I apologize to everyone wanting a plot recap for Terry Beatty’s Rex Morgan, M.D.. It’s just been ferociously hot lately. Incredibly hot, to the point that it’s impossible to do things besides exaggerate the heat. It’s been so hot our goldfish are sweating. It’s been so hot when I look at comic strips on my computer the characters burst into flames. It’s been so hot that our ice cubes melted while still inside the freezer. We think the compressor blew. We have a new fridge scheduled for delivery Tuesday.
The point is I’ve been busy drinking every chilled citrus-y beverage on the eastside of Lansing and taking a cold shower every twenty minutes. I haven’t had time to re-read, or think how to condense, three months’ worth of soap-opera comic plot. I don’t want to leave you with nothing, though, so I’ll just answer the question posed in my subject line. Tom Batiuk’s Funky Winkerbean is one of those comics that I doubt needs to be in the What’s Going On In series. It, like Greg Evans and Karen Evans’s Luann, has ongoing storylines. But their storytelling pattern makes a What’s Going On In unnecessary. They have a bunch of ongoing storylines. They focus on each for a time, usually a couple of weeks. Thing is they resume each thread with enough of a reminder of what’s going on that readers aren’t lost. But there will sometimes be a strip so bizarre and wild that it draws attention from non-regular readers. They’ll be baffled. Funky Winkerbean, by the way, gets a fun daily roasting over at the Son of Stuck Funky blog. That’s a community with people who have, maybe enjoy, a staggering knowledge of the Winkerbean universe. I couldn’t have found many of the strips I reference here without their daily essays and tagging. I don’t know a snark blog that reads every Luann in similar detail, although, of course, the Comics Curmudgeon discusses both regularly.
News lady Cindy Summers was interviewing old-time serial-movie actor Cliff Anger for a documentary. The documentary is about his old friend Butter Brinkel, and Brinkel’s scandal. The comic introduced Brinkel as a silent movie comedy star. (Also as Butter Brickle, which I’m told is the name of an ice cream flavor. I don’t remember hearing of it before this.) His career and scandal got bumped to the 1940s. This seems to be because Tom Batiuk realized that if this happened in the 1920s then Cliff Anger would have to be eighteen years older than dirt. With the retcon, he’s now plausibly younger than two of the cast of Gasoline Alley.
Anger remembers something his friend Dashiell Hammett had said. Hammett, while he was with the Pinkertons, was on the team looking for evidence to acquit Brinkel. This makes no sense if the story is set in the 1940s. But it would fit if Brinkel was a silent-movie star, an era when Hammett did work for the Pinkertons. Anyway, the team couldn’t find any exculpatory evidence. This is interesting. The strip established there were at least two people besides Brinkel wearing the same costume at the masquerade. One hesitates to suspect the Pinkertons of wrongdoing but they were missing an obvious lead. It could be they didn’t understand a job that was not about beating in the heads of coal miners who wanted pay. Hammett thought Brinkel was protecting somebody, though, but couldn’t imagine who.
While Brinkel was waiting for trial, Anger took Zanzibar to his home. And we got this strip, which revealed that the actual killer was, in a surprise, the other character in the story:
Comic Strip I’ve Wanted To Punch Harder Than I’ve Wanted To Punch Anything Else In My Life Today
Mary Worth 
 With the footnote that if you did not know the context then Saturday’s Mary Worth would be hilarious. Any comic strip where someone barks out “Bah!” is 90% of the way to hilarious. But trust me. In context? You’re going to want to punch this comic strip harder than you’ve wanted to punch anything in your life. Promise.
Reference: The Sputniks Crisis and Early United States Space Policy: A Critique of the Historiography of Space (Studies in Military and Strategic History), Rip Bulkeley.
Really looking forward to next week, gotta tell you.
(This past week, Mopey Pete and Boy Lisa were told by their boss at the comics company that they needed a new flagship character. Mopey Pete’s girlfriend who inexplicably hasn’t shoved him over a cliff yet suggested “Atomic Ape” and the boss loved it. Then since the boss figured Atomic Ape needed a sidekick, she suggested “Charger Chimp” and the boss loved it too. Then Mopey Pete spent half the week yelling at his alleged girlfriend about how they were trying to do SERIOUS stuff here and he always hated kid sidekick characters and I guess somehow a chimpanzee has to be an annoying kid sidekick? Anyway, his alleged girlfriend was gone from the strip Saturday and if she has any sense, she’s put in for a transfer to some three-generations-and-a-dog strip like Ben or One Big Happy where they avoid focusing on the hateful characters quite so much.)
Reference: The Frozen-Water Trade, Gavin Weightman.
I’m glad you wonder what’s happening in Joe Staton, Mike Curtis, Shelley Pleger, and Shane Fisher’s Dick Tracy. For me, its the middle of July 2018, and my answers reflect that. If it’s much later than July 2018 I might have a more up-to-date post. It’ll be at or near the top of this page, if there is one. Thanks for reading.
Topper is trying to work with The Apparatus, the major crime syndicate in Tracy’s city. They suspect he’ll bring the Green Hornet in on them. It never crosses their minds that the Green Hornet and his new parter, Red Wasp, might be breaking up criminal organizations. They did, after all, just smash a counterfeiting ring. Hornet and Wasp used the Green Hornet’s supercar Black Beauty to smash it open.
The Apparatus wants the Green Hornet away from Topper’s proposed Protection-Racket-As-A-Service. I’m fuzzy on how that scheme supposed to work. The “protection” is from blackouts on the computers small-time people rent out to banks who need the processing for transfers. Is that a thing?
But I mostly doubt the details matter. The part that doesn’t doubt remembers Matty Squared. Mister Bribery’s artificial-intelligence agent is laying low in Cyber-Mexico until the heat’s off. But another digital crime thing might be a thread they’re saving for later.
Anyway, the Apparatus is confident the Green Hornet won’t muscle in, and assigns Jarman as his first protectee. Topper starts explaining to Jarman that he’ll be paying money when The Green Hornet muscles in, if we pretend guns are muscles. The Green Hornet starts explaining to Jarman that he’ll take the protection money when Dick Tracy muscles in, if we pretend guns are muscles. The Green Hornet drops a gas grenade, making his way to Black Beauty and starting a chase. Topper gives chase. Tracy, somehow, can’t get out of the gas fast enough to chase after the cars. So he instead meets with the police chief’s informant from Central City, Lafayette Austin. Lafayette Austin’s introduced like someone we should recognize. I admit I don’t. He’s not listed in John Dunning’s Encyclopedia of Old-Time Radio for either Dick Tracy or the Green Hornet’s radio shows. He might be original.
