What’s Going On In Judge Parker? When will the pandemic reach the story strips? January – April 2020


So here’s the thing about comic strips: they have lead time. Cartoonists can work as far ahead of deadline as the like, but deadline for weekday comics is about two weeks ahead of publication. It takes time to distribute and print. Note that comic strips are usually in the sections of the paper that are not so time-sensitive. Especially the Sunday comics. So they get printed when the presses are available. Sunday comics, with color done on purpose, need more time: on average about two months.

Cartoonists can respond to emergencies. A few months ago Patrick McDonnell cancelled a Mutts sequence in which Mooch dreamed of being in Australia, in deference to the wildfires. Story strips have a harder time doing sudden changes like that. This especially since most of them have weekday and Sunday continuity tied together. Terry Beatty, of Rex Morgan, M.D., recently wrote about this lead time. The just-begun Truck Tyler storyline will not even mention Covid-19 until its end, the 31st of May. This even though it’s the story comic for which the pandemic is most on-point.

So, that Francesco Marciuliano and Mike Manley’s Judge Parker mentioned social distancing means they are doing some astounding last-minute rewriting. But that’s also happening in my future too. If you’re reading this essay after about July 2020, and there is a time after July 2020, you’ll see how the pandemic plays out in an essay at this link, I hope. For now, let me catch things up for the last three months which began twenty years ago.

Judge Parker.

20 January – 12 April 2020

Last time, Retired Judge and original protagonist Alan Parker figured to run for Mayor of Cavelton. This despite that thing where he’d been incarcerated for helping an arms merchant fake his death to avoid rival terror gangs. And only got out of jail because said merchant of death blackmailed a judge. That sort of baggage. Meanwhile, Sophie Spencer is still recovering from her months-long kidnapping at the hands of her mother’s previously-unsuspected half-sister. She can’t understand even thinking about going to college. She talks to Abbey about not going to college, which turns into an enormous ongoing explosion. Everybody’s mad with everybody else. Also meanwhile, Neddy and Ronnie sold the premise of their series, about April Formerly Parker, to a studio that doesn’t want their script.

Sophie, counting off her fingers: 'OK, as a campaign manager you're going to need political consultants, communication, financial, legal and technology departments, a constant on-the-ground presence with a storefront campaign office, and activists who --- ' Abbey: 'Sophie, instead of finding all these projects to work on, if you'd just focus on your college applications ... ' Sophie: 'OK, one, you didn't mind when that project was your B-n-B. And two, I told you, I'm not going to college.' Sam Driver: 'Okay, Okay ... '
Francesco Marciuliano and Mike Manley’s Judge Parker for the 31st of January, 2020. I didn’t get much into how spikey the relationship between Sophie and Abbey has gotten, but it’s pretty important. I don’t think there was a single interaction between them the past three months that didn’t end in someone having to break it up, or storm out of the room. So that’s an important level to remember for the future.

Alan talks with his son Randy Parker about his mayoral ambitions. Randy points out the idea is stupid and crazy. But, hey, what’s life for if not doing the stupid and crazy thing? Alan wants Sam Driver as campaign manager. Sam thinks it over. This gives Sophie the idea it might be fun to run a campaign. She works up a Leslie Knope file of campaign plans, and Sam takes that and the job.

In Hollywood, Neddy Spencer and Ronnie Huerta have mixed news. Their April Parker-based show is developing into a pilot. Nothing of their work is getting in, though. Except that the studio likes Cavelton, as a place, and figures to shoot on location. At least for the pilot. And use Neddy especially as scout for good locations and bits of local color and all. They get a story-by credit and a mission of finding places that will look good on screen. Ronnie mourns the loss of her Los Angeles apartment and their move to Cavelton. This seems to me premature; even if they do have to live in Cavelton for months, that is only months. They could at least ask the studio to cover rent.

[ Ronnie and Neddy discuss their meeting with the studio.] Ronnie: 'How can you be happy with how that went?' Neddy: 'What are you talking about? We may get to be on the writing staff of a TV show!' Ronnie: 'In Cavelton.' Neddy: 'Don't knock my hometown! And I thought you found Cavelton charming!' Tonnie: 'To visit! I didn't move from my rustic hometown to L.A. to then move to some other rustic village. And even you said you were happier in L.A.' Neddy: 'OK, one, it's not rustic, it's bucolic. And two, I'm happy to be in L.A. for the opportunities. And this is a killer opportunity, Ronnie!' Ronnie: 'I bet Cavelton is either too hot or too cold most of the year.' Neddy: 'OK, can we talk about anything except how much you don't want to be where I'm from?'
Francesco Marciuliano and Mike Manley’s Judge Parker for the 16th of February, 2020. I get where Neddy is coming from, because I’m from New Jersey, and I like that fact. And when I tell people where I’m from, I don’t get a lot of “Oh, that’s great, I always wanted to visit there someday.” What I get is “Really? But you don’t sound like you’re from New Jersey, you sound like you’re from … uh … ” and then they give up, raise a distraction, and run from the room.

Alan Parker announces his “possible” run. Local News anchor Toni Bowen reports this, while showing footage of him going into custody for helping an arms dealer. And interviews his judge, who Sam Driver got blackmailed off the bench. Alan’s hurt. Driver asks what he thought was going to happen. And that Alan has to make clear what it is he thinks is so important that it takes him to do it.

Sophie tries to recruit Honey Ballinger, another survivor of the kidnapping plot, to campaign. Ballinger points out she should research the other candidates and not just support the one who’s family. Sophie wonders why Alan Parker isn’t volunteering to support someone then, instead of going straight for power.

Bowen: 'What is it with the men in this town?! Your dad thinks he should just be handed yet another opportunity in a world where most people don't get a first crack at anything. You're so solipsistic you're clinically incapable of empathy. And Sam is so arrogant that he thinks asking for a favor should get him a reward. You three are the incomplete Mount Rushmore this town deserves --- a monument to the spiritually destitute who keep demanding that statues be made in their honor.'
Francesco Marciuliano and Mike Manley’s Judge Parker for the 6th of March, 2020. Randy Parker runs after her, sputtering, “But ever since Marciuliano took over it’s way less like that! We have buildings fall into sinkholes and stuff like that! It’s different now!”

Randy Parker goes to ask Toni Bowen what her deal is, exactly. Why so mean to his father? I mean, Randy and Bowen used to date, so what’s wrong? She unloads on him: he may be the protagonist but that doesn’t mean everyone he hurts doesn’t count too. After telling him off and leaving, she realizes she’s still ranting at him in her head. She wants to do something useful with this anger at entitled elitists. But she settles for writing an op-ed piece instead.

Identifying the ways society is screwing up for everybody but the elites does bring some response. Her boss at the station is upset that Bowen’s getting unauthorized attention, and puts her on leave. Meanwhile, Sophie notices Bowen’s editorial and thinks: now that’s a mayoral candidate. She goes to Bowen, who wants to know why everyone in the Parker-Spencer-Driver nexus is stalking her. Sophie argues that if Bowen believes in what she wrote, then, she’s got the chance to do something. And, a few weeks (story time; reader time it’s the next day) the Toni Bowen for Mayor campaign office opens. This despite the candidate not being completely sure this is a good idea.

At the small, nearly deserted Bowen campaign office. Honey: 'Soph, what are we doing here? Our own candidate doesn't even seem to want to run.' Sophie: 'Honey, remember why we're taking a year off before college --- to find ourselves! And what better way to do that than to fight for a cause we believe in!' Honey: 'By 'finding ourselves' I meant traveling while having the occasional euphoric epiphany at a charming cafe.' Sophie: 'Well, once we have a bigger staff we'll be able to take some time off.'
Francesco Marciuliano and Mike Manley’s Judge Parker for the 26th of March, 2020. There is a really intersting campaign dynamic here, since Bowen is basically running to spite her boss. Sophie is there because she needs a Project that is Anything But College, in part to spite her mother. And Honey is there because … well, she feels like she should be friends with Sophie, but doesn’t much care about who gets elected. It’s got to be fun to write, given all the dramatic potential. I don’t blame readers who decide this is going to be too messy and perilous to enjoy reading, though. Also, Honey is a senior in high school. I grant there are 18-year-olds who will string together a phrase like “occasional euphoric epiphany”; I was one of them. But absolutely all of us, me included, need to knock that off.

Alan Parker’s campaign gets under way too. This with a $1,000-a-plate fundraiser at Abbey Spencer’s newly-opened bed-and-breakfast. The one that was formerly a barn. Channel 6 reporter Not Toni Bowen sets up a nice softball, letting Parker present this as celebrating local small business owner. You know, Abbey Spencer, millionaire and mother of Toni Bowen’s campaign manager.

And the TV crew finally settles into town, ready to start filming. Kat Alyson, playing Neddy Spencer, is thrilled to meet Neddy Spencer. Alyson bubbles over in that excited, outgoing way that makes me terrified of someone. Huerta finds Alyson surprisingly attractive too. I’m sure this will not make for any weirdness in her relationship with Neddy or anyone else, ever.

Filming is a big deal for Mayor Sanderson, who insists it’s a great deal for town. Sure, the TV production isn’t paying taxes. But there’ll be all kinds of money that falls out of the pockets of wealthy people as they waddle around filming. That’s just how tax incentive plans work. Then Sophie crashes the set, holding up a protest sign and chanting, “Mayor Sanderson is the real actor here!” She got help from that guy on Conan O’Brien’s show with the bad chants. She tries to complain about the deal, and gets distracted by it also being so cool to see Neddy on a film set.

And that gets us to the start of this week, which saw the first mention of the pandemic in the story comics. I know what you’re wondering: well, isn’t the film crew staying in Abbey’s bed-and-breakfast? My guess for that is no, because the renovations kept dragging out and the film crew would need reservations they could count on. Would have been great for Abbey if it worked that way. That’s my guess, though. We’ll see how it develops in the next months.

Next Week!

Oh, hey, how are those “great new stories and art” from the returned … oh. No, Roy Thomas and Larry Leiber’s The Amazing Spider-Man is still in reruns, and the middle of a story. So I can really write up next week’s plot recap today and not miss anything. Well, I’ll keep stirring those ashes a bit yet.

What’s Going On In Rex Morgan, M.D.? Did Aunt Tildy get together with that wrestler? January – March 2020


And hi at last, people who want the story in Terry Beatty’s Rex Morgan, M.D. explained. This post’s written in late March 2020, so if you’re reading this in some far-future decade like May 2020 it may be so out of date that it’s useless. In that case, though, if I have a more recent plot summary or news about the strip it should appear here. I hope that helps. If you prefer some mathematics with your comic strips, please look over at my other blog, as it’s got that. Thank you.

Rex Morgan, M.D..

5 January – 29 March 2020

Aunt Tildy had just moved in last time I looked at Rex Morgan, M.D.. For what purpose, and for how long? I forecast we’d have some idea by March. All our other plans for March went wrong, but this one? This one came out perfect.

Aunt Tildy settled in fast, and peacefully. Making breakfast, offering to watch the kids instead of sending them to daycare. Watching wrestling on TV. Passing out watching wrestling on TV, surrounded by cans of something.

Kelly has picked up the kids from school and daycare. Kelly: 'OK, Mini-Morgans, let's get inside. I want to meet this Aunt Tildy person.' (Tildy's sprawled out across the couch, snoring, cans spread over the floor.) Mike: 'Aunt Tildy sleepin'! John: 'Snorin'! Kelly: 'Yeah ... you guys go upstairs and play, OK?'
Terry Beatty’s Rex Morgan, M.D. for the 10th of January, 2020. Little plot thread here is Kelly put in an urgent call to June Morgan. She failed to check that the cans were a soft drink. That’s made more plausible by explaining that Aunt Tildy was drinking a weird minor soda, so it makes more sense that Kelly wouldn’t recognize the label and assumed the worst but … like … are there a lot of sodas you’d think were beers if you looked at them more than five seconds? Maybe some root beer labels would be confusing but I’m not sure the premise really holds.

Don’t worry; it wasn’t demon alcohol. It was her favorite pop that she can’t get at home anymore. I understand; I live in mid-Michigan and I actually know a couple spots where I can get Moxie. Anyway, we aren’t told that it’s Faygo and that Aunt Tildy is a secret Juggalo, but, you know. Media literacy, people. Read the inferences.

Aunt Tildy fell asleep in the afternoon, like anyone might. Still, Rex Morgan presses June for details like … how old is she, anyway? June’s not sure. She remembers that when she was a kid, Aunt Tildy was forty years older than dirt, so that’s something. Well, how long does she plan to stay? June doesn’t feel comfortable asking that. Why is she here? Aunt Tildy says, no special reason, just she hasn’t seen the kids and she could die anytime, so why not now? She means why not see them now.

A lot of this storyline was Rex Morgan being all miffed that Aunt Tildy is around, and this was great. I mean, absolutely I understand the discomfort of having a houseguest, especially one you don’t really know. Especially when there is no way of guessing how long until they leave. But the amount of peevedness he brings to a houseguest who is family, who’s entertaining the kids, and who’s volunteering to household chores is great. It’s the sort of disproportionately strong emotion that makes for hilarious soap-comic reading.

June and Rex discuss Tildy's heath concerns. Rex: 'Some of those symptoms could be cause for concern. The vision issue could b cataracts.' June: 'Of course. But none of it sounds like anything that places her on death's door.' Rex: 'Well, who'd have guessed such a big fan of pro wrestling would be so dramatic?'
Terry Beatty’s Rex Morgan, M.D. for the 27th of January, 2020. Am I alone in noticing, though, that soap comics and pro wrestling rely on some of the same tools. Preposterous characters, particularly, with bombastic displays of emotion, and serving storylines that may get involved but that are always easy at any one point for a newcomer to drop into are important to both.

June and Rex Morgan recognize the plot tokens, though. If Aunt Tildy doesn’t know how long she has left, why is that? They arrange for a doctor to look at her, and Rex Morgan does too. It turns out she’s sixty years older than dirt, but that’s not any specific problem. There’s a backlog to date Zak, but there’s no reason to think her condition needs to date Zak right away. So, cool.

That seems to leave the story becalmed, though. So it’s time to hire a new character. He shows up the 2nd of February. Rex Morgan’s next patient is Andrzej Bobrowski, who’s outlived yet another doctor. So he’s here to let Rex Morgan die. Again, a wonderful disproportionately strong emotion to the scene. Great setup. Bobrowski is in great shape, considering he’s sixty-two years older than dirt. His only problem: the knees he wrecked in his thirty years as a pro wrestler.

Rex Morgan mentions how his wife’s aunt is a huge wrestling fan and will be thrilled to hear about meeting a wrestler. Bobrowski says not to use his real name, since who’d know that? Use his stage name: Count Crushinski. And here’s where the actual plot tokens come into play. June had remembered that Aunt Tildy was, reportedly, once married to someone called The Count. And … wait, no, seriously?

