OK, first, this is about the Sunday continuity for Tony DePaul and Jeff Weigel’s The Phantom. This has been a much lower-key story than the daily continuity, currently in a chapter about a massive impromptu jailbreak. If you’re interested in that story, or if you’re trying to catch up on the Sunday strips after about May 2023, there’s probably an essay of more use to you here.
Now the furries here come from the Temple of the Gods. As introduced in a story published 2005, the place is an ancient Egyptian compound populated by “Gods”. These creatures have the heads of animals and bodies of men. And they flee at the sight of The Phantom. The current Kit Walker discovered the Third Phantom had survived, barely, a battle with them. He tried to suppress the strange creatures there. But somehow word of it got to Dr Manfred Markus Meier, who was recording the discovery of a cave entrance when something mauled him. These semi-human creatures seem to resemble your classic Egyptian hieroglyphic figure. And, we learn, at least some of them regard themselves as much better than mere humans, and obliged to maintain that superiority. You know that sort of person.
It wasn’t a human woman. She has a lion-esque head. She growls when asked if she understands. They tie her up and resume exploring the tunnels, finding at last the entrance where two adventurers — wait. Or is it? The Phantom and Diana started out searching for where two adventurers got mauled, on live-streaming, by some strange beast. There’s one human skeleton there. And one inhuman skeleton. Diana and The Phantom start to speculate on the second person, the assistant. They speculate she’s returned to Germany, possibly with documents that will lure even more people to this spot and rapid death.
The lion-woman — Teydra, she claims — says no. The assistant is with others of Teydra’s kind. Teydra’s people strive very hard not to regress to being mere humans, and they keep the lesser beast-men, the ones more nearly human, in line and in the caves. The portraits of the Third Phantom, who centuries ago fought them to a standstill, serve as a still-potent warning. Teydra demands her gun back, so she can return to The Domain without being slain by the lesser-humans.
The Phantom is willing to let her go. But he insists on meeting the assistant and letting her leave if she chooses to leave. Teydra insists they do not take prisoners; that’s a human thing. The Phantom can’t just leave without investigating, though. Teydra leads them through the tunnels to the bring of The Domain. It’s guarded by, among other things, a giant portrait of the Third Phantom. Teydra expects that Walker’s resemblance will not go unnoticed.
Oh, thank goodness, I have two weeks to figure out how to describe what’s happened in the past several months of Gil Thorp. I have the one week to figure out how to explain what’s happening in Terry Beatty’s Rex Morgan, M.D.. If you want to guess “mild, not-too-serious stuff to people who are maybe vaguely likable” you’re not far off. But I’ll use more words to say it.
For those who came in late: The Phantom, in his escape from Gravelines Prison, saw “the Bandar nation” ride out of the mists to save him and Savarna Devi. The question is how they knew where to be. This hasn’t been explicitly answered but we can surmise. Mozz the Prophet finished telling The Phantom of the wrack-and-ruin he foresaw. When finished, The Phantom took Mozz’s Chronicle and set it in the catacomb reserved for his body. Mozz had deceived The Phantom: what he seemed to read from was not his text of his prophecy, but one of The Phantom’s own Chronicles. Somehow the prophet was able to anticipate that The Phantom wouldn’t check which volume he was setting on the shelves and which he was hiding. We last saw Diana Walker reading Mozz’s Chronicle. I have a suspicion what dots we’re meant to connect.
Having heard Mozz’s prophecy of how rescuing Savarna Devi from Gravelines Prison will destroy his family, The Ghost Who Walks sets out anyway. He’s making some changes from the prophecy, though. He’s setting out a couple days later, for one thing. He’s accompanied by Devil, his wolf. He’s setting out with the knowledge of the prophecy. He’s setting out with all the self-ruining confidence of a guy who’s crammed every strategy guide before playing the game for the first time. It’s a fun energy to read, as he keeps trying to remember what comes next and doubting that he could know. Also in the delight he takes in, he thinks, outwitting Fate. One great side of The Phantom is he’s basically happy. His glee at being clever is infectious.
One thing he does know: in the prophecy he reveals to Devi the critical information — the location of Jampa, who killed her family and enslaved her as a child — in a post-surgical daze. So he figures all he has to do is not get shot. That was already part of the plan. Further planning: if he does get shot, he has to not have a post-surgical daze. So he drops in on Dr Fajah Kimathi, a veterinarian who in Mozz’s vision performs the operation that saves his life. And here we get controversy.
The Phantom’s intention is to warn the doctor that she must not save his life, if she’s pressed by Savarna Devi to do emergency surgery on him. He does this by waking the doctor and her husband in the middle of the night. And holding his guns on them. That is, on people who not only haven’t done anything objectionable yet, but who would in the prophecy do heroic service to him. Tony DePaul explains his understanding of The Phantom’s thoughts in the essay above. I agree with DePaul. The Phantom figures conspicuously holstering his guns he shows he chooses not to be the threat a masked man breaking into their house is. I also think The Phantom’s wrong. Waking someone while holding guns on them does not put them in a more agreeable mood however much you put the guns away. But that is part of the fun of The Phantom. He has blind spots. Here, that people he knows through hearing of Mozz’s vision don’t know who he is or what he’s on about. (Although they’ve got to suspect this is The Phantom of regional lore.)
I’m not sure that’s fair. I think it plausible she sincerely believed she was done with vengeance. Learning where Constable Jampa was presented an irresistible temptation. Now The Phantom asks a question to make super-sure he doesn’t let slip Jampa’s location: if he’s shot does she promise to leave him behind? She says she will, which we know from her thought balloon is a lie. I love this irony.
We get a haunting moment in this of other prisoners, possibly also on death row, begging for The Phantom to release them instead. It’s hard to give a fair reason The Phantom should not rescue them. He knows Devi can help fight their way back out, but that doesn’t mean the others don’t deserve rescue.
To the breakout. Devi sees no reason not to grab an armored vehicle and shoot their way out. The Phantom knows. It’s gunning their way out through the well-defended roads that gets him shot. But then how to get out instead?
Devil, who wasn’t there in Mozz’s vision, has an answer. He guides The Phantom off to the mists where, as said in the introduction here, the Bandar nation has come. The Gravelines guards may be ready to handle one or two people with machine guns. Dozens of people with poison-tipped arrows, though? That’s something they can’t even imagine is coming. And the best part is there’s no way an evil state like Rhodia will retaliate against the Bandar people for crossing the border and attacking a maximum-security prison. (I snark. I’m sure DePaul has put some thought into how Rhodia might answer this.) And this is where we stand as of the second week of January, 2023.
After a lot of running late I wanted to prove I could meet my own deadline, okay? Also I’m probably going to want to explain why everyone’s angry at Funky Winkerbean soon and I’ll need to clear some publication slots for that, too.
The Phantom, his wife, and of course Devil were exploring the Temple of the Gods. This ancient lair held an Egyptian cult, long ago. And also inhuman mummies. And the relics of ancient battles, including a particularly bloody one that the Third Phantom barely survived back in 1624. He tried to keep his descendants from visiting again, down to using hieroglyphic riddles in his Chronicles to conceal the place.
The current Phantom has visited at least twice, exploring some of the place in the comic strip in 2005. (There were sequel stories by Team Fantomen in 2006 and 2007; I don’t know whether they returned to the Temple.) He’s there now pursuing a German team that got its host mauled on-camera and, apparently, knows something, somehow, about all this.
The past months have been The Phantom and Diana Walker exploring the caverns. They had a first remote encounter, aware that something was watching them. They were easy to scared off, though. Further exploring found the skeletons of ancient battles, and the mark the Third Phantom left at his ne plus ultra. They press on, farther than the 21st Phantom had gotten. They find remains of a much more recent fight, one with animal-headed people whose bodies haven’t even decomposed. And hear … something.
The Phantom sends Diana ahead, with the torch, while he hangs back in the shadows. He sees their follower, a woman, and says they’re friendly, they don’t need to be stalked. Diana hears a load roaring. She and Devil race back to The Phantom but that’s all we have seen yet.
What terrible medical condition in roots-country singer Mud Murphy did we see Rex Morgan, M.D., very nearly treat? Food poisoning? Irritable bowel syndrome? Crippling social anxiety? Or is he a big lying liar who tells big lies? I explore Terry Beatty’s Rex Morgan, M.D. next week, and just guess which day I do it!
But we can’t know when the comic strip will die. Not that there’s any specific reason that this strip should end. But the newspaper industry is near failure under the relentless assault of vulture capitalists. It’s hard to imagine most comic strips surviving its last collapse. And from these insights DePaul discusses why he wanted to spend so much time on an imaginary story … if it is imaginary. Also with some thoughts about what went into it, including confirmation about the role an earlier story served for this. It’s also a really good summary of where this quite long story has gotten, to the point that I’m not sure I have anything to add but typos. We’ll see.
Chronicle book in hand, Mozz tells of a dire future. The Phantom, seeking his son — who’s become a guerilla leader in northern India — is mistaken for an assassin. Manju, Kit Junior’s trusted partner, now an expert sniper, finds the already-wounded Kit Senior and shoots him through the chest. And shoots his eyeglasses off. A mysterious figure demands he stand, and The Phantom looks up and — we the readers see his face, unconcealed by sunglasses or a mask or even deep shade. It’s stunning.
Tony DePaul confirms that this has never happened in the strip before. Not only does nobody in The Phantom universe see The Phantom’s eyes, but none of us readers outside have seen it either. Even for an imaginary story — and after he’s taken a fatal wound — it feels illicit.