Topper loses the Green Hornet. Hornet doesn’t return the favor. Kato, the Hornet’s faithful valet, has been secretly working as Topper’s valet “Skiyaki”. Topper figures to try shaking down his an old friend at Mazuma National Bank, before skipping town. But Dick Tracy, tipped off by Austin, is there. The Green Hornet, I assume tipped off by Kato, is there too. Also there: the Green Hornet’s smoke bomb and gas. Also also there: Dick Tracy’s two-way radio gas masks. In the fight, the Green Hornet clobbers Tracy and Kato knocks out Sam Catchem. But they use Tracy’s wrist-radio to summon backup, and leave the also-unconscious Topper for arrest.
Tracy gets credit for arresting Topper, and for scaring the Green Hornet back to Central City. That reported sighting’s premature, made by the Red Wasp — Lenore Case, Britt Reid’s romantic lead — with the backup Black Beauty. It should give Reid time to clear out of town gracefully.
And that, with the 27th of May, closes the Dick Tracy/Green Hornet crossover adventure. The 28th begins a new one, one with many parts moving together. The first part is Sawtooth, contract killer last seen in the strip around Christmas, not-killing Dick Tracy. Mister Bribery, his contractee, micromanaged the murder. You freelancers out there know how it is. Mister Bribery is, from prison, offering $25,000 for the murder of his former pet scientist Ygor Glitch. Sawtooth is up for it, and what the heck, figures he can try killing Dick Tracy again and see what happens.
Meanwhile Diet Smith and the Moon Governor have put together the “Moon Compound”. It’s a museum exhibit meant to explain the Lunarians to the people of Earth who have nothing to fear from their advanced science, and secret colony living in an undisclosed location, and control over magnetism, and cute stubby little antennas, and power to dispense electric shocks severe enough to render adults unconscious, and close ties to the industrialist billionaire Diet Smith who himself enjoys confidential ties with a police officer who has an 87-year track record of extrajudicial killings of suspects in often fantastically gruesome ways. The unwashed masses can have such weird, inexplicable fears!
Honeymoon Tracy and her friend Ugly Crystal — Mister Bribery’s niece — bond over their strange family experiences. Honeymoon’s half-Lunarian. Her mother, the original Moon Maiden, was killed long ago. A second Moon Maiden, Mysta Chimera, surgically created by human superscience from the amnesiac daughter of a mob boss, has joined the strip and loosely Honeymoon’s family. Please do try to keep up. Ugly Crystal doesn’t know her father, and Honeymoon wonders whether anyone could do something about that mystery. If she only had an in with some scientific superdetective or something.
So at a midnight screening of the Rocky Horror Picture Show, Dick Tracy’s partner Sam Catchem — uh. Sorry. I have to go lie down a moment. I don’t know what’s even real anymore.
So at a midnight screening of the Rocky Horror Picture Show, Dick Tracy’s partner Sam Catchem runs into Sawtooth. Catchem’s there for the fun of it. Sawtooth is there on business: he knew Glitch was a Picture-Head, as they call Rocky Horror Picture Show fans. So he went where he knew Glitch would be, and eats him. I mean, I’m fairly sure that’s what I’m meant to infer. “It was as if some huge predator caught him by the throat” could mean many things, I suppose.
Tracy’s able to identify the victim, and the perpetrator, and who likely ordered the hit. This is thanks to his scientific superdetective work of having Stan Sakai’s Usagi Yojimbo character Inspector Ishida call up and tell him what’s going on. So, y’know, never under-develop your intelligence network. (I haven’t read Usagi Yojimbo but I hear good stuff about it. I’m just going by what the captions, complete with copyright notices that I haven’t seen under other crossover guest stars, tell me.) Also Sawtooth might have given the scheme away by warning Catchem he was coming for Dick Tracy.
On to the search for Sawtooth. With special guest Lafayette Austin, who’s introduced with such emphasis one wonders if they feared we wouldn’t notice him. Sawtooth and his assistant/boat-anchor Grimm are hiding out in a hotel. Grimm is losing all their cash betting on horses. Sawtooth is figuring to kill Tracy and then head out of town. Sawtooth looks to The Pouch for tips.
The Pouch, by the way, is an information-dealer who works the city zoo as a balloon vendor. His backstory is he used to be a circus-show Fat Man, and lost almost all that weight. He took the flabby excesses of skin and sewed them into numerous closable pouches with with to be a courier. In the 70s, he used a popcorn popper to kill a guy and got away undetected. So remember: if you aren’t perpetually going “Wait, what?” you’re not reading authentic Dick Tracy.
Okay. Now stuff is coming together fast. The Moon Compound exhibit is getting ready to open. Honeymoon and Ugly Crystal enjoy a tour, under the supervision of Mysta and some of the minor Lunarians. Grimm loses the last of his and Sawtooth’s money as Sawtooth wants to check out. Meanwhile, Dick Tracy is thrilled to be entering his sourdough bread in — I’m sorry, I have to go lie down a bit again.
Right. Dick Tracy is baking sourdough bread for a charity banquet. And he’s got people ready to pick up his many fine loaves of enthusiastically-baked bread. The bread-transport guys arrived Saturday. They’re Sawtooth and Grimm, in disguise.
So. Yes. There is a lot that’s been happening the last two months, and it’s not all clearly a single unified thread. This was, to me, a bit hard to follow day-by-day. But it’s quite clear when read in bulk like this. Tracy continues to have a lot of his investigative triumphs come by people just thinking to tell him the plot. There have been a couple references and guest appearances, even besides the Green Hornet’s.
The most noteworthy of those was Michael Patterson from Lynn Johnston’s For Better Or For Worse poking in back in late June. That was a great reminder of the old days on Usenet group rec.arts.comics.strips and every other comics-discussion group. We’d gather to talk about how awful the prose of his in-universe award-winning super-novel was. And how nasty the strip was to the upstairs neighbors, who were painted as villains without actually doing anything worse than not liking Michael. And how much everybody hated Elizabeth getting yanked out of her life and forced to marry Granthony. And how nastily Lynn Johnson treated Granthony’s first wife because — gasp — she didn’t want to have a child, but did anyway after Granthony whined her into it. This is way too much space given to a side appearance like this, but do please understand. My Gen-X cohort has endured many betrayals in our lifetime. One of the most lingering was the last couple years of For Better Or For Worse. Complaining about it was such a glorious experience while it lasted. I mean, it’s okay talking about how stuff in Funky Winkerbean doesn’t work like that. But it didn’t have the epic fall from what we thought-at-the-time-was-greatness-and-maybe-kinda-wasn’t that For Better Or For Worse did.
