What’s Going On In The Phantom (Weekdays)? May – July 2017


Hi, readers of Tony DePaul and Mike Manley’s weekday-continuity The Phantom. This is an essay meant to help you catch up on what’s happened in the strip through to late July, 2017. If it’s not close to late July, 2017, for you, the story might have progressed or a new story begun. I’ll try to have more recent essays that bring you up to date at this link. There’s also a separate, independent, Sunday continuity for the comic strip. That one’s written by Tony DePaul also, but is drawn by Terry Beatty. I’ll also have updates on that continuity, sometime soon.

And if you’re interested in comic strips plucked entirely out of continuity, my mathematics blog discusses comics with mathematical themes, and had a fresh post about that mere hours ago. Please read and enjoy, if you think that’s plausible.

The Phantom

8 May – 29 July 2017

Our last check on Tony DePaul and Mike Manley’s The Phantom, weekday continuity, was about six weeks into The Curse Of Old Man Mozz. The Phantom, 21st Ghost Who Walks, had been so busy clobbering low-level thugs that he barely noticed Old Man Mozz was on the brink of death. His wife, Diana Walker Phantom, investigates. Mozz has been in a series of physically and mentally taxing trances, forseeing …

She’s coy about it, but it’s the death of the current Phantom. In a factory that’s by a charming scenic water wheel, a “weak man” with one of the most punchable faces in the comics will “strike from hiding”, killing the 21st Phantom, shooting him from behind. Mozz promises that this is destiny and no one can save The Phantom. Diana figures she can maybe do something about that. If there’s one thing that’s always avertible, after all, it’s destiny, because we don’t know what the word means.

How To Save The Phantom. Mozz: 'Say NOTHING!' Diana: 'Save his life by doing nothing? NO!' Guran: 'Mozz is right! The DEATH Mozz saw may be the RESULT of us warning the Phantom!'
Tony DePaul and Mike Manley’s The Phantom for the 24th of May, 2017. So, my Rosencranz-and-Guildenstern fanfic for this: one of the other villagers has a vision where Mozz, Guran, and Diana Walker get into an irresolvable squabble about whether Mozz’s vision is a result of warning the Phantom or not warning him, and they have to debate whether to tell Mozz what will happen if he lets his vision be known to anybody else. And then they have to go back in time and prevent the vision from ever being assimilated by the Borg.

But Mozz goes along with it. He decrees that maybe the vision of The Phantom being ambushed was caused by some well-meaning member of his support team warning him. So in a critical moment he would be thinking “is this the critical moment” instead of reacting. Diana is unimpressed by whatever the heck the rules of prophecy are in this story, but chickens out of telling him. Nevertheless, she’s plagued with doubts, and goes to the Whispering Grove, home of Bangalla’s largest forest of demon-haunted trees that seem to be crying out the Phantom’s name. There she reflects how much would get screwed up if the 21st Phantom dies: not least, he’s the only person who knows exactly what strange school in the Far East Kit Walker Junior is in.

The Whispering Grove ... where wind through hollow trees makes an eerie sound. The trees, many of them looking like haunted faces, call 'phan ... tom ... phan ... tom ...' as Diana walks between them.
Tony DePaul and Mike Manley’s The Phantom for the 12th of June, 2017. Most of The Phantom’s legend seems like the kind of stuff that would naturally grow if we allow the existence of a long-running small-family project based on heroically saving a patch of what turned out to be Africa. The forest full of jack-o-lantern trees whispering The Phantom, though, that’s hard to explain. Also not explained: are they whispering The Phantom in English or in the Bandar tongue?

She can’t stand it, and fetches The Phantom back from his mission of riding his big white horse around the jungle. And she makes Mozz tell him of the vision and his doom at the Waterwheel Factory. His team encourages him to take a pass for a couple weeks, wait out the current crisis and then get back to his world-saving duties. Mozz paints a solidly egotistical picture of this, arguing that The Phantom ought to be killed by some great monster like Chatu. Not by some drip who wears an orange shirt with green stars on it and a vest that looks like it ought to be a Home Depot apron but somehow isn’t. Walker thinks it over and decides no thinking necessary. Ghosts Who Walk just don’t ditch their job that way.

Mozz narrates his vision: 'Felled by no great enemy! A common COWARD! Your thoughts are of THE NOMAD! Of CHATU THE PYTHON! TRUE EVIL you leave to the 22nd PHANTOM!' Describing The Phantom laying, dead, as the common-coward cries with joy.
Tony DePaul and Mike Manley’s The Phantom for the 6th of July, 2017. The great unasked follow-up question: “wait, so, Mozz, in your visions you can read my mind? Or are you just taking a fair guess based on what you know about me? Because, have to say, there are some serious privacy concerns here, even putting aside the whole death-at-a-coward’s-hand thing. For one, how far before the moment of my death does your mind-reading ability extend? Do you know what I’m thinking of when I think about Jamie?!”