The demand to stand came from the 20th Phantom, appearing — with all the Phantoms before him — before the dying man’s eyes. The spectral voices promise he was the 21st Phantom. He staggers back to his feet, to Manju’s shock and amazement. She will conclude that he’s the one assassin who could have killed Kit Junior. Manju’s not so awed as to not shoot him again. But he’s all right with embracing this end.
Manju and the soldiers with her bury him. She toasts him, even, when she gets back to camp, and shows Kit Junior souvenirs taken from the dead man. They’re the Phantom’s rings, the “Good Mark” ring with the four swords and the “Skull Mark” ring with you-know-what. Kit Junior recognizes this, and has Manju take him to his father’s grave, without saying who it was she killed. He says a regretful farewell and … what else is there to do? Die, similarly, in a year’s time, tells Mozz, his body left unburied in some valley of the Nyamjang Chu river (in Tibet and India).
And this concludes his prophecy. The Phantom, eager to get on to saving Savarna Devi from Gravelines Prison — the mission that started this wrack-and-ruin — promises it’ll be different. For one, he’ll bring Devil, his wolf, with him, something not done in the prophecy. And he knows what will happen if Savarna learns that her former enslaver Jampa is the constable who butts heads with Kit Junior’s mentor Kyabje Dorje.
The Phantom takes the Chronicle that Mozz held, as he read, to keep his promise to set it in Skull Cave for all tim. He intends a trick, to keep his wife or Guran or anyone else reading it, and so inters it in the burial vault reserved for him. And, confident he’s outwitted fate, he rides off to Gravelines.
Diana is aware that Mozz has been writing a Chronicle. But Mozz is sworn to not say a word of his prophecy. His silence when Diana asks about it fires her curiosity. And, wordlessly, enters Skull Cave and takes his Chronicle off the shelves. He had handed The Phantom a different Chronicle, confident this would trick The Phantom. One may think he was lucky that The Phantom didn’t leaf through the book to make sure what we was hiding in the vault. But if there’s any character we can say will know what someone else will or won’t do in a situation, it is Mozz.
The last couple months of the Sunday continuity of The Phantom have not been dense in plot. You’ll see that in how short this recap is. But a story is not its plot; plot is only the easiest part of a story to summarize. There is mood and character and art and how they come together.
The Phantom had taken Diana to Eden, the curious paradisical island where even large carnivores like tigers and lions live in harmony. Diana was not distracted, though, and followed his journey to the nearby Temple of the Gods. The temple was built by an exiled Ancient Egyptian cult that had developed a race of super-men. Within its catacombs are carvings of Egyptian deities, yes. But also inhuman mummies. The Third Phantom had visited the cave, in 1624, and left a warning against going there. The current, 21st, Phantom, visited in a story published in 2005. He found creatures with the heads of animals and bodies of men. The Phantom did he could, then, to hide their existence.
He explains much of this to Diana, in-between encouraging her to turn back and get somewhere safe. Because these creatures might maybe recognize The Phantom and might respect that. They can’t know anything about Diana. And this story started with a German man exploring the cave being torn apart, on camera, apparently by one of them.
And the German bit. The 2005 story was driven by Mina Braun, an explorer following her great-uncle’s diary. The diary tells of a desperate Nazi plot to turn the tide of war by securing this secret of creating super-soldiers. The Phantom believed he had gotten all documents that might lead someone here. Now he needs to learn what he’s missed.
That is the surface implication of the 24th of June’s strip. We see The Phantom, about to go to North India to search for his estranged son again, kissing goodbye to a quite pregnant Savarna Devi. This is normal dramatic shorthand for someone bidding farewell to their spouse. Mozz tells us that this is the last time The Phantom will see the Deep Woods. However, Mozz has warned The Phantom that he would lie about his prophecy to keep The Phantom from bringing wrack and ruin to his line. And he’s thought, to himself where only we can see it, that he has to, now. Of course he may have thought that to deceive us but I don’t expect the comic strip to operate on quite that level of narrative experimentation.
Yet a theme of the Imaginary Story going on in Tony DePaul and Mike Manley and Bret Blevins and Scott Cohn’s The Phantom weekday continuity has been paying attention to what is said versus what is implied. So let’s all slowly come to understand Mozz, and DePaul, in not going beyond what the evidence is.
Previously in the prophecy, The Phantom rescues Savarna from Gravelines, he’s wounded. While delirious he reveals that Kit Junior is in the Mountain City, somewhere in Arunachal Pradesh, India. And that the local constable is the man who’d enslaved the young Savarna and killed her family. She journeys to the Mountain City and kills him. Understandable but a terrible mistake. The unnamed Northern Invaders see the murder of the constable, their man in town, as provocation. When they can’t assassinate monastery leader Kyabje Dorje or his understudy Kit Junior they bomb the city into ruin. In the disaster Kit Junior takes the phone from a person he couldn’t save and calls his parents.
He explains he can’t be the 22nd Phantom. His life, he knows now, has lead him to be here and to protect these people. And hangs up, going to his new life alongside Manju, daughter of the tea shop keeper. The Phantom goes to India to seek him out, but that whole legend of how you don’t find The Phantom, he finds you works against him. All he can find is the tea shop keeper, who won’t help someone she fairly suspects of being sent by Jampa’s friends. She begs out of this drama, but asks that if he finds Kit Junior that he send Manju home. It’s like that all over, and The Phantom’s first search for his son fails.
With this failure, Kit Senior’s home life falls apart. Diana leaves the Deep Woods; Heloise leaves for the United States, too, eventually never to tell her children of The Phantom. Sometime later, Savarna finds a broken, brooding Phantom. That there is this clear legend that no one finds The Phantom, he finds you, suggests this is where Mozz starts falsifying his prophecy. If “falsifying a prophecy” is a meaningful concept. But Savarna is an exceptional person, and acknowledges in text that she might be the only one who’s ever looked long enough.
Years later, The Phantom leaves for another trip to India, hoping to reunite Kit Junior with his mother and sister. He bids farewell to Savarna, never see the Deep Woods again, says Mozz. But we learn he’s not the last Phantom; merely the last of the Walkers to be The Phantom. Savarna’s descendants take up that role. It’s a twist I hadn’t thought of, but that’s obvious in hindsight, to split the Walker line from the Phantom line. It’s another of many steps the strip has taken to diffuse the colonialist white-savior stuff baked into the premise, too. It’s also got an interesting metatext. In the comic, Bangalla had started out as a vaguely located South/Southeast Asian land before becoming a vaguely located East African land. This adds to how Savarna’s life echoes without imitating The Phantom Origin Story. I imagine that’s the sort of happy coincidence you can arrange when you have ninety years of backstory that fans have got pretty well indexed for you. It’s still a neat bit of business to line up.
Kit Junior’s soldiers ask him for help with this extraordinary man, who can’t be shot but who can hit everything he tries to. He doesn’t recognize his father’s signature. He hasn’t got the time to divert from planning an operation for the next day. But he can spare Manju, now a very effective sniper. Her fire can pin him down. With a half-hour until sunset, someone hits Kit Walker Senior, fracturing his leg. Things look rather dire for The Ghost Who Walks, must say.
But they decide they’ve had enough of an adventure, and return home. The Phantom wraps things up for us. And for me, if we’re honest; that one Sunday covers things well enough. But their stay in Mawitaan inflamed the imagination of other Mori girls. This forced the King to agree to their request from the start of the story: that the women be allowed to join the men’s liminal ceremony, of a journey at sea. It’s a reminder of how social change happens because of the combination of appeals to reason and conscience with the credible threat of open rebellion. All seems well enough now.
“Return to the Temple of the Gods” opens with Dr Manfred Markus Meier recording outside a cave in Bangalla. He promises to explore the strange, uncharted mystery within. The mystery emerges enough to maul him. The Phantom sees the footage and notices what seems to be a person hidden in the cave. The Ghost Who Walks wants to figure out whether this is a visible-crew-person in a publicity stunt or something more mysterious. Diana Walker insists on going with him to explore this mystery. Unable to shake her, The Phantom figures a way to shake her: go to the Island of Eden and slip away while she’s delighting over the stegosaurus. So, we get to see Eden some and meet the lion named Fluffy. The Phantom leaves a note for his wife to discover when she wakes. That’s all that’s happened so far.
Just passing on some news for readers of Judge Parker and The Phantom, weekday continuity, who didn’t see the news already at Daily Cartoonist. Mike Manley, who ordinarily draws both, has some health issues not shared with us. This, I hope, is a temporary matter while he recovers and that he’ll be back soon. I don’t have information yet about who the substitute artists are, and will pass them on when I can.
Those looking at DePaul’s post should be aware it starts with his eulogy to a friend, and be ready if they are not emotionally ready for that. There’s also his discussion of hitting a deer on the highway, and the wreck it made of his car, without injury to him or his family. After that serious news, though, he discusses some of the current weekday story in The Phantom, and a reminder to read with care. We did learn Mozz would deceive The Phantom to keep the legacy going, after all. DePaul also writes of what makes Ghost Who Walks stand out among superheroes. It’s not that his superpower is being better-trained than a human with 24 hours in a day could be. It’s that he likes who he is and what he does.
For most of the last year Tony DePaul and Mike Manley’s The Phantom weekday continuity has been an imaginary story. A story of how the current, 21st, Phantom could die. It’s Tony DePaul’s chance to tell a story that probably couldn’t be done in-continuity. Not with how much The Phantom Publishing Empire sprawls, even if King Features Syndicate were brave enough to let the star of its … fourth-oldest(?) … comic strip die. (Barney Google, Popeye, and Blondie are older; any others? Not counting Katzenjammer Kids as it’s no longer in production.)
