He’s thinking how awesome it will be to kill The Phantom and can’t imagine any way that any of this could go wrong in the slightest, so that’s good for him.

The summary sounds sparse, but that’s because this is a plot summary. Much of what’s gone on has been atmosphere or self-inquiry. Particularly, Diana spent a good while tormented by the question of what she could do to prevent her husband’s getting killed. This included a couple gripping sequences, including her sitting in the Whispering Grove, or enduring nightmares based on her knowledge. That all condenses out of a couple paragraphs about the events of the story, though.

As I’d said recently, I won’t be making guesses about whether The Current Phantom dies this story. Either outcome is properly foreshadowed and set up. Either would be a logical outcome, and it’s doing pretty well to have such a believable ambiguity this far into a story.

Next Week: I change up the order of these strip recaps a bit and return to the time of King Arthur, with a check on Mark Schultz and Thomas Yeates’s Prince Valiant.

Another Blog, Meanwhile Index

The index rose three points today to make its third day out of the last four spent at 331, which is a little weird. Also nobody’s seen Lisa since she said she was putting together that Tiny McMansions pilot episode. These are unrelated problems.

331

Phantom Enjoys Daring Last-Minute Escape From Certain Doom


Tony DePaul, writer for The Phantom, was kind enough to stop in and give news about his strip.

The news is that he and King Features Syndicate have reached an agreement about the rights to the stories he’d produced for the comic since 1999. And they have an agreement to have him keep writing as long as both sides are happy with the way things are working. The breakthrough apparently grew over June, after he’d announced the intention to leave. King Features’ general manager for syndication, who hadn’t been directly involved in negotiations, asked for an informal meeting to see what could be done, and after — well, suppose it can’t have been more than a month of talks, yes, something could be done. And just in time, too; DePaul says Jeff Weigel, the Sunday artist, had just run out of story to draw. Mike Manley, the weekdays artist, had about six weeks of story yet.

I’m glad, certainly. The Phantom‘s been reliably interesting and who would want that messed up? Also the hint about how long the current Sunday storyline has to run confirms my resolve to change some of my “What’s Going On In” schedule. I’d been thinking to separate the weekday and the Sunday summaries for better pacing. Moving the next Sundays recap to closer to the end of the current storyline suits me. I was also thinking to move around some of the other strip recaps. I’d set the order without any plan, and I’d like to break up what seem like blocks of too-similar comics.

DePaul teases the idea that the current daily storyline will end in the death of the current Phantom, especially in saying how the story “would have been a superb sign-off to my Phantom career” and describes just how screwed up things would be if the 21st Phantom were to die just now. Me, I’m not making guesses. While the narrative would fully justify the current Phantom’s death this year, escaping certain death is just what superheroes are all about.

Another Blog, Meanwhile Index

The index rose an astounding fourteen points after looking up the lyrics and finding that the karaoke machine had it right. There is a bit in “I Just Called To Say I Love You” that goes “no Libra sun”, and hey, there’s this whole stanza that just goes through the months, one at a time, and counts Libra for September which is fair enough, although is there really anything distinctive about September’s sun? Granted that April is the cruelest month, what is September? The snarkiest month? When it’s up against November? No, that doesn’t make sense.

269

Writer Tony DePaul Quits The Phantom


And then some breaking comic strip news disrupts my daily plans. Tony DePaul, longtime writer for The Phantom daily and Sunday runs, has quit the comic strip. The last of the strips he wrote, both continuities, should be published sometime in the fall.

He’s resigning, he states in the link above, over a dispute that began in November when King Features Syndicate wanted him to sign a contract. Before then — since 1999 — he’d been just turning in stories to get the comic strip ahead of deadline by up to two years, and would get paid as he turned in copy a couple times a year. I admit this seems like a surprisingly casual way of running things, but then I remember I’ve never had a contract at my current workplace and I’m not quite sure either my boss or I know exactly what we think we expect from the other, which surely will never lead to any unpleasant surprises ever.

Anyway, the contract DePaul was offered attempted to classify all his work for the strip as work-for-hire, which has implications for how to license things: as work-for-hire he wouldn’t get any money in case, say, a Phantom movie used one of the characters he created. He reports making counter-offers that sound to me like quite modest requests to get paid for derivative uses of his work, and getting nowhere, and then, that’s that.