The Phantom rides his horse to Destiny Date Road, where he finds a truck hauling guns to the Waterwheel Factory. He sends his hose off, riderless, to stop the truck. One of the thugs has always wanted a horsey just like this and Phantom Horse is happy to play along enough for The Phantom to clobber them and take the truck. It’ll be a way into the Waterwheel Factory.

Thug, swinging his gun around randomly in the dark, beside The Phantom's horse. 'All right! Hey, uh ... HA! Pretty good TRICK with the HORSE! Who are ya? I'll, uh ... you know! Hey, I'll SHOOT HIM [the horse], man!'
Tony DePaul and Mike Manley’s The Phantom for the 20th of July, 2017. There is something comforting in knowing that however close The Ghost Who Walks might be to his death, low-level minions at the Thug Factory are still going to be in completely over their heads.

The envisioned killer’s scouted out the waterwheel and figured it’d be a great spot to ambush somebody from, just in case. He’s thinking how awesome it will be to kill The Phantom and can’t imagine any way that any of this could go wrong in the slightest, so that’s good for him.

The summary sounds sparse, but that’s because this is a plot summary. Much of what’s gone on has been atmosphere or self-inquiry. Particularly, Diana spent a good while tormented by the question of what she could do to prevent her husband’s getting killed. This included a couple gripping sequences, including her sitting in the Whispering Grove, or enduring nightmares based on her knowledge. That all condenses out of a couple paragraphs about the events of the story, though.

As I’d said recently, I won’t be making guesses about whether The Current Phantom dies this story. Either outcome is properly foreshadowed and set up. Either would be a logical outcome, and it’s doing pretty well to have such a believable ambiguity this far into a story.

Next Week: I change up the order of these strip recaps a bit and return to the time of King Arthur, with a check on Mark Schultz and Thomas Yeates’s Prince Valiant.

Another Blog, Meanwhile Index

The index rose three points today to make its third day out of the last four spent at 331, which is a little weird. Also nobody’s seen Lisa since she said she was putting together that Tiny McMansions pilot episode. These are unrelated problems.

331

Phantom Enjoys Daring Last-Minute Escape From Certain Doom


Tony DePaul, writer for The Phantom, was kind enough to stop in and give news about his strip.

The news is that he and King Features Syndicate have reached an agreement about the rights to the stories he’d produced for the comic since 1999. And they have an agreement to have him keep writing as long as both sides are happy with the way things are working. The breakthrough apparently grew over June, after he’d announced the intention to leave. King Features’ general manager for syndication, who hadn’t been directly involved in negotiations, asked for an informal meeting to see what could be done, and after — well, suppose it can’t have been more than a month of talks, yes, something could be done. And just in time, too; DePaul says Jeff Weigel, the Sunday artist, had just run out of story to draw. Mike Manley, the weekdays artist, had about six weeks of story yet.

I’m glad, certainly. The Phantom‘s been reliably interesting and who would want that messed up? Also the hint about how long the current Sunday storyline has to run confirms my resolve to change some of my “What’s Going On In” schedule. I’d been thinking to separate the weekday and the Sunday summaries for better pacing. Moving the next Sundays recap to closer to the end of the current storyline suits me. I was also thinking to move around some of the other strip recaps. I’d set the order without any plan, and I’d like to break up what seem like blocks of too-similar comics.

DePaul teases the idea that the current daily storyline will end in the death of the current Phantom, especially in saying how the story “would have been a superb sign-off to my Phantom career” and describes just how screwed up things would be if the 21st Phantom were to die just now. Me, I’m not making guesses. While the narrative would fully justify the current Phantom’s death this year, escaping certain death is just what superheroes are all about.

Another Blog, Meanwhile Index

The index rose an astounding fourteen points after looking up the lyrics and finding that the karaoke machine had it right. There is a bit in “I Just Called To Say I Love You” that goes “no Libra sun”, and hey, there’s this whole stanza that just goes through the months, one at a time, and counts Libra for September which is fair enough, although is there really anything distinctive about September’s sun? Granted that April is the cruelest month, what is September? The snarkiest month? When it’s up against November? No, that doesn’t make sense.