So almost all these events have been Mozz’s vision of how, if The Phantom rescues Savarna Devi from death row, incredible disaster follows. The death of the 21st Phantom, but also of the whole line of The Phantom. But “actual” things have happened. The Phantom’s told Diana that Captain Savarna is in Gravelines Prison, and that he means to get her out before she’s executed. Diana agrees this is the only thing to do. (Savarna was key to breaking Diana Walker out of Gravelines, in a story that ran eighteen months, from 2009 to 2011.)
Mozz insists on another day or two to finish his chronicle, one to be kept with the Phantom Chronicles. He snipes at The Phantom for telling Diana where Savarna is, spotting it as a way to get himself pushed to free Savarna whether or not that’s wise. And he admits to himself (and the reader) that holding The Phantom back is essential to saving him, and that “Deception must be the banner I fight under”. How that turns out, I don’t know yet. Tony DePaul wrote back in February that he had the current chapter — 23 weeks, stretching from the 18th of April through the 24th of September — scripted. This story, Phantom’s End, sees the Ghost Who Walks die, in prophecy. And that there are three more chapters to follow that.
Last time, in my recaps, Mozz had shown Captain Savarna Devi killing Chief Constable Jampa. This in revenge for Jampa, decades earlier, killing her family and stealing her family’s ship and enslaving her. Though Jampa’s not much loved, he is a “keystone” figure, as Kyabje Dorje — head of the Nyamjang Chu monastery where Kit Junior studies — describes. Invaders from the unnamed North, whom Kyabje had been holding off, take the killing of Jampa as provocation. Kyabje and Kit Junior beat back their assassins easily. They’re helpless to fend off the aerial bombardment a week later, one that kills Kyabje, and many people in the mountain city.
Also killed, Mozz explains, is the part of Kit Junior that would make a Phantom: his youth, his generosity, his goodness. He becomes a legend, commander of guerrilla forces “on a disputed frontier”, killing many to avenge the murdered city.
Heloise, Mozz explains, refuses to become the 22nd Phantom. Something not yet revealed causes Kadia to kill herself. Between the pain of that, and of Kit Junior’s turn away from the Deep Woods, she rejects The Phantom legacy. She leaves for the United States, never telling her children of the Deep Woods or the Phantom or any of this. Diana Walker leaves, takin a permanent post in New York City, refusing to be part of The Phantom’s life anymore.
A hallmark of this story has been how it’s told out of order. Not just that it’s The Phantom hearing Mozz’s prophecy. But we get pieces of the prophecy and then come back to fill them in. Hearing the fact of Kadia’s suicide, for example. Mozz writing out how The 21st Phantom’s body is buried. The mountain city being bombed, seen first from Kit Walker’s perspective months ago (our time) and now from Diana Walker’s this week. The Phantom’s campaign for governor falling apart when he’s found in a love nest with a “singer”. I’ve tried to untangle that, as my mission is the draining of all storytelling to leave a list of events behind. But if you find the story confusing between now and my next plot recap, I recommend re-reading in blocks of a week or a month at a time. And looking to see where DePaul has said what happened, and whether the story is fleshing that out. If a major event seems to have been written off in a single panel, there’s reason to think the strip will come back to that.
Will Prince Valiant overcome his greatest menace yet: the Comics Kingdom redesign that makes the Sunday strips illegible if you have an actual computer and read the strips on your Favorites page? Oh, also Morgan Le Fey? We’ll find out as I recap Mark Schultz and Thomas Yeates’s Prince Valiant. Unless Comics Kingdom cancels my subscription because I will not stop complaining about their lousy redesign and even worse customer support.
So back in February Comics Kingdom pushed a big change in their server code. This caused it all to break for a couple days. Most of this has been fixed. But among the things still broken are that some strips, including The Phantom, appear on Sundays in the wrong aspect ratio. That is, they’re shown in the format used for newspapers squeezing them to one-quarter of a page, four rows by two columns. I imagine this is a badly-implemented idea to make it easier to read on a phone, and is garbage for people who read this on a real computer. When I read my regular Favorites page, the strip appears about two inches wide, and while I can still read the action, it’s harder than it should be.
It could be worse. They print The Lockhorns in the format intended for newspapers running it as one tiny column, and so appears on-screen about one-half an inch wide. Utterly illegible. Comics Kingdom would be aware of this if anyone read their Technical Support or their Report A Bug complaints, as I have informed them of this every week since the problem crept in. They finally promised to have someone look at this when I sent in the billing question of why I was paying for a subscription for illegible comics.
Anyway. The saving grace is that Comics Kingdom does use source images that are huge; for Sunday pages, the average image is about 112 gigabytes of data. So I can reprint the comics — a fair use as it is part of review and critique of the original — big enough to be easily legible on whatever you use to read.
Still, cities are dangerous when you don’t have permanent shelter or money or such. Especially if, as they have, you’ve attracted the eye of a sex slaver. But they’ve also, at the request of their tribe, got a protector, The Phantom. The Ghost Who Walks lurks around town, and when he spots the sex trafficker he slaps him silly and throws him into the trash.
That’s not enough hint for him, though. (To be too fair to the guy, we don’t see on-screen that The Phantom warned him off the Mori women, or abducting women at all. It would be consistent with the text that he had no idea what this assault was for.) A few days later when the women go into a nightclub, he follows. And gets drugged drinks from the bartender. The Phantom follows, of course. He punches out the bartender, which makes him quite popular. (It’s also the first Phantom Ring-marking in a while, so far as I remember.) And grabs the trafficker, slamming him into the window of the limousine of the trafficker’s buyer. That guy speeds off, but The Phantom takes the trafficker’s personal information to turn over to the Jungle Patrol. And clobbers him with the Phantom Ring, a second permanent marking this story.
It’s worth the read, first for understanding the writer’s intentions. Also for learning bits about the specific mechanics of writing these stories. Like, what does the script look like? How far ahead are stories written? (As DePaul and his collaborators do things, at least; I imagine every writing team develops their own workflow.) How does a story like this, meant to stretch into a third calendar year, get made?
This may all seem like it’s taking a while to get done. Fair enough. But we are seeing what’s meant to be a plausible way that The Phantom — a legacy of five centuries — crashes apart. It’s something that’s survived twenty generations of changing world. Of Phantoms (mostly) dying in action. It’s grown supportive structures, like the Jungle Patrol, that would carry on of their own inertia as long as possible. I quipped in my previous recap of the Sunday strips that The Phantom has to spend about 412 days a year keeping up with ceremonial tasks. He spends a lot of time gluing these structures together. But in exchange, those structures glue The Phantom, the institution, together. It will need a lot to wreck all that. So it has to be something that’s big and complicated and messy.
Savarna’s headed for the Himalayas, and the monastery where Kit Junior, the presumptive 22nd Phantom, is studying. He’s very much not ready yet; he’s not even trying to conceal his face from people. And he’s been thinking how happy he is nobody like Guran, from his pre-monastery life, has appeared, as they would have the news his father died. Then Savarna, from his pre-monastery life, appears, and he’s happy to see her. (I saw some snarking about this inconsistency. Granted it may be inconsistent, but it’s inconsistent in a way normal people are.)
She arrives the week of the 17th of January. That’s when we begin the story/chapter titled Death in the Himalayas. They meet over tea. She explains she’s there for something that needs doing, and something she thought she was finished with. Before The Phantom broke her out of Gravelines he had her swear to be done with revenge. While The Phantom healed, she thought how she was done with killing. And now …
Chief Constable Jampa enters the teahouse. She confronts him. That’s too soft a phrasing. She shoots him. She knows him. Nineteen years ago pirates killed her father, master of the original India Voyager. And her brother. It set her on her campaign of vigilante anti-piracy and anti-fascism. Leading the pirates? That same Jampa. As a girl she was able to scald him, and escape, almost drowning as she does. It makes her life story — and her relentlessness in this point — much clearer.
You may ask how it is Jampa ended up a chief constable in a remote Himalayan village. Well, how is it Kit Junior ended up in the same place? And, if you’ll let me build a castle on some sky, it might not be coincidence. Years ago we got a line that Kit Junior perceived his tutor Kyabje Dorje to be a Phantom-like superhero. Why might Chief Constable Jampa not be that superhero’s nemesis? It might even say why Kit Senior sent his son there rather than, say, to understudy with The Locust or somebody. (Probably not. Kit Senior was sending Chief Constable Jampa money for reports about his son. Diana Walker called Jampa a good man, a blow to her ability to judge character on slender evidence. On the other hand, I thought that mention of Jampa was just Kit Senior distracting Diana and Guran from Mozz’s prophecy. Now, I see DePaul introducing Jampa to this story before his big death scene.)
But this is where we’ve gotten. Savarna, in an understandable fury, has found Kit Junior and shot the chief constable of this Indian village. The Phantom, unaware of this, is returning home. … Or so foresees Old Man Mozz.
Where does The Phantom, who’s learning all this as we are, go from here? Not my place to say. DePaul was good enough to share that this chapter, Death In The Himalayas, is to end the 16th of April. The next chapter, Phantom’s End, is to run 23 weeks. I calculate that to be the 18th of April through to the 24th of September. And then … three more chapters, he estimates, before this is all done. Quite the project.