In his post DePaul writes in greater detail about the dispute, and reviews some of the characters he’d created and that won’t be seen in a Phantom move or other property, under current circumstances. (I’m unclear whether they can continue to be used in the comic strip.) Several of them seem indispensable, particularly the terrorist leader Chatu and the seafaring hero Captain Savarna (worth her own strip, or movie, really). It’s hard to imagine the Phantom universe without them.

Another Blog, Meanwhile Index

The index rose a point, inspiring a feeling that we’ve been exactly here before and wondering if the system hasn’t got stuck somehow and maybe we need someone to go out and give it a push? People just have their doubts, that’s all.

208

What’s Going On In The Phantom (Sundays)? February – May 2017


And now the Sunday continuity for Tony DePaul and Terry Beatty’s The Phantom. If you’re looking for the weekday strips that’s a separate line, most recently covered here. If you’re reading this much later than May 2017, look at the top essays at this link instead. It’ll have both the Sunday and the weekday continuities in it, and unless I change the order in which I go around the story comics, the Sunday one will more likely be at the top. So there’s that.

The Phantom (Sundays), 13 February – 13 May 2017.

When I last reported on The Ghost Who Makes Up Proverbs About Himself, Sunday pelage, he was in a Chicago mobster’s bedroom, encircled by Chinese-hired ninjas. You know, as protectors of coastal African nations will. The Phantom was drawn there when a plane crash brought to his attention Mikey D’Moda, who at age maybe fourteen is the over-promoted scion of the D’Moda crime family. After listening to the kid for about ten minutes The Phantom figured we can’t let people like this run around and flew to his great-grandfather, the only other blood relative who’s part of the story and whose first name I can’t find. Sorry.

Phantom: 'Your great-grandfather hasn't been your ONLY bad example, I see. You don't have much time before you go. Know that the family business dies with you. I'm turning your great-grandson over to the authorities who can sort out the mess you're leaving. PROSECUTORS will get every scrap of paper I find here! Every computer drive, every account number, everything you've stolen over the generations will go to a restitution program for crime victims!' Elder D'Moda: 'GAKK! What Th! Mikey! Gimme a GUN! I'm TAKING THIS BUM WITH ME!!' Mikey: 'W-What would happen to ... me?' Phantom: 'You'd have a shot at being a MAN! Not a thug! How does that sound?'
Tony DePaul and Terry Beatty’s The Phantom for the 19th of February, 2017. Oh, yeah, and I guess The Phantom finished punching out all the Chinese ninjas. I’ll own up to losing track of how many there were and how many were left to be punched. Anyway, it’s nice to see Mikey D’Moda developing an awareness of the future.

The Elder D’Moda, bedridden since his death by old age twenty years ago, sees in The Phantom a strong man, a potential new consigliere. The Phantom won’t have any of it, and offers the deal by which Elder D’Moda makes restitution and the Younger D’Moda never speaks to anyone, ever again. Given a good hard look what his family business has come to, Elder D’Moda off and dies, and Mikey leaves for a farm upstate.

A life of crime ends. Prosecutors unravel the empire. A new life. Judge: 'I'm ordering you into protective custody, Mr D'Moda.' Mikey: 'Do what you gotta do, Judge!' Phantom: 'Walker, Box 7, Mawitaan, if you need to reach me.' Mikey: 'Box 7! Got it, big guy!' Judge: 'You're not what you seem, are you, Mr Walker? I have a feeling if I were to check your name, your prints ...? You're not in the SYSTEM, are you? I'm due in court. Good day, sir. And THANK YOU!'
Tony DePaul and Terry Beatty’s The Phantom for the 19th of March, 2017. I do find it endearing how about one time in four that someone addresses The Phantom as Mister Walker a narrative box pops in to explain that it’s ‘For The Ghost Who Walks’. Over-explaining the stuff that’s obvious? Maybe, but it’s obvious because we see it all the time. Let the new readers have the stuff they need, so they don’t wonder how judges really feel about mysterious, eternally-masked, obviously pseudonymous figures with no legal history popping in to arrange the disposition of complex cases regarding generations-old mob families.

So this story, begun the 26th of June 2016, officially wrapped up — by the “Next: NEW ADVENTURE!” box — the 2nd of April. The new story, started the 9th of April, is titled The Phantom Is Everywhere, suggesting the surprising return of Klondike Kat’s nemesis Savoir Faire in a comic strip other than Dick Tracy. The suggestion is wholly unrelated to the actual content of the story and I apologize for wasting your time with it. Phantom Wiki reports this is the 185th Sunday story.