Anyway. Topper’s failed cyber-protection racket might feed into artificial intelligence Matty Squared. Still no developments on B O Plenty’s house being haunted. And Denny Lien was kind enough to explain a bit of Diet Smith’s strange mention of a time machine machine last December. Apparently a while back Smith had been working on a time machine, in the hopes of saving his long-dead son Brilliant Smith. The machine wasn’t practical. But the thing about a time machine is the development and testing cycle of a working one can be as short as you like, once you take it seriously. Those are the major outstanding plot threads that stand out to me. Well, that and whatever it is we’re supposed to make of Lafayette Austin. Some of the GoComics.com commenters have suggested that would be “Shaggy from Scooby-Doo”. All right.
I apologize, I just have been frightfully busy trying to process the realization that I am about to post my greatest service ever to humanity, or at least the Internet. I mean, you know the feeling when you have run across the thing that you will be remembered for indefinitely far into the future? The thing that will become a heaping mass of links from people in search of a desperately needed answer to their most pressing yet ridiculous question? I’m in that state right now. So I’m very busy enjoying that feeling and meanwhile also trying to get it actually organized.
So please here instead enjoy my noticing that Comics Kingdom has started running Vintage Funky Winkerbean from the comic strip’s start in 1972, long before it discovered misery porn and then depression porn and then, most recently, comic books.
(I’m sorry; I know Les Moore even in this form but I don’t know who he’s talking to yet. Might be someone dropped from the strip; might be someone redesigned into a character I’m just not thinking of. The strip hasn’t done much naming of characters apart from the immortal initial fab-four classic lineup quartet of Funky himself, Les Moore, … Roland … and … Livinia? Y’know, I drive past Livinia, Michigan, about once a month for the pinball league at Marvin’s Marvellous Mechanical Museum. Great spot.). (The reason that this is a correctly formed joke structure and is therefore hilarious is that the city is actually named Livonia so you should now laugh uproariously at how one name looks a lot like another.)
Yes, I am very aware of the past week’s developments in Mary Worth (21 more panels, 13 with explicit muffin content, bringing the year to a total of 61 muffin panels out of 154 possible) only to interrupt all the wonderful goofy muffin content with actual assault.
Yes, poinsettia that’s still technically going from Christmas is probably in its last days and spending them waiting until it’s quiet in the house so it can drop a shriveled leaf in exactly the way to make the biggest, loudest rustle possible. So yes, our poinsettia is a drama queen is what I’m saying.
Yes, Funky Winkerbean has spent two weeks and counting establishing the fact that Wealthy Comic Book Collector Chester Hagglemore Yes That Is Too His Name wanting to talk with former comic book guy Mopey Pete without saying what he wants to talk about. (I’m guessing it’s Hagglemore Thank You The Theoretical Lead Of The Strip Is Named “Funky Winkerbean” So Let’s Just Carry On And Get Through This Quick As Possible is figuring to restart the whole Batom Comics lineup and he wants Mopey Pete to write them all so we can see all kinds of strips where Mopey Pete can’t finish stuff on deadline.) Also yes, it is a retcon to say Mopey Pete used to write for Batom Comics, since he was previously shown to write for Marvel and then DC. And the strip sure had been running like Batom Comics was a long-gone publisher brought back to memory by one of its properties being made into a movie.
Yes, niacin was first synthesized in the 1860s, decades before anyone even suspected vitamins were a thing and long before anyone would imagine it had any nutritional value. It was used as a photographic chemical under the name “nicotinic acid”.
It’s been only a few short months since I last checked in on Joe Staton, Mike Curtis, Shelley Pleger, and Shane Fisher’s Dick Tracy and yet plenty of stuff has happened. I’m glad to try catching you up on that. More stuff might have happened by the time you read this. If it’s late January or early February 2018 for you, this is probably enough to catch you up. If it’s a lot later than that, maybe the story’s developed far past that. If I’ve written a later summary I shall try to have it at or near the top of this link. Also I mentioned this on my other blog, but GoComics.com broke something so that My Comics Page won’t load, and broke their “Contact Us” page so it won’t submit error reports. I’ve got workarounds, but I’m not happy with them.
Also, on my mathematics blog, I review comics with mathematical themes. My latest report on those should be at or near the top of this link. Thanks for checking that out, if you do.
5 November 2017 – 27 January 2018.
Last time you’ll recall, Dick Tracy and team were closing in on audio-recording forgers Silver and Sprocket Nitrate. The pair were hiding out in the Lyric (movie) Theater, Sprocket on a date with novelist and Les Moore’s less-punchworthy twin Adam Austin, Silver in the Phantoms Of Theaters room. Silver watches his sister have a date so serious she even wears sandals for it. So he gives her half their take and alibis her. He goes to jail. She goes to California with Adam Austin, who I’m assuming is writing the novelization for the Starbuck Jones sequel. Silver Nitrate and his boss/jailbreaker Public Domain go to jail and that ends that story reasonably logically.
And then, the 18th of November, came an odd interlude before the next story: a “Minit Mystery”. It was one of those adorable puzzle mysteries, you know, figuring out who killed the guy based on whether an umbrella is damp or figuring which jacket is underneath another on the coat-stand. It’s a week illustrated by Charles Ettinger, and it’s introduced as the start of a new series. There was just the one mystery presented this time around. Perhaps they’re waiting for the current storyline to resolve, or reach a logical pause, before showing the next. I’m not sure this is any more logically rigorous than an Inspector Danger’s Crime Quiz, but it’s a fun pastime. The story started the 19th of November and ran each day through to the 26th, when the solution was revealed.
Back to plotting, the 27th of November. Mister Bribery reappears, along with his niece Ugly Crystal and hired gun Sawtooth. Bribery’s hired Sawtooth to execute Dick Tracy. Tracy’s team has infiltrated Bribery’s organization, though, as their bodyguard, with Lee Ebony pretending to be “T-Bolt”. Bribery orders Sawtooth to carry out the execution plan, even though it’s not compatible with putting the shrunken head of Dick Tracy into a jar on his shelf. Okay then.