Rex: 'You wrestled as a character called The Count?' Bobrowski: 'Couch Crushinski, yes. Ridiculous name, but it sold tickets.' Rex: 'You wouldn't happen to have known a woman named Tildy, would you?' Bobrowski: 'I was MARRIED to a woman named Tildy! Why do you ask?'
Terry Beatty’s Rex Morgan, M.D. for the 8th of February, 2020. “Hey, don’t talk to me about Count Crushinski being a funny name. I’ve been dining out on ‘Rex Morgan’ for maybe seventy years if we ignore that weird retcon?”

Well, I didn’t see it coming, but in my defense we only knew Bobrowski was a wrestler for like three days before the revelation. Further revelations: Bobrowski regrets how he threw away his relationship with Tildy. He was unfaithful, she divorced him for that, and she was right to do so.

Still, he’d like the chance to apologize to her. Rex Morgan is glad to sound her out, possibly because he figures this is the easiest way to get Aunt Tildy out of his strip. Aunt Tildy, hearing that Bobrowski was there, calls him a rat, a stinker, a jerk, and a cheater. But she is interested that Bobrowski owned up to being wrong, and wanted to make amends. And, you know, it takes courage to reach out to someone you’ve hurt, and takes courage to admit your own screw-ups. It’s good to have courageous people in your world.

Aunt Tildy: 'You really want me back, Andrzej?' Bobrowski: 'More than anything, Tildy.' Tildy: 'Hmm ... let's see about that.' (They kiss.)
Terry Beatty’s Rex Morgan, M.D. for the 7th of March, 2020. So, you know? Seeing him? Sure. Kissing him? All right. Dating him again? Yes, worth a try. I wouldn’t move in with him right away, but Tildy is comfortable with shrugging and leaving again if it doesn’t work out. I understand there are people comfortable living like this. I am not one of them.

So she agrees to see him. It’s hesitant, for a bit, but … you know, it goes well. In a couple hours Aunt Tildy’s packing her bags, moving out of the comic strip and into Bobrowski’s place. Soon, she’s managing Bobrowski’s autograph-signing sessions. Rex Morgan can get back to buying pulp magazines and not wanting to talk to people. Anyway, I’m sure we’ll check back in on them when the next Gathering of the Juggalos happens, and aren’t you dying to see Rex Morgan in that crowd?


The 22nd of March I’m going to declare the start of the current storyline. But we saw the handoff more gradually, revisiting seeing (from the 17th) Buck Wise and Hank Harwood. Buck is off to see roots country performer Truck Tyler play. He never misses Tyler when he’s in town, and Tyler remembers him.

Tyler’s doing the show on his own, no band. This was mentioned in a daily strip (the 27th, Buck talking with Truck) and a Sunday strip (the 29th, Buck talking with a different friend). So that sure looks like it’s a something. We’ll know, if anything goes to plan, by June 2020.

Next Week!

How did the struggle between Alexa “Alexa” Watson and Chris “Schuring” Schuring” for valedictorian turn out? And will we see the storyline about high school sports cut short by the Covid-19 epidemic? Probably not by next week, but, I’ll be reviewing
what’s going on in Neal Rubin and Rod Whigham’s Gil Thorp soon.
Thanks for reading.

What’s Going On In Rex Morgan? Did Mindy give birth yet and who’s Aunt Tildy? October 2019 – January 2020


Hi, person looking to find out what’s going on in Terry Beatty’s Rex Morgan, M.D.. This plot recap will get you up to speed for early 2020. If you’re reading this in or after April 2020 there’s probably a more up-to-date plot recap at this link.

Any old week, though, there’s likely fresh mathematically-themed comic strips reviewed on my other blog. Thanks for considering reading that.

Rex Morgan.

13 October 2019 – 5 January 2020.

Last time I checked in we were at the start of a new plot. Mindy Wise’s pregnancy had come to term. Also Mindy Wise was pregnant, to her and her husband’s surprise. She thought, given her polycystic ovarian syndrome, she couldn’t get pregnant. No; it was improbable is all.

The strip told Mindy’s pregnancy in flashback. There’s good reasons for this. The point of the story is that she had a difficult pregnancy, with many alarming incidents. The point was that her having a safe delivery was uncertain, and every incident made it less probable. If you suppose Terry Beatty is too kindhearted a writer to give a pleasant person like Mindy Wise (or Buck) a bad end, then none of this could work for you. If you remember he had Millie Gray die days after reconnecting with Hank Harwood, you’re less sure about how kind a world Beatty writes.

[Rex has met the doctors who ran tests on Mindy.] Rex: 'Let me try to summarize their findings. You're exhibiting some classic symptoms of pulmonary hypertension.' Mindy: 'And those are?' Rex: 'Your pulmonary pressure is high. Shortness of breath. Dizziness. *But* you don't have clubbing in your fingers or swollen ankles, and no chronic cough. So there's reluctance to diagnose this as pulmonary hypertension.' Mindy: 'So if it's not that, then what?' Rex: 'I suggest the best course is to proceed as if this is PH, and take all the precautions to keep you and the baby safe.'
Terry Beatty’s Rex Morgan, M.D. for the 3rd of November, 2019. So yes, this is some more of Rex Morgan not taking the lead in doing medicine in his own comic. But he is a family practitioner, after all, and is most plausibly able to explain what specialists know to a lay audience. Also I appreciate that the diagnosis is a confusing thing, with uncertain evidence. This reads as more real to me than a clear-cut case would be.

But also: why tell this in flashback? I believe because its events have to span about nine months of character time. This could be told in sequence, interspersed with other stories. But most of the recent Rex Morgan, M.D. stories have been things that span a couple of days. Maybe a few weeks for the Serena Galexia/Rene Belluso story. The incompetent coffee-shop robbery didn’t even take a day. Mister Cranky and the emergency plane landing took something like a week, from emergency to Rex Morgan getting his suitcase back.

Either Mindy’s pregnancy has to fit in incidents in-between stories for years of reader time or it has to be in flashback. Yes, it’s the same amount of character time since we last saw the Wises. If I haven’t missed something that was their Las Vegas Elvis wedding, in summer 2018. But most readers are forgiving. If you don’t force them to acknowledge an inconsistent timeline, they’re mostly not going to notice.

So, incidents. Mindy fell down stairs and had a small placental tear. With bed rest that healed up. They get back to normal, and Mindy goes back to work at the antiques shop. It doesn’t last: Mindy’s exhausted at work, and gets dizzy. There’s a battery of tests. The cardiologist believes that it’s pulmonary hypertension, but the evidence is inconclusive.

Terry Beatty’s Rex Morgan, M.D. for the 19th of November, 2019. Actual footage of me guessing to my love that the windshield wiper probably didn’t actually need the part that just flew off while we were merging onto the Interstate. Spoiler: the windshield wiper did need that part.

Rex Morgan gives the summary. The safest course is to treat it as though it is pulmonary hypertension. Mindy is to have bed rest until the pregnancy comes to term. Also, no salt. Also, only lukewarm showers. And no standing for more than 15 minutes at a time. I could probably manage the no-salt diet but the rest of this sounds resolutely miserable to me, too. Also, it’ll be a caesarian section, as safer than a natural birth. Also, several ultrasounds a week.

Buck tries to stay positive and supportive. So does his son Corey. There’s still trouble, though. A late echocardiogram shows her heart’s swollen. The doctors recommend moving up the C-section. And that’s where we get to the start of the story’s frame. Rex Morgan isn’t part of the C-Section team, of course. He’s just there to provide moral support and exposition.

[The C-Section is under way!] Surgeon: 'Baby's coming out now. Mr Wise, you might want to get your camera ready.' Buck: 'Oh my!' Assistant: 'Here's your new baby girl.' Buck: 'You did it, honey. She's here!' (Takes a picture.) Mindy: 'Our girl.'
Terry Beatty’s Rex Morgan, M.D. for the 5th of December, 2019. By the way, this is the first that the Wises know the sex of their child; it had never given a clear sonogram despite the many examinations Mindy had during her troubled pregnancy. There had been some scenes of Buck trying to avoid thinking up names for the child, and that they didn’t know whether to anticipate a boy or girl was one point he used to not think about the question.

And then? You know what? It’s all pretty easy. The child’s delivered in a few days of reader time. Mindy’s blood pressure drops to normal, and her heart returns to normal size. The cardiologist supposes this was pregnancy-induced pulmonary hypertension. It’s not liable to be a lingering problem. This sounds to me like medical stuff, so I can’t dispute its plausibility. And now they can think of baby names. Mindy proposes Angela, and that’s that.


That, the 16th of December, wraps up Mindy’s pregnancy. The next story was Christmas with the Morgans. Young Sarah proposes getting a puppy. They have the one dog already, after all, so what’s one more? She presses this quite hard. Her parents resist for a few days, reader and character time, and then decide to adopt from the animal shelter. Sarah names the dog Candy.

Child's-style drawing of Sarah Morgan's Diary: 'We had a nice Christmas. Johnny's grandparents came to dinner. We got a LOT of presents. And we got a NEW PUPPY!' (Shows Sarah hugging a dog, surrounded by hearts.)
Terry Beatty’s Rex Morgan, M.D. for the 26th of December, 2019. Johnny is the Morgan’s other boy, adopted in a story in early 2018. Arnold and Helen are Johnny’s biological grandparents, who briefly contested the adoption before concluding they weren’t up to handling a new kid.

And the 29th of December starts the new adventure, as an explosively energetic woman arrives at the door. It’s June’s Auntie Tildy, come for the visit promised in the letter they never received. She’s not “really” June’s aunt. (I grew up with a lot of friends-of-my-parents dubbed aunt and uncle. A part of me can’t believe in people who try to pin these words down to specific blood relations.) She’s just one of those vague relations who’s having a more exciting life than the rest of us, and she’s here for … who knows how long, and for what purpose? We should have some idea by March. See you then.

Next Week!

So what does it mean if Chance Ballard ever got “blowtop mad”? What has the head of the school board found out about Coach Thorp? How’s the football season turning out? All this and more next week, I expect, when I look at Neal Rubin and Rod Whigham’s Gil Thorp, barring surprises. And until then there’s recaps and news about all the story strips here.

What’s Going On In Judge Parker? Why has Rex Morgan stopped updating? Is Norton gone? August – October 2019


So a quick thing that might be obsolete by the time this publishes on Sunday evening: Comics Kingdom didn’t print Rex Morgan, M.D. for Friday or Saturday. I have no idea why. I assume it’s yet another glitch with the new design web site, which has mostly gotten its glitches out of the way but is still keeping problems in reserve. Whenever Rex Morgan does publish, Friday’s and Saturday’s strips should appear in the archive. This is at an annoying moment since the story was unfolding mysteries of Mindy’s pregnancy.

As for Judge Parker. We will never see the last of Norton, not in Francesco Marciuliano and Mike Manley’s Judge Parker. Maybe under the next writer we will, but no. When we most recently saw him he was stepping up toward a person concealing a knife in her hand. There’s no reason to think that’s the end of him.

Anyway, if you’re reading this after about January 2020 I may well have a more current plot recap at this link. Older plot recaps are at that link too. Good luck finding what you really want.

Judge Parker.

4 August – 26 October 2019.

Norton Dumont, with the aid of super-secret agent Strand, had escaped from hyperprison. Retired Judge Alan Parker was in jail for helping Norton fake his death. Roy Rodgers was extending some protection to Parker. He had protection because he helped the mob kill his business partner who’d been embezzling from their firm to not pay mob debts. Rodgers was doing this for information on Marie, who’d been his wife before he faked his death on their honeymoon. And Marie had been Abbey Drivers’ housekeeper for years. I think that’s enough background for where things were as of early August, my last check-in on this plot-heavy soap. And you may not like all the plotting, but you can’t deny its soapiness.

[Norton and Agent Strand 'Confer' with Sam where Neddy's factory once stood.] Norton: 'Did you know this is where I safely brought Charlotte to the Parkers? Good times.' Sam Driver: 'So this is about April trying to take her daughter again!' Norton: 'I already told you, I made sure that wouldn't happen. Really, Samuel, mutual trust will make it so much easier for me to help you.' Driver: 'Help me? By kidnapping me? And who is this anyway?' Norton: 'Agent Strand. She's been with me for a while.' Driver: 'And it doesn't weird you out she looks almost exactly like your daughter?' Strand:' I knew I wasn't the only one who saw that!'
Francesco Marciuliano and Mike Manley’s Judge Parker for the 11th of August, 2019. I don’t know what significance we should attach to Strand resembling April Parker so. It may be meant to suggest there’s something weird about Norton, a person who’s already overflowing with weird. It may be meant to just be a strange little bit. It might be that Marciuliano and Manley didn’t think much about Strand’s design when she was a background character in other scenes but when she got more screen time they were stuck with a model and decided to rationalize that.

Norton and Strand kidnap Sam Driver while he’s trying to meet Alan Parker. Norton’s offering help getting Alan Parker out of jail. Driver suspects it’s an attempt to kidnap Charlotte. She’s Randy and April Parker’s daughter and Norton’s granddaughter. Norton insists he’s sent April Parker elsewhere.

That elsewhere is Los Angeles, where Neddy Parker and Ronnie Huerta have been trying to write a screenplay. The screenplay’s based on April Parker, of course. And April, following a message from Norton, has found it. And now that April knows it exists, she has notes. I assume this sort of thing happens all the time in Real Los Angeles too, if there is such a thing. So April gives Neddy and Ronnie her real story, if there is such a thing. When the script’s in shape she says her final farewells to Neddy. She didn’t join the CIA to protect an America that does the sorts of things America created the CIA for. So she’s leaving. Unless the rewrites screw her story up.

Neddy: 'You want to help us write our screenplay about you?' April: 'This is my story. This is my truth. And I want to make sure everyone sees the truth onscreen, not some collection of tired action cliches and uninformed storytelling.' Neddy: 'By cliches and poor storytelling, are you talking about spy movies in general or our screenplay in particular?' April: 'By page two I already had three pages of notes.'
Francesco Marciuliano and Mike Manley’s Judge Parker for the 22nd of August, 2019. I need to get one of those jobs where you just make notes on other people’s work. Doing it for free like this on WordPress is fun but it’s putting stress on my Saturday plans.

Back in Cavelton, Norton claims to want to make amends before his totally real illness totally really gets him for total real. He’ll confess to threatening Alan Parker, coercing him into helping fake his death. He didn’t, but he’s willing to lie under oath for a friend and former family. (It’s never said exactly when Randy and April Parker divorced, or how those court proceedings happened. It’s happened off-screen, we’re to infer.) Driver can’t accept him saying he’s going to lie under oath. Norton writes that off as a joke. Driver can’t see a way to get Norton — officially dead, this time by the CIA faking it — to testify. Norton says he can do it remotely. Driver gets hung up on the technical challenges of this. Norton says he can get started now.

All this kept Alan Parker from meeting Sam Driver in prison. Roy Rodgers has been pressuring Parker to get Driver to help him, and to get information about Marie. Rodgers doesn’t believe Parker’s claim that Driver didn’t show up. Rodgers calls on his mob friends, who beat Alan Parker badly enough that he’s sent to the hospital.

