The past couple months in Tony DePaul and Jeff Weigel’s The Phantom (Sundays) has seen a lot of Jungle Patrol head Colonel Worubu looking over the Unknown Commander’s new office. This is justified by the import of the thing. Tony DePaul is trying to revise a big part of Phantom Pholklore. Up to now, The Phantom has given his orders to the Jungle Patrol by orders left in a safe, signalled by a light above the door. Now, The Phantom, and DePaul, want the Unknown Commander to have new ways to be “seen” by his forces. If the big change doesn’t get screen time to make an impression and show why this is more interesting it doesn’t get weight; compare the hilarious failure of the multicolored Daleks that one Doctor Who. The bigger panels and looser story of a Sunday continuity give time to luxuriate in this.
Back at Jungle Patrol Headquarters, Colonel Worubu and Captain Weeks can’t resist the temptation to see the Unknown Commander’s office. Especially now that there’s personal possessions in it. We spend a lot of time in this, examining things brought from the treasure rooms — sextants and battle flags and Maltese Falconses and such. It deeply impresses the Colonel and the Captain.
Tony DePaul and Jeff Weigel’s The Phantom for the 17th of March, 2024. DePaul really gives frustrated-lit-majors a treat with this Maltese Falcon which, of course, is a thing invented for the novel without basis in reality. This whole story has been about creating fictions; the opening and framing even had “Lee Falk” — a fictional version of the man, standing in for DePaul and (I read it) all creators of Phantom stories — addressing the audience and speaking of how even he doesn’t know what The Phantom is thinking. This reached its peak on the 11th of February, where “Lee Falk” peeks over The Phantom’s shoulder as he writes his Chronicles, and The Phantom notices. An actual critic would launch an essay about text and metatext on that.
Finally, The Phantom breaks silence, speaking over the hidden speakers to Worubu and Weeks. His declaration: when John X gets back, bring him to the Unknown Commander’s office. X’s most recent report is inadequate. Also, turn the lights out when you leave.
The Phantom then returns to Jungle Patrol headquarters, in his guise as John X. He had, as John X, spread the story he thought the Unknown Commander was dead and was supposedly checking the post office box in Mawitaan for orders. Worubu brings John X in and they hear … nothing.
Next Week!
After some of the indignities of age we swerve into dog medicine in Terry Beatty’s Rex Morgan, M.D., next week. Uh … there is pet endangerment in the current storyline but, c’mon, it’s Terry Beatty’s Rex Morgan. Everything’s going to be okay, and pretty fast.
More likely than not, whatever strip you’re reading looks funny because of Mike Manley’s health problems. This forced him to take leave of The Phantom weekday edition as well as Judge Parker. The weekday Phantom has been drawn by Jeff Weigel and then Bret Blevins. Judge Parker, D D Degg observed at The Daily Cartoonist, is being filled in now (without credit) by Rod Whigham of Gil Thorp renown.
So some happy news: Manley posted to his Facebook that he’s scheduled to return to The Phantom with the strip for Monday, the 10th of June. I don’t know whether that coincides with the start of a new story. It may represent just being a comfortable margin. I have no word on when he’ll return to Judge Parker. I am also not clear whether Rod Whigham’s tenure at Judge Parker is just for the week — which, must admit, the Comics Kingdom redesign lets us see early — or is until Manley’s return.
Last time, we were looking at the denouement of Tony DePaul’s more-than-two-year story about the death of The Phantom. Spoiler: The Phantom does not die. But he does spend time wondering what he can learn from diverting what seems like his destiny. Despite everything, Savarna Devi does learn that her former enslaver, Constable Jampa, is in the Mountain City, and goes after him. She seems to shoot him dead, although there is room for deniability in case DePaul wants to tell of Devi keeping her promise not to seek vengeance. (I believe her sincerity in her promise, but this may be irresistible temptation.)
With the 13th of January the sixth and final chapter of this story ended, and we began “The Chain”. It begins with something I imagine was a bit of DePaul teasing readers upset at so long an imaginary story: The Phantom talking about what a weird dream he had last night.
The important points of the 1950s “The Chain” are that our The Phantom is having a right lousy time of it, unable to stop a war between the Llongo and the Wambesi and feeling sorry for himself over it. In the 2020s “The Chain” our The Phantom — and his family — chuckle over the weirdness of him not even liking being The Phantom. (As ever, I’m more forgiving of the 1950s author in this. While one of The Phantom’s defining traits is that he enjoys being The Phantom and feels his work is worthwhile and appreciated, everyone’s entitled to sometimes doubting themselves.) In the 1950s/the dream, a previously unnoticed Bangallan named Woru tells the story that explains the previously unnoticed chain hung on The Phantom’s throne in Skull Cave.
It seems that a tinpot dictator of a prince spots the woman who’d become the 20th Phantom’s wife and has his lackeys kidnap her. The 20th Phantom rides to her rescue, of course, but gets caught. And chained to the water well, forced to walk in circles to pump water to the animals, right where his future bride can see but not help. 20th notices, though, that every rotation the chain gets caught a little bit on this one stone, and after months of work, the chain finally snaps. In one bound he’s free, his future wife’s free, the prince who cares about, and he brings the chain back as a reminder of the need for patience.
(In the 1953 story Woru also explains this is a lesson about humility, 20th Phantom having got himself captured by going in guns blazing and hugely vulnerable. This was relevant to the 21st Phantom, 1953 edition, as his troubles with the Llongo and the Wambesi amounted to being annoyed they wouldn’t stop the tribal war already! Don’t they know they’re embarrassing the white guy in the jungle? Although when he goes back, he mostly just demands the tribes talk to each other and doesn’t tell them how to be peaceful. Not The Phantom’s phinest hour but at least he figured how to use his reputation for good?)
Among the things Kit Junior and all criticize: if this is an important lesson the Phantom needed to learn, why not mention it when he’s growing up? Or in the Phantom Chronicles? Why entrust the story to a lone tribesman who might well die before passing the message on? And isn’t this more a lesson about perseverance, rather than patience? Are we sure this moral was narratively justified?
Kit Junior then thanks his father for teaching him and Heloise the things they need to know to be viable Phantoms. He mentions a story from 2006 — “The Jungle Trek” — in which he and Heloise are guided through a series of physical and, more, intellectual challenges. The only one he gets to here is a cliff-climbing exercise, where they lose their focus and come terribly near falling. Diana isn’t sure she wants to hear more, which, fair enough. Writing up this recap I see the thematic connection here, although I don’t have guesses about where that’s going.
Kit Junior, convinced that Heloise is just not coming back to the Deep Woods, plans to leave for Mawitaan despite knowing his sister’s trying to set him up with Kadia. But he comes back to talk with his father more. And that’s where we are today.
The Safe in the closed room is the means by which the Unknown Commander ordinarily receives reports from, and transmits orders to, his Jungle Patrol. A light outside the door lets the Jungle Patrol know there’s something to pick up. No one in Jungle Patrol has figured how the Unknown Commander gets into a locked safe inside a locked room inside Jungle Patrol headquarters, because the convention was established by like the 1940s when superhero stuff didn’t have to be all that rigorous.
Tony DePaul, the second (named) Lee Falk in the comic strip Phantom legacy, appears to be making some changes in this. Maybe. I don’t know; all I know about forthcoming strips is what DailyCartoonist or a comic strip writer themself chooses to drop. But the text of the story, and the Unknown Commander dropping hints about wanting to be a stronger presence with the Jungle Patrol, suggest that. Maybe some shaking-up of the secret orders routine is needed.
There’s charm in the old secret — a secret tunnel under the safe that leads to a nearby dry well. But, like, there’s a 1950s story where some crooks figured out the scheme and used it to give Jungle Patrol misdirecting orders. They needed to professionalize things a little after that. It is a risk to the soufflé that is a successful superhero universe to take away the more whimsical elements, though; good luck to Tony DePaul for taking it.
(I also don’t know how this change, if it is happening, will be reflected in the other, non-comic-strip sides of The Phantom. But the different publishers of Phantom stories seem comfortable with imperfect consistency and fans seem all right with that too, so they don’t need me worrying about them.)
As John X, The Phantom gets permission to check the Jungle Patrol’s secret maildrop in Mawitaan. While theoretically out of town, he sneaks back in as the Unknown Commander to pick up his mail and leave orders — and not turn the signal light on. And as a guy with more money than you’d think the jungle vigilante trade would bring in, he calls some construction workers in from the city. They have work orders to renovate Jungle Patrol Headquarters. And they know they have the Unknown Commander’s word, right there in the safe, where Colonel Worubu would swear there wasn’t anything.
As Colonel Worubu can barely believe it, the construction workers tear down walls, open up windows, and soon have The Safe surrounded by beams of light. Meanwhile, back in Skull Cave, the Phantom, in his guise of The Phantom, is rehearsing a script and checking that there’s enough shadows in this dignified-library set. Diana worries about the long dialogue he has to commit to memory, and the challenge of pausing appropriately for an unseen dialogue partner. He’s confident, though.
Tony DePaul and Mike Manley and Jeff Weigel’s The Phantom for the 21st of January, 2024. Colonel Worubu’s hesitation feels a little like a riff on how a hardcore fanbase can loathe innovation in their focus, particularly on sentimental or fan-folklore-rich items. But it also makes me feel bad for Colonel Worubu since, jeez, the Unknown Commander doesn’t mind showing himself to this contractor but won’t even let the patrol’s day-to-day officer in chief look directly at him? Also I wonder whether the construction supervisor was hired because he was a contractor who could convincingly deliver points The Phantom wanted Jungle Patrol to hear, or if he’s an actor hired to play the construction chief.
From here, we enter my speculations. It looks like we’re being set up to have John X and the Unknown Commander perform a dialogue where the Jungle Patrol can see they’re not the same person. (This would have been so much easier if it were still possible for the Colonel to hold the speaker end of a phone up to the receiving end of another and vice-versa.) And it looks like we’re being set up to have the Unknown Commander delivering video orders from a duplicate of his Jungle Patrol headquarters, a scheme that can’t fail as long as nobody accidentally breaks the bust of William Shakespeare on his desk. But this is all my speculation and I don’t want to brag but my predictions for story strips are batting, like, 0.075 lifetime.
Well, first, let me do the greatest service possible in this modern era and tell you why that’s something worth your click. First, DePaul writes about the just-concluded Wrack and Ruin story in the daily strips, which just wrapped up over two and a half years of imaginary and real story. And he gives some context to the new story, which started this week, and seemed to tease that the whole Wrack and Ruin might have been a dream, which people would have spent years complaining about in my blog, as if I had any responsibility.
And that comes to the alarming news DePaul has. Comics Kingdom is redesigning their site, again, and has plans to unveil it next month, which I make out to be two years since the last time. DePaul is optimistic, having news that readers will be able to scroll seamlessly through stories going back to 1936(!). This would be a great step forward for The Phantom. And for all the comic strips that get accessible, deep archives like that. Me, I’ve been on the Internet long enough that I cannot remember the last time a web site redesign meant the things I do all the time got easier. Or even stayed only as hard as they were. I’m guessing if it doesn’t demand more clicking around, then it’s sure to demand more network traffic to deliver pictures.
I don’t have any details on Manley’s condition, but DePaul does say “there’s more to come from what I hear. Not good … ” It’s not the sort of merry hint I like to bring, but that’s what we have.
The important thing about all this was getting folks back where they belong, so far as Destiny will allow it. We got some points that might set up future stories, though. First is Bangallan President Lamanda Luaga giving asylum to the prisoners freed from Gravelines. It’s a courageous move: Rhodia — any nation — would feel humiliated by such a jailbreak, and to have most or all of the freed prisoners right next door could be an irresistible temptation. The second is that Rhodia was already plotting the assassination of President Luaga. And hoped to suborn Savarna Devi into doing the murder. Rhodian Admiral Leopold Braga was scheduled to visit Devi in her cell the day of the jailbreak for her final answer. Which, from the safety of the ride home, she says would always have been no.
Back at Skull Cave is Kit Junior, who it turns out had an irresistible temptation to return home. The idea came to him, turns out, the moment The Phantom stopped to listen to Mozz’s prophecy of Wrack and Ruin. Kit explains he was careful about his track, taking a path that went through Guwahati (in northeastern India), Delhi, Rome, Casablanca, Mombasa, and more, which is all the more impressive when I thought it had only been two, three days tops since this story began. But then the essential power of The Phantom is having time to get stuff done and not be exhausted at the end of it.
The Phantom briefly tries to keep Kit from talking about the Mountain City with Devi, but realizes better. In the prophecy, Devi meeting up with Kit and then murdering Inspector Jampa instigates the bombing of the Mountain City. But if Devi learns where her onetime enslaver was and succumbs to the irresistible temptation to murder him? And Kit’s nowhere on the same continent? Why would this go beyond Devi and Jampa then? And so The Phantom decides to trust in things working out like they ‘should’.
But, like someone or other said, even a miracle needs a hand. And, particularly, they have to keep Kit from being in the Mountain City anytime Devi might murder Jampa. Diana has a plan and it’s oddly matchmaker-y of her. Kit surely won’t go back to the Mountain City without seeing his sister Heloise. And Heloise won’t let him leave without meeting Kadia. And, heck, could Kadia be a potential partner for Kit Jr? So over weeks, we gather, Heloise keeps teasing that she could come home anytime, but not now, and Kit does put up with this.
And for Devi — she seems to have a fine time, allowed into the world of the Bandar, and Skull Cave and all its cool stuff. And, in an echo of what she swore in Mozz’s prophecy, thinks of how she is done killing. And, last week, Kit unknowingly said something which set Devi leaving immediately. We may infer that she learned something which placed an irresistible temptation in the way of her giving up revenge. We don’t know how that’s to work out.