One of the dangling side plots comes back to the fore. The fellow you get by fusing Buster Crabbe and Alley Oop finds crime boss Posie Ermine. Ermine’s been disheartened since his daughter was abducted, surgically altered to be Mysta the new Moon Maid, and somehow brainwashed into a whole new identity who wants nothing to do with her biological father. Buster Oop has personal reasons for this. He’s the Governor of the Moon, and father of the original Moon Maid. (The original Moon Maid was killed in the 70s, when most of the really loopy science fiction stuff was written out of the strip, although her daughter — Honey Moon Tracy, Dick’s granddaughter — is still around and a critical character these days.)
Got all these relations? Because that just catches things up to early December 2017 and from there everything gets explosive.
Honey Moon Tracy and Ugly Crystal … Bribery, I guess is her last name? … meet cute-ish at the mall’s CD store. They get along surprisingly well, what with both having superpowers and Ugly Crystal envying Honey Moon’s antennas. I understand. I imprinted early on Uncle Martin’s extendable antennas from My Favorite Martian. And I’m not an ugly person.
Mister Bribery, out for a jog, shoves another jogger into the path of a minibus. It’s a startling moment. It establishes Mister Bribery’s villainy and menace in a way that his hiring someone to murder Dick Tracy hadn’t, somehow. I suppose it’s because you expect the villain to try killing the scientific superdetective. It’s normal and routine and built into the worldview and the name of the comic strip that the plan won’t work. But he can kill — or try to kill, as the victim survives with “minor injuries” — some nobody. And that it’s utterly unmotivated makes Mister Bribery’s danger more real. The murderous impulse doesn’t do Mister Bribery any good, either, as the city looks for whoever’s in the blurry video footage of the crime.
Honey Moon Tracy and Ugly Crystal meet up again, under Lee Ebony’s supervision. Honey Moon gets a bit of brain freeze from the Moon Governor’s transmissions. The Moon Governor and Posie Ermine have been searching for Honey Moon. Meanwhile Mister Bribery’s artificial-intelligence assistant/digitally-uploaded former henchman Matty Squared has detected the Moon Governor’s Space Coupe. Mister Bribery orders Sawtooth to kidnap Honey Moon. The Moon Governor and Posie Ermine close in on Smith Industries, there to find Mysta the (second) Moon Maid. Yes, I’m getting tired just writing all this.
OK. There’s a shootout. Ermine’s killed. Sawtooth grabs the Moon Governor and Mysta and takes them to Mister Bribery. Mister Bribery wants the Moon Governor’s help getting to the Lunarian valley settlement, there to mine lunar gold and whatnot. The Moon Governor tries to squash these plans. He drops the bad news that there’s no oxygen left in the Moon Valley colony. (This we the readers have known since in 2012, in one of the last uses of Diet Smith’s Moon Coupe. And that also shows how long this team is willing to let a mystery simmer.) Also, it’s dumb to go to the Moon to mine gold. These days the fashion is to go to the Moon to mine Helium-3, which is even dumber. Plus there’s the whole Rocket Hat problem. He tells Mister Bribery to move on, “as we did”.
Mister Bribery takes this with all the calm and grace of Donald Duck finding Chip and Dale back on his folding lawn chair. Meanwhile henchman Glitch spots Lee Ebony talking on her official police-grade wrist wizard, astoundingly sloppy undercover work. It’s okay, though, since Glitch has figured out this is the big meltdown and he’s just telling people to run while they can. Ebony arrests Ugly Crystal (I’m not sure for what, but I suppose that can be sorted out). Sam Catchem says they’ve got the rest of Mister Bribery’s gang. And Tracy is going in after Mister Bribery himself, who’s got the Moon Governor and Second Moon maid with him.
And that’s where we stand. It’s a lot of stuff happening, and with (so far as I noticed) no weird cameos or digressions, after the Minit Mystery interlude. I’ve only noticed one odd, unresolved mention of a thing either: on the 4th of December mentioning how Diet Smith’s “time machine was a bust”. I didn’t know there was ever a time machine in Dick Tracy, but I’m also not surprised, given how crazy Chester Gould went in the 60s.
Jim Scancarelli has been out of action since the last time I recapped the plot in Gasoline Alley! Why? Where? What’s happening? Will the story of Rufus’s courting of The Widow Emma Sue and Scruffy’s Mom ever resolve? I don’t know. But I’ll do my best to share what I know, or can find out. And to recap nearly three months’ worth of reruns next week, somewhere on this link. Here’s hoping there’s good news ahead.
Thanks for asking! If you read Dick Tracy, by Joe Staton and Mike Curtis, with (I think) art support from Shelley Pleger and Shane Fisher on Sundays, you know how often events happen these days. This is an attempt to keep track of what’s been going on. If it’s much later than early November 2017 when you read this, events might have gotten much more progressed. This essay might be too out of date to be useful. If that’s happened then please try out this link. If I’ve written a later story summary, it should be at or near the top of that page.
And if you’re intersted in comic strips generally please try out my mathematics blog. I talk some about the mathematically-themed comics of the week, each week, and this week was one of them.
14 August – 4 November 2017.
Crime had promised to pay last time I checked in on Dick Tracy. (Spoiler: it didn’t.) Movie-forgers Silver and Sprocket Nitrate were sprung from jail by the quite ellipsoidal Public Domain. Domain’s hired them to forge a recording that legend says Édouard-Léon Scott de Martinville made on his experimental phonautograph of Abraham Lincoln. The work goes well: Silver discovers a new thrill that he wasn’t getting from film fraud anymore and hopes to do more work with Domain. Sprocket thought this was their last scam before getting out of the business. Domain thought this was a good way to get money from the matronly Bea Thorndike before leaving the Nitrates to take the rap. Bea Thorndike thought she was paying basically-good-but-emotionally-cowardly money for a recording of Abraham Lincoln asking “Is this on?” and reciting the Gettysburg Address. And Tracy thought that Silver and Sprocket Nitrate were relatives, what with their being siblings.