269

Writer Tony DePaul Quits The Phantom


And then some breaking comic strip news disrupts my daily plans. Tony DePaul, longtime writer for The Phantom daily and Sunday runs, has quit the comic strip. The last of the strips he wrote, both continuities, should be published sometime in the fall.

He’s resigning, he states in the link above, over a dispute that began in November when King Features Syndicate wanted him to sign a contract. Before then — since 1999 — he’d been just turning in stories to get the comic strip ahead of deadline by up to two years, and would get paid as he turned in copy a couple times a year. I admit this seems like a surprisingly casual way of running things, but then I remember I’ve never had a contract at my current workplace and I’m not quite sure either my boss or I know exactly what we think we expect from the other, which surely will never lead to any unpleasant surprises ever.

Anyway, the contract DePaul was offered attempted to classify all his work for the strip as work-for-hire, which has implications for how to license things: as work-for-hire he wouldn’t get any money in case, say, a Phantom movie used one of the characters he created. He reports making counter-offers that sound to me like quite modest requests to get paid for derivative uses of his work, and getting nowhere, and then, that’s that.

In his post DePaul writes in greater detail about the dispute, and reviews some of the characters he’d created and that won’t be seen in a Phantom move or other property, under current circumstances. (I’m unclear whether they can continue to be used in the comic strip.) Several of them seem indispensable, particularly the terrorist leader Chatu and the seafaring hero Captain Savarna (worth her own strip, or movie, really). It’s hard to imagine the Phantom universe without them.

Another Blog, Meanwhile Index

The index rose a point, inspiring a feeling that we’ve been exactly here before and wondering if the system hasn’t got stuck somehow and maybe we need someone to go out and give it a push? People just have their doubts, that’s all.

208

What’s Going On In The Phantom (Sundays)? February – May 2017


And now the Sunday continuity for Tony DePaul and Terry Beatty’s The Phantom. If you’re looking for the weekday strips that’s a separate line, most recently covered here. If you’re reading this much later than May 2017, look at the top essays at this link instead. It’ll have both the Sunday and the weekday continuities in it, and unless I change the order in which I go around the story comics, the Sunday one will more likely be at the top. So there’s that.

The Phantom (Sundays), 13 February – 13 May 2017.

When I last reported on The Ghost Who Makes Up Proverbs About Himself, Sunday pelage, he was in a Chicago mobster’s bedroom, encircled by Chinese-hired ninjas. You know, as protectors of coastal African nations will. The Phantom was drawn there when a plane crash brought to his attention Mikey D’Moda, who at age maybe fourteen is the over-promoted scion of the D’Moda crime family. After listening to the kid for about ten minutes The Phantom figured we can’t let people like this run around and flew to his great-grandfather, the only other blood relative who’s part of the story and whose first name I can’t find. Sorry.

Phantom: 'Your great-grandfather hasn't been your ONLY bad example, I see. You don't have much time before you go. Know that the family business dies with you. I'm turning your great-grandson over to the authorities who can sort out the mess you're leaving. PROSECUTORS will get every scrap of paper I find here! Every computer drive, every account number, everything you've stolen over the generations will go to a restitution program for crime victims!' Elder D'Moda: 'GAKK! What Th! Mikey! Gimme a GUN! I'm TAKING THIS BUM WITH ME!!' Mikey: 'W-What would happen to ... me?' Phantom: 'You'd have a shot at being a MAN! Not a thug! How does that sound?'
Tony DePaul and Terry Beatty’s The Phantom for the 19th of February, 2017. Oh, yeah, and I guess The Phantom finished punching out all the Chinese ninjas. I’ll own up to losing track of how many there were and how many were left to be punched. Anyway, it’s nice to see Mikey D’Moda developing an awareness of the future.

The Elder D’Moda, bedridden since his death by old age twenty years ago, sees in The Phantom a strong man, a potential new consigliere. The Phantom won’t have any of it, and offers the deal by which Elder D’Moda makes restitution and the Younger D’Moda never speaks to anyone, ever again. Given a good hard look what his family business has come to, Elder D’Moda off and dies, and Mikey leaves for a farm upstate.