The story opens in a Wambesi village terrorized by a trio of “agressors” who in Lee Falk’s words “preach a hateful ideology” and loot the place now and then. But Jungle Patrol is there, hiding among the villagers and waiting for their moment. One of the Jungle Patrol blows a whistle, and the bandits are caught when they go to the free throw line. Jungle Patrol’s speculation afterwards is that it may be tied to The Python, the terrorist leader whom The Phantom broke out of Boomsby Prison to hold himself, privately, in a secret grass hut guarded by villagers.

The Phantom, watching: 'Takedown! Three terrorists out of action! Well done, Jungle Patrol! Colonel Worubu always did enjoy getting out from behind the desk!' Patrolwoman: '[ The villagers ] love us, Colonel! We're hereos!' Worubu: 'ENJOY it, Patrolwoman! There will be days when people call us OTHER things!'
Tony DePaul and Terry Beatty’s The Phantom for the 7th of May, 2017. Yes, I know this makes Colonel Worubu look like the kind of guy who pointed out after V-E Day that all central and western Europe was a lawless wasteland of human misery that none of the victorious allies had any sufficient plan to rebuild. But in fairness: I’m going to bet that there are many people with names for a privately-run army out of the control of any government except by the personal links the current President of Bangalla happens to have with the person he doesn’t properly know is the head of the Jungle Patrol. Just saying.

And that’s about where things stand today. The disadvantage of these Sunday strips is there aren’t so many Sundays in the week, so there’s not as much to write up. But if you the reader are curious about the stuff I’ve elided, or want permanent links to strips not featured here, please comment. I’ll try to be useful.

Another Blog, Meanwhile Index

The index rose six points after everyone gathered around to hear my annual rant about how the Mother’s Day Card industry somehow has cards for every possible relationship except the person who has a good relationship with their mother-in-law and wants to send a card as a person and not as the person who happens to be married to the mother-in-law’s child. It brings everyone a strange amount of joy to see me upset at the injustice of it all.

164

What’s Going On In The Phantom (Weekdays)? February – May 2017


And now I’m in The Phantom zone. This week I’ll do my best to explain the weekday continuity in Tony DePaul and Mike Manley’s comic strip. Next week I’ll catch things up on the Sunday continuity. If you’re reading this much later than May 2017, you should be able to find a more recent review on this linked page. It’ll have both the Sunday and the weekday continuities in it; I’m sorry, I don’t know a good way to sort those out. Thanks for bearing with me.

The Phantom (Weekdays), 6 February – 6 May 2017.

Since the last we left The Phantom, the Ghost Who Walks punched his way into large beard entrepreneur Orson Burley’s home. The Phantom call on the aid of a pack of Bandar locals in a scene that doesn’t look at all like some racist British newspaper cartoon advocating the takeover of Bangalla to safeguard white people. And they easily kidnap the wealthy man of wealthiness. After a night spent tied to Horror Trees Burley’s dumped in the midst of The Phantom’s Cave and given his orders: no stamps! Because The Phantom is really, really horrified by the prospect that his legend might be graded in philatelist journals. We’ve all been there. Burley agrees and he swears off forever his plan to … have the nation of Bangalla depict a centuries-old legendary guardian of the people and supernatural defender of justice on its postage. That’s a win for the good guys.

Have to admit this is one of those stories where I just could not get into our protagonist’s mindset. I would get The Phantom wanting to protect his image, and using his iconography on something trivial can serve to trivialize him. But I’m just not seeing how someone who’s cultivated several dozen and often very specific Old Jungle Sayings about what The Phantom does or what you do when you meet The Phantom is doing saying this is the step too far. The case could have been made, but I didn’t see it.

Burley, dazed, sleep-deprived, and possibly drugged: 'Phantom I --- I just wanted to promote YOUR BRAND!' The Phantom ponders, my what? And declares, surrounded by melty screaming skulls, 'I forbid you to promote my band.'
Tony DePaul and Mike Manley’s The Phantom for the 3rd of March, 2017. Also everything we write back to LinkedIn.

That wrapped up the 11th of March. From the 13th of March started a new story, The Curse Of Old Man Mozz, which Phantom Wiki says is the 247th Phantom Daily story. Lee Falk promises that in it, faithful mystic and old-guy Old Man Mozz will foretell the death of the 21st Phantom, our current purple-clad superhero.