This Monday, the 18th, started the epilogue, Kit trying to convince Heloise that he’s leaving next weekend whether she sees him or not, Heloise calling his bluff. And Heloise wondering if she and her mother can make Kit-and-Kadia happen, in case that’s a thing that should.
Show some respect, little one. That guy with the typewriter is Lee Falk, the creator of The Phantom and its sister strip Mandrake the Magician. Legend in the serial adventure comic business. Falk died in 1999, but his name remains in the credit box on the comic strips, I assume out of sentiment rather than because he had Bob Kane as his agent.
For some time now Tony DePaul has used Lee Falk as narrator, providing recaps and transitions and background material to readers who joined us late. I’m charmed by it. This story’s seen more of Lee Falk The Character than usual, including his speaking to the reader as though he weren’t sure what the story was. Tony DePaul has never been shy about discussing what he’s attempting in a story, as anyone reading his blog knows. So it can’t be DePaul wanting to find some way to talk about his writing process. The story as it’s told is about The Phantom himself creating a story, his audience being the Jungle Patrol. I imagine as we see more of it we’ll see some thematic echoes between Falk deciding how the story works and The Phantom working on his plans.
And that story we’ll see — well, I should pause a moment. The weekday Phantom, as well as Judge Parker, are going to be looking different for a while. Mike Manley, the regular artist, is ill and it looks like an extended absence, says The Daily Cartoonist. Bret Blevins (with lettering by Scott Cohn) have been filling in for a couple weeks on The Phantom, as they did for a while last year too. Jeff Weigel, who does the Sunday strips, is supposed to take over the weekday strips for the duration starting from later this month. Blevins has also taken on drawing Judge Parker, and I don’t know how long that’s to last.
This story, by the way, is set some time after the conclusion of the story going on in the weekday strips. This gets neatly teased when Jungle Patrol folks as John X for more information about Gravelines, and he says that story’s not yet over. I’m amused.
Somehow, The Phantom sees an angle to prove John X isn’t the Unknown Commander, and maybe burnish the Unknown Commander’s legend some, since after a couple centuries not being seen even experienced Jungle Patrollers start asking questions like “how does this work exactly?” So we learn, from flashback conversations with Diana, that he’s been going into Mawitaan and meeting people with Ajabu Engineering (“You Imagine It, We Build It”). And he’s readying some spectacle for the Jungle Patrol’s benefit.
Meanwhile, what he tells Colonel Worubu and the Jungle Patrol staff is that he’s not sure but someone he thinks was the Unknown Commander died in a mission in Ivory Lana. And, sure enough, nobody’s been picking up the daily reports in the Unknown Commander’s vault, nor has the light signalling fresh orders turned on. As John X, he tells Colonel Worubu of how much the Unknown Commander depends on him and his expert judgement. And he scouts Jungle Patrol headquarters, looking for a good way he-as-John-X can vanish and set up whatever he-The-Phantom has in mind.
How will this all pan out? I don’t know. I imagine we’ll have some insight in twelve or thirteen weeks, whenever I get back to this strip. In the meanwhile …
Next Week!
Why are we watching infomercials in Terry Beatty’s Rex Morgan, M.D.? You’ll have to check back here to learn or catch up on the comics yourself. We’ll see what happens.
The weekday story has just started the seventh and final part of the tremendous wrack-and-ruin story. It begins with Kit Junior visiting the Skull Cave and finding everybody but Mozz gone. Mozz is low-key freaked out because to get from Arunachal Pradesh, India, to Bangalla he must have set out more than a day or two ago. And this whole story has been the course of two nights, one in which Mozz lays out his prophecy and one where The Phantom acts on it. We appear to be in the morning after that second night.
In Mozz’s prophecy, told the first night, The Phantom should have been suffering from a near-fatal gunshot to his hips. Over the course of several days he reveals Kit Jr’s location to Savarna Devi, who goes to find him and meet her old enemy, Constable Jampa. If Kit Junior was already going to Skull Cave when Mozz had his vision, though, then — what did he see? It’s hard to imagine Kit Jr getting to Skull Cave, finding his father not there, and heading back home in time to meet Devi there. But how is he here, now, if that’s not what “would” have happened without Mozz’s interference?
Tony DePaul and Mike Manley’s The Phantom for the 22nd of September, 2023. Not sure what Mozz is more upset by, Kit Jr appearing in possible defiance of his vision or that he didn’t see having an answer in mind in case one of the Walker twins should happen to pop in. Anyway wildly speculating here but I wonder if this is going to be a chance to fill in aspects of the wrack-and-ruin prophecy elided over before, such as the collapse of Kit Sr and Diana’s marriage and Heloise’s disenchantment with The Phantom project.
Last time I checked in with the daily story, the jailbreak was all but broken. The Phantom’s done everything he can to be sure if he’s injured he dies without revealing where Kit Jr is. Savarna Devi appears to be the woman of destiny. What remaining Rhodian guards are shooting at her can’t get near hitting her. She figures, why not try shooting even more people?
The Phantom arranges for the Bandar tribe to accompany the liberated prisoners. Most of them drive to Bangalla for an asylum I’m sure won’t cause further crises. But he, Devil, Savarna, and Babudan are on their own. And the warden who’s just seen the greatest jailbreak in Gravelines history catches them. Devil, Devi, and Babudan escape untouched. The Phantom, no; he’s shot in the hip, exactly as in Mozz’s vision. The Phantom’s done everything he can to make sure he dies, since he can’t get Babudan to leave him behind.
The weird thing is he doesn’t die. The wound is around where he expects, but it’s not as deep as it “should” be. Even without the Bandar wound powder it’s healing up. He’s able to get back to Hero, his horse, and to ride to the Bandar camp. Where, among other things, Guran’s given Diana a tea to make her sleep. Between the amnesia powder and the sleep tea he’s got a potion of dubious consent for everything. Anyway, The Phantom’s back in safe territory and isn’t dead from his wounds or in danger of revealing anything he doesn’t want to. And that, the 16th of September, finishes “Dungeons Undone”, the sixth chapter of this story.
The seventh, “The Journey Home”, began the 18th and my clickbait introduction tells you everything going on there. So now there’s not much to do but look to …
Of course there was. There was soaking in an interesting place. There was seeing aspects of The Phantom’s world, and lore, that we hadn’t. It didn’t lead to a big dramatic battle royale, no. Nor the destruction of a lost world, like you’d see in a 20th-century movie about a Dr Moreau-esque city.
But it’s also been a more literal sort of fantasy, especially in the Sunday strips. In the Lee Falk days the Sunday Phantom was always running into, if the recent run of vintage strips on Comics Kingdom are a guide, unusually tall people. My mind may be blurring this with The Phantom’s sister strip Mandrake, which has also had a long run of giants in its vintage Sunday strips. But then both the Sunday and the weekday Vintage Phantom stories are about giants scamming the villagers.
This isn’t the first time even Tony DePaul has put nonhumans into the strip. There was a sequence … I want to say around 2010 … with the Ghost Who Walks transplanting some amphibian humanoids to the safety of a more remote island. But putting so much time and attention on the subject does make it easier to bring back later, should a story be able to use them well. And, as DePaul notes in his essay, this also serves as a chance to retire the Bandar amnesia powder. The stuff doesn’t always work and it screws up someone’s life when it doesn’t. So as easy a way as it is to clean up loose ends, DePaul’s Phantom now has reason not to use it.
Braun wants to stay in The Domain. She considers herself to be doing good scientific work, even if she can’t imagine telling the outside world about it. The outside world wasn’t all that accepting of her half-remembered experiences from this place before anyway. The Phantom, convinced Braun is there by her own choice, accepts all this. He wants only to map out the locations of all known exits to The Domain. At some point someone is liable to try visiting the location of the viral video where Dr Meier got mauled. He should know how to get there. The Phantom also leaves Braun directions on where to mail a letter if she gets into trouble. Diana points out how if Braun could get a letter out from The Domain, she could probably get herself out from the trouble. This is true, but, what else is there to do?
Tony Depaul and Jeff Weigel’s The Phantom for the 11th of June, 2023. I don’t know why Mina Braun is crediting The Phantom and Diana with her being a scientist again. When we first see Braun she’s gathering vegetables. But Teydra insists consistently that Braun wants to be where she is. And there is much to learn from studying what people eat and how they get food. Much of this story is told in inference, so perhaps we’re to take that The Phantom and Diana’s fuss elevated Braun’s standing. But it does seem like not much time passed between meeting Braun in the fields and going to dinner. Thanking The Phantom, I get, in the roundabout way that if he hadn’t brought her home she couldn’t have got back here. I can’t figure Diana’s role. Maybe she figures The Phantom does everything with Diana.
Meanwhile, Teydra convinces The Council that The Phantom may be the Champion Of Old. The one who fought and survived a ferocious battle centuries ago, one that the Third Phantom did his best to underplay in The Phantom Chronicles. The Council rules that The Phantom will be welcome in their city. But also they’re going to try working out whether he is the still-living Champion of Old. This was resolved in one of the top-row, “throwaway” panels. So it’ll need reintroduction should Teydra and her city feature in a story again. It’ll probably be the lede question for one of these What’s Going On In The Phantom essays.
The current story began the 23rd of July. It’s set sometime after the events we’re seeing in the daily strip, a rare explicit relative dating. The mysterious John X is back, and has news for Colonel Woruba.
Once again and not at all suspiciously Tony DePaul shares his thoughts about John X. This is another secret identity The Phantom developed, during a (weekday) story in 2015 where he joined the Jungle Patrol while amnesiac. The story, DePaul teases, is going to be all about misdirection. DePaul does confirm that this is the real John X/Phantom and not an impersonator, though, a possibility I’d considered. The story’s planned to be something like 39 weeks in all, but the last quarter isn’t yet written. Things may change.
John X’s news is about the Unknown Commander, the guise The Phantom takes to secretly run the Jungle Patrol. It’s that “we may have lost” the Unknown Commander as part of the impromptu raid on Gravelines Prison.
It’s several interesting misdirections. We readers know The Unknown Commander is right there. Why would The Phantom want the Jungle Patrol to believe the commander was dead? How does the Jungle Patrol handled succession in their Unknown Commander, who’s been unseen for four hundred years now? And why is the title of the story “The Commander Will See You Now”? The answers come from people or from time, take your choice which you prefer.
Next Week!
Terry Beatty will have a wonderful Sunday panel explaining three months’ worth of Rex Morgan, M.D. just in time for me to scrap 850 words writing about it! Watch it unfold here! I don’t mind!
John X is yet another alias of The Phantom, the Ghost Who Walks, Kit Walker, the Unknown Commander, et cetera. Jungle Patrol cares because they know him. In a story back in 2014-15 The Phantom got a case of jungle-poison-induced amnesia. Jungle Patrol found and nursed him back to health, and gave him the placeholder John X name. The Phantom’s plot amnesia didn’t suppress his incredible physical talents, and with not much else to do, “John X” joined the Jungle Patrol.
At his induction ceremony his memory came back: he wasn’t some new patrolman. He was the Unknown Commander. So he disappeared when he could, and as the Unknown Commander left a note that John X was on special assignment. Since then, the Jungle Patrol folks have enjoyed having the mystery of what is John X doing for the Unknown Commander to agree they’ll never know. Agreeing they’ll never know who the Unknown Commander is gets old after a couple centuries. Getting hints is thrilling for them.
The Phantom calls the Jungle Patrol. The word spreads fast that the Unknown Commander is on the phone of all things. Also that he’s in on some kind of action. The Phantom demands the analysis of the prisoner roster that he’d snagged in, reader time, 2021. He wants Jungle Patrol’s analysis of what prisoners in Gravelines are probably there on legitimate grounds. That is, things that a non-fascist state would jail someone for. I’m pleased the strip addressed the question of what to do with the people who “fairly” deserved jail. I think my argument from last time, that in a fascist state it’s impossible to be “fairly” convicted of a crime, stands. But I also understand the need in the moment to keep the situation down to freeing people not likely to make the situation more confusing.
So, after thrilling Jungle Patrol with the promise that John X is there, yes, it’s off to prisoner-liberation. The Phantom picks Viola Odhiambo, schoolteacher, to start with. He sets up directions for everyone not on the list of “the worst of the worst” to be freed and assist in freeing other people. Also, everyone who can pick up a gun or drive a military vehicle? They should do that. Yes, he acknowledges not everyone is able to do that, physically or emotionally.
But they will need guns to do that. The Phantom talks that sergeant, the one left in the office, into opening the armory, by pushing his head into the door. Having seen reason, the sergeant is eager to ask: is this a coup? If it is, you’ll remember I helped, right? If you win? Right?
There is a grim beat in the midst of all this merry prison-fighting. One prisoner, excited to be released, begs to be let out next. He’s described as “one of the most feared men in Gravelines”, which is not to say that he’s on the list to be left behind. Through the bars he grabs Odhiambo. Babudan slashes him with a poison-tipped arrow, killing the prisoner. I know you can hardly credibly do this sort of story bloodlessly, but it’s still a slap to the reader.
The major, the one who runs, or ran, Gravelines, calls The Phantom, promising reinforcements are on the way. The Phantom calls his bluff. He’s got the Bandar warriors with him. Also a growing cadre of former prisoners with weapons and grudges against the Rhodian government. Also Savarna Devi, who while we weren’t looking grabbed the BFG9000 and is running around like she’s got the cheat codes. Which she might: she’s filled with a sense of destiny, that somehow she will survive this night, and return to her native India. It’s a heck of a bet to make. But when the guards waste whole belts of ammunition without getting her, you see her point. She can’t get enough of this. She asks The Phantom why stop here.
The animal-like people in Tony DePaul and Jeff Weigel’s The Phantom‘s Sunday-continuity story, “Return to the Temple of the Gods”, came about from an Ancient Egyptian Cult that somehow developed a race of super-men. This was introduced in a daily-continuity story back in 2005. I’m considering doing a special recap of that as the Return starts its second year.