A life of crime ends. Prosecutors unravel the empire. A new life. Judge: 'I'm ordering you into protective custody, Mr D'Moda.' Mikey: 'Do what you gotta do, Judge!' Phantom: 'Walker, Box 7, Mawitaan, if you need to reach me.' Mikey: 'Box 7! Got it, big guy!' Judge: 'You're not what you seem, are you, Mr Walker? I have a feeling if I were to check your name, your prints ...? You're not in the SYSTEM, are you? I'm due in court. Good day, sir. And THANK YOU!'
Tony DePaul and Terry Beatty’s The Phantom for the 19th of March, 2017. I do find it endearing how about one time in four that someone addresses The Phantom as Mister Walker a narrative box pops in to explain that it’s ‘For The Ghost Who Walks’. Over-explaining the stuff that’s obvious? Maybe, but it’s obvious because we see it all the time. Let the new readers have the stuff they need, so they don’t wonder how judges really feel about mysterious, eternally-masked, obviously pseudonymous figures with no legal history popping in to arrange the disposition of complex cases regarding generations-old mob families.

So this story, begun the 26th of June 2016, officially wrapped up — by the “Next: NEW ADVENTURE!” box — the 2nd of April. The new story, started the 9th of April, is titled The Phantom Is Everywhere, suggesting the surprising return of Klondike Kat’s nemesis Savoir Faire in a comic strip other than Dick Tracy. The suggestion is wholly unrelated to the actual content of the story and I apologize for wasting your time with it. Phantom Wiki reports this is the 185th Sunday story.

The story opens in a Wambesi village terrorized by a trio of “agressors” who in Lee Falk’s words “preach a hateful ideology” and loot the place now and then. But Jungle Patrol is there, hiding among the villagers and waiting for their moment. One of the Jungle Patrol blows a whistle, and the bandits are caught when they go to the free throw line. Jungle Patrol’s speculation afterwards is that it may be tied to The Python, the terrorist leader whom The Phantom broke out of Boomsby Prison to hold himself, privately, in a secret grass hut guarded by villagers.

The Phantom, watching: 'Takedown! Three terrorists out of action! Well done, Jungle Patrol! Colonel Worubu always did enjoy getting out from behind the desk!' Patrolwoman: '[ The villagers ] love us, Colonel! We're hereos!' Worubu: 'ENJOY it, Patrolwoman! There will be days when people call us OTHER things!'
Tony DePaul and Terry Beatty’s The Phantom for the 7th of May, 2017. Yes, I know this makes Colonel Worubu look like the kind of guy who pointed out after V-E Day that all central and western Europe was a lawless wasteland of human misery that none of the victorious allies had any sufficient plan to rebuild. But in fairness: I’m going to bet that there are many people with names for a privately-run army out of the control of any government except by the personal links the current President of Bangalla happens to have with the person he doesn’t properly know is the head of the Jungle Patrol. Just saying.

And that’s about where things stand today. The disadvantage of these Sunday strips is there aren’t so many Sundays in the week, so there’s not as much to write up. But if you the reader are curious about the stuff I’ve elided, or want permanent links to strips not featured here, please comment. I’ll try to be useful.

Another Blog, Meanwhile Index

The index rose six points after everyone gathered around to hear my annual rant about how the Mother’s Day Card industry somehow has cards for every possible relationship except the person who has a good relationship with their mother-in-law and wants to send a card as a person and not as the person who happens to be married to the mother-in-law’s child. It brings everyone a strange amount of joy to see me upset at the injustice of it all.

164

What’s Going On In The Phantom (Weekdays)? February – May 2017


And now I’m in The Phantom zone. This week I’ll do my best to explain the weekday continuity in Tony DePaul and Mike Manley’s comic strip. Next week I’ll catch things up on the Sunday continuity. If you’re reading this much later than May 2017, you should be able to find a more recent review on this linked page. It’ll have both the Sunday and the weekday continuities in it; I’m sorry, I don’t know a good way to sort those out. Thanks for bearing with me.

The Phantom (Weekdays), 6 February – 6 May 2017.

Since the last we left The Phantom, the Ghost Who Walks punched his way into large beard entrepreneur Orson Burley’s home. The Phantom call on the aid of a pack of Bandar locals in a scene that doesn’t look at all like some racist British newspaper cartoon advocating the takeover of Bangalla to safeguard white people. And they easily kidnap the wealthy man of wealthiness. After a night spent tied to Horror Trees Burley’s dumped in the midst of The Phantom’s Cave and given his orders: no stamps! Because The Phantom is really, really horrified by the prospect that his legend might be graded in philatelist journals. We’ve all been there. Burley agrees and he swears off forever his plan to … have the nation of Bangalla depict a centuries-old legendary guardian of the people and supernatural defender of justice on its postage. That’s a win for the good guys.

Have to admit this is one of those stories where I just could not get into our protagonist’s mindset. I would get The Phantom wanting to protect his image, and using his iconography on something trivial can serve to trivialize him. But I’m just not seeing how someone who’s cultivated several dozen and often very specific Old Jungle Sayings about what The Phantom does or what you do when you meet The Phantom is doing saying this is the step too far. The case could have been made, but I didn’t see it.