[ Randy sees his dad at the prison hospital ... ] Randy: 'Dad ... ' Alan: 'I'm fine, son. I'm fine. No one beat me. They just pushed me around. Tried to scare me.' Randy: 'Well, it looks like you held your own.' Alan: 'I held on to my lunch tray and kept swinging. I bet if I were younger I wouldn't even be in here, but the bed sure is much nicer.'
Francesco Marciuliano and Mike Manley’s Judge Parker for the 6th of September, 2019. So the judge overseeing Alan Parker’s case refused to have Parker kept out of the general prison population. Yes, ordinarily, someone who’d been an officer of the court for decades would be in obvious danger all the time. “But,” the judge said, “you have to remember the Parkers never do court stuff, so no prisoners have anything to hold against them.”

After having a plausibly deniable conversation with Randy Parker about this, Sam Driver agrees to Norton’s plan, whatever it is. The plan to testify in court was a sham, because of course. That was a distraction to let Strand hack Driver’s cell phone. But Norton is as good as his word, for a wonder. They’d had a judge who was refusing Alan Parker bail, on the grounds that Parker betrayed a lifetime of public and professional trust. The judge suddenly resigns. The district attorney admits to having withheld footage of Norton holding Alan Parker hostage. And there’s now recordings of Norton threatening Alan Parker.

[ Norton (walking through the woods) bids a final farewell to Sam. ] Driver: 'That's it? You leave nothing but wreckage in your wake and stroll away scot-free?' Norton: 'No one walks away from wreckage unharmed, Samuel. Even when no scars are present. I had a family and I treated them like an appendage. I had a new start with my daughter and fell back on what was familiar instead of right. And over the last few months I realized I can't go back and fix anything. But with what time I have left in the world, I can move on a better path. I've had too many chances in my life to expect another. So I keep walking, hoping to do right by the few I never meant to hurt, even if it kills me.' (Norton and Strand walk up to Candace Bergen's apartment. She conceals a knife in her hand.)
Francesco Marciuliano and Mike Manley’s Judge Parker for the 22nd of September, 2019. So what odds do you give that next time we see Norton it’s with Agent Strand having learned she’s April Parker’s previously-unsuspected twin? Or is that too many unknown sisters in too short a time?

In what he claims will be a last conversation with Driver, Norton says he regrets everything. All the ways he screwed up his daughter’s life. Wrecking the Parkers’ lives. Everything And he walks up to the cabin of April’s Mom, Spy Candace Bergen. Which is the last we’ve seen of them, at least as of the 24th of October when I write this.


The 23rd of September opened with the feeling of another time jump. Although since it has Alan Parker hugging his granddaughter and talking of how he missed this, it can’t have been that long. Also, Abbey’s big project has been a success. She was thinking to run a little bed-and-breakfast out of the Spencer Farms. It’s been successful, and much more work than Abbey imagined.

Over lunch with Marie, Abbey admits how much she’s not keeping up with this. Also how, so far as she is keeping up, it’s because Sophie is masterminding things. Which is great, except that Sophie’s a high school kid. She’s not thinking about college or anything about her future, and refuses all entreaties to. This is understandable. She had been kidnapped and tormented for months by Abbey Spencer’s previously-unsuspected half-sister. As were her friends. But, you know, you can’t go about working instead of talking over feelings with other people, people keep telling us stoic types. This infuriates us, but what are we going to do? Complain?

Marie: 'Funny you should mention wanting to spend more time together, Abbey. My social work school program is ... not cheap. And while my field placement does take up quite a few hours, I ... well ... I could be persuaded to work part-time at the B-and-B if you're looking to hire.' Abbey: 'I'm passing you a proposed salary. It's actually a blank piece of paper, so you write whatever number you see fit!'
Francesco Marciuliano and Mike Manley’s Judge Parker for the 5th of October, 2019. One small recurring theme of Marciuliano’s writing that I do like is characters having these nice big bold ideas which, they learn, are more tedious and more difficult than they realized, and having to back down from the great ambitions. It’s an echo of the crazification-and-retrenchment pattern in the plotting. Also, jeez, if someone offered me a write-your-own-salary I would be too embarrassed to actually ask for anything and probably would hide in the basement until the prospect of work went away.

And Marie admits it’d be nice to see Abbey more. And that … her expenses are higher than she figured on, and, you know? Maybe she could work part-time at the bed-and-breakfast and there we go. It might even open Sophie up some. Sophie is overjoyed to see Marie back around. So that goes well, right until Sophie starts talking about how she needs the help running the business.

Marie’s diagnosis is that Sophie is quite avoiding talking school. Also that Sophie’s right about the bed-and-breakfast needing to be better organized. Sophie’s plan is a bigger kitchen and a dedicated bed-and-breakfast building. Somehow they settle on converting the horse barn to rooms. This I don’t understand as I thought the point of a bed-and-breakfast was to stay in something that’s plausibly a person’s home. Also that they need a barn for the horses. Maybe it’ll come together by the next time I do a plot recap.

Meanwhile in Los Angeles, Neddy and Ronnie keep shopping their script around. The feedback is brutal, and worse, neither of them say it’s wrong. The most devastating critiques are the perceptive ones. They don’t seem to be comments people have made about the comic strip since Marciuliano took over the writing, by the way. They’re in-universe complaints. But they finally got a callback this past week! It’s Annada Pictures, who I assume are hiring Neddy and Ronnie for that big Lisa’s Story project that somehow has come back into Funky Winkerbean. I’m not saying I want Norton back, but if it involves him kidnapping Les Moore, I could get on board.

And that’s where we’re at now.

Next Week!

We have yet to see The Amazing Spider-Man “return” with “great new stories and art”. Or to hear any news about when it might. Still, I intend to recap Roy Thomas and Alex Saviuk’s Amazing Spider-Reruns next Sunday, barring breaking news. And as ever, I keep up-to-date on mathematically-themed comic strips on my other blog. Thanks for reading.

What’s Going On In Rex Morgan, M.D.? Why is the mob after Rene Belluso? July – October 2019


Thanks for being here, readers of Terry Beatty’s Rex Morgan, M.D.. This recap should get you in touch with the story as it exists in mid-October 2019. If you’re reading this after about January 2020 I probably have a more up-to-date recap at this link. That might be what you need instead.

On my other blog I read the comic strips for their mathematical content. You might find that fun too.

Rex Morgan, M.D..

22 July – 13 October 2019.

Rex Morgan, M.D., was going to face down Serena Galexia, center figure of the Celestial Healing movement. This on behalf of Lana Lewton. Lana’s husband Merle has gone all in for Galexia’s spiritual healing of chemtrail toxins. The process costs only all the cash he can get. Galexia is holding an in-person seminar, in town, right soon. Merle wants Lana to attend. Lana wants Rex to come so he can write up a thoughtful rebuttal for Skeptical Inquirer.

Angie: 'The meeting room is looking good, Rene. Er. Brother Almonzo.' Rene: 'Thanks - MISS GALEXIA. I want it to be just right. We're going to make a lot of dough here.' Angie: 'I hope so. I want to pay off my student loans. Who'd think art school would cost so much?'
Terry Beatty’s Rex Morgan, M.D. for the 2nd of August, 2019. Who’d think art school would cost so much? Well, anybody who’s bought any art supply, ever. I mean, just buying an eraser the size of your thumb will set you back like 25 bucks. A Strathmore 400-series 100-sheet sketchpad? That’ll run you up to $280. Want to do digital? The free drawing programs cost $2200 each. In short, if you ever commission someone to do a picture for you, tip them like 5000% of their ask price, okay?

Everyone’s excited for the show over at Galexia Sanctuary Master Command. It’s a smaller operation than you might imagine. Serena Galexia herself is someone name of Angie. She’s the public face. The mastermind of the operation is Brother Almonzo. Or, as he’s known to the strip, Rene Belluso.


We last saw Belluso about two years ago. He was forging 50s comics art “Horrible” Hank Harwood pages as part of a scheme to break up Buck Harwood and his girlfriend Mindy. Before that, Belluso had last been a regular player in the strip from 2014 to 2016. Belluso was introduced by the former writer, Woody Wilson.

The last few years of Wilson’s writing saw a lot of people finding reasons to throw incredible good fortune at Rex Morgan and family. In particular, young Sarah Morgan turned out to be an artistic prodigy. A local mob widow took an interest in her, and sponsored art lessons. Her tutor: Rene Belluso. When Terry Beatty took over writing much of the over-the-top stuff got dialed down. Sarah Morgan’s artistic super-geniusnessocity, for example, got wiped out by a car accident that gave her Soap Opera Amnesia. She forgot a year of her life and how to draw.

[ Rene has exited the studio via the fire escape ] Mobster 1: 'Mr Belluso isn't here?' Kelly: 'No --- we don't know where he went.' Sophie: 'What'cha lookin' for him for?' Mobster 1: 'Oh, Mr Belluso was supposed to collect some artifacts for me on a recent trip to Moscow, but it seems he never made the trip.'
Terry Beatty’s Rex Morgan, M.D. for the 25th of July, 2016. I bet this guy is upset he didn’t hire Boss, Jefe, and Juanito over from off of Mark Trail.

On the way to this, one of Sarah’s painting lessons got interrupted. Two rather grim-looking men pulled up in a car, and that freaked Belluso way the heck out. He apologized, said Sarah might not ever see him again, pulled off his wig, and bugged out of the strip for a while. The men told Sarah and her babysitter Kelly that Belluso had pocketed the money given him to buy some stuff in Russia. This was one of the final straws before June and Rex Morgan pulled Sarah out of the mob widow’s sphere.

And once again I owe Mark Carlson-Ghost’s web site, listing appearances of characters in Rex Morgan, M.D., gratitude.. I’d earlier used another page on the site to work out the deal with Norton in Judge Parker. Thanks to Carlson-Ghost’s work I was able to track down just what was Rene Belluso’s deal.


Back to this year. Rene Belluso’s new scam is this health-scam marketing business. They’ve got the meeting room, they’ve got the merch, they’ve got a good twenty people signed up for the seminar. What could go wrong? Well, Rex Morgan could recognize Belluso right away and reveal who he is to the whole crowd. But, on entering, Rex thinks there’s something familiar about Brother Almonzo, but can’t place it. So, no problems then, right?

Galexia: 'Dear fellow travelers in this earthly realm, I have come to bring you the celestial truth. My spirit guides will speak to you this very day. Chiron and Ninazu --- whose portraits you see here, painted by my faithful servant Brother Almonzo --- will speak from beyond the veil!' Rex, thinking: 'PAINTED by Brother Almonzo? I thought that voice sounded familiar!'
Terry Beatty’s Rex Morgan, M.D. for the 9th of August, 2019. “And afterwards, we’re going off to the southwest to help Savior Z keep those alien invaders off on the other side of the Moon, where it’s safe!

But then Angie Serena Galexia mentions how Brother Almonzo painted portraits of her spirit guides, Chiro and Ninazu. That’s the clue he needed. Morgan steps over to the side and demands — he’s not sure what exactly. But Belluso is happy to refund Merle’s money, that’s doable. Rex declares no, he’s going to shut this down. Belluso makes an offer. He could give kickbacks if Morgan referred hypochondriacs their way. Morgan has a counter-offer. He won’t tell Belluso’s mobster pals where Belluso is if he leaves town and never returns. Now. Belluso takes the deal.

Merle: 'What's going on here? Why are you calling each other Angie and Rene?' Rene/Almonzo: 'Nothing to be concerned with, sir. Please make your way to the exit.' Merle: 'This isn't right. Something's up here. Are you two even the real Galexia and Almonzo?' Lana: 'Honey, don't you get it? There IS no real Galexia and Almonzo. These two are complete phonies.' Merle: 'But there HAS to be. On the podcast and the phone ... they ... I ... I don't get it.' Rene: 'I assure you all is well, dear friends, we simply must call an end to today's meeting.' Angie/Galexia: 'But if we don't sell all that merch, where am I gonna get the money to pay my student loan?' Merle buries his head in his hands. Lana says, 'Would now be a good time for Dr Morgan to tell you my blood test showed no sign of 'chemtrail poisoning'?'
Terry Beatty’s Rex Morgan, M.D. for the 18th of August, 2019. So, little tip for anyone running their own confidence scam: ahead of time, work up a vague yet plausible-sounding reason to shut down a meeting early. Maybe say a carbon monoxide alarm went off in the building and they want to be safe for everyone. Maybe that Galexia’s vague relative has had an emergency. Maybe something on-theme, like there’s been a sudden flutter in the vril levels and Galexia has to commune with Chiron and Ninazu right now. Belluso might be well-advised to take an improv class before trying performance scams like this next time.

Brother Almonzo shuts down the seminar. And her calls Galexia “Angie”. Galexia calls him “Rene” back. Merle starts suspecting something is wrong. So do other followers. You know, the way people will when something weird embarrasses someone they’ve given lots of time and thousands of dollars to. Merle pulls of Belluso’s fake beard and wig. He and Angie flee into the night.

Merle admits that yeah, he fell for an incredibly obvious scam, he’s sorry. Lana admits that yeah, Merle felle for an incredibly obvious scam. Also she’s going to grab some bath salts and candles from the merch table because, what the heck. They’re owed it.

Rex goes home and recaps the story for June. So if you wanted to you could just read the week from the 1st of September and skip this whole essay. Sorry to take up so much of your time.


With a phone call on the 6th of September the new story begins. Yes, it’s the rare midweek segue. It’s Buck Wise, reporting, “It’s time.” He and Mindy are going to the hospital.

So yeah, that was a surprise. Who knew the characters in a story comic could have sex? And in a subplot? I mean, when June was pregnant she was carrying for like 27 months and I don’t think that’s even my exaggeration.

Mindy: 'Well, it turns out my health issues won't keep me from having kids after all.' Buck: 'Really? They found some treatment or something?' Mindy: 'Not so much that. More like sometimes something that only has a slim chance of happening --- happens.' Buck: 'Wait a minute. Are you telling me what I think you're telling me?'
Terry Beatty’s Rex Morgan, M.D. for the 18th of September, 2019. It’s so funny to see Buck thinking that someone might have found a treatment that cures a medical condition. Hasn’t he caught on how that’s not revenue-effective anymore? Anyway, I do like how he’s confused and picks this all up slowly, in part because Mindy has been so indirect in giving the news.

But from that point we’ve been in flashbacks. First, Mindy having a lingering heartburn. She turns to the Morgan Clinic for medical help. June diagnoses pregnancy. Mindy didn’t think that possible, because of her polycystic ovarian syndrome. But June explains that only makes pregnancy extremely unlikely, which isn’t the same thing as impossible.

Moving forward a bit. While going out to dinner, Mindy trips and falls down the front steps. Well, if you’re going to love Buck, you’re going to fall down steps. I don’t make the rules. The emergency room says Mindy is fine, and the baby is fine, but they should get several weeks of bed rest anyway. Mindy’s reasonable question: why?