The action opens with The Phantom raiding a Thug Factory, punching and taking names. Then he punches the names and throws them down a well. He spends a couple weeks at this, since the Thug Factory is churning out product like crazy. He grabs guy after guy eager to beg for a deal and who learn their deal is they’re being left for the police. Or, well, the Jungle Patrol, who’re totally legitimate and respectable forces for law and due process rather than a self-sustaining militia.

Snitch Guy: 'Hold on! You picked me [ to deliver a message ] because I look like a SNITCH to you?' The Phantom: 'You look like anything but. THAT'S why I picked you. The story loses something when a weakling tells it.'
Tony DePaul and Mike Manley’s The Phantom for the 24th of March, 2017. Also a masterpiece of personnel management considering that after smacking down Snitch Guy for at least the second time in his life The Phantom is sending him off with a credible-sounding claim that the guy is actually a strong and important person. He’s giving Snitch Guy reason to feel good about himself even despite his getting smashed up some.

Along the way Devil, the Phantom’s pet wolf, took a pretty nasty tumble along with one of the Thug Factory’s newest products. Ghost Who Punches finds medicine guy Guran is strangely uninterested in his medical guy work. Phantom figures to work out what his deal is, although it’s his wife, Diana Palmer-Walker, who successfully follows him. Guran’s destination: The hut of Old Man Mozz, where he’s sprawled out on the floor surrounded by mysterious vaporous mists and muscle loss. Mozz is not ill, Guran promises Palmer-Walker. He’s just having visions.

Diana Palmer-Walker finds Old Man Mozz, sprawled out on the floor, emaciated and quite possibly naked, surrounded by mysterious fumes.
Tony DePaul and Mike Manley’s The Phantom for the 4th of May, 2017. It’s terribly dangerous for people to go through their adolescent I’ll-just-sleep-on-my-mattress-on-the-floor phase. Also but you just know he insists on calling the band The Pink Floyd.

We haven’t heard officially what he’s envisioning, but Lee Falk may have dropped a clue when he said Old Man Mozz would foretell the death of the 21st Phantom. Misdirection? Possibly, although The Phantom has noticed how end-of-life-y things feel lately. What we’ve been given doesn’t promise the current Kit Walker’s going to die before it’s over. But I’m curious how it’s going to affect the continuity of the series. The Phantom 2040 cartoon, back in the 90s, tells stories of the 24th Phantom, after all, and while it accounts for the short career of the 23rd Phantom, there is the 22nd, who last year was sent to get himself shot in Tibet, ready to become part of the comic. Just observing.

Another Blog, Meanwhile Index

The index rose nine points today in response to a Reuters report that frozen orange juice concentrate was selling at 150.80 on the commodities market, which seems like a good deal for orange juice concentrate? Also it’s something there’s a thriving international commodities market in? All right, we never see that in grand strategy games where you do trades of goods with other countries but what the heck. Frozen orange juice concentrate. Business is weird.

125

What’s Going On In The Phantom (Sundays)?


[ Edited the 13th of May, 2017 to add: ] Hi, Sunday Readers. This might be an outdated report on the current plot in the Sunday editions of The Phantom. My most recent recaps of the Weekday and the Sunday stories — which are separate — should be at the top of this link. I haven’t figured a way to separate out the Sunday continuity from the weekday ones, but you can roll with that, I hope. Good luck.


So The Phantom, The Ghost Who Walks, is a bit of an overachiever. It’s understandable. He’s the 21st in the line. Consider how many family businesses fall apart when the fourth generation would have taken over if anyone could be found to run things. He must’ve been raised barely able to imagine anything else in life. So while Mark Trail might take Sundays off and Alley Oop might just reiterate his adventures and Spider-Man might get a bit of work done, The Phantom gives us a whole separate story. It’s the only story strip doing that. So it gets a second round of story-recapping from me. Last week I covered the dailies and stuff hasn’t changed much since then.

The Phantom (Sundays).

The Phantom is sworn to defend the people of Bangalla. But it’s a complicated, global world. It always has been. The first Phantom was an English sailor caught in the spice trades. The Phantoms who’ve been on-panel since the comic strip began haven’t been less worldly. This serves some good purposes. For one, it defuses the strip’s built-in concept of the White Savior To These Helpless Black People. That’s also defused by the development and ongoing presentation of Bangalla as a functional liberal democracy. But it helps if The Phantom uses his time and suspiciously great wealth to fight crime wherever it leads, anywhere in the world. And it means the strip can leave the jungle behind without straining its premise.