Nayo and Abeo, two young women, appeal to the Ghost Who Walks for help. They want to go on the sea voyage also. At least to have some rite of passage into womanhood. The Phantom tries to avoid committing himself on the question of changing the rites of passage. We do see him talking with the young King who’s up for letting girls into the seafaring challenge. But the King doesn’t feel he can pick this fight with the Elders yet. (Saying that the Mori have to decide what it means to be Mori shows The Phantom walking back from the colonialism baked into the strip’s premise. It’s an imperfect declaration. Laconic neutrality about a question of social change is a vote for the status quo. But one of the appealing things about The Phantom is he does mis-step sometimes.)
In Mawitaan, Heloise Walker notices them, as Mori villagers don’t go to the city. She tries to ask them if they’re lost or in trouble, but only knows Mori well enough to confuse everyone. They notice she wears the same medallion, though. (Kadia also notices this, but she doesn’t yet know the significance of those medallions.)
When The Phantom gets back from sea he checks up on the runaways. For the most part, the town isn’t sure what to make of them. They’re weird in that way cities attract beloved weird folks. So that could be going very nicely … except, we saw this past week, a trafficker figuring two young women “fresh off the Mori coast” would be quite desirable. And this is where we stand, near the end of January in the Sunday strips.
Terry Beatty’s Rex Morgan, M.D. addresses the thing most pressing on the minds of everyone enduring the third year of a public health crisis that’s shown the collapse of western governance: might these cartoon dogs be unoriginal intellectual property?All this and more in a week, if things go well.
The story also means to explore how this death would roil the world of The Phantom. Imaginary stories are great for exploring character. They’re also great for understanding how a setting works by showing it broken. I understand people who lose patience with a story that “doesn’t matter”. I was that way with every third episode of Star Trek: Voyager.
But this story has got “real” consequences. The Phantom changing his plans about rescuing Captain Savarna Devi from Gravelines prison, for one. However it is he does arrange the rescue. Or, it could be, fail; I’d hate for her to die, but it is a plausible happening.
The Phantom had broken Captain Savarna Devi out of death row in Gravelines Prison. Not without cost, though. He was shot several times, messy wounds in his torso. Savarna pulls the dying Phantom to the first medical care available: a veterinarian she holds at gunpoint. After a long, long night Dr Fajah Kimathi gives her the good news. He’ll pull through, somehow. Might be his strength of ten tigers. The doctor’s husband gives her breakfast, and a shower, and words assuring that killing fascists is setting “right what’s gone wrong”.
Or so it goes in the prophet Mozz’s tale. It doesn’t seem to have got to The Phantom’s death, though, or how that death ruins the Walkers. We get that tale in two parts. One is Mozz telling his story to The Phantom, out in the field, as seen in my last plot recap. The other is a chronicle that The Phantom talked Mozz into writing, after aborting the wrack-and-ruin at Gravelines.
In-between were several weeks of not-imaginary action. I’m not sure the purpose of all this. Warning readers that this is a forecast of a possible future, for one. The transition was made, yes, but even alert readers — me, for one, and one of the X-Band podcast hosts — missed it at the time. Reinforcing information like that’s important. The intermediate action included several points that might clarify Savarna’s fate too.
The transition starts with Mozz metaphorically rapping The Phantom’s hands for making easy assumptions rather than listening to what he actually says. It does feel a little like a reminder to pay attention to what’s on-screen. Mozz complains that even after hearing the tale, The Phantom will ride heedless into Rhodia on this mission anyway. The Phantom talks him into writing his story out, instead, in his own chronicle. So from the 25th of October we start the 259th weekday-continuity story, The Chronicle of Old Man Mozz. But that is another part of the story To Wrack and Ruin at Gravelines.
Mozz promises, if he could save The Phantom legacy by keeping him busy until Savarna were executed he would. I suppose The Phantom appreciates the honesty. Mozz appearing to write in The Phantom Chronicles proves quite attention-getting. This gets me wondering where The Phantom gets his blank Chronicles from. I can’t get the same kind of notepad from Staples two times in a row. So far 21 Walkers over the course of five centuries have managed consistent book designs. How many blank books has he got in store for this sort of need?
The Phantom needs to distract Diana and Guran from Mozz’s detailed description of his death and their family’s legacy’s ruin. His answer: pictures of their son! Kit Junior, the presumptive 22nd Phantom, as seen in pictures sent out of the Himalayas. Chief Constable Jampa is sending regular reports for pay. Kit’s been maturing in the monastery, where he’s presented himself as reincarnation of past Phantoms. And the 21st Phantom agrees, he’s sure Kit Junior will come home soon.
It’s a most successful distraction from Mozz’s writing. Also from The Phantom’s intentions of riding into Gravelines. Also, it could be, setting up ways out of this fix. Savarna could be rescued by, or with, Kit Junior. Or with Kyabje Dorje, Kit Junior’s tutor, whom he’s pegged as one of them. And there are other Phantom-grade superheroes in the world and that we’ve seen in recent years. Captain Ernesto Salinas, most recently. The Locust, less recently. Jungle Patrol is there, although Savarna is in prison for killing high-ranking members of Rhodia’s navy. (Military organizations tend to punish killing flag officers even on the other side, because flag officers got to make that rule.) Even Mandrake the Magician, if need be. I have no reason to think The Phantom’s getting a team together. But it wouldn’t be absurd either.
We don’t know! The past three months in the Sunday continuity saw The Phantom share what’s known about The Visitor. It seems to be material; it leaves footprints and can punch out and skull-mark minions. It doesn’t seem to be material; it disappears from exitless rooms and caves. It seems to know language; it told the 16th Ghost Who Walks of the Origin Story. It doesn’t answer inquiries. The current Phantom, and his listeners, speculate that it’s some force that’s been present since the beginning. Always watching. Sometimes intervening. And that’s all they can know.
There is a Doylist explanation, one that appeals but is unconfirmable from text. And I forget which commenter I saw put this forth, but: could The Visitor be a representation of the audience? The audience sees everything The Phantom does. The audience — the fans, at least — know everything The Phantom could know. And the audience does affect The Phantom’s life, although in indirect ways, incomprehensible to the character.
But that’s not something the characters in-story can understand. And The Visitor has left, chased off by Devil, the Phantom’s wolf. So what it is may be impossible to ever determine from within the text.
The story excites the Bandar people who hear it. A being from before The Phantom’s own time? That witnesses it all? That supports, even spreads, the legend? (You see how this goes with the “it’s the audience” hypothesis.) But there’s no conclusions one can draw. As the Bandar youths leave The Phantom asks them to unchain Devil. And why was Devil chained, Diana Walker asks? So as not to disturb their guest. In a wonderful, creepy moment, The Phantom reveals that The Visitor has been there, listening, all night.
Diana tries to get it to speak, to respond. It doesn’t. She speculates that it doesn’t understand. It can mimic what it sees and hears in the Skull Cave, but that’s all. Also unprovable, as Devil races in, and leaps for The Visitor … who vanishes, reduced to mist. And we’re left not knowing most anything about The Visitor, including whether it’s gone. My supposition is The Visitor has donned a bunch of pizza boxes to go and mildly annoy Funky Winkerbean.
What is gone is the story “The Visitor”, ended the 10th of October. With the 17th begins the new story, “The Ingenues”. It’s the 192nd Sunday-continuity story. It’s about another of The Phantom’s many responsibilities, this one taking a crew of Mori youth to sea to test their boating abilities. It references a story from 2007 where this expedition ran into trouble. And all we know so far is that some young women among the Mori want to be among the crew. By February we should have a better idea what the story is.
That said, we are seeing what sure looks like a death of the current, 21st, Phantom, at the hands of Gravelines Prison guards. And Old Man Mozz, wilderness prophet, warned that going to Gravelines Prison would kill him, and also keep Kit Junior from being the 22nd Phantom. And even end the journey of the Walkers in Bangalla. So: is that what we’re seeing here?
The Phantom was ready to go to Gravelines Prison, in fascist Rhodia, to free Captain Savarna Devi. Savarna’s an oceangoing vigilante who could host her own action-adventure comic strip if action-adventure comic strips were sustainable yet. She’s helped The Phantom often. Most notably, she helped him free Diana from Gravelines in 2009-11’s 18-month-long Death Of Diana Palmer Walker. Old Man Mozz warns of a dire vision, that if he frees Savarna, The Phantom will ruin everything he holds dear. The Phantom pauses to hear what will happen.
And this strip — the 30th of June — is critical. Notice the broken panel borders. The story from this point continues to The Phantom busting into Gravelines Prison and breaking Captain Savarna out. But it is the story Mozz is telling, explaining to The Phantom what happens if he goes in as he plans. Yes, I missed the significance of this when it happened. In my defense the 30th of June was a busy day for me. Also, at least one of the X-Band Podcast hosts missed it too, and they’re hardcore Phantom fans. They’re people, with, like, collections of souvenirs and ranked lists of opinions and everything.
In Mozz’s vision, The Phantom disregards his warning that if he frees Savarna Kit Junior will never return to the Deep Woods. The Phantom regrets that he has to do this right after breaking out Captain Ernesto Salinas. Security will be more, if not more competent, right after that jailbreak. But many of the usual tricks still work. He stops a truck by putting signal flares in the road, and sneaking in the back doors. He sneaks through the prison by catching one guard at a time, knocking them out and tying them up.
I did see one commenter say this reads like a first-person shooter video game. I grant the resemblance. Whether you find this plausible, I suppose, depends on whether you think Gravelines Maximum Security Prison guards should be bad at their jobs. The comic does try to anticipate snarkers. The Phantom reflects how yes, they’ve increased the number of guards, but by dragging people who didn’t want to be prison guards into this job. (Seen the 17th of August, and reinforced the 28th of August.) That they’ll be people who will find good reasons in the rulebook about why they didn’t rush toward the gunfire.