That cult, we learn, died out sometime in the late 19th century. With the lack of surface contact, the underground race of animal-men here have had to develop with their small population and resources. So things have a strong fin-de-siècle vibe.
This essay should catch you up to mid-May 2023 in the Sunday Phantom. If you’re interested in the weekday continuity, or if you’re reading this after about August 2023, I should have a more useful essay up here. And now back to the underground domain of the near-humans.
The Phantom (Sundays).
26 February – 21 May 2023.
The Phantom and Diana Walker and Devil were finally in. Teydra, a lion-like humanoid, brought them into The Domain, an underground city guarded by a gigantic mural of The Phantom. The 3rd Phantom, centuries ago, visited here … but after a terrible fight he retreated and wrote nothing in The Chronicles about a subterranean city. Why?
Diana and Kit Walker’s supposition: The 3rd Phantom never got to the underground city. Instead, after the ferocious battle, the cult built up his image as a protector and warning for and to the almost-humans.
Teydra said the Phantom’s appearance, so like the legendary warrior, would not go unnoticed. In case anyone risked not noticing she finks on him to the Council. (I assume it’s The Council.) Her suspicion: the human called Walker secretly found images of the Champion of Old, and adopted that image for his own secret purposes. It’s an interesting hypothesis, as you could argue it’s true. The Council sets Phantom and Wife in an apartment, under the supervision of a guard who’s not nearly stealthy enough. The guard quits after a good clonk in the face.
Tony Depaul and Jeff Weigel’s The Phantom for the 7th of May, 2023. Phantom is pretty lucky the legend has sprawled out so far as to cover cases like this. Also he’s lucky Teydra isn’t asking about Towns Ellerbee or John Doe. Also I thought The Phantom Wiki had a list of aliases The Ghost Who Walks has used but if it does, I can’t find it.
Next morning Teydra takes the humans to meet their goal. That would be the other human, the assistant missing since the mauling of an explorer that set off this whole story. The Phantom wants to know that she’s okay and that Teydra’s claim that she wants to be there is correct. The assistant proves to be Mina Braun, who was in the 2005 (reader time) story which introduced all this to the Phantom’s world. (She was on the trail of a 1945 desperation mission by Nazis to bring animal-people super-soldiers into the war on their side.) Guran, using the Bandar Potion of Amnesia, suppressed her memories of this. And yet … she recognizes The Phantom on sight. She’s relieved these muddled memories were not a fever dream during a jungle-induced illness.
Diana considers what the imperfection of Guran’s Potion means. Among other things, it makes it harder to ignore the moral problems in mind-wiping. Also that now Braun is wrapping herself tight around The Phantom. She’s overwhelmed in the joy of an island of safety in a swampy confused nightmare. That’ll probably be easy to straighten out.
Well, not only tribesmen. Women are there too. But yes, the current story in Tony DePaul and Mike Manley’s The Phantom, weekday continuity, has the Bandar tribe’s warriors attacking Gravelines. It’s the maximum security prison for fascist Rhodia. Tony DePaul has tried to make this a fairer fight. The prison’s a lousy posting. The already-lousy posting got a heap of new, under-trained soldiers. This is the consequence of cracking down after The Phantom broke The Trusted One out of the prison. And the Bandar have numerical superiority.
And most important, the battle is bonkers. Militias don’t attack maximum security prisons. It’s not something the prison guards could train for. The Bandar don’t even battle “correctly”, refusing to pick up the loot boxes the Gravelines guards drop when they’re killed. So there’s reasons to think Gravelines would be too confused to make a sensible response. Still, have to admit, I’d have to put my money on Gravelines. Except that the Bandars’ battle plan is being improvised and lead by The Phantom, which counts for a lot.
Tony Depaul and Mike Manley’s The Phantom for the 18th of February, 2023. This has got me wondering what actual prisons have in mind against mass assaults. I have to figure their training is built more around a riot inside the grounds and maybe a couple vehicles trying to crash the gates. Conceivably a helicopter grabbing someone out of the exercise area.
But also: how different could things go? And realizing he has considerable surprise, and numbers, and the chance encounter’s started anyway … why not do something really crazy? Why not try and get everybody out of Gravelines? Is that maybe the reason Mozz had his vision of wrack-and-ruin, and was set in motion to change that?
Tony Depaul and Mike Manley’s The Phantom for the 10th of February, 2023. A thing that’s gone unexplored is: granted there are many prisoners kept there for acknowledging transgendered people have rights and that abortion is a necessity and other truths fascists can’t tolerate. But aren’t there surely people who are there for legitimate reasons, like the serial murder of sex workers? There’s hardly time to examine everyone and I realized it doesn’t matter. One hallmark of fascism is the disregard of truth in favor of power. In that condition no court judgement — which is, ideally, a determination of truth — can be legitimate. Even the guilty have to be treated as having been framed.
And so, with the 13th of February, we begin ‘Dungeons Undone’, the sixth part of this story since it began in May of 2021(!). It is about the assault on Gravelines. With a few interludes checking in on Diana Walker, who’s staying, along with Bandar non-combatants, on the Bangalla side of the border. Babudan, leading the warriors into Rhodia, secured her promise to stay in safe territory. He warned he could only keep one Walker safe and if he had to choose, he’d protect her. So she waits and thinks of what she read in the Chronicle of Mozz.
What she read was enough to tell Guran of the need to send as many people as possible to support her husband. Which is how he has a militia on hand to make this assault. He’s optimistic enough. He’s sure the prison guard morale is so low that they’ll declare they didn’t sign up to be poisoned by hundreds(?) of bow-wielding jungle-dwellers. And The Phantom can’t keep Savarna from blowing up stuff. Some of this is of clear tactical use, like the power plant. Some is targets of opportunity. Some is just, she set an egg in the microwave for ten minutes. All in the service of confusing Gravelines’s forces.
And they are confused. As mentioned in my preamble, the attack doesn’t make sense, at least by the standards they expect. The warden, lacking power and communications in the command center, decides to find the leader of the attack himself. He leaves behind a sergenat with orders to guard the command post with his life.
Tony Depaul and Mike Manley’s The Phantom for the 6th of April, 2023. You have to admire The Phantom’s strength of will that he is not just breaking up laughing right now because, goodness but this is funny-ridiculous. And, you know, he is the costumed superhero who’s delighted at being a superhero. I guess he’s saving it for the Chronicle-writing.
The warden doesn’t find The Phantom because, you know that saying, he finds you. Or The Phantom finds the sergeant and the sergeant figures yeah, he doesn’t have to do this. The lieutenant calls his boss, and The Phantom urges the warden to set down his weapons, order as many of his men as he can get to do the same, and leave.
It’s transpired this week, so a little outside my scope here, that The Phantom is calling in the Jungle Patrol too. This makes some good sense, as the Jungle Patrol has modern equipment and could arrange, say, the air evacuation of hundreds(?) of Gravelines prisoners. On the other hand, as angry as Rhodia would (reasonably!) be at the Bandar attack, to have the Jungle Patrol join in will not make things better.
OK, first, this is about the Sunday continuity for Tony DePaul and Jeff Weigel’s The Phantom. This has been a much lower-key story than the daily continuity, currently in a chapter about a massive impromptu jailbreak. If you’re interested in that story, or if you’re trying to catch up on the Sunday strips after about May 2023, there’s probably an essay of more use to you here.
Now the furries here come from the Temple of the Gods. As introduced in a story published 2005, the place is an ancient Egyptian compound populated by “Gods”. These creatures have the heads of animals and bodies of men. And they flee at the sight of The Phantom. The current Kit Walker discovered the Third Phantom had survived, barely, a battle with them. He tried to suppress the strange creatures there. But somehow word of it got to Dr Manfred Markus Meier, who was recording the discovery of a cave entrance when something mauled him. These semi-human creatures seem to resemble your classic Egyptian hieroglyphic figure. And, we learn, at least some of them regard themselves as much better than mere humans, and obliged to maintain that superiority. You know that sort of person.
It wasn’t a human woman. She has a lion-esque head. She growls when asked if she understands. They tie her up and resume exploring the tunnels, finding at last the entrance where two adventurers — wait. Or is it? The Phantom and Diana started out searching for where two adventurers got mauled, on live-streaming, by some strange beast. There’s one human skeleton there. And one inhuman skeleton. Diana and The Phantom start to speculate on the second person, the assistant. They speculate she’s returned to Germany, possibly with documents that will lure even more people to this spot and rapid death.
Tony DePaul and Jeff Weigel’s The Phantom for the 15th of January, 2023. Both the Sunday Phantom and the current story in Judge Parker feature characters whom it was assumed couldn’t speak, and used that as a way to gather intelligence. I’m sure it’s coincidence; after all, Judge Parker is drawn by the daily continuity Phantom artist and not the Sunday.
The lion-woman — Teydra, she claims — says no. The assistant is with others of Teydra’s kind. Teydra’s people strive very hard not to regress to being mere humans, and they keep the lesser beast-men, the ones more nearly human, in line and in the caves. The portraits of the Third Phantom, who centuries ago fought them to a standstill, serve as a still-potent warning. Teydra demands her gun back, so she can return to The Domain without being slain by the lesser-humans.
The Phantom is willing to let her go. But he insists on meeting the assistant and letting her leave if she chooses to leave. Teydra insists they do not take prisoners; that’s a human thing. The Phantom can’t just leave without investigating, though. Teydra leads them through the tunnels to the bring of The Domain. It’s guarded by, among other things, a giant portrait of the Third Phantom. Teydra expects that Walker’s resemblance will not go unnoticed.
Next Week!
Oh, thank goodness, I have two weeks to figure out how to describe what’s happened in the past several months of Gil Thorp. I have the one week to figure out how to explain what’s happening in Terry Beatty’s Rex Morgan, M.D.. If you want to guess “mild, not-too-serious stuff to people who are maybe vaguely likable” you’re not far off. But I’ll use more words to say it.
For those who came in late: The Phantom, in his escape from Gravelines Prison, saw “the Bandar nation” ride out of the mists to save him and Savarna Devi. The question is how they knew where to be. This hasn’t been explicitly answered but we can surmise. Mozz the Prophet finished telling The Phantom of the wrack-and-ruin he foresaw. When finished, The Phantom took Mozz’s Chronicle and set it in the catacomb reserved for his body. Mozz had deceived The Phantom: what he seemed to read from was not his text of his prophecy, but one of The Phantom’s own Chronicles. Somehow the prophet was able to anticipate that The Phantom wouldn’t check which volume he was setting on the shelves and which he was hiding. We last saw Diana Walker reading Mozz’s Chronicle. I have a suspicion what dots we’re meant to connect.
So this essay should catch you up to mid-January 2023 in Tony DePaul and Mike Manley’s The Phantom (Weekdays). If you’re reading this after about April 2023, or you’re interested in the separate Sunday continuity, there is likely a more useful plot recap for you here.
The Phantom (Weekdays).
17 October 2022 – 14 January 2023.
Having heard Mozz’s prophecy of how rescuing Savarna Devi from Gravelines Prison will destroy his family, The Ghost Who Walks sets out anyway. He’s making some changes from the prophecy, though. He’s setting out a couple days later, for one thing. He’s accompanied by Devil, his wolf. He’s setting out with the knowledge of the prophecy. He’s setting out with all the self-ruining confidence of a guy who’s crammed every strategy guide before playing the game for the first time. It’s a fun energy to read, as he keeps trying to remember what comes next and doubting that he could know. Also in the delight he takes in, he thinks, outwitting Fate. One great side of The Phantom is he’s basically happy. His glee at being clever is infectious.
One thing he does know: in the prophecy he reveals to Devi the critical information — the location of Jampa, who killed her family and enslaved her as a child — in a post-surgical daze. So he figures all he has to do is not get shot. That was already part of the plan. Further planning: if he does get shot, he has to not have a post-surgical daze. So he drops in on Dr Fajah Kimathi, a veterinarian who in Mozz’s vision performs the operation that saves his life. And here we get controversy.
The Phantom’s intention is to warn the doctor that she must not save his life, if she’s pressed by Savarna Devi to do emergency surgery on him. He does this by waking the doctor and her husband in the middle of the night. And holding his guns on them. That is, on people who not only haven’t done anything objectionable yet, but who would in the prophecy do heroic service to him. Tony DePaul explains his understanding of The Phantom’s thoughts in the essay above. I agree with DePaul. The Phantom figures conspicuously holstering his guns he shows he chooses not to be the threat a masked man breaking into their house is. I also think The Phantom’s wrong. Waking someone while holding guns on them does not put them in a more agreeable mood however much you put the guns away. But that is part of the fun of The Phantom. He has blind spots. Here, that people he knows through hearing of Mozz’s vision don’t know who he is or what he’s on about. (Although they’ve got to suspect this is The Phantom of regional lore.)
With that done successfully-ish, The Phantom figures how to get into Gravelines. Hijacking a truck in worked well enough in the vision, so he does that again. And he fights his way up to Savarna’s cell. Before breaking her out he stops to ask her something. In Mozz’s vision this was whether she was done with vengeance. She said she was, a claim The Phantom (now, in the present) decides was a lie.
Tony DePaul and Mike Manley’s The Phantom for the 15th of December, 2022. From here Devi goes on trying to push The Phantom towards the “original” course of events, the one that gets him shot on the road to that veterinarian’s. But that’s also what looks all the time like the sensible path for them. The Phantom does some wrangling with whether this is Fate trying to force things back into line, and it’s a fair thing for him to wonder.
I’m not sure that’s fair. I think it plausible she sincerely believed she was done with vengeance. Learning where Constable Jampa was presented an irresistible temptation. Now The Phantom asks a question to make super-sure he doesn’t let slip Jampa’s location: if he’s shot does she promise to leave him behind? She says she will, which we know from her thought balloon is a lie. I love this irony.