The current Sundays storyline began the 26th of June, 2016, with a plane crash, always the start to a good jungle adventure if you’re not on it. The plane carries Mikey D’Moda, teenaged idiot scion of the Chicago Mob who’s being traded to the Chinese crime syndicates in exchange for not having him around until he’s eighteen. That and a shipment of authority-attracting guns are supposed to bring a truce to the underworld, because that plan always works out.

Mikey D'Moda tells his great-great-great grandpa of his plane crash in 'Nowhere, Africa', and that his mob boss's Chinese friends have gone missing. The Phantom snarks on how Mikey talks. But Mikey offers to help The Phantom get a better suit if he's ever in Chicago.
Tony Depaul and Terry Beatty’s The Phantom for the 14th of August, 2016. I appreciate The Phantom for its action and adventure, but I really like moments like this where the characters get to kick back and consider how silly everything is. Also I appreciate how completely you know who Mikey is by the end of this one installment.

Mikey escapes to a freedom lasting whole minutes before The Phantom catches him. Meanwhile the grownups in the Chicago and China Mobs get arrested and interrogated, there to scatter some plot seeds that haven’t yet blossomed. Incidentally along the way the Jungle Patrol gives one of the prisoners the private phone call to his lawyers he’s entitled to, but “accidentally” records it on a phone. I mention this because it’s something true about The Phantom universe.

The good guys are, basically, good guys. But they fall way short of the superhero ideal. They’re not scrupulous about civil rights or the law or ethical behavior. See, for example, The Phantom’s vast wealth, said to be acquired from among other things pirate treasures. That’s fine for a pulp adventure hero; but, in the real world, stuff doesn’t stop having a legitimate owner just because someone else stole it. The Phantom could probably make a claim on stuff that has no recoverable provenance, but he’s not going to that effort.

The good guys typically get away with their cheating because the writers are on their side. But it does come back to bite them sometimes. One of the lingering human rights abuses has been The Phantom keeping the terrorist Chatu in a private, secret prison. This is understandable. Chatu arranged the kidnapping and faked-murder of The Phantom’s wife from his actual professionally-built prison cell. But, still. Is keeping him in a wood hut in the jungle really better? I believe that’s being left around to generate future stories.

Mikey advises his great-grandfather that his being kept hostage in China would never have brokered peace in the Chicago mob, which I agree with but don't understand fully anyway. Then Bruno calls and warns that 'our Chinese friends ain't too happy you come home, Mikey', even though that really does seem to be the fault of a plane crash of unexplained cause.
Tony Depaul and Terry Beatty’s The Phantom for the 25th of September, 2016. And, again, I like how Mikey seems to have learned everything about his crime syndicate from watching the Saturday Night Live parodies of mob movies. He’s probably a little young to have picked up anything from the “Goodfeathers” segments on Animaniacs but he would have too.

After spending minutes listening to Mikey, The Phantom decided the thing to do was punch the crime out of both Chicago and China. He heads first to Chicago and then, conveniently, China follows along. Or someone does, anyway. In a long sequence The Phantom’s chased around the D’Moda Crime Estate by mysterious shadowy figures who look to be ninjas. Yes, I associate ninjas more with Japan and turtles than I do with China, but c’mon. It’s the Chinese Mob. They can hire out. My supposition is that the Chinese Mob is offended that the truce fell apart when Mikey’s plane crashed. This seems to me unfair. But I suppose if you aren’t sure about the good faith of another party then it’s not worth your time to work out the difference between accidents and betrayal.

The aged D'Moda warns The Phantom that in his prime he'd have mopped the floor with the Ghost Who Walks. Phantom warns 'there's a dangerous man on the estate tonight. Other than me.' Cue the ninja throwing stars!
Tony Depaul and Terry Beatty’s The Phantom for the 1st of January, 2017. Honestly a little surprised that D’Moda here hadn’t been punched by one of The Phantom’s ancestors, possibly repeatedly. He does often turn up people who’d encountered his ancestors. Comics Kingdom’s vintage strips reveal he always has. It’s one of the little things that gives heft to a continuity.