And that I accept. First, the Phantom isn’t going to sit and listen to a story where he can’t even break open Gravelines. Second, what authoritarians rely on us forgetting is that authoritarians are incompetent. Making a competent organization requires getting subordinates to say what things are wrong, and what’s needed to fix them, and how it’s taking longer to fix than they expected. Authoritarianism demands reports that everything is swell. It can only create illusions of capability, which shatter in crisis. Third, the guards are people who grew up in a world where The Phantom is real and sometimes strikes Gravelines Prison. They have good reason to want to avoid him. So I buy most of the guards working to rule when The Phantom beelines for Captain Savarna’s cell.
The Phantom pauses for an oddly indirect question before freeing Savarna. When she pledges she’s had enough revenge he lets her out, and they begin the escape. They swipe a jeep and pretty near drive right out, helped by the number of guards who don’t want to be shot at over this. But there are the hardcore guards, the true believers in their mission, and they’re the ones who block the road. They shoot a lot at The Phantom and at Captain Savarna, who manage to drive through. The Phantom pulls off the road where he left his horse, Hero, tied up. He tells Savarna how to let Hero carry her back to Bangalla. As for The Phantom himself …
Well, this takes us out of the proper date range for this recap. But Savarna got a good look at The Phantom and gasped “Oh my god!!” And he’s bleeding. This is explained in the characters’ dialogue and action, but unfortunately is muddled in the coloring. Rather than use Guran’s wound-healing super-powder, he asks Savarna to let him rest a while.
Again, we are not seeing the death of the 21st Phantom. We’re seeing a death, something to happen if The Phantom disregarded Mozz’s advice. And, my understanding is, we’re to see more of what happens after this death, and what ruin it brings to the Walkers’ project. Tony DePaul said he thought the story might be the longest yet, at least comparable to the 18-month Death Of Diana Palmer Walker story. I trust it won’t all be warnings of how The Phantom’s marching towards death. I also expect there’ll be some clever way to rescue Captain Savarna from death row. But that’s the thing about expectations; so much of storytelling is subverting them.
The Sunday continuity has been The Current, 21st, Phantom, telling of encounters four previous Phantoms had. These all involved The Visitor, who looks like The Phantom, and seems to have knowledge and abilities only The Phantom should have. We’ve now seen stories from all the four previous Phantoms to encounter The Visitor. This implies we’re near the end of the backstory. But we haven’t got any hint what The Visitor “really” is, yet.
What we know seems hard to square with a rationalist, scientific explanation. But The Phantom universe is one that has non-rational, magical elements. Me, I would be satisfied if The Visitor remains a mystery, but I am fond of fictional universes with weird craggly unexplained bits. And I understand readers who dislike having a mystery presented and then unresolved.
This should catch you up on Tony DePaul and Jeff Weigel’s Sunday-continuity The Phantom for mid-August 2021. If you’re interested in the weekday storyline, with The Phantom maybe breaking Captain Savarna out of Gravelines Prison? Or if you’re interested in the Sunday stories and reading this after about November 2021? Then you’re likely to find a more useful post at this link.
In the time of the 3rd Phantom a strange figure — The Visitor — appeared to Bandar villagers. The Visitor looked indistinguishable from the Phantom. But he ignored them. He left footprints. The footprints vanished. That’s all anyone knows of it.
The Visitor next appeared in the time of the 6th Phantom. A girl of the Bandar tribe saw The Visitor enter Skull Cave and write in the Phantom Chronicles. And disappeared once cornered in the Chronicle Chamber, which I need hardly tell you has only the one exit. The Visitor’s message? A transcription from the Odes of Horace. The 6th Phantom had memorized the piece about the difference between courage and recklessness. It was an issue he always struggled with. It would prove a timely reminder to him before another big adventure.
The 12th Phantom was the first to see The Visitor. Briefly, in Skull Cave. Later, in some city, working his way through 2d6+6 henchmen, the 12th Phantom found … the place cleared. All the minor villains knocked out, and with the skull mark of the Phantom’s ring on their foreheads.
On to the 16th Phantom, who saw and talked with the Visitor. Who was as fast on the draw as the Phantom was. Who told the origin story of the Phantom legend, turned, and disappeared.
And those are the facts as we have them handed down to us.
Fanfiction! Fanfiction and Crunchyroll! No, I’m not trying out for Zippy the Pinhead: The Next Generation. I’m thinking of what’s happening in Terry Beatty’s Rex Morgan, M.D. so I can recap it next week, if all goes to plan. I know one of the Facebonk groups my love is on would like to have Rex Morgan, M.D. explained, except that they’ll have forgotten they cared about the strip by next Tuesday. Too bad.
Don’t be silly; The Phantom is immortal. That’s, like, the second thing you learn about the comic, after how he’s called The Ghost Who Walks. But yeah, there has been a lot of foreshadowing the end of the current Phantom’s life. It’s been like this for several years now, but the current story is hitting it hard.
I last checked in near the end of an encounter with “Towns Ellerbee”. The Phantom used that false name. Under it he helped The Trusted Man sneak through Gravelines Prison and free his boss and friend Ernesto Salinas. Salinas tries pondering the mystery of who Towns Ellerbee could be, and finally turns to anagarms. The name translates to “Be Well Ernesto”, a thing I totally would have gotten if I’d thought to pick out proper names.
The 26th of April began the 257th Phantom daily story, Hello the Himalayas. Once again after a fairly long (26 week) and action-filled story we got a short (4 week) reflective one. Heloise Walker comes to the Deep Woods, into the Phantom’s Cave, and into even the Chronicle Chamber. And there she writes a letter that she knows she’s “not supposed to be writing” to her brother Kit Junior. She writes of being afraid to sleep, traumatized by nightmares of the night she captured Eric “The Nomad” Sahara. And that she has been trying to reason where exactly Kit Junior is.
The Phantom had placed him in secrecy in the Himalayas somewhere, ahead of his anticipated and foiled death in The Curse Of Old Man Mozz. Heloise, thinking it’s daft that nobody knows how to find Kit Junior in case something happens to The Phantom, tried to work out where her brother is. She’s confident she’s figured out what Himalayan monastery he’s at. And she closes up the letter, and seals it, and conceals it within the Chronicle Chamber. With the 22nd of May, this story ends.
The story opens with Colonel Worubu meeting the Unknown Commander of the Jungle Patrol. Part of the raid that got Salinas out of Gravelines Prison was a database of who was being held there. Many are dissidents, opponents of Rhodia’s fascist government. But, Worubu concedes, there are some people there on legitimate grounds. His example is this Indian-national woman who killed nine flag-rank naval officers and four aviators. Even granting that fascists are better off being dead, you can’t fault a government executing someone for that.
The Phantom knows about this. Savarna had killed the Rhodian naval officers who’d sunk her India Voyager II. They were retaliating for her shelling the prison to free Diana Palmer. The Phantom sets his plans to go back to Gravelines and free her, and regrets how this would have been easier if it weren’t right after Salinas’s escape.
Old Man Mozz stops him. Mozz shares a sketch from one of his visions. It’s the hallucination-setting of the story The Llongo Forest. In that vision a spirit presenting as The Phantom’s father warned the Ghost was Walking into oblivion. This as penalty for having not died in The Curse Of Old Man Mozz. The warning said he was now without “the right to lie in the crypt of the Phantoms”.
Now Mozz offers similar warnings: if he interferes with Savarna’s fate, The Phantom’s body will lie in that Llongo Forest doom. And Kit Junior will never return from the Himalayas. And will never be the 22nd Phantom. He even promises that “the journey of the Walkers in this land … will end”.
That doesn’t sound good, no. But even granting that this is happening in a world where prophetic visions happen? I notice Old Man Mozz hasn’t warned that The Phantom will die from this. Nor has he quite said there won’t be a 22nd Phantom. Still, between Old Man Mozz, The Phantom himself, and Heloise Walker, there’s a lot of people with grim visions of what’s to come.
We don’t yet know! The current story has a mysterious Visitor who looks and acts like The Phantom apart from walking past everyone, ignoring them. Our Ghost Who Walks is sharing what he knows, from the Chronicles, about That Ghost Who Walks Too. But we haven’t got much specific information yet. It’ll be a good gag if it turns out there’s a parallel line of fathers passing down to sons a sacred obligation to sometimes mess with The Phantom.
It begins with Babudan, master tracker of the Bandar people, seeing The Phantom walk right past, ignoring him. Which is strange on several grounds, not least that The Phantom is away from the Deep Woods. Dozens of people, including Diana, see The Ghost Who Ghosts Them, including inside Skull Cave.
The Phantom knows what this is, though. And he’s excited, almost giddy. It’s fun to see. He invites the Bandars’ “best listeners” into Skull Cave, so he can show off his newly-renovated Hall of Costumes. The renovations better show off the outfits past Phantoms wore. He’s been waiting for an excuse to show this off.
So what’s the deal with Other Phantom? The 3rd, 6th, 12th, and 16th Phantoms encountered it too. He’s started telling about the Third Phantom’s encounter. This is the encounter that gave The Ghost Who Haunts The Ghost Who Walks And Who Also Walks the less cumbersome name of “The Visitor”. The Visitor, too, appeared in the contemporary Phantom’s garb and walked past Bandar villagers, shunning them. The Visitor left footprints, so is not a ghost. The footprints vanish, the way a ghost’s might. And that’s about all we know so far.