Then came a revelation whose significance I still don’t quite grasp. Lizz discovered that Silver and Sprocket were adopted, separately, by their film-production-scammer parents. I think the point of that revelation was to explain the Nitrates’ history. And that they grew up moving from town to town, camping out in the local theater of each mark. I guess that explains Silver knowing where to find a hidey-hole in a city theater. But I admit when I list crime-detection plot points I need justified, “villain knows a secret place to hide out a couple days” isn’t usually among them. So I don’t get why Lizz figures it’s a big revelation that they’re “merely” siblings by adoption. Or any of the backstory, really. Team Tracy understands the Nitrates’ scam pretty well, and the reader does too. The extra background is nice and interesting and humanizing. But it seems of marginal relevance to the investigation. Maybe she figured it might be something to get inside either Nitrate’s head during an interrogation. I don’t know.
Domain’s doing a good enough job getting in Sprocket Nitrate’s head anyway. He insists on her staying behind when they close the scam with Bea Thorndike. His argument: Sprocket’s hippie-ish Mother Earth stylings are too ridiculous to show to real money. These are meetings in which real grown-up people with names like “Public Domain” who look like Moai statues do serious deals. Silver Sprocket at least looks normal. He means normal for a Dick Tracy universe character. That means he could be slipped into the backglass for the 1991 Williams pinball machine The Party Zone without drawing attention. But Sprocket? Why, she goes barefoot. Silver sticks with Domain, and the promise of money. And shatters Sprocket, who spends a whole Sunday strip singing the Carpenters’ “Another Song”.
But Silver does have his skills. He talks Thorndike into paying a half-million for the recording, when Domain had been hoping for only $50,000. And I’m surprised Domain went to so much trouble when he was figuring to net at most $50,000. You know, you always hear about people leaving money on the table in business negotiations. I should see if he’ll represent me when I pick up some freelance work, in case I ever get some freelance work. (Does anyone need a lance freed? Send me a note.) And yet he only wants $20,000 of that extra, he says. He tells Sprocket how they’ll use that money to vanish.
Ace crime-fighting scientific detective Dick Tracy figures out who the Nitrates are trying to scam and how they’re doing it when his granddaughter comes in and tells him who they’re scamming and how they’re doing it. With that tip he heads to Bea Thorndike’s. So does Silver Nitrate, who’s shaken his Domain bodyguard with a phony tale of emergency dental needs. (I so expected the dentist would be the guy from Little Shop of Horrors, either version, but no. He’s just a dentist.) Silver offers Thorndike a “genuine 1857 phonautograph machine” for a mere quarter-million. She’s thrilled at the chance to fall for this, and the Nitrates get out just ahead of Dick Tracy’s arrival. Fearing they were spotted, the Nitrates make for the Lyric (movie) Theater. Silver’s got a hideout under the seats somewhere.
Tracy, having had enough of this, arrests Domain and refers to Silver Nitrate as a bunko artist, just like he was on an old-time radio detective program. I mean, he was, but it’s still delightful. Domain takes three panels to go from “I’ll never talk” to “I talked”. Tracy is soon hanging around waiting for someone to come in and tell him where the Nitrates are.
Silver Nitrate hides out, looking for some way to pass the time waiting for the new movie to start its run. The movie is Midnite Mirror. It’s based on a fictional series-within-the-strip based on Dick Tracy that isn’t Fearless Fosdick. Silver takes up “making the theater staff think the place is haunted”. It’s a fun pastime, but carries a high risk of attracting meddling kids. But he fools some human-form cameos from Mike Curtis’s longrunning Shanda the Panda comic book.
On a coffee run, Sprocket Nitrate cute-meets Adam Austin. He’s the renowned author of the Midnite Mirror book. And he’s what might happen if Funky Winkerbean‘s Les Moore were ever to deserve not getting that smirk knocked off his silly face. She is full-on smitten. They make a date to the premiere of Midnite Mirror: The Motion Picture. She agrees to wear shoes for the event. The most open shoes ever, basically a couple of straps looped around each other, but still, shoes. Silver is aghast.
Tracy takes a moment to reassure Bea Thorndike that many people have fallen for even dumber scams than this one. Ace crime-fighting scientific detective Dick Tracy figures out where Silver Nitrate is hiding, when the guy Silver Nitrate contacted for help fleeing the country tells Tracy where Silver Nitrate is hiding. The squad closes in on the Lyric Theater and makes ready to nab the bunko artist. And that takes us to this week’s action.
As you see, it’s been a straightforward plot. There’s no baffling motivations or deeply confusing networks of double-crossing to turn the story to chaos. Well, Silver Nitrate keeps changing his story about what he’s doing. But it makes sense he’d tell whoever he’s talking to what they were hoping to hear. Note how he told Sprocket he planned to do more scams with Domain and, after she didn’t want to do that, how he was going to take the $20,000 and vanish.
Tracy hasn’t really done much detecting on-screen. I suppose there’s something to having a good net of informants and identifying relevant gossip quickly. But that does mean the two big driving revelations were things he learned by not covering his ears and shouting “LA LA LA LA I CAN NOT HEAR YOU” is all.
There have been threads of other stories. Let me see if I’ve got all the major ones.
Speaking of Mister Bribery, the crime boss has checked in on his niece Ugly Crystal at finishing school. She’s learned much. She can cover her eyes so as to make her nostrils and lips look like a very tiny face, and she can blow out multiple precisely-aligned candles using a slug from a slingshot. So she’s ready for a life of super-crime. (the 4th and 5th of October).
And most intriguingly: the person you get by making Buster Crabbe and Alley Oop share a transporter pod has landed a Space Coupe in a derelict farm outside the city. He’s taken out a box of “old currency” and hopes to find “our errant moonling”. (the 18th through 20th of October)
Nothing’s been said about the suspected haunting of the B O Plenty residence. Crime Boss Posie Ermine hasn’t apparently done anything about recovering his daughter, brainwashed into the Second Moon Maid. I will count the appearance of Buster Oop as an update on the Lunarian who visited an Antarctic valley in investigation of the Second Moon Maid.
I’ll keep you updated in case anything breaks on these plots. Meanwhile, I encourage you to find someone who will call you “my errant moonling”. You deserve such luxuries in your life.
So a little something roiled the normally calm world of ridiculing Tom Batiuk’s Funky Winkerbean. Last week the strip did one of its occasional grab-bag weeks, with just spot gags and no storyline or attempt at one. Before I get into that, let me share this link to my mathematics blog, since I did my usual Sunday comic-strip review over there. Thank you.