So, now, The Phantom is in the dying elder D’Moda’s bedroom, as at least one ninja closes in. The Phantom’s getting to some Peter Parker-y levels of snark against his opponent. It’s a good way of keeping the panels from being too much just guys hitting each other and grunting.

Phantom getting inside his ninja attacker's head: 'You've come a long way to put in a day's work, friend. Do you get expenses on a job like this? Travel? Meals? I'm sure you must. Only an amateur would work for a flat fee and end up flat on the floor for his trouble!'
Tony Depaul and Terry Beatty’s The Phantom for the 5th of February, 2017. The Phantom does raise some fair questions about working as a ninja for hire. I suppose they’re all the sorts of thing you learn to charge for as any kind of consultant, but you do still have to learn that. This implies there’s someone who trains people to be ninjas for hire. Might be someone who got out of the ninja game directly. Might be someone who’s just a standard consultant and realized a lot of ninjas handled their freelance business badly. Never know.

The Sunday Phantom is written by Tony DePaul, just as the weekday ones are. The Sunday strips are drawn by Terry Beatty, who also writes and draws Rex Morgan, M.D..

Another Blog, Meanwhile Index

And now the index rose back above the psychologically important 100 barrier. Likely this reflects people’s relief at having that whole index-rises unpleasantness behind them and how we’re just going crazy eating the Valentine’s Day candy while it’s in style.

101

What’s Going On In The Phantom?


[ Edited the 6th of May, 2017 to add: ] Hi, Readers. Thanks for being interested in the goings-on of The Phantom, the comic strip. This post may be outdated by the time you find it. My recap of the most recent Phantom stories should be somewhere in this link, though there might be a recap of the Sunday continuity in the way. Weekday and Sunday strips have independent stories and I cover them separately. Good luck.


Today’s, and next week’s if all goes well, What’s Going On segments are about the same strip. That’s because it solves the problem of Sunday and weekday readerships being different in decisive form. The weekday and the Sunday strips carry on different stories. Neither sequence has to wait for the other. Surely these can be fit into some order so as to preserve the all-important continuity of The Phantom‘s universe. I admit I’ve never tried.

The Phantom (Weekdays).

I snarked about the importance of continuity to The Phantom. It’s reflexive. The comic strip, started in February of 1936 by Lee Falk, has a continuity. An important one, even.

The Phantom, The Ghost Who Walks, is the 21st of that line, descendant of a chain of superheroes defending the African nation of Bangalla from, in the 16th century, pirates. In the 21st century, it’s … pirates and terrorists. Sometimes stranger stuff. The comic strip shared a universe with Mandrake the Magician and some of Mandrake’s weirdness would leak over. Some of the Mandrake characters have made appearances in The Phantom since that comic ended.

The rough premise of The Phantom may seem overly familiar. Costumed superhero who lives in a secret cave watches for menaces to his homeland. When he finds them he’ll punch them hard enough to leave a mark for decades. (A specially-constructed ring helps with this.) He hasn’t got any superpowers per se. But he deploys intelligence and great physical shape and training plus stunning private wealth to get as close as practical. If it sounds like every costumed superhero comic ever, then remember it got started a couple years before Batman did. I figure to talk about The Phantom‘s universe more next week.

The comic strip, weekday and Sunday threads, are written by Tony DePaul and have been since 1999. The weekday comics have been drawn by Mike Manley since May of 2016. Manley also draws Judge Parker. The Sunday strips have been drawn by Terry Beatty, the artist and now writer for Rex Morgan, M.D..

Lee Falk, strolling through town. 'THREE PATHS intersect here in the minutes ahead. None of the parties know they've entered the realm of The Ghost Who Walks!'
Tony DePaul and Mike Manley’s The Phantom for the 7th of November, 2016. The start of the story. The third path for all this is the Jungle Patrol, the Phantom’s self-raised auxiliary army, although it isn’t clear at this point what’s supposed to be life-changing about their story just now.

So here’s the current Phantom weekday storyline. Its essentials were laid out in a week of strips starting the 7th of November and hosted by “Lee Falk”. That’s one of the charming conventions of the comic: a representation of the strip’s originator gives the dramatis personae and necessary backstory for the adventure ahead. If the story’s run long he might pop in again to recap for new or simply lost readers. Or to advance the story to a new point. It’s common enough for cartoonists to be characters in their own strips, but it’s almost always humor strips. Story strips usually leave narration as done by some anonymous source. “Lee Falk” doesn’t really say anything that couldn’t be done by unattached narrative box. But it adds a neat personal touch to the starts of stories that he does.