We get a haunting moment in this of other prisoners, possibly also on death row, begging for The Phantom to release them instead. It’s hard to give a fair reason The Phantom should not rescue them. He knows Devi can help fight their way back out, but that doesn’t mean the others don’t deserve rescue.
To the breakout. Devi sees no reason not to grab an armored vehicle and shoot their way out. The Phantom knows. It’s gunning their way out through the well-defended roads that gets him shot. But then how to get out instead?
Tony DePaul and Mike Manley’s The Phantom for the 11th of January, 2023. Won’t fib; this is one of those Crowning Moments of Awesome they talk about on TV Tropes. I had wondered why the Jungle Patrol couldn’t be used to break Devi, and others, out of Gravelines, although I suppose they have an institutional structure ironically more vulnerable than the Bandar people do. While the Jungle Patrol may operate across national borders, Bangalla can be pressured to cut off headquarters’s water and electricity.
Devil, who wasn’t there in Mozz’s vision, has an answer. He guides The Phantom off to the mists where, as said in the introduction here, the Bandar nation has come. The Gravelines guards may be ready to handle one or two people with machine guns. Dozens of people with poison-tipped arrows, though? That’s something they can’t even imagine is coming. And the best part is there’s no way an evil state like Rhodia will retaliate against the Bandar people for crossing the border and attacking a maximum-security prison. (I snark. I’m sure DePaul has put some thought into how Rhodia might answer this.) And this is where we stand as of the second week of January, 2023.
After a lot of running late I wanted to prove I could meet my own deadline, okay? Also I’m probably going to want to explain why everyone’s angry at Funky Winkerbean soon and I’ll need to clear some publication slots for that, too.
The Phantom, his wife, and of course Devil were exploring the Temple of the Gods. This ancient lair held an Egyptian cult, long ago. And also inhuman mummies. And the relics of ancient battles, including a particularly bloody one that the Third Phantom barely survived back in 1624. He tried to keep his descendants from visiting again, down to using hieroglyphic riddles in his Chronicles to conceal the place.
The current Phantom has visited at least twice, exploring some of the place in the comic strip in 2005. (There were sequel stories by Team Fantomen in 2006 and 2007; I don’t know whether they returned to the Temple.) He’s there now pursuing a German team that got its host mauled on-camera and, apparently, knows something, somehow, about all this.
Tony DePaul and Jeff Weigel’s The Phantom for the 9th of October, 2022. I picked this one to share not so much for its plot-bearing status as for having the most interesting action. Most of the story has been given to mood and speculation, all nicely evocative especially when you read several months’ worth of the Sunday strips together. But this one gives you some cool animal-people fighting which we’ve had a shortage of since Flash Gordon went into all-reruns.
The past months have been The Phantom and Diana Walker exploring the caverns. They had a first remote encounter, aware that something was watching them. They were easy to scared off, though. Further exploring found the skeletons of ancient battles, and the mark the Third Phantom left at his ne plus ultra. They press on, farther than the 21st Phantom had gotten. They find remains of a much more recent fight, one with animal-headed people whose bodies haven’t even decomposed. And hear … something.
The Phantom sends Diana ahead, with the torch, while he hangs back in the shadows. He sees their follower, a woman, and says they’re friendly, they don’t need to be stalked. Diana hears a load roaring. She and Devil race back to The Phantom but that’s all we have seen yet.
Next Week!
What terrible medical condition in roots-country singer Mud Murphy did we see Rex Morgan, M.D., very nearly treat? Food poisoning? Irritable bowel syndrome? Crippling social anxiety? Or is he a big lying liar who tells big lies? I explore Terry Beatty’s Rex Morgan, M.D. next week, and just guess which day I do it!
OK so, once again I am asking people to get this straight: the Phantom is the man who cannot die. If we see what looks like him dying, it’s because that is not what we’re seeing.
Which is, indirectly, a key point in a lovely essay Tony DePaul published recently. In The Death of the 21st Phantom DePaul explains why this was a story he needed to write, and get into print, now rather than later. One core insight is that the whole run of the comic strip — 86 years now — we have been seeing the same Kit Walker, Phantom. 21st of his line, in the comic strip continuity. And that he has not died tells us of a choice the writers of the comic strip have collectively made: he is not going to die on-screen in the comic strip.
But we can’t know when the comic strip will die. Not that there’s any specific reason that this strip should end. But the newspaper industry is near failure under the relentless assault of vulture capitalists. It’s hard to imagine most comic strips surviving its last collapse. And from these insights DePaul discusses why he wanted to spend so much time on an imaginary story … if it is imaginary. Also with some thoughts about what went into it, including confirmation about the role an earlier story served for this. It’s also a really good summary of where this quite long story has gotten, to the point that I’m not sure I have anything to add but typos. We’ll see.
Last time I checked in we were still watching Mozz recount his prophecy of The Phantom’s ruin to The Phantom. This despite Mozz letting The Phantom — and us — know that he would deceive if that’s what was needed to save him from ruin. To that end Mozz had coaxed The Phantom into letting him write his own Chronicle. Mozz’s Chronicle would look like The Phantom’s own Chronicles of his and his ancestors’ adventures, and be kept in the Skull Cave like them.
Chronicle book in hand, Mozz tells of a dire future. The Phantom, seeking his son — who’s become a guerilla leader in northern India — is mistaken for an assassin. Manju, Kit Junior’s trusted partner, now an expert sniper, finds the already-wounded Kit Senior and shoots him through the chest. And shoots his eyeglasses off. A mysterious figure demands he stand, and The Phantom looks up and — we the readers see his face, unconcealed by sunglasses or a mask or even deep shade. It’s stunning.
Tony DePaul and Mike Manley’s The Phantom for the 15th of August, 2022. I’m not sure it’s wise for me to share this since now that you’ve seen The Phantom’s face you’re going to die. I mean, I guess you were probably going to anyway so that maybe doesn’t spoil your plans but it’s a rude thing for me to do to you.
Tony DePaul confirms that this has never happened in the strip before. Not only does nobody in The Phantom universe see The Phantom’s eyes, but none of us readers outside have seen it either. Even for an imaginary story — and after he’s taken a fatal wound — it feels illicit.
The demand to stand came from the 20th Phantom, appearing — with all the Phantoms before him — before the dying man’s eyes. The spectral voices promise he was the 21st Phantom. He staggers back to his feet, to Manju’s shock and amazement. She will conclude that he’s the one assassin who could have killed Kit Junior. Manju’s not so awed as to not shoot him again. But he’s all right with embracing this end.
Manju and the soldiers with her bury him. She toasts him, even, when she gets back to camp, and shows Kit Junior souvenirs taken from the dead man. They’re the Phantom’s rings, the “Good Mark” ring with the four swords and the “Skull Mark” ring with you-know-what. Kit Junior recognizes this, and has Manju take him to his father’s grave, without saying who it was she killed. He says a regretful farewell and … what else is there to do? Die, similarly, in a year’s time, tells Mozz, his body left unburied in some valley of the Nyamjang Chu river (in Tibet and India).
And this concludes his prophecy. The Phantom, eager to get on to saving Savarna Devi from Gravelines Prison — the mission that started this wrack-and-ruin — promises it’ll be different. For one, he’ll bring Devil, his wolf, with him, something not done in the prophecy. And he knows what will happen if Savarna learns that her former enslaver Jampa is the constable who butts heads with Kit Junior’s mentor Kyabje Dorje.
The Phantom takes the Chronicle that Mozz held, as he read, to keep his promise to set it in Skull Cave for all tim. He intends a trick, to keep his wife or Guran or anyone else reading it, and so inters it in the burial vault reserved for him. And, confident he’s outwitted fate, he rides off to Gravelines.
Tony DePaul and Mike Manley’s The Phantom for the 29th of September, 2022. This isn’t a thought that could fit naturally in my essay, so I’ll stuff it here. I was surprised to realize that the Phantom we’re currently reading is the same one since 1936. I would have bet money that there would have been at least one on-screen transition from the Original to a New Phantom, plausibly either in the 70s or 80s as comics took a different representation of emotional truths, or in the 90s when a lot of characters tried to reboot and refresh into edgier forms. (Remember ‘Electric Superman’?) I’m fortunate nobody had ever come up to me and said, “Hey, Joseph, do you feel like betting five bucks against my ten that the Phantom introduced in 1936 had at some point in the comic strip continuity died and passed his mantle on to the Phantom we’re currently reading in today of, oh, let’s say 2004? Does 2004 sound like a good year for this bet?”
Diana is aware that Mozz has been writing a Chronicle. But Mozz is sworn to not say a word of his prophecy. His silence when Diana asks about it fires her curiosity. And, wordlessly, enters Skull Cave and takes his Chronicle off the shelves. He had handed The Phantom a different Chronicle, confident this would trick The Phantom. One may think he was lucky that The Phantom didn’t leaf through the book to make sure what we was hiding in the vault. But if there’s any character we can say will know what someone else will or won’t do in a situation, it is Mozz.
The current story, conclusion to this project, The Breakout, began the 3rd of October. The Phantom’s resolved to rescue Savarna, despite Mozz’s warnings. And to avert everything he’s foreseen. At his campsite, he’s revisited by the flaming skeletal ghost of his ancestors, last seen in the Llongo forest in a hallucinatory vision. The Phantom isn’t intimidated by this now-familiar portent of doom, though. So that’s something.
The last couple months of the Sunday continuity of The Phantom have not been dense in plot. You’ll see that in how short this recap is. But a story is not its plot; plot is only the easiest part of a story to summarize. There is mood and character and art and how they come together.
This essay should catch you up to mid-September 2022 in Tony DePaul and Jeff Weigel’s The Phantom, Sunday continuity. If you’re interested in the separate, weekday continuity — where Kit Walker Junior is looking at where his father died — or if you’re reading this after about December 2022, there’s likely a more useful essay here.
The Phantom (Sundays).
26 June – 11 September 2022.
The Phantom had taken Diana to Eden, the curious paradisical island where even large carnivores like tigers and lions live in harmony. Diana was not distracted, though, and followed his journey to the nearby Temple of the Gods. The temple was built by an exiled Ancient Egyptian cult that had developed a race of super-men. Within its catacombs are carvings of Egyptian deities, yes. But also inhuman mummies. The Third Phantom had visited the cave, in 1624, and left a warning against going there. The current, 21st, Phantom, visited in a story published in 2005. He found creatures with the heads of animals and bodies of men. The Phantom did he could, then, to hide their existence.
Tony DePaul and Jeff Weigel’s The Phantom for the 7th of August, 2022. You know there’s like a 40% chance the Nazis really did send an expedition to somewhere in eastern Africa trying to find a secret Ancient Egyptian cult in the belief they could breed super-human beast-man soldiers, though.
He explains much of this to Diana, in-between encouraging her to turn back and get somewhere safe. Because these creatures might maybe recognize The Phantom and might respect that. They can’t know anything about Diana. And this story started with a German man exploring the cave being torn apart, on camera, apparently by one of them.
And the German bit. The 2005 story was driven by Mina Braun, an explorer following her great-uncle’s diary. The diary tells of a desperate Nazi plot to turn the tide of war by securing this secret of creating super-soldiers. The Phantom believed he had gotten all documents that might lead someone here. Now he needs to learn what he’s missed.
Next Week!
Andrzej Beobrowski and Aunt Tildy: which one wrecked their car driving to the hospital to have their heart attack looked at in secret? And how does this tie in to Buck Wise? Or Truck Tyler? I’ll try to summarize Terry Beatty’s Rex Morgan, M.D. next week, all going well.
That is the surface implication of the 24th of June’s strip. We see The Phantom, about to go to North India to search for his estranged son again, kissing goodbye to a quite pregnant Savarna Devi. This is normal dramatic shorthand for someone bidding farewell to their spouse. Mozz tells us that this is the last time The Phantom will see the Deep Woods. However, Mozz has warned The Phantom that he would lie about his prophecy to keep The Phantom from bringing wrack and ruin to his line. And he’s thought, to himself where only we can see it, that he has to, now. Of course he may have thought that to deceive us but I don’t expect the comic strip to operate on quite that level of narrative experimentation.
Yet a theme of the Imaginary Story going on in Tony DePaul and Mike Manley and Bret Blevins and Scott Cohn’s The Phantom weekday continuity has been paying attention to what is said versus what is implied. So let’s all slowly come to understand Mozz, and DePaul, in not going beyond what the evidence is.
Previously in the prophecy, The Phantom rescues Savarna from Gravelines, he’s wounded. While delirious he reveals that Kit Junior is in the Mountain City, somewhere in Arunachal Pradesh, India. And that the local constable is the man who’d enslaved the young Savarna and killed her family. She journeys to the Mountain City and kills him. Understandable but a terrible mistake. The unnamed Northern Invaders see the murder of the constable, their man in town, as provocation. When they can’t assassinate monastery leader Kyabje Dorje or his understudy Kit Junior they bomb the city into ruin. In the disaster Kit Junior takes the phone from a person he couldn’t save and calls his parents.
Tony DePaul and Mike Manley’s The Phantom for the 27th of May, 2022. Kit Junior makes a fair case, that between this and the experiences of the 11th and the 16th Phantoms — who had also trained at the same monastery, and whose reincarnation Kit Jr presented himself as being — he was aimed at this. It also seems it would be remarkable if he were the first in over twenty generations of Walkers to want to go away from the direct main line of the family business. But there’s a lot of room for side stories we haven’t seen yet.
He explains he can’t be the 22nd Phantom. His life, he knows now, has lead him to be here and to protect these people. And hangs up, going to his new life alongside Manju, daughter of the tea shop keeper. The Phantom goes to India to seek him out, but that whole legend of how you don’t find The Phantom, he finds you works against him. All he can find is the tea shop keeper, who won’t help someone she fairly suspects of being sent by Jampa’s friends. She begs out of this drama, but asks that if he finds Kit Junior that he send Manju home. It’s like that all over, and The Phantom’s first search for his son fails.