So. Snark-reading Tom Batiuk strips is usually pretty easy. The comic presents a couple of the lumpy, sad main characters talking about one of their ongoing problems, with something involving words used in slightly unusual ways in the last panel, while everyone smirks and waits for the death of joy. The snarky reader looks over this, points out the joke barely parses, and that the problem as presented could not happen because something or other does not work like that, or because he’s confused parts of the continuity. Then the snark readers wait for the next day. I’m not ruling myself out of this group, by the way. Rolling eyes at Tom Batiuk strips is one of the joys of being a comics fan who never gets enough chances to showcase learning what “bathos” meant for that vocabulary quiz in eighth grade. (Hi, Mrs Furey!)
And now I’d like to make my argument. Please feel free to disagree. Busiek’s right, by the way, that the deadly problem is the comic timing. The first two panels are nothing. Trying to make the punchline also carry the load of setting up the strip is a mess.
But I think the snark-blogging interpretation, that Donna or Crazy Harry has to be too stupid to be plausible, wrong here. I think that Donna’s supposed to be facetious. To say with a straight face the obviously ridiculous is so important to comedy that if we’re to rule it out then I can’t comment in any web forums or Usenet anymore. I think there are line readings that would make the joke work. At least work as well as it can given the attempt at jamming all the setup into the punchline.
Which is still a structural problem in the comic. Written comedy has limited powers to direct how a line should be read. A comic strip has a bit more power, since it can show characters reacting. But the Funky Winkerbean standard is to draw people moping, smirking, or despairing and that doesn’t offer much support for whimsy. A comic strip also has more power to suggest timing and where to pause a line and what to emphasize in it. But those tools aren’t used here.
So that’s my best attempt at making this Funky Winkerbean make sense: Donna is being silly and playful, and we don’t know how to react to that anymore. I’m curious what you kindly readers make it out to be.
Another Blog, Meanwhile Index
The index rose two points as the market digested reports that the Earth has an extra layer of tectonic plates within the mantle, which should be reassuring to everyone worrying about whether we had enough. It might have pushed the index higher still if we were sure we understood why it doesn’t look like any other planets or moons have tectonic plates, which seems like a weird oversight. Are we maybe looking for theirs in the wrong places or something?
Dan Davis, who’s worked on a bunch of comic books and pencils for Garfield, took over the art on Crankshaft starting with this Sunday, the 2nd of April. Rick Burchett, who’s won two Eisner awards, is to take over penciling for Funky Winkerbean starting with the Sunday, the 25th of May.
Ayers is, according to Batiuk, not leaving the Crankshaft world altogether: “Chuck and I will still be working on selected story arcs down the line. This is one of those rare examples in life of being able to have your cake and eat it too, and I couldn’t be happier as I move forward on Funky and Crankshaft with these titanically talented artists.”
The index rose eight points which some analysts are crediting to the traders remembering for once to say “rabbit, rabbit” first thing the 1st of the month. Some even said “rabbit, rabbit” the first thing Monday as the start of the working month, which started the usual squabble about what they’re doing on the weekends, then. Good question. It fully deserves an answer.
I mean, I want to. Tom Batiuk’s Funky Winkerbean is somehow in the second week of a story in which Funky Winkerbean tries to renew an expired driver’s license. And if that seems like not much of a storyline consider that Batiuk has decided to see just how big a jerk Funky can possibly be during it. Or possibly how big an idiot. Anyway it’s left me seething with rage and so I’m going to turn to more productive stuff like the mathematically-themed comics on my other blog and, oh, I don’t know. Here’s a screen grab from the Star Trek: The Next Generation episode “Heart of Glory”, known as “that one from the first season where we started thinking maybe the show could be good after all”.
o/` Be-el-ze-bub has a devil put aside!
For me …
For Meeee …
FOR MEEEEEEEEEE! o/`
If you want to put in your own different caption here, please, go ahead.
Thanks, all. Boy am I angry at Funky Winkerbean.
Another Blog, Meanwhile Index
The index rose one point in trading described as “partly cloudy” and with “smatterings of applause”. We have no explanation for what this should mean.
So something weird has happened with story strips lately. I suppose it’s coincidence, properly. But something’s happened to them since last year’s Apartment 3-Gocalypse. I figured to take some time and write about them. I’m going to start with the strip that had the most dramatic and first big change of the lot, one going back far before the end of that comic.
I’m not sure when I started reading Dick Tracy as an adult. I know it was in the 2000s, and that it was encouraged by partners in Usenet newsgroup rec.arts.comics.strips. And that’s because the strip was awful. Not just bad, mind you, but awful in a super-spectacular fashion. The kind the most punishing yet hilarious Mystery Science Theater 3000 episodes are based on. In the last years of his tenure on the comic Dick Locher’s storytelling had collapsed into something like a structuralist parody of comics. Nothing would happen, at great length, endlessly repeated. I observed that if you put together a week’s worth of the daily strips — which the Houston Chronicle web site used to make easy to do — you could read the panels top down, first panel of each day of the week, then second panel, then third panel, and have exactly as coherent a story. It was compelling in its outsider-art insanity.
That came to an end (and I’m shocked to realize this) over five years ago. From the 14th of March, 2011, the team of Joe Staton and Mike Curtis took over. The change was immediately obvious: the art alone was much more controlled, more precise, and easier to read than Locher’s had been. And the stories had stuff happen. My understanding is Staton and Curtis were under editorial direction to have no story last more than a month; Locher’s last years had averaged about three to four months per storyline.
So finally we had a story strip with pacing. You know, the way they had in the old days. There were drawbacks to this. Four or five weeks at three panels a day — more can’t really fit — plus the long Sunday installments still doesn’t give much space. To introduce a villain, work out a scheme, have Tracy do something about it, and wrap it up? Challenging work. The first several stories I came out thinking that I didn’t know precisely what had happened, but I’d enjoyed the ride.
They’ve had several years now, and are still going strong. They’re allowed longer stories now. They’ve gotten to be astoundingly good at planting stuff for future stories. They’re quite comfortable dropping in a panel that doesn’t seem to mean anything — sometimes with the promise that it will be returned to — so they have the plot point on the record when they need it a year or more later. And they’ve brought a fannish glee to the stories. I still don’t understand exactly what’s going on, but the pace and the art and the glee are too good to pass up.
Staton and Curtis show all signs of knowing everything that has ever appeared in pop culture, ever. And they’re happy to bring it in to their comic. Some of this is great. They brought [ Little Orphan ] Annie into the strip, resolving the cliffhanger that that long-running-yet-cancelled story strip ended on. And has brought her back a couple times after. They’ve called in Brenda Starr — another long-running-yet-cancelled story strip — for research. They spent a week with Funky Winkerbean for some reason, which might be how Sam Catchem’s wife got cancer.