So the first element is Orson Burley, big, bearded tycoon in the enormous-wealth industry. He’s heard this legend of The Phantom and figures it’d be a good subject for a postage stamp. I have to say I’m on Burley’s side on this. It seems odd that the Republic of Bangalla wouldn’t have already used a semi-mythic protector-legend as subject for a stamp. Local mythical figures on stamps seems like elementary nation-building. Issuing cultural stamps are the first thing you do after gaining independence from the British. Well, the first thing after renaming the street Government House is on to the native word for “Freedom”. But President Lamanda Luaga is cold to the idea, and warns The Phantom of Burley’s investigation. I understand a secretive superhero trying to keep his secrets. But the legend’s been going for four centuries now; this can’t be the first serious scholarly investigation of the thing. Well, so it goes.

Burley’s insisted on learning as much as possible about The Phantom and going ahead with his postage stamp. This despite the warnings of the President and of his limo driver. And Burley’s startled that anyone could see The Phantom as a legend dangerous to investigate. I confess I’d be, too.

President of Bangalla: 'Orson Burley hired the best! Top people at the University! Experts! I was certain he would [ drop his investigation of The Phantom ], out of respect for the highest office in the land! He turned me down flat!' The Phantom: 'I could always have a word with him.'
Tony DePaul and Mike Manley’s The Phantom for the 2nd of December, 2016. I know what you’re all wondering: how did The Phantom get broadband Internet into the depths of his Skull Cave secret lair? I don’t know either. The fellow lurking behind The Phantom’s chair is Guran, his childhood friend and faithful assistant. Don’t worry about him. He regards the clothing outfits of everyone in that first panel to be normal.

Second piece is Akini Ogutu, “CEO of a multinational giant headquartered in Mawitaan”. While Bangalla’s a basically functional democracy it still has problems, even in its capital city. She got targeted and kidnapped, for ransom, by one of those gangs you hear about that hold executives for ransom. The Phantom’s not-at-all-worrisome private army, the Jungle Patrol, finds the hideout. The Phantom goes in alone and rescues her in a daring, exciting raid that full of the sort of superheroics you’d expect. Also that make you wonder, well, why does he have his Jungle Patrol if they aren’t at least doing support on this sort of thing?

(OK, it’s because The Phantom tries to keep his Phantom life and his Jungle Patrol life separate. The Jungle Patrol doesn’t even actually know their leader is The Phantom. They know him only as The Unknown Commander, who issues orders over the phone, and that’s not a potential danger pit at all, is it? But that does shift the question to why not have his army move against the criminal gang, which would seem safer all around?)

Anyway, it must all have been brilliant because he rescued Ogutu. Burley can’t believe Ogutu’s claim that she was rescued by The Phantom, and figures to go on with his research and stamp production. And this week The Phantom has gone to Burley, presumably to explain why not being on a stamp is such a freaking big deal for him. Maybe the 16th Phantom was betrayed by someone selling a fake Penny Red or something.

The Phantom hustling Akini Oguto away from her kidnappers. 'I'll be back for you. Keep your head down.' 'Please don't leave me! I - I'm Frightened!' 'So are they,' says the Phantom, shooting one without looking.
Tony DePaul and Mike Manley’s The Phantom for the 6th of January, 2017. Oh, yeah, The Phantom doesn’t have that old-fashioned superhero thing about not using guns. I admit I’m still surprised to see it happen, though. He does punching pretty well, though.

I mean, the best I can figure is The Phantom figures he’s most effective if he’s surrounded in clouds of mystery and legend. And getting a commemorative postage stamp is the start of a process that leaves him as exotic and remote as Santa Claus. But part of The Phantom’s schtick is that he’s surrounded by a lot of legends and I don’t get how a postage stamp depiction is going to make that greater or lesser. And it isn’t like he hasn’t got, and encouraged, a lot of “old jungle sayings” about his legacy. Is he worried they’ll paint him from an unflattering angle? It seems like a misplaced reaction and I hope something in the coming weeks clarifies matters.

Next week I’ll try to explain the Sunday storyline.

Another Blog, Meanwhile Index

The index fell nine points today, inspiring people to point out where we were at this time a week ago. This time a week ago we were at 124. Hoo boy but it’s been a long week.

110