It won’t only be luck. The Phantom watches over Trusted Man, of course. Trusted Man uses some of the tricks he’s already learned from Ellerbee, although I regret “smash a rhino through the door” is not among them. Once confident that The Trusted Man has a handle on things, The Phantom sneaks into the computer room. His goal: getting a roster of the people “disappeared” into Gravelines Prison, which he’ll turn over to the Jungle Patrol.
The Trusted Man punches all the way to Salinas’s cell, and breaks him out. He tells the story of Towns Ellerbee’s work, and what he presumes to know about Ellerbee, as they exit. They’re alarmed by a speeding car, the first sign they’ve been detected. But it’s Towns Ellerbee driving it. So they’re able to make a grand escape.
The Ghost Who Taxi Drives takes them to somewhere in Bangalla. And vanishes into the fog, leaving behind the money The Trusted Man had paid him for his service. The two try to understand all his actions. The Trusted Man mentions Towns Ellerbee’s dark glasses and Colonel Worubu works it out. He’s incorrect, but not wrong. “Towns Ellerbee” must be John X, working on special detail for the Unknown Commander. The unresolved mystery to them: why should the Unknown Commander care about a kidnapped police chief from Ciudad Jardin?
And this is where the story’s reached. It feels like it must be near the end. All the Jungle Patrol’s attempts to understand their Unknown Commander fail, after all. The copied database of Gravelines prisoners seems likely to be more interesting to Jungle Patrol, too. Also possibly to generate future stories.
His work — three hundred stories, which appears to give him more stories than anyone but Lee Falk himself — has been almost all for Team Fantomen, the Scandinavian-produced comic book. It’s a side of The Phantom that I know almost nothing about. I’m aware that ideas flow between the continuities. Writers too: Reimerthi did some work for the comic strip (apparently stories adapted from the Team Fantomen line) after Lee Falk’s death. And I learn that Tony DePaul wrote for Team Fantomen before taking up the newspaper strip. I don’t know what concepts Reimerthi might have done that’s been adopted into the newspaper continuity. But I do see that Comics Kingdom’s archive reaches back far enough that it includes about half of The Halloween Kidnappers, the first of his stories for the newspaper comic. So it’s available for subscribers or, if I ever feel a strong need to do even more plot recaps, for me.
The Phantom is using this story as a chance to reinforce the legend of his immortality. He’s using what he learned from The Phantom Chronicles to talk as though he were friends with an historical ruler of Bangalla.
The gang is, lucky for The Phantom and The Detective, coming in groups small enough for two guys and a wolf to knock out. And yeah, The Detective. It’s another story where people get addressed by title. When they get to the boss level, they’re able to just drive a truck into the warehouse and hold the bosses at gunpoint.
And, as a bonus, to give The Detective the chance to hit the bosses a lot. This is extrajudicial and all, yes. But they are the people who had The Detective locked in a cell below the water line, which so nearly drowned him. It can be called karmic justice, at least.
So, with the whole criminal syndicate recovering from being punched, The Detective calls in the Mawitaan police. And explains to them how he’s not dead! And how he punched unconscious a whole crime syndicate! And did not need the help of an immortal spirit-protector summoned to his aid by his worried grandmother! Because The Phantom finally learned the name of The Detective — Yusuf Ali Malango, badge 941 — and vanished.
This past Sunday strip did not promise a new adventure next week. I imagine there may be a coda with The Detective’s Grandmother. We last saw her in August, waiting by the giant Phantom head that Emperor Joonkar had people carve into a mountain. After that, though, I expect the 191st Sunday story to begin. We’ll see, though.
“Towns Ellerbee” is a fake name The Phantom, Kit Walker, uses in the current story. He gave it to someone we know as the Trusted Man. I can’t say why he gave the Towns Ellerbee name rather than Kit Walker. It might be so as to keep other people in the story (Ernesto Salinas and Victor Batalla) from linking this person to The Phantom.
Monday the 24th started Then Came Towns Ellerbee, the 256th weekday-continuity story. It picks up on a trio of stories from 2011 and 2012: A Detente with Crime, and The Den with Crime, and Mexico’s Phantom. These introduced Ernesto Salinas, a police chief in Ciudad Jardin, Mexico. Salinas used his prowess as a lucha libre wrestler to battle organized crime for territory. We’d last seen Salinas beating his old childhood friend Victor Batalla for control over some part of Ciudad Jardin. Now? They’re both in Rhodia, the fascist state bordering Bangalla. Salinas is under “house arrest”, and Batalla taunts him with actual arrest and entombment in Gravelines Prison. There’s some mutterings about a broken promise of safe conduct from the Rhodian government. When Batalla falls asleep Salinas calls his assistant back in Mexico. His assistant — the Trusted Man — flies to Bangalla. The Trusted Wife sends a note to Walker, Box 7, Mawitaan.
The Phantom moves to intercept the Trusted Man, before he gets himself in serious trouble with the Rhodian police. As the bus crosses from Bangalla to Rhodia he gets into serious trouble: his forged passport is awful. He readies for a fight with the border guards. What do you know, though, but Kit Walker’s on the bus too, and picks a fight before the Trusted Man can have it. The Phantom and the Trusted Man are able to punch out all four border guards pretty efficiently. This would seem to cause trouble for the bus driver and the other passengers. The Phantom tells them to drive to the next town, report what happened and describe the two vigilante superheroes in great detail. I’m not sure this would actually clear the innocents. I guess The Phantom must do this sort of thing often enough Rhodian security is used to it.
The Trusted Man is happy to team up with “Towns Ellerbee”, as The Phantom calls himself, to rescue Ernesto Salinas. They make their way to Victor Batalla’s compound. There, The Phantom’s advanced skills in clobbering people impresses the Trusted Man. But there’s no sign of Salinas. They need to take Batalla by surprise. The Trusted Man goes in through the front door. The Phantom breaks in through the back window with the help of a trusted rhinoceros.
I’m sorry, I didn’t quite make a big enough deal of that. I’m not sure how to frame it well. But The Phantom got, somewhere, a rhino to charge through the back of this house. And then the rhino has nothing else to do with the story. I don’t know where it’s from. I don’t know how it got involved here. I have to suppose it was a statue or a taxidermy model or something like that which the Phantom slid through the window. It’s a wild, striking image and I don’t quite understand it. But it makes an impression.
Batalla taunts the Trusted Man, asserting there is no Salinas anymore. After the Trusted Man throws him into the wall enough Batalla explains he turned Salinas over to the Rhodian authorities, perhaps for making long-distance calls on the house phone. They sent him to Gravelines Prison. It’s a grim place. In a noteworthy 18-month-long storyline The Python arranged for Diana Walker to be imprisoned and almost killed in it. The Phantom knows well where it is. To raid Gravelines now requires doing something about Batalla and his henchmen.
Fortunately for them, the Phantom is also the Unknown Commander of the Jungle Patrol. He’s able to order this private army to kinda technically speaking invade Rhodia and abduct people for trial in a country they never set foot in. The Trusted Man is impressed with The Phantom’s resources. The two set off for Gravelines.
The Emperor Joonkar ruled the territory that’s now Bangalla, back in the latter part of the 17th century. The current Sunday story continuity features two of Joonkar’s descendants, although only one’s been seen in the last three months of strips.
The Detective mentions how the crime syndicate here is shipping weapons to terror networks across Africa and Asia. So that makes it a stronger Phantom job. The Ghost Who Walks figures two people is overkill for destroying a terror network supplier. But hey, sometimes you want an easy win. The warehouse is unguarded, allegedly because the gunrunners’ reputation is that fearsome. I don’t fault you if you don’t buy this point, but the comic strip is premised on the power of reputations.
Besides, it’s only like two dozen guys. The Phantom talks up how The Detective resembles, in character and body, his ancestor the Emperor Joonkar. This also feeds into The Detective — who’s heard stories of The Phantom without really believing them — and his suspicion that the unidentified purple-clad man he’s working with might just be …
And that’s been a lot of the past month. Preparing for the gang to arrive, and The Phantom talking up The Detective and his own self. The Phantom’s relying on the Phantom Chronicles and what the 7th Phantom wrote about Joonkar. The criminal gang finally started to arrive last Sunday. The Phantom explained how he avoids getting trapped in prison caves: clobber one or two of them at a time. Can’t deny the logic, but The Phantom is lucky they’re coming in groups of two, also.
I think she panicked? At least she hadn’t figured on ever having to explain Kadia was anything but her sister to Mrs Daft. That may seem like an oversight but she didn’t know she’d need an explanation anytime soon. That’s what I have, anyway.
The Phantom writes back, arranging a meeting on the outskirts of Mawitaan. But withholds information such as Kadia’s survival. He doesn’t know who wrote that letter, or whether they’re being eavesdropped on. The Phantom is late for the meeting, not at all helping Sahara’s paranoia. But he’s convinced she isn’t accompanied, at least. The Phantom gives her an address, saying that she lives with the friend she fled New York City with. Sahara realizes Kadia’s New York City friend was Heloise Walker, and the name can’t be coincidence.
The Phantom explains that the Walkers came to him on her behalf and he set up the post office box. And that addressing it to “Walker” then let him know who it really was. I mention this lie because it’s well-delivered. It make sense Sahara would believe it. Later, Heloise Walker tells a lie and it’s a mess that the recipient accepts because … I’m not sure. I think the lying motif shows the difference between the father’s experience and Heloise’s enthusiasm. But I’d be open to the argument that I’m reading things into a storytelling coincidence.