[ Mindy's time on bed rest is almost over. ] Mindy: 'I hope the doctor will give baby and me a clean bill of health.' Buck: 'Likewise. I know it's been difficult.' Mindy: 'You'd think lying in bed all day woud be a treat, until you have to do it.' Buck: 'You made a big dent in your 'to be read someday' books, though.' Mindy: 'True, and I caught up on all those TV series everyone but me seems to have seen already. And Corey taught me how to win at that Retro Cartoon Video Game you like, so next time we play, look out.' Buck: 'No time like the present. Shall we see who's the better player?' Mindy: 'Oh, you're ON, pal.' Buck: 'Let the cartoon begin!'
Terry Beatty’s Rex Morgan, M.D. for the 13th of October, 2019. So, as ever, I like depictions of married couples who just like hanging out with each other. It’s hard to figure why you’d want to marry someone you didn’t like just being around. Distracting me, though, is the vagueness of Mindy’s interests. To talk about a pile of ‘to be read someday’ books is fine; that’s how normal people will talk about games. And ‘tv series everyone else but me seems to have seen already’? Also fine. Earlier in the storyline she referred to her DVR backlog shows as ‘Zombies, Women in Prison, or Kids Battling Interdimensional Monsters’. That’s genericized, but in a wryly self-snarking way that feels natural to me, like when I describe podcast genres as “three white guys laughing at each other” or “one guy trying to remember the things he wrote down in the notes he doesn’t have”. But. “that Retro Cartoon Video Game”? No, that’s too far. Pick an actual game, or make it “those retro cartoon video games”, or make up something that sounds like it might’ve been a game. Don’t do that Herb and Jamaal stuff.

The ultrasound showed a very small tear in the placenta, which should heal on its own, but they’re cautious. Fair enough. The strip since then has been Mindy trying to actually get bed rest. It’s a tough prescription to get, because nobody believes how fatiguing that is.

And that’s where the story is right now: in the flashbacks of Mindy getting bedrest, while she’s actually getting to the hospital. Everything seems all right despite the mishaps. But I have no information on whether that’s a fake-out ahead of a suspenseful delivery scene or what. You’ll have to check whatever the successor essay to this one is to know. Or just read the comic, that also works.

Next Week!

Will Hadley V Baxendale’s father accept her choice in fiancée, even though he’s an up-and-coming NBA player who’s not even playing for the Bulls? Will true love be able to handle both partners in a relationship being successful professionals? Will Mary Worth come in and throw muffins at Neal Rubin and Rod Whigam for poaching her business? We’ll see in a week, with the Gil Thorp plot recap, barring surprises. And at this link I’ll have recaps or news about all of the story comics that I cover. Thanks for reading.

What’s Going On In Rex Morgan, M.D.? What’s this Celestial Healing nonsense? April – July 2019


So here’s my long-awaited recap of Terry Beatty’s Rex Morgan, M.D.. If you’re reading this after about October 2019 I may have a more up-to-date recap, which should be posted at this link. And, if you’re thinking about mathematical comics, I am too, on my other blog. But just a little.

Rex Morgan, M.D.

28 April – 21 July 2019.

A new story was just starting when I last recapped the comic strip. That’s convenient for me. Sarah Morgan met someone new, a girl named Marti. Marti’s mother is surprised to learn that Sarah’s father is Rex Morgan. He’s Marti’s doctor, and she’s gotten medical things like shots from him. Well, people have many aspects.

Sarah: 'Hey, Dad! Meet my new friend Marti!' Rex: 'I think I already know your new friend Marti.' Sarah: 'Yeah, I forgot. She said you're her doctor.' Marti: 'Hi, Doctor Rex. I'm not sick at all today --- so I don't need any shots or pills or anything!'
Terry Beatty’s Rex Morgan, M.D. for the 4th of May, 2019. I know that Kid Characters will not be to everyone’s tastes. But I do feel Terry Beatty’s been doing well writing kids who sound roughly like kids. I fully believe Marti’s reaction as the sort of thing a kid says on encountering her doctor in some not-doctor environment.

Marti has Down Syndrome. Sarah doesn’t understand this, but does understand that other kids are being terrible toward her about this. Rex explains this, in very general terms, and Sarah’s cool with it. Good of her. They start having regular enough play dates. And with these characters met up, the storyline’s concluded.


The next storyline began the 15th of May. Morgan babysitter Kelly meets her friends Justin and Niki at the Caffeine Bean coffee shop. Where, incidentally, Marti’s teenage older brother Russell works. You’ll remember Justin as the kid who had that disease where he couldn’t swallow. It’s an ordinary day, so it’s time for things to go weird. While Justin is in the bathroom two suspicious-looking teens pull out guns.

[The teens' favorite coffee shop is being robbed by a not-so-bright duo.] Teen in cap: '$40 and the tip jar money? That won't even pay for the guns and disguises!' Teen in hoodie: 'So we take customer wallets.' Cap: 'Yeah, that'd work.' Russel: 'Hey, guys, can I ask a question? How come there's little bits of orange on the ends of your guns?' Hoodie: 'WHAT? Oh, man ... the paint's flaking off!' Justin: 'Seriously, fellas. If you're gonna try to pass off air pellet guns as real, at least use a good spray primer to cover the orange tips before you paint 'em black.' Hoodie: 'I TOLD you that paint wouldn't stick without a good primer coat! Aw, man ... '
Terry Beatty’s Rex Morgan, M.D. for the 26th of May, 2019. Now, I know this maybe makes Justin (the guy in purple talking about the primer in the last panel) look smug, but please consider his look and dialogue from the 28th of May, when he reaches the point that Les Moore wants to slug him.

The holdup goes screwy. There’s not a lot of cash in the register. Russell notices there’s bits of orange coming off the ends of their guns. And Justin calls the cops on them. Justin also gets to explaining how they should have used a primer at least. And … jeez. This is why white guys shouldn’t talk. I can’t even say it’s not authentic. It’s exactly the sort of stupid thing I’d say in a situation like that. I have anecdotes. Please don’t ask.

With the self-destruction of the holdup this storyline comes to a happy enough ending. Their parents are all much more freaked out than any of the kids are, and fair enough.


Sarah, Marti, and Edward take a moment to have ice cream and discuss what the deal is with Edward’s dog. Russell (who also has Down Syndrome) gets a checkup and it’s from Rex Morgan. Everyone take a moment to talk about how good they all are at being people. And then we move into the current story.


It concerns Merle Lewton. He’s a retired white guy. He’s finally picked his way to be retired-white-guy crazy. He’s taking the paranoid-health-conspiracy track. He’s certain that They are out there, spraying aluminum, strontium, barium, and who knows what else in the sky. His wife Lana insisted on this health checkup, if nothing else to get him out of the house for two blessed hours.

Rex, examining Merle: 'So how do you know these spirit guides are successfully removing the toxins?' Merle: 'I can feel it. Chiron and Ninazu draw the toxins away and leave me healthy.' Rex: 'And how often are you being treated?' Merle: 'Weekly! My house is in the flight path of the chemtrail planes!'
Terry Beatty’s Rex Morgan, M.D. for the 2nd of July, 2019. And sure, you roll your eyes at Merle Lewton here, but consider that his second choice for retired-white-guy crazy was “World War II hardware” so this is definitely at least 0.15 percent more bearable.

Lewton explains he’s getting special treatment for the chemtrail poisoning, from Glenwood’s own spiritual cleanser, Serena Galexia. So when Rex Morgan’s tests show no poisoning? That proves how good her over-the-phone Celestial Healing detoxification treatment is. That and the enormous bills this treatment runs up.

Rex checks up on this Serena Galexia. Her web site and blog and podcast and all are exactly what you’d imagine. Rex and June worry that all this nonsense might keep Mr Lewton from getting actual medical care in case he does get sick. Can they do anything about Galexia’s transparently obvious scam? A quick look at any American supermarket’s ‘dietary supplements’ section tells us no.

Lana: 'If I get a complete medical workup it should show I'm full of these poisons, right?' Merle: 'Of course! If that's what it takes for you to believe I'm all for it. When we have proof, will you get treated by miss Galexia?' Lana: 'What if the tests show I'm not poisoned? Will you STOP this nonsense then?'
Terry Beatty’s Rex Morgan, M.D. for the 16th of July, 2019. Well, we’re just fortunate to live in a country with a long history of strong environmental laws taken seriously so there’s not a chance that Lana, like, actually has something that would confuse all of this.

Lana wants some peace at least. She proposes that Rex Morgan test her for chemtrail toxins. After all, she hasn’t had any Galexia Celestial Healing treatments. So if she comes back as healthy, obviously, Merle will have no choice but to agree to the experimental results. Rex is happy to run tests, but points out that this is not how people work. Galexia is doing some in-person sessions soon, though. And Merle wants Lana to attend. Rex hasn’t yet expressed an opinion on all this. That’s just where the plot has reached.

Next Week!

We’re back to Milford and the thrill of high school sports! It’s Neal Rubin and Rod Whigham’s Gil Thorp, if the weather cooperates.

What’s Going On In Rex Morgan, M.D.? What’s With Edward’s Dog Not Being Seen? February – April 2019


So the thing about Edward’s dog is that he’s ugly.

Like, supernaturally ugly.

Like, “that’s … a … dog???” ugly.

It’s how the strip introduced him. It’s how he’s presented each time he comes back. This is a running joke now. It’s one with respectable comic strip precedent.

[Sarah's friend from school has dropped by with his dog.] June: 'Well, hello, Edward.' Edward: 'Hiya, Mrs Morgan. I was out walking my dog and thought I'd stop by and see Sarah.' June: 'Oh .. that is quite the dog, all right. Wh ... what breed is it?' Edward: 'We don't exactly know. My dad says he's not convinced it's even really a dog. But that's just silly.' [ Narration bubble reading 'Dog' and pointing to the off-screen end of the leash Edward holds. ]
Terry Beatty’s Rex Morgan, M.D. for the 28th of September, 2017. The first appearance of Edward’s Dog. And here’s a side mystery for you: my brain insists on naming this person Edmund, Edgar, Edwin, basically anything except “Edward”, a name way more common and likely than any of these alternatives. What’s going on there, and why?

Al Capp introduced Lena the Hyena to Li’l Abner in summer of 1946 as “the world’s ugliest woman”. She first appeared unseen, with the editorial note that they must hide her face to protect the readers. She would be seen, when the great Basil Wolverton achived the horrible. I had thought there were more examples of too-hideous-to-see characters in the comics. I’d imagined there’d be one in Chester Gould’s Dick Tracy for example. I seem to be wrong about that, though. Ugly Christine had hair covering her face, but we did see most of her. (Searching for other unseeable characters lead me to Spots, only seen in profile or three-quarters shots, with spots floating in front of his face. He’s not on point for this, but he does present a heck of an image.)

Al Capp did also have Big Barnsmell, the “inside man” at the Skonk Works, who did unspeakable things with skunks for unknown reasons. I haven’t found reference about whether Barnsmell appeared on-screen, though. The last few appearances of Simple J Malarkey in Walt Kelly’s Pogo had the man’s head covered. (This was not a joke about Joe McCarthy’s deep ugliness, though. Kelly was working out his irritation at editors afraid of offending evil people, who demanded Malarkey’s face not be shown.)

There are more examples of this joke in other media. Most familiarly these days, Norm’s wife Vera on Cheers, and Niles’s wife Maris on Frasier, were presented as too hideous to ever be seen. Then there’s old-time-radio. On Fibber McGee and Molly, half of Wallace Wimple’s whole schtick was telling horror stories of his wife. She would never be on-screen to present her case. … I’m a bit unsettled that Edward’s dog is the first example I can come up of too-ugly-to-see that isn’t about an adult woman we’re supposed to laugh at. (The other half of Wallace Wimple’s schtick was saying he would look something up in his “bird book”. They knew how to make a gag run back then.)

Rex, handing Sarah ice some money: 'This should be enough for a treat!' Sarah: 'Thanks, Dad!' (Outside.) Sarah: 'Hey, Edward! You heard the ice cream truck too?' Edward: 'Yeah, I was walking my dog and was gonna see if you were home.' [Narration: Due to editorial policy and space restrictions, we are unable to show you Edward's dog. Our apologies.] [ Narration bubble reading 'Dog' points to the off-screen end of the leash Edward holds. ]
Terry Beatty’s Rex Morgan, M.D. for the 23rd of April, 2019. A more recent appearance of Edward’s Dog, with an editorial box so full and explanatory that I feel like it’s got readers more confused. And yes, these two appearances do make it seem like Edward spends a lot of time walking his dog and checking in on Sarah, but that’s just an easy way to get him into the story.

In any event. Terry Beatty is mixing this running joke into Rex Morgan, M.D.. This is why the dog is only ever put off-screen, and explained with narrative bubbles and arrows pointing at ‘Dog’. I have no idea whether Beatty intends to ever depict Edward’s Dog, or to hold a similar contest. He may be satisfied with Dog as-is. He has been writing the comic as a more humorous one. The change in tone is less than what’s happened in Alley Oop, but still. He’s bringing more jokes in.

Edward’s dog, by the way, is named Dog. “We think it suits him,” was how Edward explained it, the 30th of September, 2017.

Anyway, if you’re hoping to have the story in Terry Beatty’s Rex Morgan, M.D. explained, and it’s later than about July 2019, there’s a good chance I have a more up-to-date essay here. If you’re reading in late April or early May 2019, carry on here. This should suit you fine.

If you’d like an argument that last Saturday’s Strange Brew comic strip was a really solid joke, I make it here. I also discuss some other mathematically-themed comic strips, as is my habit.

Rex Morgan, M.D.

3 February – 27 April 2019.

Rex Morgan’s plane was landing in the middle of the desert when I last checked in. It’s an extreme emergency, but the only way to keep Rex away from a medical conference in Phoenix. The touchdown takes a week of action, roughly, with Rex yelling reassuring things at his young temporary ward Brayden. And with Mister Cranky, who wanted booze and lots of it on the flight, yelling about how he was going to sue. Cranky was a particularly obnoxious fellow through January. But I can’t fault him yelling angry things about the airline as it lands by some ham radio operator’s shack in the desert.

The passengers, fully evacuated, get off the plane. Mister Cranky tries grabbing his carry-on, and gets scolded by the flight attendant. But again I sympathize; I don’t know how hard it would be for me to abandon my laptop in the circumstance. They’re well outside cell phone service range, but all’s not lost. The ham radio operator called in the emergency before driving his jeep up to the plane. His shack can be at least a gathering point for the passengers while a jet engine finishes exploding.