With this failure, Kit Senior’s home life falls apart. Diana leaves the Deep Woods; Heloise leaves for the United States, too, eventually never to tell her children of The Phantom. Sometime later, Savarna finds a broken, brooding Phantom. That there is this clear legend that no one finds The Phantom, he finds you, suggests this is where Mozz starts falsifying his prophecy. If “falsifying a prophecy” is a meaningful concept. But Savarna is an exceptional person, and acknowledges in text that she might be the only one who’s ever looked long enough.
Tony DePaul, Bret Blevins, and Scott Cohn’s The Phantom for the 28th of June, 2022. I mean, she is literally the lone survivor of a pirate attack that killed her family and shipmates who devoted her life to saving others from similar fates. The only piece her life is missing from the story of Christopher Walker, the First Phantom, is swearing the Oath of the Skull. In Mozz’s prophecy, Savarna swears off vengeance and — perhaps — she lives up to it after killing Jampa. The 1st Phantom’s oath swore vengeance against the pirates who’d killed his shipmates, and that vengeance was dropped after he did kill those pirates.
Years later, The Phantom leaves for another trip to India, hoping to reunite Kit Junior with his mother and sister. He bids farewell to Savarna, never see the Deep Woods again, says Mozz. But we learn he’s not the last Phantom; merely the last of the Walkers to be The Phantom. Savarna’s descendants take up that role. It’s a twist I hadn’t thought of, but that’s obvious in hindsight, to split the Walker line from the Phantom line. It’s another of many steps the strip has taken to diffuse the colonialist white-savior stuff baked into the premise, too. It’s also got an interesting metatext. In the comic, Bangalla had started out as a vaguely located South/Southeast Asian land before becoming a vaguely located East African land. This adds to how Savarna’s life echoes without imitating The Phantom Origin Story. I imagine that’s the sort of happy coincidence you can arrange when you have ninety years of backstory that fans have got pretty well indexed for you. It’s still a neat bit of business to line up.
The Phantom’s second trip to India gets much closer to Kit Junior, and (as promised by Mozz), “in a manner of speaking … he finds you”. If we can trust Mozz on this point. But now Kit Junior is a respected, loved, skilled guerilla leader. His fighters suspect, with reason, that The Phantom is another would-be assassin. The Phantom enters the landscape where he encountered the flaming skeleton of his dead father in 2020’s story The Llongo Forest. Before he can nope out of there he comes under fire, from gunmen in at least three positions. This isn’t too much for The Phantom, but it’s a close-run thing. He hopes to stall until nightfall when he can escape.
Tony DePaul and Scott Cohn’s The Phantom for the 21st of July, 2022. THe second panel was the funniest comic the day of publication. Possibly that whole week. Also a reminder of what a wonderful vein of gallows humor American pop culture lost when the Service Comedy stopped really being a thing.
Kit Junior’s soldiers ask him for help with this extraordinary man, who can’t be shot but who can hit everything he tries to. He doesn’t recognize his father’s signature. He hasn’t got the time to divert from planning an operation for the next day. But he can spare Manju, now a very effective sniper. Her fire can pin him down. With a half-hour until sunset, someone hits Kit Walker Senior, fracturing his leg. Things look rather dire for The Ghost Who Walks, must say.
“Eden” is, in The Phantom universe, an island at the end of a river in Bangalla. It’s another of The Phantom’s many side projects. All the animals on it live in harmony, including the predatory creatures like the lions and the tigers. The Phantom Wiki explains that they eat fish, to keep their hunting instincts from awakening. I don’t know when Eden was introduced to the strip. No later than 1961, at least. Inhabitants of the island include lions and tigers and tigon cubs, a fawn, a giraffe, some cave monsters, a unicorn, and a tribe of six-inch-high people. The six-inch-high people turn out to be from outer space and they deliver a rattle to the Phantom every year in accord with an 18th-century treaty. If your continuity has been going ninety years and it doesn’t have some odd stuff in it what are you even doing?
Tony DePaul and Jeff Weigel’s The Phantom for the 8th of May, 2022. Weigel, the Sunday artist, has no health issues affecting the comic strip (so far as I know). Also, Comics Kingdom continues to tell me they can’t reproduce the error where their comics are hard or impossible to read. This even though I have told them how to reproduce it (you need to look at the web page they serve up, or read the e-mail they send out), and how to fix it (use the correct format for the original comics instead of these). Anyway if someone’s looking to hire a guy to do web site stuff who’s learned sophisticated next-level development procedures like “actually look at the site and see if it can be read” drop me a note, I could use the income.
But they decide they’ve had enough of an adventure, and return home. The Phantom wraps things up for us. And for me, if we’re honest; that one Sunday covers things well enough. But their stay in Mawitaan inflamed the imagination of other Mori girls. This forced the King to agree to their request from the start of the story: that the women be allowed to join the men’s liminal ceremony, of a journey at sea. It’s a reminder of how social change happens because of the combination of appeals to reason and conscience with the credible threat of open rebellion. All seems well enough now.
“Return to the Temple of the Gods” opens with Dr Manfred Markus Meier recording outside a cave in Bangalla. He promises to explore the strange, uncharted mystery within. The mystery emerges enough to maul him. The Phantom sees the footage and notices what seems to be a person hidden in the cave. The Ghost Who Walks wants to figure out whether this is a visible-crew-person in a publicity stunt or something more mysterious. Diana Walker insists on going with him to explore this mystery. Unable to shake her, The Phantom figures a way to shake her: go to the Island of Eden and slip away while she’s delighting over the stegosaurus. So, we get to see Eden some and meet the lion named Fluffy. The Phantom leaves a note for his wife to discover when she wakes. That’s all that’s happened so far.
Next Week!
So how’d that thing where this janitor guy sets himself up as superhero cleaning up the mean-esque-ish streets of Glenwood? I’m sure that he’s been a responsible, level-headed, thoughtful person and that everything’s turned out well. So I’m going to take a long, slow sip of hot tea and read eleven weeks’ worth of Terry Beatty’s Rex Morgan, M.D. to summarize for you next week. Wish me luck!
Just passing on some news for readers of Judge Parker and The Phantom, weekday continuity, who didn’t see the news already at Daily Cartoonist. Mike Manley, who ordinarily draws both, has some health issues not shared with us. This, I hope, is a temporary matter while he recovers and that he’ll be back soon. I don’t have information yet about who the substitute artists are, and will pass them on when I can.
Francesco Marciuliano and unnamed artist’s Judge Parker for the 13th of June, 2022. The things Sam needs to say are that he’s got the news that the footage showing Abbey setting fire to her B-and-B was faked, but he had thought it plausible that she had. So this is a conversation you would want to not have over the phone. A bunch has happened since my last plot recap a couple weeks ago.
Those looking at DePaul’s post should be aware it starts with his eulogy to a friend, and be ready if they are not emotionally ready for that. There’s also his discussion of hitting a deer on the highway, and the wreck it made of his car, without injury to him or his family. After that serious news, though, he discusses some of the current weekday story in The Phantom, and a reminder to read with care. We did learn Mozz would deceive The Phantom to keep the legacy going, after all. DePaul also writes of what makes Ghost Who Walks stand out among superheroes. It’s not that his superpower is being better-trained than a human with 24 hours in a day could be. It’s that he likes who he is and what he does.
Tony DePaul and unnamed artist’s The Phantom for the 13th of June, 2022. DePaul, in his blog, mentions that we the readers see something different from what The Phantom hears from Mozz. That is, that we’re seeing more detail and particularly more thoughts of people than Mozz could be sharing with the Ghost Who Walks. This might answer the question of how Mozz could know the thoughts of individuals, particularly those who die without communicating to others, if they aren’t satisfied by “is in a prophetic vision”.
For most of the last year Tony DePaul and Mike Manley’s The Phantom weekday continuity has been an imaginary story. A story of how the current, 21st, Phantom could die. It’s Tony DePaul’s chance to tell a story that probably couldn’t be done in-continuity. Not with how much The Phantom Publishing Empire sprawls, even if King Features Syndicate were brave enough to let the star of its … fourth-oldest(?) … comic strip die. (Barney Google, Popeye, and Blondie are older; any others? Not counting Katzenjammer Kids as it’s no longer in production.)
So almost all these events have been Mozz’s vision of how, if The Phantom rescues Savarna Devi from death row, incredible disaster follows. The death of the 21st Phantom, but also of the whole line of The Phantom. But “actual” things have happened. The Phantom’s told Diana that Captain Savarna is in Gravelines Prison, and that he means to get her out before she’s executed. Diana agrees this is the only thing to do. (Savarna was key to breaking Diana Walker out of Gravelines, in a story that ran eighteen months, from 2009 to 2011.)
Tony DePaul and Mike Manley’s The Phantom for the 26th of April, 2022. Mozz’s certainty that he hasn’t done enough yet has yet to be explained. Savarna learning where Jampa was, but not why he must not be killed, relied on several contingencies. I’m sure DePaul has some reason in mind that Mozz’s scenario — which started with events that have already been avoided — is still a menace.
Mozz insists on another day or two to finish his chronicle, one to be kept with the Phantom Chronicles. He snipes at The Phantom for telling Diana where Savarna is, spotting it as a way to get himself pushed to free Savarna whether or not that’s wise. And he admits to himself (and the reader) that holding The Phantom back is essential to saving him, and that “Deception must be the banner I fight under”. How that turns out, I don’t know yet. Tony DePaul wrote back in February that he had the current chapter — 23 weeks, stretching from the 18th of April through the 24th of September — scripted. This story, Phantom’s End, sees the Ghost Who Walks die, in prophecy. And that there are three more chapters to follow that.
Last time, in my recaps, Mozz had shown Captain Savarna Devi killing Chief Constable Jampa. This in revenge for Jampa, decades earlier, killing her family and stealing her family’s ship and enslaving her. Though Jampa’s not much loved, he is a “keystone” figure, as Kyabje Dorje — head of the Nyamjang Chu monastery where Kit Junior studies — describes. Invaders from the unnamed North, whom Kyabje had been holding off, take the killing of Jampa as provocation. Kyabje and Kit Junior beat back their assassins easily. They’re helpless to fend off the aerial bombardment a week later, one that kills Kyabje, and many people in the mountain city.
Also killed, Mozz explains, is the part of Kit Junior that would make a Phantom: his youth, his generosity, his goodness. He becomes a legend, commander of guerrilla forces “on a disputed frontier”, killing many to avenge the murdered city.
Heloise, Mozz explains, refuses to become the 22nd Phantom. Something not yet revealed causes Kadia to kill herself. Between the pain of that, and of Kit Junior’s turn away from the Deep Woods, she rejects The Phantom legacy. She leaves for the United States, never telling her children of the Deep Woods or the Phantom or any of this. Diana Walker leaves, takin a permanent post in New York City, refusing to be part of The Phantom’s life anymore.
Tony DePaul and Mike Manley’s The Phantom for the 9th of April, 2022. Wait, this is another strip where the second panel is shorter then the first and third, but overlaps it left to right … is this a flash forward or … you know, I’m writing this after midnight, I need to let go and allow the story to happen. Sorry.
A hallmark of this story has been how it’s told out of order. Not just that it’s The Phantom hearing Mozz’s prophecy. But we get pieces of the prophecy and then come back to fill them in. Hearing the fact of Kadia’s suicide, for example. Mozz writing out how The 21st Phantom’s body is buried. The mountain city being bombed, seen first from Kit Walker’s perspective months ago (our time) and now from Diana Walker’s this week. The Phantom’s campaign for governor falling apart when he’s found in a love nest with a “singer”. I’ve tried to untangle that, as my mission is the draining of all storytelling to leave a list of events behind. But if you find the story confusing between now and my next plot recap, I recommend re-reading in blocks of a week or a month at a time. And looking to see where DePaul has said what happened, and whether the story is fleshing that out. If a major event seems to have been written off in a single panel, there’s reason to think the strip will come back to that.
Next Week!
Will Prince Valiant overcome his greatest menace yet: the Comics Kingdom redesign that makes the Sunday strips illegible if you have an actual computer and read the strips on your Favorites page? Oh, also Morgan Le Fey? We’ll find out as I recap Mark Schultz and Thomas Yeates’s Prince Valiant. Unless Comics Kingdom cancels my subscription because I will not stop complaining about their lousy redesign and even worse customer support.
So back in February Comics Kingdom pushed a big change in their server code. This caused it all to break for a couple days. Most of this has been fixed. But among the things still broken are that some strips, including The Phantom, appear on Sundays in the wrong aspect ratio. That is, they’re shown in the format used for newspapers squeezing them to one-quarter of a page, four rows by two columns. I imagine this is a badly-implemented idea to make it easier to read on a phone, and is garbage for people who read this on a real computer. When I read my regular Favorites page, the strip appears about two inches wide, and while I can still read the action, it’s harder than it should be.
It could be worse. They print The Lockhorns in the format intended for newspapers running it as one tiny column, and so appears on-screen about one-half an inch wide. Utterly illegible. Comics Kingdom would be aware of this if anyone read their Technical Support or their Report A Bug complaints, as I have informed them of this every week since the problem crept in. They finally promised to have someone look at this when I sent in the billing question of why I was paying for a subscription for illegible comics.
Anyway. The saving grace is that Comics Kingdom does use source images that are huge; for Sunday pages, the average image is about 112 gigabytes of data. So I can reprint the comics — a fair use as it is part of review and critique of the original — big enough to be easily legible on whatever you use to read.