Over to Heloise, though, and Kadia, who’s taken the Walker surname and considers herself adopted. They’re in Bangalla, attending school. They’re boarding with a cheerful motherly type, Mrs Daft. They even have a job working a cafe. The Phantom arranged the jobs, getting references from Colonel Worubu of the Jungle Patrol. If this seems like a petty use of The Phantom’s influence, well, yeah. But asking someone to do you a small favor is a reliable way to make them like you more. Yes, human brains are broken. So could be The Phantom’s shoring up his social network. Also he figures if Kadia does become a danger, in another (justifiable) low moment, having Colonel Worubu ready is a good move.
Imara Sahara interrupts their breakfast by pulling up. Kadia calls out, “Mom!”, to Mrs Daft’s confusion. Heloise tries to explain why Kadia is calling someone who’s not Mrs Walker “Mom”, and it gets weird. She claims it’s their aunt who’s so much a favorite she might as well be their Mom and that’s why they’ve called her that. Mrs Daft accepts this explanation. Heloise huhs, and considers how they are never going to have trouble explaining boys in their rooms after curfew.
Imara Sahara tells of her escape from the North African compound, and of meeting The Phantom the night before. And that the Walker family had arranged his sending. Here Heloise does better at lying in a way consistent with what Kadia thinks she knows. She claims her dad arranged it through go-betweens that protect that mysterious man’s identity. The lie works for Imara, but not for Kadia.
Kadia was sure that Mr Walker went to save her mother. But she also knows she’s had a heck of a time after learning her father was international terrorist The Nomad. So she wonders what she’s wrong about now.
Imara tells Kadia that she has a new name, and assets that would “never” be connected to The Nomad. They can have their lives back and leave Mawitaan right away. Kadia can’t have it, refusing her father’s “murder money” and calling Diana Walker her mother now. It’s a horrible, messy scene, punctuated with Mrs Daft encouraging them to invite their favorite aunt to lunch now.
Heloise goes to Imara, trying to talk her into trying again, sometime when Kadia is less shocked. Imara says she wishes the Walkers had left her alone to die. Kadia smashes Imara’s windshield and demands she never come around again. She’s reasoned that Imara must have known who her husband was and what he was doing. It is hard to see how she wouldn’t, but people can be quite oblivious, given any motivation to be.
Heloise relays the events of the day to her parents. Kit Walker tells Diana that he believes she didn’t; “unlike you, she just has terrible taste in men”. This man, by the way, is someone who used to have her family leave a bedroom window and door open all the time in case he popped in unannounced some day. All right. Also, Diana proposes that they should get Kit Junior back home. Kit Senior had sent him off to study at a Himalayan monastery, a development that hasn’t lead to as many stories as you might have expected. And, what the heck, last story the hallucination of the 20th Phantom scolded the current Phantom for sending him off. (Sending Kit Junior off, by the way, to a place that the 20th Phantom wanted the 21st to go.) Might be time for a change.
The story feels at, or near, an end. I am curious whether Imara knew what was going on and, if so, how much she was willing to accept. She is hurt by Kadia’s turn, in ways that fit and that remind one that our protagonists are not the only people in the world. Kadia’s doing well in making connections. But she also has a lot of trauma on her and needs better therapy than being watched by Walkers. She’s going through her superhero or supervillain origin story now. Heloise has fumbled a couple points this story, but in ways it makes sense to fumble. Would have helped if Heloise had not tried to explain the “favorite aunt, called Mom” thing to Imara, though.
Yeah, so it turns out the mountain with Skull Cave is a completely different peak from the mountain with the giant carved head of a Phantom. And yet our current Ghost Who Walks was all upset about his face on postage stamps. I don’t know.
This essay should catch you up on Tony DePaul and Jeff Weigel’s The Phantom, Sunday continuity, for early September 2020. If you’re reading this after about December 2020, or you’re interested in the separate weekday continuity, there’s probably a more up-to-date essay at this link.
Kit Walker was telling Heloise of their ancestor, the 13th Phantom. Ghost of 1805 and George Bass — a historical figure who did go missing, with his ship, in 1803 — had survived the Battle of Trafalgar, only for their ship to be destroyed immediately after. Bass and Walker 13 washed ashore, somewhere, in bad shape. 13’s lost his eye covering. Bass has lost his sight, so at least he’s safe against seeing The Phantom’s face. Bass also lost his memory. So they faced a legendary trip to return to the Deep Woods.
They make it in two panels, with Bandar medicine able to restore Bass’s physical health. Mostly. He’s still blind, and not really aware of who he was or what his life had been. Bass wants to wait until he’s well to return to his wife Elizabeth. He never would be, and died four years later in the Deep Woods. This is how he got interred in The Phantom’s Vault of Missing Men. After his death Phantom 13 travelled to London, to find Elizabeth Bass and tell what happened.
The current story, 190th of the Sunday continuities, began the 19th of July, 2020. It starts with a low-lying cave, covered by a grate. A criminal gang’s imprisoned a detective. The cave offers just enough water, just enough seafood, just enough of a gap between high tide and the grate for the Detective to not die too fast.
In this spot she meets The Phantom, as she hoped. Her dog Bunny meets The Phantom’s wolf Devil, who refrains from eating the much smaller animal. The woman tells of her grandson. The Phantom takes the case.
And then he passes the case on to the Jungle Patrol, in his role as the Unknown Commander. They take their orders to find information about the Lost Detective. The Phantom pieces this together. He finds and frees the Detective.
That’s where things stand. The Detective’s free, and with The Phantom. And there’s this criminal organization that’s all set for whatever mischief they were up to. Where will it go and how will it end? We’ll see over the next few months.
Is Terry Beatty’s Rex Morgan, M.D. still ignoring the biggest medical story of the past 102 years? We’ll have the answer next week, or you can read the strips yourself. It’ll take longer but you’ll have the result sooner.
I like to think I’m a good audience member. Like, I’ll try to accept the premise, best I can. My best is maybe not as good as the author hopes, but if I can see where the conclusion follows from the premise, I’ll agree the problem is me getting stuck, not them. Also, I’m aware that the conventions of storytelling, even in comic strips, have changed over the decades. That the author has a point of view and trusts that most readers will default to that point of view, at least while reading.
So, in ComicsKingdom’s current vintage daily Phantom story, written by Lee Falk and illustrated by Wilson McCoy, Diana Palmer’s aunt Elsie is visiting. And she’s learning about this strange masked man from a jungle cave whom her niece is delighted by. She tries to Mary Worth her niece into dating someone more acceptable, a rich athlete name of Jack.
And, yeah, I know The Phantom’s a good guy, and Diana knows he’s a good guy, and all the readers know he’s a good guy. And that Jack’s being presented as … maybe not conceited, but at least a bore. But, still … yeah, when Diana’s aunt Lily lays out the facts of the matter like this? There are some flags.
Well, The Phantom apparently went and changed destiny on himself, so who can say what’s going to happen next? Happy to catch you up on the goings on in Tony DePaul and Mike Manley’s The Phantom, weekday continuity. If you’re reading this after about October 2020, or if you’re interested in the separate Sunday storyline, there is probably a more up-to-date plot recap at this link.
The Phantom doesn’t have much luck tracking the lion. The lion has better luck tracking The Phantom, catching him right before sunset. He shoots the lion, which seems to end the problem. And he eats the heart of the lion, respecting a Llongo tradition as promised. The Phantom lies down to unsettled dreams.
He wakes to find the lion carcass gone. Also, that the lion’s alive. And heading off on its own business. The Phantom tries to clear his thoughts. Then he sees The Python, the big-bad terrorist from before Eric Sahara. The Python vanishes into thin air, though. The Phantom tries to work out a rational explanation for this all. The woods are said to drive men mad. Maybe he had a concussion. The important thing is to get out and get somewhere safe. Like, Skull Cave, which pops in to the middle of the Forbidden Forest, far from where it ought to be.
And inside the cave is … The Phantom? The figure, who keeps calling our Ghost Who Walks “Son”, scolds him. I wasn’t sure whether this was meant to be literally the 20th Phantom. But he eventually describes Kit Walker Junior as his grandson, so that’s a good answer. Phantom Dad scolds about the events of “The Curse of Old Man Mozz”, a story from back in 2017. In it, Old Man Mozz foresaw the killing of The Phantom by a petty henchman getting in a lucky shot. That didn’t happen, because King Features and Tony DePaul worked out a new contract. And Diana Walker tipped off Babudan, who was there with a well-timed arrow.
The Phantom protests, fairly, that he didn’t send anyone out to mess up his destiny. The 20th says they were forced to do what they did, when Kit Walker sent his son off to that Himalayan monastery. And did nothing to protect Heloise Walker. 21’st daughter was the one who captured Eric “The Nomad” Sahara, most recent terrorist nemesis of The Phantom. 20 warns that his son, having altered the course of The Phantom’s legend, “will not lie here among your ancestors”. He’ll instead be left in a faraway grave. He’s lost “the right to lie in the crypt of the Phantoms”. And threatens him with oblivion, right then and there, lost to all time.
As the 20th Phantom dissolves into an angry, flaming skeleton taunting his son with ruin, The 21st Phantom suspects something is wrong. It’s the woods, he tells himself, and chooses to leave. As he does, 20 warns that all his feeble mortal plans will be overturned. 21 starts to taunt back, hey, everybody’s plans are overturned, it’s the year — and then stops short before he can say “two thousand and … 20”.