[ The passengers and crew await the arrival of emergency services ... ] Cranky: 'Why'd we have to leave the plane anyhow? No place to sit out here!' Rex Morgan: 'I'm pretty sure it has to do with that smoking engine that caused the emergency landing in the first place.' Cranky: 'Pffft! That don't seem like a big deal!' Brayden, whispering: 'Suddenly this guy's an expert on plane safety?' Rex, whispering: 'I'd bet this guy's an expert on EVERYTHING'. (Plane engine explodes.) Rex: 'Not a big deal, huh?' Cranky: '!' Brayden: 'It'd be nice if the emergency vehicles would get here.' Flight attendant, to the walking mass of passengers: 'Keep moving down the road and away from the plane!'
Terry Beatty’s Rex Morgan, M.D. for the 17th of February, 2019. The jet engine exploding is fine as a story development. It seems a bit over-the-top that it sent flaming shrapnel only through Mister Cranky’s luggage and carry-on and sent a tongue of flame to singe off his hair and eyebrows and called his boss to tattle on him and hacked into his social media to post a sequence of pictures from the time cutting down that weed ailanthus tree in the backyard went so wrong. But, you know, I’m just the reader here. I don’t get a say in what’s written. Anyway, Rex, in the third row, second panel, there just pulls ahead of Mark Trail knowing a few things about Minke Whales in the open-qualifying Smug Comic Strip White Guy contest there.

Mister Cranky, having had enough of this, decides to leave. He notices the radio ham left the keys in his jeep. So he sits in the driver’s seat and is immediately snarled at by a large dog. Chased out from there, he sits on a large rock, ignoring Rex Morgan’s warning to Brayden about checking for scorpions. And what do you know, but, a scorpion bites him on the rear end! And the cops arrive and arrest him for trying to steal a car! Which has this curious state where it’s true, but I don’t think there’s any evidence except for his thought balloons. Cranky said he was “just sitting down” and I think that’s all they could prove. Anyway, he’s made fun of by the local news. On Morgan’s word the cops take him to the hospital first. But I’m sure as they transferred him from the ambulance to the hospital someone slipped, and his wheelchair rolled out of control, downhill into the county Manuratorium. And then he crawled out of that only for a cartoon elephant to sit on him.

Rex, and everyone, call to their loved ones as soon as they can. Brayden’s father is grateful beyond words for Rex’s help. You might ask what Rex did for Brayden. He was flying, unaccompanied, from his mother to his father. The flight attendant asked Rex to just watch over the weirdly old pre-teen. Brayden handled the emergency better than I would have, but still. Brayden’s father, wanting to do something for Rex, gives him a ride to the airport and a change of clothes from his store. All their stuff was left in the plane, after all. I did see commenters complain that this evokes the old, Woody Wilson-era “What Can We Give The Morgans Today” writing style. I guess that’s so. But the scene feels true to me. His son came through a plane crash unscathed. It’s natural for him to lavish money on the nearest person with the slightest involvement in that.

Morgan attends the conference after all, although since it’s all medical talk we don’t see it. On the flight home, who sits next to him but … Mister Cranky?

Well, no. It’s a sweet, polite, kindly person who just looks like him. He’s J T Needle. Mister Cranky was his twin brother, T J Needle. J T demonstrates how he’s the good identical twin by explaining how he’s always been the nice brother. T J’s always been self-centered and rude, doing stuff like trash-talking his relatives and all. Morgan questions the plausibility of sitting right next to Mister Cranky’s twin on the flight home. But he points out, he and his brother both live in Arizona, while their parents live in Glenwood, so of course they’d fly between those cities. Morgan accepts that this coincidence will now not get listed under Plot Holes.

J T: 'Your boys are twins?' Rex Morgan: 'No, but they may as well be. One's adopted, but exactly the same age. They share a birthday.' J T: 'And you think being on a flight my brother and then me is a coincidence!' Rex: 'Stranger things have happened, I guess.'
Terry Beatty’s Rex Morgan, M.D. for the 29th of March, 2019. Rex picks nervously at the threads which suspend disbelief, pondering how it is their adopted son has the same birthday as their non-adopted one. Or why their life is full of filled with unexplained and improbably strange coincidences. He doesn’t need to worry about that, he tells himself. There’s no reason behind it. It’s just … the world is strange and confusing and sometimes things work out in improbable ways? That’s believable. He can stop questioning that.

The last plot thread — about when Rex Morgan would get his luggage back — was resolved the first of April. The airline delivered his stuff back to his house. So that’s all covered.


Starting the 6th of April came the tease of a new storyline. Jordan Harris is ready to open his restaurant. He’s invited the Morgans to be part of a test-run night. His fiancee Michelle Carter is the acting hostess. Everything’s going great. This includes Delmer Robertson. He’s recovering from his addiction and homelessness and kidney transplant and all that.


That’s not, so far as I can tell, the story. It was an epilogue to the Jordan/Michelle/Delmer storyline from last fall. Instead we’re following young Sarah, and her former-bully-turned-friend Edward. And his improbably ugly dog. They run across a crying young girl. Some older kids made her drop her ice cream. Edward buys her a replacement before his sister makes him come home. And it looks like Sarah has a new friend. That’s all we’ve seen about this storyline so far.

Next Week!

SPORTS!

What’s Going On In Rex Morgan, M.D.? Does the ham radio guy know what kind of plane this is? November 2018 – February 2019


I’m always happy to help people follow the plot in Terry Beatty’s Rex Morgan, M.D.. If you’re reading this after about May 2019, there should be a more current recap at this link. Older recaps should also be at that link. And I have mathematically-themed comic strips reviewed at this link. Now, to what’s happened in late 2018 and early 2019.

Rex Morgan, M.D.

11 November 2018 – 3 February 2019.

What was happening: Delmer Robertson, childhood friend of and failed robber to Jordan Harris, has diabetes and failing kidneys. (For future reference: Jordan’s last name was given the 19th of November, 2018. I had a ridiculously hard time finding his last name. If anyone knows of a good Rex Morgan cast list please say so.) Jordan offers to donate one of his kidneys. It’s an admirable but quixotic gesture, but I’ll say later why I understand his rush to offer.

A medically better source of transplant organs is Delmer’s family. Might be socially worse, though. Delmer, out of the army, dealt with his experiences by drugs and alcohol. It’s why he tried to mug Jordan in the first place. It’s also why his attempt faceplanted so badly that Wile E Coyote winced at it. Delmer figures his family all hates him for his life-wreck. Turns out they don’t. Once they learn of Delmer’s need, they’re good with it. His brother Dalton is a good match. Dalton insists Delmer has to clean up his act. Delmer’s eager to, though. They schedule surgery quickly. Rex Morgan doesn’t do it, since you want a kidney transplant done by someone who specializes in medicine. All goes well.

A donor has been chosen from among Red's brothers. Dalton: 'So here's the deal. Seems I'm the best choice for a transplant donor.' Delmer: 'I don't know if I deserve you doing that for me. There's risks.' Dalton: 'I know all about the risks. And no, you probably don't deserve it, jerkface. But you are my brother so we're gonna do this and you're gonna accept it. One thing, though.' 'Yeah? What's that?' 'If I do this, you're gonna clean up your life. I'm not giving you a kidney so you can be a drunk, trying to mug people on the street.' 'Seems like a fair deal. If I get a new shot at life, I want to make something of it.'
Terry Beatty’s Rex Morgan, M.D. for the 25th of November, 2018. Delmer’s family was so immediately supportive of him once they heard of his circumstances that it’s a bit surprising he ever ended up screwed up in the first place. But perhaps the sharpened focus of “he needs this new kidney or will die within months” affected how much they felt able to do for him.

Jordan talks with the recovering Delmer about his own breakthrough. Jordan lost a leg while in the army. He’s spun a story about losing it in battle. He was never in battle. He was a cook, and lost it to an improvised explosive device while going to the market. He told himself he made up a heroic adventure because other people expected it. But Jordan’s ready to be honest with people about this, now. And this is why I understand his offering Delmer his kidney. It would be a way to act the hero he felt he was expected to be. They both resolve to do better with their lives.

Jordan: 'I don't know, Red. I've been telling myself I'm okay and handling these things just fine. But I can see now that I have some issues I need to deal with.' Delmer: 'Well, you saw how I handled *my* issues. Substance abuse and thievery don't seem like the best choices I could have made.' Jordan: 'They have counseling and therapy available here. I was thinking I'd sign up. How about you?'
Terry Beatty’s Rex Morgan, M.D. for the 19th of December, 2018. So this is all pretty well settled. Not addressed in the comic: do all the males in Delmer’s family look faintly like redheaded Abraham Lincolns? Or is this just something my brain has decided to fix on?

Part of that resolution in action: Jordan and Michelle, whose last name I have not been able to track down, want to marry soon. [Edited to Add: Dawnpuppy was good enough to tell me her name. Michelle’s last name is Carter.] They’ve been engaged — I think — since before I started doing these recaps. Or I failed to log their engagement in these essays. It’ll be tough scheduling. Jordan has a restaurant opening soon. Michelle pledges she’ll do all the planning. And with the 29th of December, 2018, we leave Jordan, Michelle, Delmer, and that group, for the time being.


The current story started with the new year. Well, the 31st of December. Rex is off to a conference in Phoenix. He’s told his family it’s a medical conference, so please adjust your snarky comments to match what’s in text. On the plane he’s seated next to Brayden, portrayed by that kid from Indiana Jones and the Temple of Doom. Brayden’s unnervingly cool about the flight, including the long delay before takeoff.

Brayden: 'Hey, we're finally moving.' Pilot: 'Sorry for the delay, folks. We're now cleared for takeoff. We'll be in the air momentarily.' Brayden: 'Do you get nervous flying, Doc?' Rex Morgan: 'Just a little. I don't do it often enough to feel like it's no big deal.' (The plane takes off.) Brayden: 'Oh, there we are. Up in the air.' Rex: 'I'm sure it'll be smooth sailing from here on.' Brayden: 'I'm okay with the middle part of flying. It's just the takeoff and landing that get to me.' Rex: 'I don't think you're alone on that. But I'm sure everything will be okay.' Flight attendant, checking Brayden: 'Is everything all right here? Do either of you need anything?' Mr Cranky: 'HEY! I COULD USE A DRINK WHEN YOU'RE DONE WITH THE KID!'
Terry Beatty’s Rex Morgan, M.D. for the 13th of January, 2019. Crankshaft looks a lot younger when he isn’t in a Tom Batiuk comic strip, but then who doesn’t?

Unnervingly not cool is another passenger. We haven’t got a proper name for him. Brayden’s called him Mr Cranky and I’ll go with that. He wants to know why he hasn’t got drink service yet. Or why he can’t go wandering around the aisles during the flight. Or why he can’t go into the bathroom right now just because someone else is in it. He’s the kind of supporting character you live for, if you read story strips. His emotions are big, bombastic, and way out of proportion to what’s going on. Yes, I know actual flights have this kind of cartoonishly hostile passenger too often. Doesn’t matter. Every story strip becomes one order of magnitude more delightful when some guest character rampages like a bull through the storyline. Big drunken guy on a flight? Excellent. The only thing better is when the rampaging-bull character’s emotions are wholly out of line with the narrative, or any credible narrative. Looking at you, past week of Mary Worth, and regretting how long it’ll be before I get back to that strip. I’m sorry the flight isn’t long enough he gets to have a fight about how he has a right to play the trombone, and where the stewardesses get off telling him this isn’t a bowling alley flight.

Brayden: 'Hard to believe a grown man would act like that guy does.' Rex: 'It's good that even at your age you know what sort of behavior is acceptable and what isn't. Brayden: 'My folks may have split up --- but they've *both* taught me a thing or two.'
Terry Beatty’s Rex Morgan, M.D. for the 23rd of January, 2019. Brayden … Brayden is actually older than me, right? That’s why he talks like this?

Extremely not cool is a long rumbling noise that starts the 25th of January. It even shakes the cartoonishly unflappable Brayden. It also shakes the plane. The flight attendants prepare for an “unscheduled landing”. They do this with the cool confidence of professionals who’ve recently reviewed the Schedule of FAA-Approved Euphemisms. Their attempts to explain the brace position for landing get interrupted by Mr Cranky. If you liked his rage at having to wait for drink service to start you’ll love how much he hates the flight ending at a ham radio shack so far out in the middle of nowhere that even The Ghost Who Walks doesn’t have a secret airbase there.

Ham radio guy, outside his shack, going 'WHOA!' as a passenger jet trailing a nasty-looking dark cloud and making a rumbling noise comes landing on the road beside him.
Terry Beatty’s Rex Morgan, M.D. for the 2nd of February, 2019. “That’s the third-largest RV I’ve ever seen!”

So far as I know. I wrote that bit before seeing this Sunday’s strip. We’ll see what happens. (It’s included a lot of people in the comments section complaining the airplane is no craft flown by any actual airline, and has way too much leg room. I am as bothered by this as I am by how people in movies can park downtown.) I kind of what it to involve Zippy the Pinhead berating a thing by the roadside.

Next Week!

What well-intentioned but dumb scheme did the kids in Milford get up to? What well-intentioned but dumb scheme did the kids in Milford get up to after that will-intentioned but dumb scheme? Is Marty Moon going to be set up to be a laughingstock? What blogger is hilariously overestimating how interested people are in second-guessing Gil Thorp’s decision-making process? Wait. I … Um. Well, I should be back on Neal Rubin and Rod Whigham’s Gil Thorp in seven days.

What’s Going On In Rex Morgan, M.D.? Who Was That Incompetent Mugger? August – November 2018


Thanks for your interest in Terry Beatty’s Rex Morgan, M.D.. This plot summary’s good for the couple of months leading up to November 2018. If you want earlier plot recaps, or if you’re reading this after about February 2019 and want a later recap, you should find it at this link.

If you’d like to read about mathematical topics raised in the comic strips, you should find that at this link. Also over on my mathematics blog I’m explaining mathematical words and short phrases. It’s fun for me. You might like it too.

Rex Morgan, M.D.

19 August – 11 November 2018.

We last checked in on Rex Morgan at the Elvis-assisted Las Vegas wedding of Buck and Mindy. At the reception Rex and June apologize and say they have to get back to doing medical stuff. After everyone gets done laughing Penn and Teller walk over to give “Horrible” Hank Harwood and his son Hank Junior tickets to the show. The Harwoods figure to continue their road trip home.

Horrible Hank: 'Trying to call the diner to see about Millie joining us for lunch --- but nobody's answering.' Hank Jr 'That's kind of odd. Maybe they're just too busy. We'll be there in an hour anywhow. I'm sure we can make it all work once we get there.' Horrible: 'Sounds right.'
Terry Beatty’s Rex Morgan, M.D. for the 30th of August, 2018. By the way it’s been since about late August since I was last able to call my father on his cell phone and get an answer, but that’s not because of anything more ominous than Verizon having managed to screw up our accounts so severely that we’re somehow now blocked from communicating with the other.

Hank wants to visit Millie’s Diner again. Skip the roadside attractions. They get to the restaurant where he reunited with his old high school flame. It’s closed. She died the night after their visit. They can get to her visitation. Her family talks of how joyed she was that last day. So, good reminder there about reaching out to people you just drifted away from. It’s a sobering end to this thread. After it the Harwoods go home. It closes this plot.


The new plot started the 10th of September. It’s about Jordan and Michelle, until recently housesitters for the Avery mansion. Heather Avery’s given Jordan startup capital for his restaurant. He’s bought a former hardware store downtown for his place. This seems odd. But there’s a bunch of restaurants in the area already. Maybe the only choice was converting a place that wasn’t already food-ready. Jordan and Michelle talk out what kind of restaurant he’ll open. Then an intoxicated, shabby-looking guy runs at them, demands Michelle’s purse, trips on his own feet, and knocks himself out.