Burley, dazed, sleep-deprived, and possibly drugged: 'Phantom I --- I just wanted to promote YOUR BRAND!' The Phantom ponders, my what? And declares, surrounded by melty screaming skulls, 'I forbid you to promote my band.'
Tony DePaul and Mike Manley’s The Phantom for the 3rd of March, 2017. Also everything we write back to LinkedIn.

That wrapped up the 11th of March. From the 13th of March started a new story, The Curse Of Old Man Mozz, which Phantom Wiki says is the 247th Phantom Daily story. Lee Falk promises that in it, faithful mystic and old-guy Old Man Mozz will foretell the death of the 21st Phantom, our current purple-clad superhero.

The action opens with The Phantom raiding a Thug Factory, punching and taking names. Then he punches the names and throws them down a well. He spends a couple weeks at this, since the Thug Factory is churning out product like crazy. He grabs guy after guy eager to beg for a deal and who learn their deal is they’re being left for the police. Or, well, the Jungle Patrol, who’re totally legitimate and respectable forces for law and due process rather than a self-sustaining militia.

Snitch Guy: 'Hold on! You picked me [ to deliver a message ] because I look like a SNITCH to you?' The Phantom: 'You look like anything but. THAT'S why I picked you. The story loses something when a weakling tells it.'
Tony DePaul and Mike Manley’s The Phantom for the 24th of March, 2017. Also a masterpiece of personnel management considering that after smacking down Snitch Guy for at least the second time in his life The Phantom is sending him off with a credible-sounding claim that the guy is actually a strong and important person. He’s giving Snitch Guy reason to feel good about himself even despite his getting smashed up some.

Along the way Devil, the Phantom’s pet wolf, took a pretty nasty tumble along with one of the Thug Factory’s newest products. Ghost Who Punches finds medicine guy Guran is strangely uninterested in his medical guy work. Phantom figures to work out what his deal is, although it’s his wife, Diana Palmer-Walker, who successfully follows him. Guran’s destination: The hut of Old Man Mozz, where he’s sprawled out on the floor surrounded by mysterious vaporous mists and muscle loss. Mozz is not ill, Guran promises Palmer-Walker. He’s just having visions.

Diana Palmer-Walker finds Old Man Mozz, sprawled out on the floor, emaciated and quite possibly naked, surrounded by mysterious fumes.
Tony DePaul and Mike Manley’s The Phantom for the 4th of May, 2017. It’s terribly dangerous for people to go through their adolescent I’ll-just-sleep-on-my-mattress-on-the-floor phase. Also but you just know he insists on calling the band The Pink Floyd.

We haven’t heard officially what he’s envisioning, but Lee Falk may have dropped a clue when he said Old Man Mozz would foretell the death of the 21st Phantom. Misdirection? Possibly, although The Phantom has noticed how end-of-life-y things feel lately. What we’ve been given doesn’t promise the current Kit Walker’s going to die before it’s over. But I’m curious how it’s going to affect the continuity of the series. The Phantom 2040 cartoon, back in the 90s, tells stories of the 24th Phantom, after all, and while it accounts for the short career of the 23rd Phantom, there is the 22nd, who last year was sent to get himself shot in Tibet, ready to become part of the comic. Just observing.

Another Blog, Meanwhile Index

The index rose nine points today in response to a Reuters report that frozen orange juice concentrate was selling at 150.80 on the commodities market, which seems like a good deal for orange juice concentrate? Also it’s something there’s a thriving international commodities market in? All right, we never see that in grand strategy games where you do trades of goods with other countries but what the heck. Frozen orange juice concentrate. Business is weird.

125

What’s Going On In The Phantom (Sundays)?


[ Edited the 13th of May, 2017 to add: ] Hi, Sunday Readers. This might be an outdated report on the current plot in the Sunday editions of The Phantom. My most recent recaps of the Weekday and the Sunday stories — which are separate — should be at the top of this link. I haven’t figured a way to separate out the Sunday continuity from the weekday ones, but you can roll with that, I hope. Good luck.


So The Phantom, The Ghost Who Walks, is a bit of an overachiever. It’s understandable. He’s the 21st in the line. Consider how many family businesses fall apart when the fourth generation would have taken over if anyone could be found to run things. He must’ve been raised barely able to imagine anything else in life. So while Mark Trail might take Sundays off and Alley Oop might just reiterate his adventures and Spider-Man might get a bit of work done, The Phantom gives us a whole separate story. It’s the only story strip doing that. So it gets a second round of story-recapping from me. Last week I covered the dailies and stuff hasn’t changed much since then.