And they’ve dug through the deep, bizarre canon of Dick Tracy. I mean, they brought back The Pouch, a minor criminal who after losing hundreds of pounds of weight sewed snap-tight pouches into his acres of flesh, the better to be an informer and courier when not selling balloons to kids. I love everything about how daft that is.
Back in the 60s the comic’s creator, Chester Gould, went a little mad and threw in a bunch of nonsense about Moon People and magnetic spaceships and all that and wrote funny stuff about how this was just as grounded in fact as the scientific investigation methods of Tracy. One might snicker and respectfully not disagree with that. But it was a lot of silly Space Race goofiness, fun but probably wisely not mentioned after the mid-70s.
So they brought this back, and mentioned it. Not just in passing; a major theme in the comic the past five years have been struggles for Diet Smith’s Space Coupe technologies and the mystery of whatever happened to the Moon Valley and the making of new, cloned-or-whatever Moon Maid with electric superpowers and everything. I suppose it’s plausible if we grant this silliness happened that it would become big stuff, certainly for Tracy’s circles. But could we have let the silliness alone? Space-opera antics are fun, and there’s no other comic strip that can even try at them, but Dick Tracy is supposed to be a procedural-detective strip about deformed people committing crimes and dying by their own, if detective-assisted, hands.
A matter of taste. There’s something to be said for embracing, as far as plausible, the implications of world-breaking stuff the comic did in the 60s.
Less disputable, though: everything in the strip is a freaking reference to something else anymore. Everything. There’s less referential seasons of Mystery Science Theater 3000. Not just to Dick Tracy‘s long history, or even to other story strips. They made the Jumble word game part of a storyline. Last year they went to a theatrical production of A Christmas Carol with Mister Magoo for crying out loud. Think about that. Earlier this year villain Abner Kadaver lured Tracy to the Reichenbach Falls with just a reference to meet him at “the fearful place”, because of course Tracy would pick up on that reference. And yes, they struggled at the falls and went over the side. I don’t think we’ve seen his body, although Kadavner’s even more immune to death than normal for compelling villains in this sort of story.
Tracy got rescued, of course. By an obsessed fan. Not of Tracy; he’s already been through that story in the Staton-Curtis regime. An obsessed fan of Sherlock Holmes, who insists on thinking Tracy is actually Holmes and won’t listen to anything contradicting him. An obsessed fan named Dr Bulwer Lytton. Good grief.
I was set for a little Misery-style knockoff, but Staton and Curtis faked me out. They do that often, must say, and with ease and in ways that don’t feel like cheats. That’s one of the things that keeps me enthusiastic about the strip. Instead of an intense psychological thriller about how to make his escape, Tracy just stands up and declares he’s had enough of this. Mercifully sane. But part of me just knows, Staton and Curtis were trying to think of a way to have Graham Champan wearing a colonel’s uniform step on panel and declare this had all got very silly and they were to go on to the next thing now. I figure they’re going to manage that within the next two years.
It’s quite worth reading, if you can take the strangeness of advancing a complicated story in a few moments a day and that not everything will quite hang together. But the more attention you pay the more you realize how deftly crafted everything about it is.
Another Blog, Meanwhile Index
The alternate Another Blog, Meanwhile index rose five points. Trading was hurried as everyone had forgotten to do anything until market analysts came in just before deadline to ask how things had turned out so they could say why that happened instead of something else entirely. Now analysts are trying to figure out if any of this happened for a reason or if traders were just throwing any old nonsense together. They’re suspicious.
If you’ve ever entered “funky winkerbean” into Google for some reason you’ve probably noticed the autocompletes are “misery porn” or “depressing” or “cancer cancer cancer cancer death die cancer death”. I haven’t checked recently but that’s all right. The strip made a staggering reputation for itself in the 90s and 2000s when Tom Batiuk decided to make it a serious issue-addressing strip by making everybody in it miserable and giving lead character Les Moore’s wife Lisa the traits of (a) being Les Moore’s wife and (b) having plot cancer. It’s an especially pernicious kind of cancer, what with how it can reappear years after a heartwarming conclusion just when the author thinks the readers least expect it, even though the readers have been saying in the comments section how they expect it ever since it went into remission.
So. Funky’s Ambiguous Relative (I think he’s a nephew maybe?) Wally had it particularly hard during the Misery Porn years. He went from troubled youth to soldier in Afghanistan, where he was captured by Enemy Forces and held captive for years. He was freed, though, and went home, but it turned out he still had a day of service left and so was called back to duty and shipped to Iraq. And by this point the readers’ relationship with Funky Winkerbean was so bad that even if this were based on something that actually happened to somebody it didn’t matter. None of us were buying it. And then he got captured by More Enemy Forces and held for … a very long time.
It’s hard to say how long. While Wally Winkerbean was off in Enemy Forces hands the strip did its second big “time jump”. This was a half-considered flash-forward after the Death Of Lisa Moore, Who Somehow Keeps Appearing In The Comics A Lot Considering How Dead She Is. The purpose of this was to allow Les Moore to transition from being a widower traumatized by his wife’s recent death from plot cancer into being a widower who’s somehow not even remotely over his wife’s death ten years before. I mean, to an extent I’m sympathetic. Should I outlive my love by a decade-plus I know there will be days I will be miserable, like anniversaries and my love’s birthday and some other special days. “Special days” does not mean, as it does to Moore, “weekdays, plus Sundays, and Saturdays too”. My love understands: a decade on, there will be days I smile even without having a reason.
Anyway, during the time jump, in which Funky Winkerbean got everybody ten years older and more decrepit while sister strip Crankshaft didn’t even though the comics share a universe and sometimes cross over into each other, Wally was held captive. Was he captive for more than ten years? Or was his captivity just retconned into the recent-yet-now-technically-unseen past? Good question and nobody has the faintest idea, Wally included.