Michelle: 'It's a little chilly. Glad I wore a sweater.' Jordan: 'And me with no jacket'. (An intoxicated man staggers toward them.) Jordan: 'What's going on with this guy? Hey, pal, are you okay?' The man, stumbling toward and then past them: 'Gimme 'at purse!' (Michelle and Jordan are shocked, as the man stumbles forward and thuds on the sidewalk.) Jordan: 'You all right?' Michelle: 'Yeah. All my years of akido practice and the guy takes himself out by tripping. ... Do you think he's hurt? Jordan: 'A little.' (The man groans.)
Terry Beatty’s Rex Morgan, M.D. for the 16th of September, 2018. I feel bad for how I find Delmer’s faceplant here funny, even as I’m confident Beatty wanted readers to find it funny and then feel bad for finding it funny.

So they turn him over to the cops. Over dinner they talk about how they’re the lucky veterans. They’d come through their combat experiences basically all right. Many don’t, and they wonder if their would-be mugger is a traumatized vet. Then someone at another table passes out, possibly choking. Michelle, a nurse, is the person to rescue him, and they enjoy the rare double 9-1-1 call night.

The cops ask Jordan and Michelle if they want to press charges against their mugger, Delmer Robertson. He realizes he knew a “Delmer Robertson” back in high school. Lost touch with the guy after they both went into the army. Jordan, in food services, lost his leg when some catastrophe struck as he was getting fruits and vegetables. Delmer … who knows, exactly? But Jordan does mention how he’s built up the story of how he lost his leg to something more exciting for the civilians back home. I’m not sure if this is setting up a plot point for the current (or a coming) story. Terry Beatty might be retconning something established when Woody Wilson wrote the strip. If it is a retcon, I don’t know what the point of it is.

Delmer: 'Jordan --- I'm awful sorry, man. I didn't even know that was you. I didn't even know what I was doin'.' Jordan: 'I got that impression from the way you stumbled unconscious onto the concrete.' Delmer: 'I've had better days, man. Things have been pretty rough lately. I've been sein' things, Jordan!' Jordan; 'Seeing things?'
Terry Beatty’s Rex Morgan, M.D. for the 2nd of November, 2018. I understand the strip needs characters to recap what went before, for new readers or readers who’ve forgotten what went before. But in the first panel this makes Jordan come off like a snarky jerkface to me. At least I have trouble not hearing Comic Book Guy read it, in that mode where a nerd says something sarcastic but literally true. It’s not an emotionally open mode, not for people who don’t know each other.

Jordan confirms that this guy was the Delmer he knew way back when. And that Delmer’s had a tough time since getting back from the army. So he asks the court to be lenient with Delmer, and offers to help him get back on his feet. The court is fine with this, even if it sounds a bit like the setup for a Dan Harmon sitcom.

(In the medical clinic waiting room) Delmer: 'You ever talk to anybody about losing the leg? I mean, you gotta have issues with that. I sure would.' Jordan: 'Many not as much as I should have, Red. Maybe we could both use a little counseling, huh?' Delmer: 'Yeah. Hey, do you see spiders on my arm? Cause I see spiders on my arm.'
Terry Beatty’s Rex Morgan, M.D. for the 7th of November, 2018. I’m open to the notion that Jordan has unresolved trauma from the loss of his leg. But I haven’t felt like that’s a problem he’s been living with. Actually until it was brought up this storyline I didn’t know, or had forgotten, that he had lost a leg. I don’t want the comic strip to act more like Funky Winkerbean, since I don’t want to have to punch it harder than I’ve wanted to punch anything else in my life ever. But maybe it could play up a bit more of what’s Jordan’s problem besides renovating a place into a restaurant before he’s decided what kind of restaurant he means to open.

Jordan meets up with Delmer, and they have the sort of awkward-but-hopeful conversation you might expect as they go to Rex Morgan’s clinic. Where Michelle’s a nurse. They promise they’re trying to help Delmer get the help he needs. And he needs more: according to someone who passed medical information on to Rex Morgan, he has both diabetes and failing kidneys. So that’s a bit of seriousness after some amusing follies.

And that’s where the plot of Rex Morgan, M.D. stands as of the 11th of November, 2018.

Next Week!

Golf! Football! That annoying kid who’s trying to be a cinema snob! Yet another kid who’s being all coy about his home situation. It’s time for Neal Rubin and Rod Whigham’s Gil Thorp to take its innings. Catch you then.

What’s Going On In Rex Morgan, M.D.? Pinball and Roadside Tourism, May – August 2018.


If you want the most recent happenings in Terry Beatty’s Rex Morgan, M.D., good news! It’s here. If you’re reading this not too long after August 2018. If it’s past about November 2018, I should have a more up-to-date essay here. May you find the context for the current goings-on that you need.

Now, if you’re looking for mathematically-themed comic strip discussion, that’s my other blog. That’s a fun blog too, I think. But, yes, consider the person making that claim.

Griffy, explaining to the audience: 'A realistic 'pretty girl' has invaded th'Zippy strip! I'm on a search for th'strip she came from so I can get her back home! I've redrawn myself in a realistic style so I can easily enter these 'continuity' strips and accomplish my mission! Hmmm ... 'Rex Morgan, M.D.' looks suspicious! I'll begin with him!!'
Bill Griffith’s Zippy the Pinhead for the 14th of August, 2002. Part of the same storyline that gave me that great Mary Worth panel. And this isn’t all!

Rex Morgan, M.D.

27 May – 19 August 2018.

Heather Avery was working out the implications of her husband’s death last time I checked in. The big one: she asked the Avery International to continue on being rich and successful. The little one: she was going to sell the now-empty mansion in town. So Jordan, the live-in caretaker, would have to find somewhere else to live, at least once it sells. Her suggestion: that he use this big pile of money from the freezer to open that restaurant he always wanted to. His own “yes, and” idea: that he marry Michelle, his longtime girlfriend and partner in mansion-sitting. She likes the idea too.

Rex: 'As happy as I am for the newly engaged couple --- we still have patients waiting to be seen.' June: 'Of course. To work, everybody.' Rex: 'I'm looking forward to *that* wedding. Knowing Jordan, the food at the reception will be great!' June: 'The way to a man's heart ... '
Terry Beatty’s Rex Morgan, M.D. for the 28th of July, 2018. So this is when we reset the ‘days since Rex Morgan last pretended to do something medical’ counter, by the way.

Heather Avery takes her chance to visit Rex Morgan and family. She explains that in light of her husband’s death, and their child’s birth, she just doesn’t think she can bear to be in the comic strip anymore. She’ll stay in touch, she promises, but she’ll leave everyone else to get about their business.

[ Heather's visit with the Morgans winds down. ] June: 'We'll miss you terribly, you know.' Heather: 'And I you --- but I need to make a fresh start.' Rex: 'We understand and wish you and little Phoenix the best of luck.' Sarah: 'I want Phoenix to have Mr Fuzzy.' (She hands a small teddy bear up to Heather.) Heather: 'How sweet of you, Sarah --- I gave him to you when *you* were a baby.'
Terry Beatty’s Rex Morgan, M.D. for the 16th of June, 2018. I honestly don’t know whether I expect this to be Heather Avery’s farewell from the strip. It at least gives good reason not to worry about her until such time as Beatty (or a successor) has a solid idea, though.

That business is Buck and Mindy, pleasant supporting characters. They’re getting married. They’re doing it in Las Vegas, at a wedding chapel that features an Elvis impersonator who’ll walk the bride down the aisle. Nice to see things working out for them. Buck’s kid Corey is happy with the wedding plans too.

It’s a destination wedding. But at least all the characters who’ve been invited are able to afford the travel. And make the time for it. The characters who made the most time are 50s horror-comics star “Horrible” Hank Harwood and his son, Horrible Jr. They started their cross-country tourist-attractions expedition back in May or possibly 1946 and have been going strong ever since. For a while that was just little check-ins, in the disposable title-panel row of the Sunday strips. They’d mention how they were looking at giant ice cream cone guys, statues of Popeye, large soup cans, mystery castles, and so on. All the filming locations of the improbably long-running King Features comic strip Zippy the Pinhead.

(I’m not ridiculing Zippy the Pinhead, by the way. I love the comic. And I feel good about King Features that it keeps running a comic strip that would be hard-pressed to be less commercial. It’s a good legacy for the syndicate that ran Krazy Kat despite that comic almost trying to shake off readers.)

Hank Sr: 'Now if you can hold still for a while, I can draw your portrait.' Millie: 'That doesn't take much effort. Aside from waitin' on folks, at this age I don't move around much anyhow! But if I close my eyes and start in to snoring', wake me up!' Hank Sr: 'I'm just glad we decided to stop here. It's quite a treat to run into an old friend.' Millie: 'Still, it's one heck of a coincidence that you chose THIS diner, not knowing it was mine.' Hank Jr: 'Pop has a way of stumbling into the darndest situations, Millie. Always has.' Hank Sr: 'I hate to say it --- but when I'm done with this drawing, we'd better hit the road. Maybe we should get our bill so we can settle up.' Millie: 'Oh, you're money's no good here, old man. This one's on the house.' Hank Sr: 'That's mighty sweet of you, Millie. Maybe we'll drop in again on our return trip. But you have to let me pay next time.' Millie: 'My daughter takes over the place next week. You'll have to invite me to dine with you, and since I'll be retired, I' okay with you paying.' Hank Sr (as they do leave): 'Oh --- this is for you. So long, Millie.' Millie: 'Well --- would you look at that ... ' (He's drawn Millie as she looked in high school.)
Terry Beatty’s Rex Morgan, M.D. for the 1st of July, 2018. At the diner that Hank Senior just happened to stumble his way into. I admit I’m a bit impressed that he could steer a trip designed to be a sort of ambling, shuffling, let’s-see-where-we-figure-on-going-today expedition to get to the diner where his high school romance worked, and in her last week working there. Be a heck of a thing if he’d gone to all that trouble and she was taking the day off, though.

This threatened to completely overwhelm the comic, too, much as Zippy talking to roadside attraction statues took over that comic for about a decade. It was interspersed with Jordan-and-Michelle, and with Buck-and-Mindy, weeks. And then a bit that seriously broke up their looking at the world’s largest strawberry or the Oz Museum or stuff. In a small town diner Hank Senior encounters … Millie Gray. They were a pretty serious thing back in high school, but went their separate ways and had nice happy lives anyway. It’s a sweet little sentimental interlude, closed with Hank Senior admitting to his son that he knew exactly who was working that small-town diner, thank you.

Also breaking up the roster of watching people look at tourist traps: their RV breaks down. They rent an SUV to make the rest of the trip. So that breaks up a lot of them admitting that things are there to be seen. Still, they get to Las Vegas in time for the wedding and that’s all nice. Rex Morgan takes a moment to reflect on how great it is even if it’s slightly daft and hey, did you see where there’s a fourth wall over there? Anyway, pleasant stuff.

[ At the Pinball Hall of Fame in Las Vegas ] Hank Jr: 'We'd better get back to our hotel, Pop. You'll need your nap before the wedding.' Hank Sr: 'I suppose so. Wouldn't want to snooze during the nuptials --- but let me finish this game first. I'm going for a personal record.' Hank Jr, picking up his cell phone: 'Okay. I'll get it on video so you can relive the moment.' Hank Sr: 'That's my boy!'
Terry Beatty’s Rex Morgan, M.D. for the 10th of August, 2018. So I assume no cartoonists read what I write. Even though, yes, I know that The Phantom‘s writer Tony DePaul checks in now and then. I’m just not important. But. It’s not literally true that when I’m not blogging I’m playing pinball. It’s near enough. The Las Vegas Pinball Hall of Fame is one of the major things I hope to get to. And its founders have connections to my hometown, as it’s run by someone who ran Pinball Pete’s, the venerable East-Lansing-and-Ann-Arbor institution. So if I were conspiracy-minded, and thought it even the faintest bit plausible that Beatty knew anything about me including the fact that I exist, I could paint this as a crazily obscure call-out to me. But I’m not, and I don’t, and it isn’t. It’s just a neat coincidence.
Also it is absolutely true that having something big and important and impossible to reschedule to get to will make you have the best pinball game of your life. Nobody understands how this happens, but if the effect could be harnessed it would revolutionize competitive pinball.

If it sounds like not a lot has actually, you know, happened I suppose I can’t argue otherwise. The stories have advanced only in little pieces and none of them has been that dramatic. I say, admitting that one couple has married and another has decided to marry. I do them some disservice by unwinding the story threads like this. It makes the action seems even slighter than it was. But, hey, sometimes everybody’s just having a nice calm time in their lives and manage a pretty good road trip. I say this not two days after my love and I learned that a correct answer to “Just how many tiny public parks with WPA-era 25-foot-long battleships built out of poor-grade ore rock can there be in this tiny copper-country Michigan village?” is “no fewer than two”. Touring quirky roadside stuff is for people who can handle ambiguous directions.

(Also we’re hoping in the coming week to eat at a Li’l Abner-themed restaurant but will be all right if it turns out we’re just not able to.).

Next Week!

It’s time for Neal Rubin and Rod Whigham’s Gil Thorp! So how did The Milford Trumpet’s attempt at journalistic bear-baiting go? We’ll see what Barry Bader has to insist was taken out of context. At least if my plans turn out right.

What’s Going On In Rex Morgan, M.D.? Choking and Corporate Intrigue, March – May 2018.


Hey, is it sometime near the end of May or any of June 2018? If it is, great. If it’s sometime around, oh, August 2018 or later you might want to look here instead. If I’ve written a more recent update about what’s happening in Terry Beatty’s Rex Morgan, M.D., it should be there.

Rex Morgan, M.D.

4 March – 27 May 2018.

I last checked in with Team Morgan a couple weeks into the start of their new storyline. It was about the Morgans’ babysitter Kelly and her boyfriend Niki. They noticed their friend Justin had taken up this habit of choking every time he tried to eat or drink anything. Justin took this nonchalantly. His friends worried that, y’know, at some point he’s got to eat, right?

Title panel, T-Rex Morgan, M.D. Sarah draws 'Glenwood - One Million Years BC'. Dinosaur versions of her parents come in, roaring 'GRONK' and 'GRAAAAAWK' and such. This is caption-translated. T-Rex: 'Hey, Punkin. We're getting teh boys to bed, Sarah. Can you get your jammies on?' Sarah: 'Sure, Dad.' T-Rex: 'When they're asleep, I'll come back and we can read a chapter of our Oz book, okay?' Sarah: 'Sounds good!' T-Sarah: 'And don't forget to brush your teeth before bedtime.' Sarah: 'Of course, Mom.' T-Sarah: 'We'll be back in a bit.' Sarah: 'Life's a whole lot more fun when you pretend your parents are dinosaurs!'
Terry Beatty’s T-Rex Morgan, M.D. for the 1st of April, 2018. Really, the best April Fool’s prank I saw on the comics page. I’m glad Beatty indulged in a flight of fantasy like this. It’s always fun when a cartoonist stretches artistically. And any excuse to put dinosaurs in one of the story strips is a correctly made excuse.