The Phantom (Sundays).

The Phantom is sworn to defend the people of Bangalla. But it’s a complicated, global world. It always has been. The first Phantom was an English sailor caught in the spice trades. The Phantoms who’ve been on-panel since the comic strip began haven’t been less worldly. This serves some good purposes. For one, it defuses the strip’s built-in concept of the White Savior To These Helpless Black People. That’s also defused by the development and ongoing presentation of Bangalla as a functional liberal democracy. But it helps if The Phantom uses his time and suspiciously great wealth to fight crime wherever it leads, anywhere in the world. And it means the strip can leave the jungle behind without straining its premise.

The current Sundays storyline began the 26th of June, 2016, with a plane crash, always the start to a good jungle adventure if you’re not on it. The plane carries Mikey D’Moda, teenaged idiot scion of the Chicago Mob who’s being traded to the Chinese crime syndicates in exchange for not having him around until he’s eighteen. That and a shipment of authority-attracting guns are supposed to bring a truce to the underworld, because that plan always works out.

Mikey D'Moda tells his great-great-great grandpa of his plane crash in 'Nowhere, Africa', and that his mob boss's Chinese friends have gone missing. The Phantom snarks on how Mikey talks. But Mikey offers to help The Phantom get a better suit if he's ever in Chicago.
Tony Depaul and Terry Beatty’s The Phantom for the 14th of August, 2016. I appreciate The Phantom for its action and adventure, but I really like moments like this where the characters get to kick back and consider how silly everything is. Also I appreciate how completely you know who Mikey is by the end of this one installment.

Mikey escapes to a freedom lasting whole minutes before The Phantom catches him. Meanwhile the grownups in the Chicago and China Mobs get arrested and interrogated, there to scatter some plot seeds that haven’t yet blossomed. Incidentally along the way the Jungle Patrol gives one of the prisoners the private phone call to his lawyers he’s entitled to, but “accidentally” records it on a phone. I mention this because it’s something true about The Phantom universe.

The good guys are, basically, good guys. But they fall way short of the superhero ideal. They’re not scrupulous about civil rights or the law or ethical behavior. See, for example, The Phantom’s vast wealth, said to be acquired from among other things pirate treasures. That’s fine for a pulp adventure hero; but, in the real world, stuff doesn’t stop having a legitimate owner just because someone else stole it. The Phantom could probably make a claim on stuff that has no recoverable provenance, but he’s not going to that effort.

The good guys typically get away with their cheating because the writers are on their side. But it does come back to bite them sometimes. One of the lingering human rights abuses has been The Phantom keeping the terrorist Chatu in a private, secret prison. This is understandable. Chatu arranged the kidnapping and faked-murder of The Phantom’s wife from his actual professionally-built prison cell. But, still. Is keeping him in a wood hut in the jungle really better? I believe that’s being left around to generate future stories.

Mikey advises his great-grandfather that his being kept hostage in China would never have brokered peace in the Chicago mob, which I agree with but don't understand fully anyway. Then Bruno calls and warns that 'our Chinese friends ain't too happy you come home, Mikey', even though that really does seem to be the fault of a plane crash of unexplained cause.
Tony Depaul and Terry Beatty’s The Phantom for the 25th of September, 2016. And, again, I like how Mikey seems to have learned everything about his crime syndicate from watching the Saturday Night Live parodies of mob movies. He’s probably a little young to have picked up anything from the “Goodfeathers” segments on Animaniacs but he would have too.

After spending minutes listening to Mikey, The Phantom decided the thing to do was punch the crime out of both Chicago and China. He heads first to Chicago and then, conveniently, China follows along. Or someone does, anyway. In a long sequence The Phantom’s chased around the D’Moda Crime Estate by mysterious shadowy figures who look to be ninjas. Yes, I associate ninjas more with Japan and turtles than I do with China, but c’mon. It’s the Chinese Mob. They can hire out. My supposition is that the Chinese Mob is offended that the truce fell apart when Mikey’s plane crashed. This seems to me unfair. But I suppose if you aren’t sure about the good faith of another party then it’s not worth your time to work out the difference between accidents and betrayal.