Tony DePaul and Jeff Weigel’s The Phantom for the 20th of February, 2022. So we can read this literally; The Phantom is, after all, watching Nayo and Abeo. But I’m interested in something in his outfit-switching, particularly his delivering a package in the third row, first panel, there. I get that he wants to not be noticed by the Mori women, and changing outfits like that reduces the number of visual hooks he offers for them to recognize him, if they don’t notice he’s always wearing eye-concealing dark sunglasses. But if he’s, like, pretending to be a delivery guy for the day, he has to have all these packages to drop off places. Even supposing that the deliveries are fake, this is an outfit that doesn’t let him follow when they wander through Central Park and take a rental boat. A steady thing this story has been the acceptance of the Mori women by the neighborhood, and how everyone has decided to go along with their wandering around town like they knew what they were doing. Are these different guises, then, The Phantom pretending to be ordinary men, or, are these ordinary men, by watching for and trying to protect the innocent outsiders, taking on their share of The Phantom’s duties? I suspect the entirety of the story won’t support that interpretation. But if it is only my idiosyncratic reading that this strip offers the message that every person is a hero when they are kind? I’m comfortable reading this strip that way.
Still, cities are dangerous when you don’t have permanent shelter or money or such. Especially if, as they have, you’ve attracted the eye of a sex slaver. But they’ve also, at the request of their tribe, got a protector, The Phantom. The Ghost Who Walks lurks around town, and when he spots the sex trafficker he slaps him silly and throws him into the trash.
That’s not enough hint for him, though. (To be too fair to the guy, we don’t see on-screen that The Phantom warned him off the Mori women, or abducting women at all. It would be consistent with the text that he had no idea what this assault was for.) A few days later when the women go into a nightclub, he follows. And gets drugged drinks from the bartender. The Phantom follows, of course. He punches out the bartender, which makes him quite popular. (It’s also the first Phantom Ring-marking in a while, so far as I remember.) And grabs the trafficker, slamming him into the window of the limousine of the trafficker’s buyer. That guy speeds off, but The Phantom takes the trafficker’s personal information to turn over to the Jungle Patrol. And clobbers him with the Phantom Ring, a second permanent marking this story.
Next Week!
Is Terry Beatty — weekday artist for The Phantom — not drawing enough vigilante-superhero stuff? We may have an answer as I recap Rex Morgan, M.D. next week, if things go to plan. And if some shadowy figure of concealed identity doesn’t punch me first.
It’s worth the read, first for understanding the writer’s intentions. Also for learning bits about the specific mechanics of writing these stories. Like, what does the script look like? How far ahead are stories written? (As DePaul and his collaborators do things, at least; I imagine every writing team develops their own workflow.) How does a story like this, meant to stretch into a third calendar year, get made?
I’m not sure what I can add to Tony DePaul’s own summary. My perspective and misunderstandings, I suppose. Still, here goes. In the prophecy of Old Man Mozz, The Phantom successfully breaks Savarna Devi out of death row in Gravelines Prison. But he’s badly wounded, and while the veterinarian they find is able to stitch him together, it’s not over. The Phantom gets a fever, one lasting for days, and in his delusional state he says something catastrophic, that sends Savarna away.
This may all seem like it’s taking a while to get done. Fair enough. But we are seeing what’s meant to be a plausible way that The Phantom — a legacy of five centuries — crashes apart. It’s something that’s survived twenty generations of changing world. Of Phantoms (mostly) dying in action. It’s grown supportive structures, like the Jungle Patrol, that would carry on of their own inertia as long as possible. I quipped in my previous recap of the Sunday strips that The Phantom has to spend about 412 days a year keeping up with ceremonial tasks. He spends a lot of time gluing these structures together. But in exchange, those structures glue The Phantom, the institution, together. It will need a lot to wreck all that. So it has to be something that’s big and complicated and messy.
Savarna’s headed for the Himalayas, and the monastery where Kit Junior, the presumptive 22nd Phantom, is studying. He’s very much not ready yet; he’s not even trying to conceal his face from people. And he’s been thinking how happy he is nobody like Guran, from his pre-monastery life, has appeared, as they would have the news his father died. Then Savarna, from his pre-monastery life, appears, and he’s happy to see her. (I saw some snarking about this inconsistency. Granted it may be inconsistent, but it’s inconsistent in a way normal people are.)
She arrives the week of the 17th of January. That’s when we begin the story/chapter titled Death in the Himalayas. They meet over tea. She explains she’s there for something that needs doing, and something she thought she was finished with. Before The Phantom broke her out of Gravelines he had her swear to be done with revenge. While The Phantom healed, she thought how she was done with killing. And now …
Chief Constable Jampa enters the teahouse. She confronts him. That’s too soft a phrasing. She shoots him. She knows him. Nineteen years ago pirates killed her father, master of the original India Voyager. And her brother. It set her on her campaign of vigilante anti-piracy and anti-fascism. Leading the pirates? That same Jampa. As a girl she was able to scald him, and escape, almost drowning as she does. It makes her life story — and her relentlessness in this point — much clearer.
Tony DePaul and Mike Manley’s The Phantom for the 19th of February, 2022. This is part of the ten-day sequence done entirely silent. That’s a massive technical challenge. And, as you can see, visually striking: as this unfolds even the panel borders fall apart, turning rough and sketchy in the flashbacks, and falling into diagonals for the non-flashback moments. They finally righted themselves this week, as Savarna declares her father and brother avenged.
You may ask how it is Jampa ended up a chief constable in a remote Himalayan village. Well, how is it Kit Junior ended up in the same place? And, if you’ll let me build a castle on some sky, it might not be coincidence. Years ago we got a line that Kit Junior perceived his tutor Kyabje Dorje to be a Phantom-like superhero. Why might Chief Constable Jampa not be that superhero’s nemesis? It might even say why Kit Senior sent his son there rather than, say, to understudy with The Locust or somebody. (Probably not. Kit Senior was sending Chief Constable Jampa money for reports about his son. Diana Walker called Jampa a good man, a blow to her ability to judge character on slender evidence. On the other hand, I thought that mention of Jampa was just Kit Senior distracting Diana and Guran from Mozz’s prophecy. Now, I see DePaul introducing Jampa to this story before his big death scene.)
But this is where we’ve gotten. Savarna, in an understandable fury, has found Kit Junior and shot the chief constable of this Indian village. The Phantom, unaware of this, is returning home. … Or so foresees Old Man Mozz.
Where does The Phantom, who’s learning all this as we are, go from here? Not my place to say. DePaul was good enough to share that this chapter, Death In The Himalayas, is to end the 16th of April. The next chapter, Phantom’s End, is to run 23 weeks. I calculate that to be the 18th of April through to the 24th of September. And then … three more chapters, he estimates, before this is all done. Quite the project.
I’m not deeply versed in all 85 years of The Phantom‘s lore. I’m just a more-than-casual reader. By my estimate he’s got about 412 days a year that he needs to attend some part of some ritual event. One of these rituals started off the current Sunday strip storyline. In the 1950s daily strips Comics Kingdom runs as a vintage repeat, he’s just wrapping up an annual wrestling tournament to rule the jungle. In the 1960s Sunday strip vintage run, he’s been working out why someone sneaks a rattle into the Skull Cave on the same day every year. Man’s got a schedule.
Nayo and Abeo, two young women, appeal to the Ghost Who Walks for help. They want to go on the sea voyage also. At least to have some rite of passage into womanhood. The Phantom tries to avoid committing himself on the question of changing the rites of passage. We do see him talking with the young King who’s up for letting girls into the seafaring challenge. But the King doesn’t feel he can pick this fight with the Elders yet. (Saying that the Mori have to decide what it means to be Mori shows The Phantom walking back from the colonialism baked into the strip’s premise. It’s an imperfect declaration. Laconic neutrality about a question of social change is a vote for the status quo. But one of the appealing things about The Phantom is he does mis-step sometimes.)
Tony DePaul and Jeff Weige’s The Phantom for the 19th of December, 2021. A small running thread in Kadia’s appearances have been her knowing the Walkers have something secret going on but not getting much information about what. Also, I’m not sure that Heloise and Kadia’s spotting of Nayo and Abeo was relayed to The Phantom. Or would help him much if it were, since they could be anywhere in town by the time he got in to check up on them.
In Mawitaan, Heloise Walker notices them, as Mori villagers don’t go to the city. She tries to ask them if they’re lost or in trouble, but only knows Mori well enough to confuse everyone. They notice she wears the same medallion, though. (Kadia also notices this, but she doesn’t yet know the significance of those medallions.)
Tony DePaul and Jeff Weige’s The Phantom for the 16th of January, 2022. When I first read this I jumped to the conclusion that The Phantom was using his bankroll to make good on anything the girls took. (We had just seen him tossing a lot of money at a farm family to use their car. Also he doesn’t have a car he can drive in to town, when the need arises?) I can’t say that isn’t happening. But this reads to me like they’ve hit that sweet spot of being people so clearly out of context that folks want them around and figure they can take the loss on mangoes for it. Or folks figure there’s something going on and they don’t know what, but want to be part of it in case it’s something good.
When The Phantom gets back from sea he checks up on the runaways. For the most part, the town isn’t sure what to make of them. They’re weird in that way cities attract beloved weird folks. So that could be going very nicely … except, we saw this past week, a trafficker figuring two young women “fresh off the Mori coast” would be quite desirable. And this is where we stand, near the end of January in the Sunday strips.
Next Week!
Terry Beatty’s Rex Morgan, M.D. addresses the thing most pressing on the minds of everyone enduring the third year of a public health crisis that’s shown the collapse of western governance: might these cartoon dogs be unoriginal intellectual property?All this and more in a week, if things go well.
The story also means to explore how this death would roil the world of The Phantom. Imaginary stories are great for exploring character. They’re also great for understanding how a setting works by showing it broken. I understand people who lose patience with a story that “doesn’t matter”. I was that way with every third episode of Star Trek: Voyager.
But this story has got “real” consequences. The Phantom changing his plans about rescuing Captain Savarna Devi from Gravelines prison, for one. However it is he does arrange the rescue. Or, it could be, fail; I’d hate for her to die, but it is a plausible happening.
The Phantom had broken Captain Savarna Devi out of death row in Gravelines Prison. Not without cost, though. He was shot several times, messy wounds in his torso. Savarna pulls the dying Phantom to the first medical care available: a veterinarian she holds at gunpoint. After a long, long night Dr Fajah Kimathi gives her the good news. He’ll pull through, somehow. Might be his strength of ten tigers. The doctor’s husband gives her breakfast, and a shower, and words assuring that killing fascists is setting “right what’s gone wrong”.
Tony DePaul and Mike Manley’s The Phantom for the 9th of December, 2021. I realize his life invites this sort of thing, but The Phantom’s got to have a real disaster of a medical history. Like, how does he even explain if he might have traces of Guran’s incredible bullet-wound-healing powder in his blood stream? How might that interact with whatever the veterinarian is giving for the pain?
Or so it goes in the prophet Mozz’s tale. It doesn’t seem to have got to The Phantom’s death, though, or how that death ruins the Walkers. We get that tale in two parts. One is Mozz telling his story to The Phantom, out in the field, as seen in my last plot recap. The other is a chronicle that The Phantom talked Mozz into writing, after aborting the wrack-and-ruin at Gravelines.
In-between were several weeks of not-imaginary action. I’m not sure the purpose of all this. Warning readers that this is a forecast of a possible future, for one. The transition was made, yes, but even alert readers — me, for one, and one of the X-Band podcast hosts — missed it at the time. Reinforcing information like that’s important. The intermediate action included several points that might clarify Savarna’s fate too.
The transition starts with Mozz metaphorically rapping The Phantom’s hands for making easy assumptions rather than listening to what he actually says. It does feel a little like a reminder to pay attention to what’s on-screen. Mozz complains that even after hearing the tale, The Phantom will ride heedless into Rhodia on this mission anyway. The Phantom talks him into writing his story out, instead, in his own chronicle. So from the 25th of October we start the 259th weekday-continuity story, The Chronicle of Old Man Mozz. But that is another part of the story To Wrack and Ruin at Gravelines.
Tony DePaul and Mike Manley’s The Phantom for the 15th of November, 2021. Do you suppose Mozz is writing with an actual feather quill pen, or is it something that looks like it for the style? For that matter does The Phantom use an actual quill? I ask because that’s an easier way to write than dripping ink off the head of a pin, but that’s about all the good you can say about it. I get that his style (and traditions) are part of what makes the legend but he has got a lot to record and it’s not like anybody would see him using a ballpoint pen.
Mozz promises, if he could save The Phantom legacy by keeping him busy until Savarna were executed he would. I suppose The Phantom appreciates the honesty. Mozz appearing to write in The Phantom Chronicles proves quite attention-getting. This gets me wondering where The Phantom gets his blank Chronicles from. I can’t get the same kind of notepad from Staples two times in a row. So far 21 Walkers over the course of five centuries have managed consistent book designs. How many blank books has he got in store for this sort of need?
The Phantom needs to distract Diana and Guran from Mozz’s detailed description of his death and their family’s legacy’s ruin. His answer: pictures of their son! Kit Junior, the presumptive 22nd Phantom, as seen in pictures sent out of the Himalayas. Chief Constable Jampa is sending regular reports for pay. Kit’s been maturing in the monastery, where he’s presented himself as reincarnation of past Phantoms. And the 21st Phantom agrees, he’s sure Kit Junior will come home soon.
It’s a most successful distraction from Mozz’s writing. Also from The Phantom’s intentions of riding into Gravelines. Also, it could be, setting up ways out of this fix. Savarna could be rescued by, or with, Kit Junior. Or with Kyabje Dorje, Kit Junior’s tutor, whom he’s pegged as one of them. And there are other Phantom-grade superheroes in the world and that we’ve seen in recent years. Captain Ernesto Salinas, most recently. The Locust, less recently. Jungle Patrol is there, although Savarna is in prison for killing high-ranking members of Rhodia’s navy. (Military organizations tend to punish killing flag officers even on the other side, because flag officers got to make that rule.) Even Mandrake the Magician, if need be. I have no reason to think The Phantom’s getting a team together. But it wouldn’t be absurd either.