As you might imagine Wally came out of this with post-traumatic stress disorder. It’s a terrible case. Its primary trigger is being seen on-panel for his one storyline a year, which is about how he’s totally over his post-traumatic stress disorder unlike when he thought he was last year and now he’s ready to take some classes at Local Community College. And then we got to last week’s iteration of the story, in which Wally’s regularly present female companion of some relationship interrupts Funky’s work on his Tiny Laptop with a plan that can’t in any way possibly go wrong:
OK. Since the second Time Warp (the first one was in the early 90s when original characters finally graduated high school, then came back to work at the high school and suffer for it) Funky Winkerbean has moved away from its Misery Porn incarnation. It’s been much more about aged people sitting around being depressed. Also about praising this imaginary comic-book franchise named Starbuck Jones that’s produced some nice looking Silver Age-style covers and no actual stories. And the occasional halfhearted attempt to bring back the pre-1992 era’s flights of fancy and even whimsy. And yet I keep looking back on this strip and, well, see the subject line here.
If you have any explanation you’re doing better than Tom Batiuk.
SPOILER: Nothing went wrong and Wally is totally over his post-traumatic stress disorder unlike when he thought he was last year and now he’s ready to take some classes at Local Community College!
OK, first, I want to alert people to some of my mathematics blog entries. These are the comic strip roundups, and I get to talk a bit about what makes them mathematical and, sometimes, even what makes them funny. There was one back on Tuesday, yes, but it was a busy week and I had another installment on Saturday which I padded out to appear on Sunday too. Though there were more strips than I expected so this split was kind of legitimate after all.
Now, in other news, I’d been quivering with impotent fanboy rage over the past week’s run of Funky Winkerbean, by Tom Batiuk. As you might have noted if you read any comics blog ever, the strip has long been a soap operatic parade of misery and doom, interrupted by confusing “time warps” where the characters suddenly get ten years older and more decrepit while their backstories make slightly less sense. Though since the last time warp Batiuk has been going on a slightly different tack: instead of every character suffering personal injury and professional humiliation, they’re instead being given exactly what they might dream of, only to have it shrivel up and die in their hands. It’s an exciting bathetic direction to take.
This brings us to the past week, in which Boy Lisa — the kid who appears in ever-receding shade in the above strip — finishes illustrating the graphic novel Les whipped up as a belated first and second anniversary present for his wife Cayla last year. And, yes, he forgot his first anniversary. This is because Les is obsessed with his dead first wife Lisa, who died, in-strip, eighteen to twenty years ago. And yet Lisa is ever foremost in his thoughts. He wrote a successful book about how she got breast cancer and died. He does a charity run every autumn. When he was put in charge of the high school reunion he made sure the memorial wall to Lisa was adequate, but failed to actually book a venue to host it. He chats with her ghost on a surprisingly regular basis. He was somehow around when a made-for-TV adaptation of his book collapsed just as he was angst-ridden over how they were disrespecting her story. He says more to and about her than he does to his actual present wife, a woman whom I hope has more to live for than the attention and affection of her defectively-eyebrowed husband.
And the strip has given Les the terrible, ingenious idea to have Les write some more about Lisa. (Here’s how they met: they had a class together. Later, she left the school because she was pregnant, but Les ran into her.)
This can’t all be coincidence, right? The ironic reading of Funky Winkerbean is one of the Internet’s largest growth industries — you’re part of it right now — and he’s just decided to give up and write for that readership, hasn’t he?
So, Wednesday’s Funky Winkerbean, by noted depression advocate Tom Batiuk. It’s not funny, to start with. It’s less so because a couple months ago Batiuk ran a sequence where the coach was recruited by the head of the Diversity University-Ironton — GET IT? GET IT? BETTER SAY YES — “Fighting Consensus Builders”, which was apparently intended to be the actual literal name of the Diversity University-Ironton DO YOU GET IT YET? football team, and because the team at the high school where all the characters slouch towards death together is literally the “Scapegoats”, so with “Scapegoats” and “Consensus Builders” as actual team names is “Chances” really that inherently implausible?
Anyway, I’m captivated not simply by its general badness, or how everyone is gathered around the world’s itty-bittiest dining table ever, but by wondering what was the topic of conversation which caused the long-faced Optimism High character, whose name, and I swear I am not making this up, was “Mason Jarr”, to decide the logical next thing to say was, “My high school was called `Optimism High’ and the football team was `The Fighting Chances’.” And now that I hopefully have infected you with the problem of worrying what the setup was, I hope that I don’t have to think about it any further. Thank you.
 See, the reason this is funny is because the comic strip’s title character is a recovering alcoholic, and another character lost her arm, and her ability to play the flute, and her chance to go to Julliard, to an accident caused by drunk driving. The drunk driver then joined the Army and went to Afghanistan where he was kidnapped and held prisoner for years. After his release he was sent to Iraq where he was kidnapped and held prisoner again, for even more years, after which he came home to find his wife, thinking him dead, had remarried and wanted nothing to do with him, and I am not making up a syllable of this. See how funny a name Diversity University-Ironton is now?
So in all the anticipatory fuss about the comic strip The Better Half coming to its kind of noticed end after 58 years, which is nine years longer than Peanuts, is that another longrunning comic strip you kind of remember seems to be vanishing.
The past week, Bill Asprey’s Love Is…, which is not just a Simpsons joke about two naked eight-year-olds who are married but is actually a thing that exists in the real world, has been rather less obviously existing. It used to appear on gocomics.com, and stopped about a year or so ago; it’d since been appearing on comic sites for newspapers with the right Comics Kingdom subscription, but now that’s gone too. Their official web site still exists, but it’s useless, and if it contains any daily comics I can’t find them.
The comic strip began as a set of love notes that Kim Casali wrote her future husband, Roberto, and it emerged into the newspapers in early 1970. When Roberto was diagnosed with cancer Casali brought in Bill Asprey to work on the strip, and he’s been producing it since 1975, facts which I think add a useful bittersweet touch to a comic strip that’s otherwise very lightweight. Of course, the strip has been running for 44 years now, 17 years longer than Walt Kelly’s Pogo originally ran, and trying to think of something like 13,700 illustratable one-panel expressions of love (the strip doesn’t run Sundays) is a pretty difficult task.
I have no idea what’s happening with it: whether the strip is going out of production, whether its Tribune Media Services syndicate is repositioning it, whether it’s changing syndicates, whether it’s becoming self-syndicated, whether something else is happening.
Since I don’t want to just point you to the lastest roundup of mathematics comics over in my other blog without something that’s also entertaining, let me give you this Sunday’s Funky Winkerbean. Every time you think Tom Batiuk’s produced the most depressing Funky Winkerbean ever, along he comes with the most depressing Funky Winkerbean ever.