The aged D'Moda warns The Phantom that in his prime he'd have mopped the floor with the Ghost Who Walks. Phantom warns 'there's a dangerous man on the estate tonight. Other than me.' Cue the ninja throwing stars!
Tony Depaul and Terry Beatty’s The Phantom for the 1st of January, 2017. Honestly a little surprised that D’Moda here hadn’t been punched by one of The Phantom’s ancestors, possibly repeatedly. He does often turn up people who’d encountered his ancestors. Comics Kingdom’s vintage strips reveal he always has. It’s one of the little things that gives heft to a continuity.

So, now, The Phantom is in the dying elder D’Moda’s bedroom, as at least one ninja closes in. The Phantom’s getting to some Peter Parker-y levels of snark against his opponent. It’s a good way of keeping the panels from being too much just guys hitting each other and grunting.

Phantom getting inside his ninja attacker's head: 'You've come a long way to put in a day's work, friend. Do you get expenses on a job like this? Travel? Meals? I'm sure you must. Only an amateur would work for a flat fee and end up flat on the floor for his trouble!'
Tony Depaul and Terry Beatty’s The Phantom for the 5th of February, 2017. The Phantom does raise some fair questions about working as a ninja for hire. I suppose they’re all the sorts of thing you learn to charge for as any kind of consultant, but you do still have to learn that. This implies there’s someone who trains people to be ninjas for hire. Might be someone who got out of the ninja game directly. Might be someone who’s just a standard consultant and realized a lot of ninjas handled their freelance business badly. Never know.

The Sunday Phantom is written by Tony DePaul, just as the weekday ones are. The Sunday strips are drawn by Terry Beatty, who also writes and draws Rex Morgan, M.D..

Another Blog, Meanwhile Index

And now the index rose back above the psychologically important 100 barrier. Likely this reflects people’s relief at having that whole index-rises unpleasantness behind them and how we’re just going crazy eating the Valentine’s Day candy while it’s in style.

101

What’s Going On In The Phantom?


[ Edited the 6th of May, 2017 to add: ] Hi, Readers. Thanks for being interested in the goings-on of The Phantom, the comic strip. This post may be outdated by the time you find it. My recap of the most recent Phantom stories should be somewhere in this link, though there might be a recap of the Sunday continuity in the way. Weekday and Sunday strips have independent stories and I cover them separately. Good luck.


Today’s, and next week’s if all goes well, What’s Going On segments are about the same strip. That’s because it solves the problem of Sunday and weekday readerships being different in decisive form. The weekday and the Sunday strips carry on different stories. Neither sequence has to wait for the other. Surely these can be fit into some order so as to preserve the all-important continuity of The Phantom‘s universe. I admit I’ve never tried.

The Phantom (Weekdays).

I snarked about the importance of continuity to The Phantom. It’s reflexive. The comic strip, started in February of 1936 by Lee Falk, has a continuity. An important one, even.

The Phantom, The Ghost Who Walks, is the 21st of that line, descendant of a chain of superheroes defending the African nation of Bangalla from, in the 16th century, pirates. In the 21st century, it’s … pirates and terrorists. Sometimes stranger stuff. The comic strip shared a universe with Mandrake the Magician and some of Mandrake’s weirdness would leak over. Some of the Mandrake characters have made appearances in The Phantom since that comic ended.

The rough premise of The Phantom may seem overly familiar. Costumed superhero who lives in a secret cave watches for menaces to his homeland. When he finds them he’ll punch them hard enough to leave a mark for decades. (A specially-constructed ring helps with this.) He hasn’t got any superpowers per se. But he deploys intelligence and great physical shape and training plus stunning private wealth to get as close as practical. If it sounds like every costumed superhero comic ever, then remember it got started a couple years before Batman did. I figure to talk about The Phantom‘s universe more next week.

The comic strip, weekday and Sunday threads, are written by Tony DePaul and have been since 1999. The weekday comics have been drawn by Mike Manley since May of 2016. Manley also draws Judge Parker. The Sunday strips have been drawn by Terry Beatty, the artist and now writer for Rex Morgan, M.D..

Lee Falk, strolling through town. 'THREE PATHS intersect here in the minutes ahead. None of the parties know they've entered the realm of The Ghost Who Walks!'
Tony DePaul and Mike Manley’s The Phantom for the 7th of November, 2016. The start of the story. The third path for all this is the Jungle Patrol, the Phantom’s self-raised auxiliary army, although it isn’t clear at this point what’s supposed to be life-changing about their story just now.