We don’t know! The past three months in the Sunday continuity saw The Phantom share what’s known about The Visitor. It seems to be material; it leaves footprints and can punch out and skull-mark minions. It doesn’t seem to be material; it disappears from exitless rooms and caves. It seems to know language; it told the 16th Ghost Who Walks of the Origin Story. It doesn’t answer inquiries. The current Phantom, and his listeners, speculate that it’s some force that’s been present since the beginning. Always watching. Sometimes intervening. And that’s all they can know.
There is a Doylist explanation, one that appeals but is unconfirmable from text. And I forget which commenter I saw put this forth, but: could The Visitor be a representation of the audience? The audience sees everything The Phantom does. The audience — the fans, at least — know everything The Phantom could know. And the audience does affect The Phantom’s life, although in indirect ways, incomprehensible to the character.
But that’s not something the characters in-story can understand. And The Visitor has left, chased off by Devil, the Phantom’s wolf. So what it is may be impossible to ever determine from within the text.
The story excites the Bandar people who hear it. A being from before The Phantom’s own time? That witnesses it all? That supports, even spreads, the legend? (You see how this goes with the “it’s the audience” hypothesis.) But there’s no conclusions one can draw. As the Bandar youths leave The Phantom asks them to unchain Devil. And why was Devil chained, Diana Walker asks? So as not to disturb their guest. In a wonderful, creepy moment, The Phantom reveals that The Visitor has been there, listening, all night.
Diana tries to get it to speak, to respond. It doesn’t. She speculates that it doesn’t understand. It can mimic what it sees and hears in the Skull Cave, but that’s all. Also unprovable, as Devil races in, and leaps for The Visitor … who vanishes, reduced to mist. And we’re left not knowing most anything about The Visitor, including whether it’s gone. My supposition is The Visitor has donned a bunch of pizza boxes to go and mildly annoy Funky Winkerbean.
What is gone is the story “The Visitor”, ended the 10th of October. With the 17th begins the new story, “The Ingenues”. It’s the 192nd Sunday-continuity story. It’s about another of The Phantom’s many responsibilities, this one taking a crew of Mori youth to sea to test their boating abilities. It references a story from 2007 where this expedition ran into trouble. And all we know so far is that some young women among the Mori want to be among the crew. By February we should have a better idea what the story is.
Next Week!
Somebody’s getting married in Terry Beatty’s Rex Morgan, M.D.! Also possibly shot, which would be a change of tone for Terry Beatty’s Rex Morgan, M.D.! I hope to have a plot summary for you here next week. Thanks for reading.
That said, we are seeing what sure looks like a death of the current, 21st, Phantom, at the hands of Gravelines Prison guards. And Old Man Mozz, wilderness prophet, warned that going to Gravelines Prison would kill him, and also keep Kit Junior from being the 22nd Phantom. And even end the journey of the Walkers in Bangalla. So: is that what we’re seeing here?
The Phantom was ready to go to Gravelines Prison, in fascist Rhodia, to free Captain Savarna Devi. Savarna’s an oceangoing vigilante who could host her own action-adventure comic strip if action-adventure comic strips were sustainable yet. She’s helped The Phantom often. Most notably, she helped him free Diana from Gravelines in 2009-11’s 18-month-long Death Of Diana Palmer Walker. Old Man Mozz warns of a dire vision, that if he frees Savarna, The Phantom will ruin everything he holds dear. The Phantom pauses to hear what will happen.
And this strip — the 30th of June — is critical. Notice the broken panel borders. The story from this point continues to The Phantom busting into Gravelines Prison and breaking Captain Savarna out. But it is the story Mozz is telling, explaining to The Phantom what happens if he goes in as he plans. Yes, I missed the significance of this when it happened. In my defense the 30th of June was a busy day for me. Also, at least one of the X-Band Podcast hosts missed it too, and they’re hardcore Phantom fans. They’re people, with, like, collections of souvenirs and ranked lists of opinions and everything.
In Mozz’s vision, The Phantom disregards his warning that if he frees Savarna Kit Junior will never return to the Deep Woods. The Phantom regrets that he has to do this right after breaking out Captain Ernesto Salinas. Security will be more, if not more competent, right after that jailbreak. But many of the usual tricks still work. He stops a truck by putting signal flares in the road, and sneaking in the back doors. He sneaks through the prison by catching one guard at a time, knocking them out and tying them up.
I did see one commenter say this reads like a first-person shooter video game. I grant the resemblance. Whether you find this plausible, I suppose, depends on whether you think Gravelines Maximum Security Prison guards should be bad at their jobs. The comic does try to anticipate snarkers. The Phantom reflects how yes, they’ve increased the number of guards, but by dragging people who didn’t want to be prison guards into this job. (Seen the 17th of August, and reinforced the 28th of August.) That they’ll be people who will find good reasons in the rulebook about why they didn’t rush toward the gunfire.
And that I accept. First, the Phantom isn’t going to sit and listen to a story where he can’t even break open Gravelines. Second, what authoritarians rely on us forgetting is that authoritarians are incompetent. Making a competent organization requires getting subordinates to say what things are wrong, and what’s needed to fix them, and how it’s taking longer to fix than they expected. Authoritarianism demands reports that everything is swell. It can only create illusions of capability, which shatter in crisis. Third, the guards are people who grew up in a world where The Phantom is real and sometimes strikes Gravelines Prison. They have good reason to want to avoid him. So I buy most of the guards working to rule when The Phantom beelines for Captain Savarna’s cell.
The Phantom pauses for an oddly indirect question before freeing Savarna. When she pledges she’s had enough revenge he lets her out, and they begin the escape. They swipe a jeep and pretty near drive right out, helped by the number of guards who don’t want to be shot at over this. But there are the hardcore guards, the true believers in their mission, and they’re the ones who block the road. They shoot a lot at The Phantom and at Captain Savarna, who manage to drive through. The Phantom pulls off the road where he left his horse, Hero, tied up. He tells Savarna how to let Hero carry her back to Bangalla. As for The Phantom himself …
Well, this takes us out of the proper date range for this recap. But Savarna got a good look at The Phantom and gasped “Oh my god!!” And he’s bleeding. This is explained in the characters’ dialogue and action, but unfortunately is muddled in the coloring. Rather than use Guran’s wound-healing super-powder, he asks Savarna to let him rest a while.
Again, we are not seeing the death of the 21st Phantom. We’re seeing a death, something to happen if The Phantom disregarded Mozz’s advice. And, my understanding is, we’re to see more of what happens after this death, and what ruin it brings to the Walkers’ project. Tony DePaul said he thought the story might be the longest yet, at least comparable to the 18-month Death Of Diana Palmer Walker story. I trust it won’t all be warnings of how The Phantom’s marching towards death. I also expect there’ll be some clever way to rescue Captain Savarna from death row. But that’s the thing about expectations; so much of storytelling is subverting them.
Next Week!
Fairies and sea monsters! Some of my favorite material. It’s Mark Schultz and Thomas Yeates’s Prince Valiant, if all goes well. Not to spoil things, though, but I haven’t had a thing go well since the 11th of August. Please send words of comfort and also large checks made out to Cash.
The Sunday continuity has been The Current, 21st, Phantom, telling of encounters four previous Phantoms had. These all involved The Visitor, who looks like The Phantom, and seems to have knowledge and abilities only The Phantom should have. We’ve now seen stories from all the four previous Phantoms to encounter The Visitor. This implies we’re near the end of the backstory. But we haven’t got any hint what The Visitor “really” is, yet.
What we know seems hard to square with a rationalist, scientific explanation. But The Phantom universe is one that has non-rational, magical elements. Me, I would be satisfied if The Visitor remains a mystery, but I am fond of fictional universes with weird craggly unexplained bits. And I understand readers who dislike having a mystery presented and then unresolved.
This should catch you up on Tony DePaul and Jeff Weigel’s Sunday-continuity The Phantom for mid-August 2021. If you’re interested in the weekday storyline, with The Phantom maybe breaking Captain Savarna out of Gravelines Prison? Or if you’re interested in the Sunday stories and reading this after about November 2021? Then you’re likely to find a more useful post at this link.
The Phantom (Sundays).
16 May – 8 August 2021.
Since I took to reading this comic to do plot summaries I’ve gotten to see The Ghost Who Walks in many moods. The current Sunday story has had him in a giddy mood. It’s a fun change. He’s bubbling over with excitement at sharing a mystery with Bandar kids. Also at showing off his newly-renovated Hall of Costumes. But mostly it’s about the story.
In the time of the 3rd Phantom a strange figure — The Visitor — appeared to Bandar villagers. The Visitor looked indistinguishable from the Phantom. But he ignored them. He left footprints. The footprints vanished. That’s all anyone knows of it.
Tony DePaul and Jeff Weigel’s The Phantom for the 4th of July, 2021. Oh yes, so part of the mystery, besides disappearing out of rooms with no unwatched exits, is being able to forge The Phantom’s handwriting. Especially as the Actual Phantom was nowhere near the Deep Woods, which would seem to rule out sleepwalking or hypnosis or other obvious explanations. (The Phantom was not in the area for the first few appearances of The Visitor either.)
The Visitor next appeared in the time of the 6th Phantom. A girl of the Bandar tribe saw The Visitor enter Skull Cave and write in the Phantom Chronicles. And disappeared once cornered in the Chronicle Chamber, which I need hardly tell you has only the one exit. The Visitor’s message? A transcription from the Odes of Horace. The 6th Phantom had memorized the piece about the difference between courage and recklessness. It was an issue he always struggled with. It would prove a timely reminder to him before another big adventure.
The 12th Phantom was the first to see The Visitor. Briefly, in Skull Cave. Later, in some city, working his way through 2d6+6 henchmen, the 12th Phantom found … the place cleared. All the minor villains knocked out, and with the skull mark of the Phantom’s ring on their foreheads.
On to the 16th Phantom, who saw and talked with the Visitor. Who was as fast on the draw as the Phantom was. Who told the origin story of the Phantom legend, turned, and disappeared.
And those are the facts as we have them handed down to us.
Next Week!
Fanfiction! Fanfiction and Crunchyroll! No, I’m not trying out for Zippy the Pinhead: The Next Generation. I’m thinking of what’s happening in Terry Beatty’s Rex Morgan, M.D. so I can recap it next week, if all goes to plan. I know one of the Facebonk groups my love is on would like to have Rex Morgan, M.D. explained, except that they’ll have forgotten they cared about the strip by next Tuesday. Too bad.
Don’t be silly; The Phantom is immortal. That’s, like, the second thing you learn about the comic, after how he’s called The Ghost Who Walks. But yeah, there has been a lot of foreshadowing the end of the current Phantom’s life. It’s been like this for several years now, but the current story is hitting it hard.
Over on my mathematics blog I have not yet resumed reading comics regularly. But I am about to start this year’s A-to-Z, in which I explain mathematics terms. If you’d like to suggest topics, please, let me know. I love seeing what people suggest.
The Phantom (Weekdays).
5 April – 26 June 2021.
I last checked in near the end of an encounter with “Towns Ellerbee”. The Phantom used that false name. Under it he helped The Trusted Man sneak through Gravelines Prison and free his boss and friend Ernesto Salinas. Salinas tries pondering the mystery of who Towns Ellerbee could be, and finally turns to anagarms. The name translates to “Be Well Ernesto”, a thing I totally would have gotten if I’d thought to pick out proper names.
Tony DePaul and Mike Manley’s The Phantom for the 24th of April, 2021. Not to brag of my own anagram prowess but I’m able to work out most Jumble panels if the target word is not ‘OBJECT’. For whatever reason scrambled versions of ‘OBJECT’ throw me. I think it’s my natural assumption that if there’s a ‘J’ it probably starts the word that throws me.
The 26th of April began the 257th Phantom daily story, Hello the Himalayas. Once again after a fairly long (26 week) and action-filled story we got a short (4 week) reflective one. Heloise Walker comes to the Deep Woods, into the Phantom’s Cave, and into even the Chronicle Chamber. And there she writes a letter that she knows she’s “not supposed to be writing” to her brother Kit Junior. She writes of being afraid to sleep, traumatized by nightmares of the night she captured Eric “The Nomad” Sahara. And that she has been trying to reason where exactly Kit Junior is.
Tony DePaul and Mike Manley’s The Phantom for the 17th of May, 2021. I do agree with Heloise Walker’s reasoning here. A major crisis is not the time to be fiddling over weird, elliptic clues. Especially from someone like the 21st Phantom, who’s always got about eighteen layers of deceit and secret identities going on.
The Phantom had placed him in secrecy in the Himalayas somewhere, ahead of his anticipated and foiled death in The Curse Of Old Man Mozz. Heloise, thinking it’s daft that nobody knows how to find Kit Junior in case something happens to The Phantom, tried to work out where her brother is. She’s confident she’s figured out what Himalayan monastery he’s at. And she closes up the letter, and seals it, and conceals it within the Chronicle Chamber. With the 22nd of May, this story ends.
The story opens with Colonel Worubu meeting the Unknown Commander of the Jungle Patrol. Part of the raid that got Salinas out of Gravelines Prison was a database of who was being held there. Many are dissidents, opponents of Rhodia’s fascist government. But, Worubu concedes, there are some people there on legitimate grounds. His example is this Indian-national woman who killed nine flag-rank naval officers and four aviators. Even granting that fascists are better off being dead, you can’t fault a government executing someone for that.
The Phantom knows about this. Savarna had killed the Rhodian naval officers who’d sunk her India Voyager II. They were retaliating for her shelling the prison to free Diana Palmer. The Phantom sets his plans to go back to Gravelines and free her, and regrets how this would have been easier if it weren’t right after Salinas’s escape.