The Phantom runs out of the woods, going past the illusions of Babudan and his faithful supporter Guran and Guran’s elephant. And keeps going until it turns out those are the real Babudan and Guran and Elephant. They’ve got one question for The Ghost Who Walks: what were you thinking tromping into the Forbidden Forest like that? Don’t you know that’s a good way to go mad? Why, Guran’s even seen his son Timo in those woods, and Timo hasn’t been on-screen in the comic strip since 1943. Anyway, the cause of these strange visions is rational enough. There’s fleas in the Llongo woods with a toxin that causes hallucinations. Guran’s got an antidote, though. Why not tell the Llongo about this? Well, Guran tipped off James Allen about these fleas and they’d be in a Mark Trail Sunday panel except, you know, all that drama.
The Phantom’s left to wonder the significance of his vision, though. It’s easy to shrug it off as hallucinations, yes. But The Phantom does happen in a superhero universe. More, a magical superhero universe, since Mandrake the Magician shares the continuity. (Mary Worth, too, by the way.) And, after all, Old Man Mozz did have a useful prophetic dream. So, like many of us, he’s left to sulk about the consequences of his actions.
Well, he had some friends who were going to be there. So, I’m happy to help you catch up with Tony DePaul and Jeff Weigel’s The Phantom, Sunday continuity. If you’re reading this after about September 2020? If you’re interested in the separate weekday continuity? I may have a more up-to-date plot recap at this link. Though I admit, right now, I don’t know what’s going on with the current dailies storyline. I know the Phantom getting berated by his father for sending Kit Junior off to a monastery in China. We have to read what comes next.
Bass has, in his voyages, found useful intelligence for Admiral Nelson and the British fleet. And he communicates that. I’m not sure what the intelligence is. Heloise surmises that it was the locations of the French and Spanish fleets. I’m not sure this was particularly what Nelson had needed. But I’m also not sure what Bass could plausibly offer. 1805 naval warfare espionage involves a lot of technical points challenging to communicate in a Sunday strip, after all. And it would have to be points that could have been recorded by the 13th Phantom. So, likely best to leave it as Heloise’s guess and move on with the story.
Long story short, France loses Trafalgar. Bass and his crew celebrate, confident that whatever happens now, Britain is safe from invasion. Bass can plan to go back to Australia and think up a cover story for where he’d been for two years. That night, though, we see Carter, fuming about royalist spies. We had last seen him lurking around after Bass and Phantom, ashore for no good reason. It turns out the person they thought was acting all suspiciously? He was up to no good. He and some minions knocked out the watch officer, raised the French flag on the Venus, and got into a swordfight with the Phantom of 1805.
The Phantom can stab Carter easily. Not so easy to deal with: the Royal Navy ships shooting at what they take to be a straggler French ship. Bass’s crew can’t strike the flag fast enough. The ship’s quickly destroyed. Bass and the 13th Phantom survive, clinging to debris. They make it to some shore, Bass blinded and apparently not recognizing anything. The Phantom promises they have a long journey, to the Deep Woods. Given the location Bass and 13th Phantom have to be either in southern Spain or Morocco. It’s not clear where the Deep Woods are, but that’s quite the hike for two shipwrecked men with nothing but the contents of their pockets. We’ll see how that all develops.
How is Terry Beatty’s Rex Morgan, M.D., the most medically-themed comic strip in (United States newspaper syndication) history, addressing the biggest public health disaster in 102 years? The answer may surprise you! See you then.
The Phantom had busted up a Rhodian column that was messing around in Wambesi territory. Their goal: Chatu, The Python, who a decade ago was the big terrorist nemesis of The Phantom. From a Bangallan prison he orchestrated the apparent death and actual imprisonment of Diana Palmer Walker, the Phantom’s wife. Since then he’s been held by his Wambesi countryment in a secret jail. And now The Phantom was settling in for a serious talk with Chatu about the deal and what is with it.
The Phantom explains how he turned back the Rhodian column. Chatu says he doesn’t see why The Phantom is trying to mess with his head like that. As if the Ghost Who Walks would play head games. But it tells The Phantom that Chatu did not organize this breakout attempt. There’s no way to know how the Rhodians got word of Chatu’s secret prison, unless any Wambesi person said anything to any Rhodian person about it. Chatu taunts that he’ll kill Diana Walker yet, and The Phantom slugs him. Then heads home, along the way asking Babudan what was with his poking in around the corners of that last story. Babudan gives a noncommittal answer. And this wraps up the story.
The 253rd daily-continuity story, Unfinished Business, began the 24th of February. The Phantom, riled up by punching The Python, heads to Guantanamo Bay, Cuba, where he punches successor top terrorist The Nomad. … I figured this summary would run a bit longer, but that is the important stuff.
The Phantom snuck in to Guantanamo Bay and disguised himself as Commander Burford. Eric “The Nomad” Sahara acts familiar with The Commander. I’m not clear whether it’s The Nomad being all smug or whether we’re expected to believe that American intelligence agencies will partner with the worst people in the world as long as they’re right-wing enough. The Phantom talks about the woman who captured him, Heloise Walker. The Nomad had thought Heloise Walker a Bangallan intelligence agent, and takes this as a sign the Americans have captured her.
Then The Phantom reveals that he’s not Commander Burford. He’d been using shadows and night as cover. Saying he wants The Nomad to know he’ll never be safe from him, he slugs the prisoner enough to break his jaw. He gloats that his daughter fought back against him. With The Nomad unconscious, The Phantom escapes to the fishing trawler he’d used as cover to get to Cuba. The action may seem pointless, but it turned out also to be dumb. Now it’s got The Nomad wondering why Heloise Walker matters to The Phantom.
The poacher’s easy to find; just follow the trail of slaughtered animals. His guides are nervous, afraid of what the Llongo people will do. The Phantom’s friends know: their queen’s ordered them dead. The Phantom talks them into seeing if they can’t stop the poachers without so much bloodshed. They’re up for it. They sneak up on the poacher’s camp and clobber the guides. The poacher himself needs more coaxing, by having Devil, the Wolf Who Walks, poised to rip out his throat.
The Phantom checks out the poacher’s home movies. Turns out he had wounded a lion without killing it. That’s a problem, as a badly wounded lion might turn to hunting humans. The trail leads into a forbidden forest, which the Llongo warriors won’t venture into. All right. The Phantom puts the poacher and his guides in the Llongo’s care and recommends they be handed over to the Jungle Patrol. And resolves to go into the forbidden forest by himself to track down the wounded lion.
That’s where the story sits as the first full week of May begins.
Hi at last, people who want to know what’s happening in the Sunday continuity of Tony DePaul and Jeff Weigel’s The Phantom. The Phantom is sharing a story of one of his ancestors is what’s going on. If you’re looking for the weekday continuity, or if you’re reading this after (I expect) June 2020, you’re likely to find a more relevant essay here. If you’d like a little mathematics in your comic strip talk, please try out my other blog. Thank you.
The Phantom (Sundays).
29 December 2019 – 22 March 2020
We left The Phantom teasing his daughter Heloise with tales of past Phantoms. He suggested he could tell Heloise what really happened to Ambrose Bierce, or to the body of Thomas Paine. Or Khe Pandjang, who’d lead an army against Dutch imperialism in Indonesia in the 18th century. (I hadn’t heard of him before this, but it’s a good reference. Linking The Phantom to him helps diffuse the colonialism baked into the comic strip’s premise.) Or the sole (then-)surviving witness to the Mary Celeste.
What The Phantom finally suggests, and Heloise accepts, is hearing the story of George Bass. Bass was a real-world British naval surgeon and explorer. That strait between Australia and Tasmania is named after him. In reality, he was last seen in February 1803. He was expected to sail the brig Venus from Sydney to Tahiti and then, perhaps, Spanish colonies in Chile. No one knows what happened to him and his crew. What The Phantom (Sundays) supposes is … not no one knows?
In The Phantom’s retelling there were a 26th and 27th person on the Venus. The 13th Phantom was one of those people lost to history. The other was called Carter, and we’re promised that his treachery put Bass in the Vault of Missing Men. And instead of sailing for Tahiti, Bass intended the ship to go “missing”. And then to join actively the Napoleonic Wars, attacking French and Spanish ships under a false flag.
This is a quite interesting plan since I don’t see how this isn’t piracy. There’s a reference to Bass having “sponsors” in England, so perhaps this got the legal cover of being a privateer. But then that would be on Bass’s Wikipedia page, unless of course Tony DePaul has an explanation to come for that.
Bass, in fiction, renames his ship the El Sol. He names his lifeboat the Tom Thumb III, in honor of the small boats the historic Bass used to explore Australian rivers. He says that he and Walker will launch the Tom Thumb III to save England from Napoleon. Meanwhile they sail to some Mediterranean port, “a nest of cutthroats, spies”. While walking down Ambush Alley in the port, Bass and Walker notice they’re being followed. It’s Carter, who hasn’t got any reason to be off the ship and less reason to follow them. They suspect Carter of working for someone, they know not who. Bass declares he can’t just leave Carter there. He means, unless he murders the bilge rat. But he’s too honest for that. The first time I read this, I thought Bass was saying he’d have to take Carter along and forgive his leaving the ship. On re-reading, I’m not sure Bass didn’t mean to just leave Carter in port. In either case the reasoning seems designed to force Carter to throw in with anyone working against Bass. But no one has ever accused the Napoleonic-era Royal Navy of having any idea how to create or sustain loyalty.
So, this week, we saw the VenusEl Sol sailing under United States, French, and even Spanish colors, on various missions. We’re promised that this will turn into Bass having a key role in the Battle of Trafalgar. We’re not there yet.
How are things going with Aunt Tildy? And that pro wrestler? I look in on Terry Beatty’s Rex Morgan, M.D., unless events get in the way. But, come on. This is March 2020. How could an event get in the way of anything? Good luck to you all.