So here’s the current Phantom weekday storyline. Its essentials were laid out in a week of strips starting the 7th of November and hosted by “Lee Falk”. That’s one of the charming conventions of the comic: a representation of the strip’s originator gives the dramatis personae and necessary backstory for the adventure ahead. If the story’s run long he might pop in again to recap for new or simply lost readers. Or to advance the story to a new point. It’s common enough for cartoonists to be characters in their own strips, but it’s almost always humor strips. Story strips usually leave narration as done by some anonymous source. “Lee Falk” doesn’t really say anything that couldn’t be done by unattached narrative box. But it adds a neat personal touch to the starts of stories that he does.

So the first element is Orson Burley, big, bearded tycoon in the enormous-wealth industry. He’s heard this legend of The Phantom and figures it’d be a good subject for a postage stamp. I have to say I’m on Burley’s side on this. It seems odd that the Republic of Bangalla wouldn’t have already used a semi-mythic protector-legend as subject for a stamp. Local mythical figures on stamps seems like elementary nation-building. Issuing cultural stamps are the first thing you do after gaining independence from the British. Well, the first thing after renaming the street Government House is on to the native word for “Freedom”. But President Lamanda Luaga is cold to the idea, and warns The Phantom of Burley’s investigation. I understand a secretive superhero trying to keep his secrets. But the legend’s been going for four centuries now; this can’t be the first serious scholarly investigation of the thing. Well, so it goes.

Burley’s insisted on learning as much as possible about The Phantom and going ahead with his postage stamp. This despite the warnings of the President and of his limo driver. And Burley’s startled that anyone could see The Phantom as a legend dangerous to investigate. I confess I’d be, too.

President of Bangalla: 'Orson Burley hired the best! Top people at the University! Experts! I was certain he would [ drop his investigation of The Phantom ], out of respect for the highest office in the land! He turned me down flat!' The Phantom: 'I could always have a word with him.'
Tony DePaul and Mike Manley’s The Phantom for the 2nd of December, 2016. I know what you’re all wondering: how did The Phantom get broadband Internet into the depths of his Skull Cave secret lair? I don’t know either. The fellow lurking behind The Phantom’s chair is Guran, his childhood friend and faithful assistant. Don’t worry about him. He regards the clothing outfits of everyone in that first panel to be normal.

Second piece is Akini Ogutu, “CEO of a multinational giant headquartered in Mawitaan”. While Bangalla’s a basically functional democracy it still has problems, even in its capital city. She got targeted and kidnapped, for ransom, by one of those gangs you hear about that hold executives for ransom. The Phantom’s not-at-all-worrisome private army, the Jungle Patrol, finds the hideout. The Phantom goes in alone and rescues her in a daring, exciting raid that full of the sort of superheroics you’d expect. Also that make you wonder, well, why does he have his Jungle Patrol if they aren’t at least doing support on this sort of thing?

(OK, it’s because The Phantom tries to keep his Phantom life and his Jungle Patrol life separate. The Jungle Patrol doesn’t even actually know their leader is The Phantom. They know him only as The Unknown Commander, who issues orders over the phone, and that’s not a potential danger pit at all, is it? But that does shift the question to why not have his army move against the criminal gang, which would seem safer all around?)

Anyway, it must all have been brilliant because he rescued Ogutu. Burley can’t believe Ogutu’s claim that she was rescued by The Phantom, and figures to go on with his research and stamp production. And this week The Phantom has gone to Burley, presumably to explain why not being on a stamp is such a freaking big deal for him. Maybe the 16th Phantom was betrayed by someone selling a fake Penny Red or something.

The Phantom hustling Akini Oguto away from her kidnappers. 'I'll be back for you. Keep your head down.' 'Please don't leave me! I - I'm Frightened!' 'So are they,' says the Phantom, shooting one without looking.
Tony DePaul and Mike Manley’s The Phantom for the 6th of January, 2017. Oh, yeah, The Phantom doesn’t have that old-fashioned superhero thing about not using guns. I admit I’m still surprised to see it happen, though. He does punching pretty well, though.

I mean, the best I can figure is The Phantom figures he’s most effective if he’s surrounded in clouds of mystery and legend. And getting a commemorative postage stamp is the start of a process that leaves him as exotic and remote as Santa Claus. But part of The Phantom’s schtick is that he’s surrounded by a lot of legends and I don’t get how a postage stamp depiction is going to make that greater or lesser. And it isn’t like he hasn’t got, and encouraged, a lot of “old jungle sayings” about his legacy. Is he worried they’ll paint him from an unflattering angle? It seems like a misplaced reaction and I hope something in the coming weeks clarifies matters.

Next week I’ll try to explain the Sunday storyline.

Another Blog, Meanwhile Index

The index fell nine points today, inspiring people to point out where we were at this time a week ago. This time a week ago we were at 124. Hoo boy but it’s been a long week.

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