Maybe not; he’s cool with seeing how this plays out. Kelly asks Rex Morgan, M.D., what to do about this. Rex can’t diagnose anything, of course; you need someone who does medicine for that. But he does suggest trying small bites of peanut butter and honey sandwiches until Justin can get seen by a doctor. Justin can eat the peanut butter and honey, solving one immediate problem. But he’ll need a doctor’s note to bring peanut butter in to eat at school. The school participates in the “Let’s Have Angry Old People In The Comments Section Tell Us How Food Allergies Are A Made-Up Thing” program. He finally gives in to peer pressure, and lets Kelly make an appointment with the Morgans. If there’s a promise of no shots and not getting his knee hit with that little hammer. Also if the Morgans make that promise. “Oh never fear,” chuckles June, “we don’t use the little hammer anymore.”

So it turns out Justin has a real actual medical condition that really actually occurs in the real world. It’s called achalasia, in which the muscles of the esophagus don’t work right. It’ll take surgery to treat, so Rex Morgan calls in a friend who practices medicine for it. In non-snarky fairness, I would expect the procedure — a “Heller myotomy” — to be something you get a specialist for. And, come early April, we get some word about why Justin was so weird about seeing a doctor. His mother’s terrified of hospitals. This follows the family story of how her great-grandfather died on the operating table in 1923. This seems ridiculous to me, but ridiculous in a way that people actually are. So I’m cool with it. She’s cool with it too, once Justin gets a haircut and, I trust, promises to wear clean underwear for if he dies.

Kelly: 'We're going to see Justin after his surgery today, right?' Niki: 'Yeah. If we're lucky he'll still be groggy and we can catch him on camera saying some stupid stuff.' Kelly: 'You are SUCH a good friend to him, Niki.' Kelly: 'Hey, what are friends for?' [ The day of Justin's Surgery. ] In the hospital room. Rex: 'Are you ready for this, Justin?' Justin: 'As I'll ever be, I guess.' Rex: 'All the tests confirmed my initial diagnosis of achalasia --- and we have the TOP specialist in the country set to do the surgery.' Justin: 'Sounds good.' Justin's Mom: 'I'm still so worried about my little boy.' Rex: 'I understand a parent being nervous about their child having an operation, but there's really nothing to worry about here. The success rate for this surgery is very high, and Justin is otherwise healthy as a horse. He'll be just fine.' Justin's Mom: 'I know, but *still*.' Justin's Dad: 'My Son, the Horse. Get through this Justin, and we'll buy you a big bag of oats.' Justin: 'You crack me up, pop.'
Terry Beatty’s Rex Morgan, M.D. for the 8th of April, 2018. So, like, “the top” specialist in treating acalasia has to be a specific person, right? Do they know they were referenced, albeit anonymously, in Rex Morgan, M.D.? Did Beatty give her a heads-up or was it just left as a surprise? And wouldn’t it be a kick if somehow the top specialist in Heller Myotomies didn’t read Rex Morgan, M.D. somehow and had to have this pointed out to her by a friend?

And as for Justin, who did not die, he would go on to disappoint his friends, who hoped he would do something dopey while recovering from anaesthesia. No; he simply survived a weird medical problem without incident. End story, the 15th of April.

The 16th began the next focus, about the marriage of Buck and Mindy. They’re having it in Las Vegas. They sent invitations to the other player-characters in the comic. “Horrible” Hank Harwood, rediscovered 50s-horror-comics artist, and his son, rent an RV to road trip to it. They’re hoping to make a grand tour of the country. They’ll stop at all the great roadside attractions and see whether Zippy the Pinhead is talking to any of them about Republicans or meat.

(By the way, this week my love and I were at meals reading collections of Zippy the Pinhead comics from completely different decades. And reading individual strips out loud to each other. We’re delighted by early examples of later Bill Griffith obsessions and jokes that could run in normal comics too. There are many more accessible Zippy the Pinhead strips than the comic’s reputation suggests.)

Interwoven with Buck-and-Mindy’s wedding and Hank-and-Hank’s road trip is a less giddy story. Milton Avery, multimillionaire industrialist, died, the same day that his wife Heather Avery gave birth. Heather Avery flies back to Glenwood, where the strip’s set, partly to console herself with the company of the Morgans. Partly to work out how the expected succession crisis at Avery International plays out. This promises great excitement. The last time the succession of Avery International was addressed was when Woody Wilson wrote the strip. Back then, Heather Avery got Rex Morgan to lie. Morgan claimed Milton Avery was mentally competent and in full possession of his faculties and all. So there’s good reason for the Board of Directors to be up for a good rousing fight.

[ The Harwoods plan for their Las Vegas trip. ] Hank Jr: 'Hey, Pop. Come look at these options for renting a camper. And I need to know how long before Buck's wedding you want to leave on the trip.' Hank Sr: 'Long enough to see the sights along the way and get lost a few times!' [ At the Avery Mansion in Glenwood. ] Michelle: 'You've heard from Heather, Jordan?' Jordan: 'Yeah. Says she's making the trip back as soon as she and the baby get the okay to travel.' Michelle: 'Do you have any idea what Milton's passing will mean to Avery International or your employment here?' Jordan: 'And my free access to this fantastic house?' Michelle: 'Yeah, that too.' Jordan: 'Not a clue, Michelle. I figure I'd better be prepared for anything.' Michelle: 'I had a feeling this was too good to last.' Jordan: 'Wasn't ever meant to be permanent. I figure we're lucky to get whatever time we have here.' Michelle: 'Then let's make the most of it, shall we?' Jordan: 'Y'know, I like how you think.'
Terry Beatty’s Rex Morgan, M.D. for the 6th of May, 2018. I didn’t find space in the main article to write about the housesitters for Heather and Milton Avery, but this strip pretty well explains their plot thread. And is a decent recap of what Milton Avery’s death implies for the storylines too, so, all the better.

Heather’s opening salvo is to explain how she’s thrilled with the way they’ve been running the company. And she doesn’t see any reason anything needs to change. Corporate/Economic historian Robert Sobel in his 1972 The Age of Giant Corporations: A Microeconomic History of American Business identified this as the ol’ “Not the face! Don’t punch me in the face!” boardroom maneuver. But she also explains how if they screw this up she’ll feed them to a June-Morgansaurus. Should be exciting.

While we wait to see how that plays out might you consider reading up on mathematically-themed comic strips? I’ve got a bunch on my other blog that you might like to hear about. This week I get to show off the Maclaurin series for the cosine of an angle measured in radians! You’ll understand why that’s a thing by the end of the article.

Next Week!

Oh, you know how much I’m annoyed with Neal Rubin and Rod Whigham’s Gil Thorp right now? Just wait a week and you’re going to see.

What’s Going On In Rex Morgan, M.D.? And Who’s Contesting the Adoption? December 2017 – March 2018


Are you interested in the goings-on of Terry Beatty’s Rex Morgan, M.D.? If you aren’t this essay isn’t for you. But if you’re interested and want to know what the current storyline is, this is the essay for you. Unless it’s gotten much later than early March 2018 for you. If you are reading this later than about June 2018 you’ll probably want an essay at or near the top of this page as a more recent story summary. Unless you’re looking for how things got to those later-essays’ points, I mean. I suppose you know your business.

Rex Morgan, M.D.

11 December 2017 – 4 March 2018.

My last update came fortuitously near the start of a story thread. June Morgan’s childhood friend Margie Tyler had died offstage. Tyler had left her child, Johnny, with the Morgans to adopt. With the Morgans willing and able to take him in, and no known living relatives of Johnny interested, everything looked smooth. That’s where things stood the 10th of December.

June took the kids — Sophie and Michael, both of whom she gave birth to, and Johnny, on whom she’s waiting for court decrees to settle — to the mall. A couple older people watch them at the play area and nudge June for the story of the two boys. June doesn’t tell. After they leave, the strip stayed with the elder couple. So, yeah, they were Johnny’s grandparents. Not Margie Tyler’s parents; her (dead) husband’s parents, Arnold and Helen March. They were estranged from their son, and only just learned they had a grandchild. Now that they do, they petition for custody.

June: 'Go on and get in your booster seat, honey. I have to get the boys into their car seats.' Sarah: 'Okay. I still wonder who those old people were.' Jone: 'They were just a nice old couple. Being a little too friendly, maybe.' Sarah: 'Those old folks were kinda nosy, weren't they?' June: 'People see the boys and have to ask if they're twins. Natural curiosity, I guess.' [ INSIDE ] Helen: 'Should we have spoken to her? Was that smart?' Arnold: 'There's no way she could know who we are. And you wanted to see the boy, didn't you?' Helen: 'Of course. I just don't want there to be any trouble. It was so hard just to sit here and pretend. He's the spitting image of Ronnie at that age.'
Terry Beatty’s Rex Morgan, M.D. for the 17th of December, 2017. After the first encounter at the mall, and before the Marches file for custody of Johnny. … Also given that Johnny and Michael are the same age — born the same day, the strip established — but became brothers through adoption I wonder what kind of twins they would be considered. It doesn’t quite seem like any category fits, does it?

The Morgans take the kids to the mall again. They see the elderly couple and recognize who they are. June approaches them. She offers that if they knock it off with the stalking, she won’t bury them in Rex’s medical practice, never to be seen again. The next day, Rex Morgan is barely able to get in to not seeing patients before his lawyer calls. The Marches want to talk.

More precisely they want to grovel. They’d only just learned they had a grandchild, they drove down to town to see him, and they kind of stumbled in to being stalkery. “Our bad,” Helen calls it, in a moment sincerely endearing to me. But on to serious business. They’re dropping their petition. They’re confident the Morgans can take better care of Johnny. They’re sorry for all the trouble they caused. They ask only that they not be killed as an example to the others. Rex and June are happy to agree to this, and they all agree that the Marches should be part of Johnny’s life; an auxiliary set of grandparents.

Helen: 'Sneaking around to see our grandson wasn't the best idea, Arnold.' Arnold: 'I suppose you're right, Helen. I just didn't want to wait for lawyers to decide when and how we could see him.' Helen: 'But now the Morgans think we're some kind of crazy stalkers!' Arnold: 'What do we do now that the Morgans are so upset with us?' Helen: 'I suppose we call our lawyer and see what kind of damage control we can do. And there's something I need to ask you ... ' [ MEANWHILE, THE MORGANS HAVE ARRIVED HOME. ] June: 'Okay, guys. Let's get your coats off.' Sarah: 'So WHY did we have to leave the funplace so early?' June: 'Nothing you need to worry about, honey.' Sarah:' I get it. It's one of those 'None of my business' kind of deals.' June: 'Pretty much. Yes.' Sarah: 'I'm keeping track of all this stuff so you can explain it to me when I'm grown up.'
Terry Beatty’s Rex Morgan, M.D. for the 14th of January, 2018. After the second encounter at the mall, and after the Marches had petitioned for custody of Johnny. There’s an extent to which the seriousness with which Sarah treats her presumptive participation in the adult world amuses me. Also there’s the thought of how, when Sarah is Like 36, her parents are going to be able to reduce her to embarrassed cackling by pointing out the time she was this age and said things like “I’m keeping track of all this stuff so you can explain it to me when I’m grown up”.

As a reader I’m a bit torn on this. I like stories that involve people acting thoughtfully. Senior citizens concluding that, sure, they would like to adopt their grandchild but they really aren’t up for it? That’s sensible behavior. I’m glad they do that. The Morgans concluding that while their relationship with the Marches started creepy-to-bad, they’re better off taking this couple into their lives? There’s also good sense to that.

But. One of the motifs of Rex Morgan, M.D. before Terry Beatty took over writing was that people kept giving the Morgans free stuff. A massive publishing contract for young Sarah. A too-great-to-believe Victorian Mansion. That kind of thing. It’s fun to daydream about getting great good fortune dropped on you, but when the characters haven’t done anything particular? A contested adoption looked promising as a story. The Morgans could still adopt Johnny, but they’d have to do more than be someone his previous mother trusted when she was dying. And now here’s that promising conflict skipped.

It’s not that I don’t buy this ending. Nor even that I don’t like it. It seems to me the settlement that leaves everyone happy and that’s even probably best for Johnny. The problem is the choice to go for this is made by the Marches, off-screen. The viewpoint characters haven’t done anything to influence this, apart from June telling the Marches not to spy on them. (Coincidentally I watched the 1979 movie Kramer Vs Kramer this week. It too leaves me unsatisfied, by an important choice about custody of the kid being made off-screen.) I’d have liked to see more of the Marches wrestling with their decision, and maybe the Morgans working to emotionally earn Johnny better.

Sarah: 'Can I finish writing in my diary before I go to bed?' Rex: 'You MAY. Just turn your light out when you're done.' Sarah: 'Okay. Thanks, Dad.' [ SARAH MORGAN'S DIARY ] (Illustrated as a talented but still young kid might, for example with labells pointing out 'My brother' versus 'Robot'.) It was fun having Johnny's grandparents here today. i know they are not really my or Michael's grandparents --- but they are very nice. And since we really don't have much family, I'm going to adopt them, like we adopted Johnny. A kid really ought to have grandparents, don't you think? And it's not just 'cause they gave me and Michael gifts. Though I'll never complain about getting a new box of crayons! I just think a family feels more complete when there's a grandma and grandpa involved! Goodnight, Diary. Time for lights out!'
Terry Beatty’s Rex Morgan, M.D. for the 18th of February, 2018. Something the comic strip has featured more since Beatty took over writing duties is to illustrate stuff as Sarah might. It’s always fun when a comic strip’s artist breaks away from the normal format, and the kid’s diary is a great excuse to do it. (Lincoln Pierce’s Big Nate used to showcase the title character’s own-drawn comics a lot, but that seems to have fallen away in recent years.) Not quite ready for me to ask: is Sarah of the age to write sentences like “A kid really ought to have grandparents, don’t you think?” (No reason kids don’t sometimes write above their level, especially if it’s a phasing they might have encountered and identified as A Way Grown-ups Speak.)

Still, all agree. And all agree that agreeing is swell. The week leading up to the 18th of February was about the March’s first proper play date with the Morgans. It goes swell, everybody amiable all around. The Marches bringing toys and new crayons help. Sarah, writing in her diary, remarks on how she knew “getting new grandparents would mean extra presents”. It’s the sort of innocent avarice that I remember from childhood.

The 19th of February the new story started. It’s following the Morgan’s babysitter Kelly and her genial but basically clueless boyfriend Niki. Their friend Justin chokes on a sandwich. Before anyone can remember if they know how to do the Heimlich Maneuver he vomits it up and decides he’s done with lunch. He doesn’t want to go to the nurse. Kelly also mentions to Niki that isn’t not necessary that Justin hang out with them all the time. Niki doesn’t understand because while he is genial, he is also basically clueless. At the coffee shop after school, Justin gets some pastries and seems to be choking again.