Tony DePaul and Mike Manley’s The Phantom for the 17th of June, 2021. I’m inclined to agree that it’s a foolish move to go back to Gravelines, like, days after breaking out Salinas. On the other hand, they’re probably still working out their assessment of what security failures happened and why, so their procedures might be all a mess right now. Hey, when doing security assessments around Bangalla, how much time is spent arguing whether a threat is The Phantom versus whether it’s something mortals can affect? The Ghost Who Walks has got to be a great excuse for mediocre people to explain why their security isn’t.
Old Man Mozz stops him. Mozz shares a sketch from one of his visions. It’s the hallucination-setting of the story The Llongo Forest. In that vision a spirit presenting as The Phantom’s father warned the Ghost was Walking into oblivion. This as penalty for having not died in The Curse Of Old Man Mozz. The warning said he was now without “the right to lie in the crypt of the Phantoms”.
Now Mozz offers similar warnings: if he interferes with Savarna’s fate, The Phantom’s body will lie in that Llongo Forest doom. And Kit Junior will never return from the Himalayas. And will never be the 22nd Phantom. He even promises that “the journey of the Walkers in this land … will end”.
That doesn’t sound good, no. But even granting that this is happening in a world where prophetic visions happen? I notice Old Man Mozz hasn’t warned that The Phantom will die from this. Nor has he quite said there won’t be a 22nd Phantom. Still, between Old Man Mozz, The Phantom himself, and Heloise Walker, there’s a lot of people with grim visions of what’s to come.
We don’t yet know! The current story has a mysterious Visitor who looks and acts like The Phantom apart from walking past everyone, ignoring them. Our Ghost Who Walks is sharing what he knows, from the Chronicles, about That Ghost Who Walks Too. But we haven’t got much specific information yet. It’ll be a good gag if it turns out there’s a parallel line of fathers passing down to sons a sacred obligation to sometimes mess with The Phantom.
It begins with Babudan, master tracker of the Bandar people, seeing The Phantom walk right past, ignoring him. Which is strange on several grounds, not least that The Phantom is away from the Deep Woods. Dozens of people, including Diana, see The Ghost Who Ghosts Them, including inside Skull Cave.
The Phantom knows what this is, though. And he’s excited, almost giddy. It’s fun to see. He invites the Bandars’ “best listeners” into Skull Cave, so he can show off his newly-renovated Hall of Costumes. The renovations better show off the outfits past Phantoms wore. He’s been waiting for an excuse to show this off.
Tony DePaul and Jeff Weigel’s The Phantom for the 18th of April, 2021. The Skull disc on the left represents the Skull Ring. The Phantom punches the true evildoers with it so hard they keep a skull impression on them for life. So what happens if they reform? How do they get their good name back? I guess that’s the use for the other pattern, the thing that looks like four P’s laced together. That pattern’s on the Good Mark ring. For those who’ve done significant good The Phantom … uh … it seems out of character that he would punch them so hard they get left with that on their foreheads. Apparently they’re more likely to get a medallion. I don’t know how they prevent counterfeits. Helen Walker used one so she and Kadia Sahara could escape into the Bangallan Embassy.
So what’s the deal with Other Phantom? The 3rd, 6th, 12th, and 16th Phantoms encountered it too. He’s started telling about the Third Phantom’s encounter. This is the encounter that gave The Ghost Who Haunts The Ghost Who Walks And Who Also Walks the less cumbersome name of “The Visitor”. The Visitor, too, appeared in the contemporary Phantom’s garb and walked past Bandar villagers, shunning them. The Visitor left footprints, so is not a ghost. The footprints vanish, the way a ghost’s might. And that’s about all we know so far.
The Phantom, under the name “Towns Ellerbee”, was helping The Trusted Man break police chief Ernesto Salinas from the infamous Gravelines Prison. We met Salinas a decade ago, in a lucha wrestling storyline. The Trusted Man, Salinas’s not-yet-named assistant from Cuidad Jardin, came to Rhodia to free his boss. He met up with “Towns Ellerbee”. They punched Salinas’s kidnapper, and crime-and-wrestling nemesis, Victor Batalla out of the story. The Phantom, as the Unknown Commander of the Jungle Patrol, orders the pickup of Batalla and henchmen. The Phantom brings The Trusted Man to the outskirts of Gravelines Prison, but refuses to go in. “Ellerbee” leaves their stolen car and wishes him luck.
Tony DePaul and Mike Manley’s The Phantom for the 22nd of January, 2021. I appreciate how generous The Phantom is with his vigilante-superhero tips. The Trusted Man is lucky, though, that he’s working in a superhero universe where low-level minions won’t notice you until you’re in punching range, though.
It won’t only be luck. The Phantom watches over Trusted Man, of course. Trusted Man uses some of the tricks he’s already learned from Ellerbee, although I regret “smash a rhino through the door” is not among them. Once confident that The Trusted Man has a handle on things, The Phantom sneaks into the computer room. His goal: getting a roster of the people “disappeared” into Gravelines Prison, which he’ll turn over to the Jungle Patrol.
The Trusted Man punches all the way to Salinas’s cell, and breaks him out. He tells the story of Towns Ellerbee’s work, and what he presumes to know about Ellerbee, as they exit. They’re alarmed by a speeding car, the first sign they’ve been detected. But it’s Towns Ellerbee driving it. So they’re able to make a grand escape.
The Ghost Who Taxi Drives takes them to somewhere in Bangalla. And vanishes into the fog, leaving behind the money The Trusted Man had paid him for his service. The two try to understand all his actions. The Trusted Man mentions Towns Ellerbee’s dark glasses and Colonel Worubu works it out. He’s incorrect, but not wrong. “Towns Ellerbee” must be John X, working on special detail for the Unknown Commander. The unresolved mystery to them: why should the Unknown Commander care about a kidnapped police chief from Ciudad Jardin?
And this is where the story’s reached. It feels like it must be near the end. All the Jungle Patrol’s attempts to understand their Unknown Commander fail, after all. The copied database of Gravelines prisoners seems likely to be more interesting to Jungle Patrol, too. Also possibly to generate future stories.
![Throwaway panel, a flashback to the 2005 strip where The Phantom stole diaries from Mina Braun's library, thinking: 'Mina learned of Eden here in the family library. I can't have her or anyone else learning that lesson here again.' In the present, The Phantom, Mina, and Diana Walker dine in a restaurant in The Domain. Diana: 'You're firm, then, in your decision, Mina? You mean to stay here among the Almost Humans?' Mina: 'I am! Thanks to you both, I'm ehre now as the scientist I've always been. Not a woman hiding from a world that thinks her mad. My findings can never be published, of course. It would be a crime to lead the outside world to the gates of the Domain.' Phantom: 'The Champion of Old would be happy to hear you say that.' [ MEANWHILE, at what looks like a ruling council meeting ] Chair: 'You believe this Phantom ... is the same formidable human known to our ancestors?' Teydra: 'If he isn't, I find him no less extraordinary for it! I wish to forge an understanding with this man before he leaves the Domain of the Almost Humans ... a pledge that, whatever he is, we are forever allied with him! --- and he with us.'](https://nebushumor.files.wordpress.com/2023/08/the-phantom_tony-depaul-jeff-weigel_2023-06june-11.jpg)
![[ Narrator: Confirmed! John X! ] The Jungle Patrol staff in the radio room celebrates. The Phantom, on the telephone, smiles.](https://nebushumor.files.wordpress.com/2023/07/the-phantom_tony-depaul-mike-manley_2023-05may-29.jpg)
![[ The Phantom and Diana learn more about the ... creature? ] Teydra: 'I saw the formidable beast, a bloodthirsty lesser human, slaughter the human. And then I shot it.' Diana: 'Good grief! Why didn't you speak to us in the cavern!? You let us think you were an animal!!' Phantom, untying Teydra: 'You thought whatever we didn't know about you might be to your advantage in making an escape. Fair enough. Why choose to speak now?' Teydra: 'Call it the difference between my kind and yours, human. I kept quiet until I knew what there was to know. How many humans do that?' Phantom: 'Point taken. And as for ... 'your kind'?' Teydra: 'We are --- we admit --- *almost human*. Therein lies the warning we live by. We must strive *never* to *regress* to the merely *human state*!' Phantom, whispering to his wife: 'Clearly by 'almost human' they mean to say beyond human. What is that? Irony?' Diana, whispering: 'Oh, darling --- it's at least that.'](https://nebushumor.files.wordpress.com/2023/02/the-phantom_tony-depaul-jeff-weigel_2023-01january-23.jpg)
![[ While waiting at the cottage house, Neddy finally hears from ... ] Neddy answers the phone: 'Sam?! How did the talk with the Mayor go?' Sam: 'Where's Abbey? Did she get back yet?' Neddy: 'Uh, yeah. A few minutes ago. She's in the main house.' Sam: 'I need to talk with her. I need to tell her everything.'](https://nebushumor.files.wordpress.com/2022/06/judge-parker_francesco-marciuliano-and-artist_2022-06june-13.jpg)
![Kadia: 'Heloise! So what if they belong to the Mori tribe?' Heloise: 'The Mori don't come to the city, Kadia. It's unheard-of in their culture. To a girl born on the Mori Coast, Mawitaan might as well be Mars!' They approach Nayo and Abeo. Kadia thinks, 'My Mori isn't very good, but ... here goes.' Aloud: '[ In the Mori tongue ] You girls didn't walk here from the Mori Coast, did you?' Kadia: 'Heloise, you speak their language?' Heloise: 'Not really. I must sound like a two-year-old to them.' [ In Mori ] 'Are you girls lost?' Abeo: 'What is she saying? We misplaced something?' Nayo: 'Abeo, look! Phantom!' (She points to the Phantom Good Mark necklace.) Heloise, thinking: 'I know *that* word in any language!' Kadia, thinking: 'Why are these Mori girls wearing the same design from that favorite necklace Heloise wears? I thought it was something only the Walkers wear ... '](https://nebushumor.files.wordpress.com/2022/01/phantom_tony-depaul-jeff-weigel_19-december-2021.jpg)
![[ Morning in Mawitaan ... ] Abeo: 'Nayo! I just saw it again! Someone gave paper money for mangoes.' Nayo: 'That's nothing. I saw a woman give paper money for beans. *Beans!*' Abeo: 'Us? We can have anything we want for no paper money at all. Why is that?' Nayo: 'They try to *make* us take it. After we can't eat another bite!' Woman sitting on the park bench, talking to a shadowed figure behind: 'Ah, *that pair*! I haven't seen them this morning ... they don't always camp in this park. They move about the city as free as you please.' (We see that she's talking to The Phantom, out of costume.) 'Me? I say they're Mawitaan girls *pretending* to be Mori! And we think, oh! The poor lost waifs! They're having us on! It's a study of some kind ... that's it! They're psychology students at the university! Or performance artists!'](https://nebushumor.files.wordpress.com/2022/01/phantom_tony-depaul-jeff-weigel_16-january-2022.jpg)
![Phantom, at the campfire: 'Mozz, you're killing me ... so to speak ... now you're *changing* your prophecy? I *don't* die in Rhodia?' Mozz, holding up his illustration: 'I never said the grave that awaits you is in Rhodia, Phantom ... I said freeing Savarna *brings* you to this place [ the illustration of the unmarked grave ]. And destroys your son. And ends the journey of the Walker family in this land. And so it does!'](https://nebushumor.files.wordpress.com/2021/12/the-phantom_tony-depaul-mike-manley_7-october-2021.jpg)
![In the deep woods. The Detective: 'Bibi, what are you doing way out here? I go on a little vacation ... and you? You move into the jungle with your crazy little dog?' Dog: 'Arf!' Bibi, hugging her grandson: 'Oh, Yusuf! You're HERE! You're really here!' The Detective: 'I'm here, Bibi ... let's get your camp picked up.' [ Bound For Home ] The Detective, finishing packing: 'That looks like everything ... it's a long trek home, Bibi. Ready?' She's looking into the distance. 'Bibi?' The Detective follows her line of sight: '!! I should have known he'd be here ... ' In the far distance is The Phantom, riding his horse, away from the mountain carved with The Phantom's face.](https://nebushumor.files.wordpress.com/2021/05/the-phantom_tony-depaul-jeff-weigel_14-march-2021.jpg)
![The Phantom, holding up several Chronicles and smiling to Guran and Babudan: 'Today I'd like the tribe to her what the 3rd, 6th, 12th, and 16th Phantoms had to say!' [ Who should hear the tale? ] 'The young! After all, the lore will be in their care when none of us are here to tell it.' Guran: 'Agreed!' The Phantom: 'Send your best listeners to Skull Cave --- we'll rely on them to tell the tale to the tribe.' Babudan: 'Why not speak before the village yourself, Phantom?' Phantom: 'We'd need Mandrake to pull off that trick, Babudan! The etire village can't squeeze into the Hall of Costumes!' Babudan, exiting the cave: 'Hall of Costumes?' Guran: 'His home improvement project ... he's bursting with pride to show it off! Don't say I told you ... ' The Phantom, unlocking a door with Skull and Good Mark ring patterns on it: 'Wait'll the kids see this!'](https://nebushumor.files.wordpress.com/2021/05/the-phantom_tony-depaul-jeff-weigel_18-april-2021.jpg)
![Phantom, looking at a Gravelines computer, thinking 'The ruling generals are likely holding prisoners of conscience ... Rhodian citizens fighting for democracy ... foreign nationals held for ransom on false charges ... [ as he puts a USB drive in ] Colonel Worubu will get this roster of prisoners into the right hands ... '](https://nebushumor.files.wordpress.com/2021/04/the-phantom_tony-depaul-mike-manley_19-february-2021.jpg)
Another Blog, Meanwhile 