It’s too early in the story for me to make any guesses where it’s going. I mean, I would expect Justin’s strange choking to matter again, but because otherwise why should Beatty have spent screen time on it? (I wrote most of this paragraph before reading the Sunday installment, but I think it still stands, especially once I deploy the next sentence here.) Don’t know yet, for example, whether Justin is really choking or whether he’s making a joke about earlier in the day. And perhaps the story is something about the challenges of the partners in a relationship also having their own friendships. But (so far) less time was spent on that than on the sandwich. So all told there’s nothing for me to make plot guesses about. Shall try to check back when there is news to report. And I’ll try not to grumble about a soap strip having the plot advance on a Sunday forcing me into some rewrites.

Next Week!

Oh, wow, you do not know with what levels of confused and only partly ironic nerd rage I say this. But I have been dying to get back to Milford and Neal Rubin and Rod Whigham’s Gil Thorp and yes, Marty Moon is only a part of it. Send help.

And before then? Mathematically-themed comic strips over on my other blog, if that’s your taste.

What’s Going On In Rex Morgan, M.D.? September – December 2017


Hi, enthusiast of Terry Beatty’s Rex Morgan, M.D. trying to figure out what’s going on. This is my best effort at catching up what’s happening in the strip as of mid-December 2017. If you’re reading this after around March 2018, barring some surprise, I’ll have some more current essay describing its events. You should be able to get that essay here. And, must say, it looks to me like the strip is transitioning from one story to another. So if you’re reading this in, say, February and don’t know what’s going on, and can’t wait for me, you’ll probably have it all if you just go back to mid-December in the archives and catch up from there.

And if you’re just interested in mathematically-themed comics, I’ve got a week’s summary on my other blog. The mathematics one.

Rex Morgan, M.D.

18 September – 10 December 2017.

I keep remarking how it seems like my story comic summaries coincide with new stories starting in the comics. Some of it’s luck. Some of it’s the ease of confirmation bias. I get to each strip about every 12 weeks. If I’m off by half a month that’s still one chance in three of being “near” the start of a story. Still, last time I checked in on Rex Morgan, M.D. I was like right on the end of a story. June Morgan’s old childhood friend Margie Taylor, dying of plot, had got the Morgans to agree to adopt her child. And she had just vanished, leaving only a pile of problem-clearing paperwork and nice enough kid Johnny in her wake.

Like the week after my last essay the strip went around the horn, touching on some of the major storylines. Wealthy industrialist Milton Avery was shown settling back in his old home in England, no longer recognizing his wife Heather, and unaware that she’s pregnant. The Avery’s house-sitters for their on-panel house are shown to be … nice people that I guess have something going for them. Edward, the kid who tried to bully Sarah during the gas-leak year when she was resident child artist at the municipal art gallery, comes over to show off a dog that’s supposed to be fantastically weird that he can only be shown as a Dick Tracy-style explanatory caption.

And then, come October, we started the real story of the last couple months. It involves the highest form of art according to the people who write comic strips, which is, comic books. Early this year the Morgans helped their friend Buck reconnect with Great 50s Horror Comics artist Hank Harwood. Since then “Horrible” Hank’s gotten some satisfying late-in-life glory from fans who had just supposed he was dead or something, plus a bunch of commissions. But, following an anonymous Internet tip Harwood’s son discovers: somebody’s posting fake Horrible Hank art on auction sites.

Mindy: 'Someone is pretending to be you and selling forgeries of Hank's drawings on the Internet?' Buck: 'That's the gist of it, yeah.' 'Sounds crazy to me.' 'It may sound crazy, but scammers can make serious dough selling fakes online. Autographs, comic art, you name it.' 'I see plenty of reproductions in my antiques business, but that's usually just people who are mistaken about what they have. Intentionally defrauding people with fakes? I just can't understand the mindset of someone who'd do that.' 'They see others as marks, just victims to take advantage of.' 'Pretty darn sad, if you ask me.' 'No kidding'. ELSEWHERE. Mysterious woman handing over envelope: 'Your payment.' Rene Belluso: 'Thanks. I'm pleased with the quality.' Mysterious: 'You're good at what you do. Most people would never know these are copies.' Rene: 'Let me know when you want more.' Mysterious: 'I will, Rene. Thanks.'
Terry Beatty’s Rex Morgan, M.D. for the 8th of October, 2017. I don’t know, not my place to quarrel with someone else’s preferences in art. I just think that forged Horrible Hank piece is not all that good a portrait of a young maiden looking discreetly away from the viewer is all. And don’t get me started on the duckrabbit.

Buck, who’s been managing Horrible Hank’s return to the money factory that is commissioned comics art, is horrified. He lodges complaints with the auction site. The counterfeiter responds by saying (a) their stuff is too legit and (b) here’s some news stories about Buck being arrested for art forgery so nyah. Buck is offended by what he calls “doxxing” and files a complaint with the Commissioner of the Internet to get these untrue things removed.

But his certified letter to the Commissioner of the Internet is barely mailed when a major clue steps in. Buck’s getting-quite-serious girlfriend Mindy recognizes the women who spent an hour lingering around her antiques store. It’s Doris, Buck’s abusive ex-wife, who’s supposed to be in jail after this incident where she nail-gunned his head and came after him with a knife. He’s supposed to be under a protection order and get notified when she’s released, but, you know, things happen.

[MINDY IS TEXTING BUCK]: 'This woman has been poking around the shop for an hour. What do you bet she ends up not buying a thing?' [EVENTUALLY] ... (Woman): 'I'll just take this.' Mindy: 'Okay then. Thanks for stopping by. Do come again.' Woman: 'It's a lovely store. I'll be back.' Mindy thinks: 'I thought she'd never leave! I can close up, finally.' [LATER AT BUCK'S PLACE] Mindy: 'What are you looking at, Corey?' Corey: 'Some old pics of Dad. Just kind of comparing these with him now to see how much weight he's lost.' Mindy: 'May I see?' Corey: 'Well, yeah. Though a lot of these pics have Dad's ex, Doris, in them --- not sure you want to see her.' Mindy: 'THAT's Doris? But that's the woman who was in my shop today.' Corey: 'Oh, that can't be good. We'd better tell Dad.'
Terry Beatty’s Rex Morgan, M.D. for the 22nd of October, 2017. I can attest, as a person who has lost a lot of weight, how weird old photographs look. There was this time, when I was first thin, that I thought the weird part was the current me and this weird figure looking back in mirrors and new pictures and all. But that changes. Now I look at old pictures of me and I can kind of see myself, only my hair isn’t grey, and I appear to be incompetently smuggling an inflatable raft out of the sporting-goods store. I also kept one of my old shirts from when I was enormous and it’s hard to believe but it’s large enough to house my car.

Mindy texts Buck when Doris re-visits the antiques shop. Buck immediately charges into the scene, which goes as well as you could hope for doing the dumb thing. She misses hitting him with a paperweight, runs off, and lets him catch her in her apartment. Her plan: ruin Buck’s reputation as a legitimate comics-art dealer, thereby breaking up his relationship with Mindy, after which she’ll get Buck all to herself. Well, I’ve heard dumber schemes. A disgusted Buck tries to leave, but Doris charges, ineptly, and falls down the steps just after a witness arrives to see the whole thing.

Doris: 'Buck, don't leave! I love you!' Buck: 'You have no clue what love is, Doris. I feel sorry for you --- but we are more than done.' Mindy: 'Buck!' (She throws a paperweight and misses.) Buck: 'You really have to stop throwing those paperweights, Doris.' Doris: 'YOU CAN'T LEAVE ME! I WON'T LET YOU!' Buck: 'Goodbye, Doris.' (Neighbor pokes his head out the apartment.) Doris: 'BUCK!!! DON'T YOU DARE!' (She jumps after him, and falls down the steps.) Neighbor: 'You want I should call 911?' Doris: 'Ow ... !'
Terry Beatty’s Rex Morgan, M.D. for the 12th of November, 2017. I feel bad that I keep getting a little giggle every time I read that last panel.

With the crazy ex put back in jail, Buck can look forward to a life as a reputable comics-art dealer. And, with his son’s encouragement, he asks Mindy to marry. She’s happy to. Horrible Hank finally gets to see some of the forgeries. And he recognizes the artist: Rene Belluso. The guy who was giving Sarah art lessons up until Terry Beatty took over the comic and dialed way down the “free stuff for the Morgans” theme.

And besides that Rene Belluso is still out there forging art, that wraps up that storyline, one week ago. This past week was spent delivering the news that Margie Taylor had, indeed died. I intend no guess as to whether that’s starting a new thread about the adoption of Johnny or simply resolving the previous thread. Still, it’s a bunch of successfully deployed soap opera plotting, so, well done.

Next Week!

Viral videos! Micro-managing stage uncles! Chronic Traumatic Encephalopathy! No word on the playdowns! It can’t be anything but Neal Rubin and Rod Whigham’s Gil Thorp. Please stop in and see what football players are singing and for what reasons.

What’s Going On In Rex Morgan, M.D.? June – September 2017


I am embarrassed to admit this is a story summary done in greater haste than usual. Somehow I’d got in my head that I was due to review Gil Thorp and was thinking about that storyline all week, and then late Saturday actually looked at my schedule. I’ll try to be fairly complete about this anyway. And for those hoping to understand Terry Beatty’s Rex Morgan, M.D., thanks for reading. If it’s much past September 2017 when you read this, the story might have drifted. If I have more recent updates they should be at or near the top of this page.

On my other blog, I have not just the usual roundup of mathematically-themed comic strips but also my finally noticing something shocking about the cast of John Rose’s Barney Google and Snuffy Smith. Please, let me know your opinion on this.

Rex Morgan, M.D.

26 June – 17 September 2017.

My last summary of Rex Morgan, M.D. missed by one week the conclusion of the Kelly-Niki-Holly love triangle plot, when it was revealed Niki didn’t know Kelly was jealous of his time with Holly. Niki needed some advice from her parents on how to cope with a non-heterosexual friend because millennials have so much trouble coping with this stuff than their parents do. That’s all.

The 2nd of July started the new and current storyline, when June Morgan’s childhood friend Margie Taylor dropped into town. She bring along her son Johnny, played by Norm Feuti’s Gil, who instantly gets along with Sarah and Michael Morgan. Margie talks about how she’d had to leave town as a teen when her mother died, and how screwed up her life had gotten, and how she’s straightened out enough things that she had the courage to look up June Morgan again.

Rex: 'Is your friend showing up soon?' June: 'Should be here any time now.' (Ding dong!) 'Like I said, any time now!' (At the door.) 'Margie!' 'June!' June: 'It's been ages, but I'd have known you ANYWHERE!' Margie: 'You, too. How could I ever forget my BEST FRIEND?' Toddler: 'Mam?' June: 'OH MY! Who's THIS little sweetheart?' Margie: 'That's my SURPRISE --- my SON, Johnny.' June: 'That's a nice surprise!' Sarah: 'Look, Michael --- Mommy's friend brought someone for you to PLAY with!' June: 'Well, what are we STANDING here for? Come on in!'
Terry Beatty’s Rex Morgan, M.D. for the 16th of July, 2017. By the way, Johnny in the last row there? That’s me at every social event. Except I’ve got a beard, and I somehow put on a shirt and pants that don’t quite match even though you can’t really say just why. And my pants are black half the time. The instructions say that’s supposed to work with anything. I don’t know what’s gone wrong.

So yeah, Margie’s dying. June’s the first to mention it, to Rex, who does enough medicine to agree. It takes a couple weeks of reader time for Margie to open up about it. But she’s got third-stage plot complications and expects them to be imminently fatal. Margie panels the people in Rex and June Morgan’s lives about how good they are as parents and the reports are favorable. “Yeah, there was that weird thing where they let a mob widow muscle the Museum into publishing and buying a zillion copies of her book of horse drawings, and I guess June’s pregnancy did get into the tenth trimester before she gave birth, but they’re basically pretty good eggs,” answered person after person, verbatim.

Rex: 'Kids are asleep?' Margie: 'Michael is. Sarah's in bed reading.' 'The girl DOES love her books.' 'GOSH --- I wonder how she came by THAT.' 'So, your friend is all settled in?' 'Yeah, seems to be. You saw she was sick right away didn't you?' 'Pretty much.' 'Took me a while. But when she went into her purse for her car keys, I couldn't help seeing the PRESCRIPTION PAINKILLERS she's packing.' 'Opiates?' 'Uh-huh'.
Terry Beatty’s Rex Morgan, M.D. for the 30th of July, 2017. I realize that this strip and the previous one make it look like Rex has spent this entire storyline staring intently into a book while talking distractedly to his wife, but … uhm … I’m not sure he actually hasn’t.

Margie asks June if she and Rex will adopt Johnny. June, hoping to stall long enough for the writer to change his mind, agrees to consider it if Margie agrees to see some specialists that she and Rex will think up. Margie agrees. While June and Rex take seriously the question of whether to adopt an all-but-certainly-orphaned boy, Margie tells babysitter Kelly that she’s off to run some errands, hugs Johnny, and walks out. She leaves behind a letter to the court asking that the Morgans be named Johnny’s guardian, and a note to not try to find her.

Margie: 'What a nice little park.' June: 'The kids enjoy it. It's one of the things that sold me on this neighborhood.' Margie: 'You've made quite a life for yourself, June.' June: 'I'm sorry things haven't worked out well for you, Margie.' Margie: 'I had Johnny. That's the one good thing. But now ... oh, this is hard to say.' June: 'It's okay, Margie. Take your time. Whatever you need to tell me.' Margie: 'You and Rex know I'm sick, don't you?' 'We could tell, yes.' 'I beat it twice, June --- but this time it looks like three strikes and I'm out.' 'And you're looking for someone to take Johnny when you're gone.' 'There's no family that can take him, on either side.'
Terry Beatty’s Rex Morgan, M.D. for the 13th of August, 2017. This isn’t the important thing, but I like public pavilions with that top panel’s style of brick-clad support pillars. The trash bin lined with vertical wood slats works for me too.

So that’s an exciting development. The police are vague about whether this does count as child abandonment or any other specific crime, which surprises me. I grant the situation’s not common, but it seems like it’s got to be something everyone who does child and family welfare cases has to hear about. I’m also curious what actual real-world case law suggests. My gut says that yeah, it wouldn’t be abandonment to leave a child with someone responsible who’d given you a verbal agreement to an adoption, along with a letter stating your intention to give the child to their custody, and contact information for your attorney (who’s presumably been clearly told the intention). But if I learned anything from watching too much of The People’s Court as a kid, the thing that seems instinctively right is contravened by actual law. (There must be some guide for this for soap opera writers, mustn’t there? So that if they want the story to go in a crazy direction they can do it in ways that don’t sound obviously crazy?)

And that’s where we land in mid-September. I am surprised to have another child airlifted into the Morgan family. For one, in previous months someone else in the comic — I forget who — had mentioned how she wanted a child. It seemed like a solution being set up for a problem. Also having a ready-made new child dropped into their lives feels a little like a return to the gifts-bestowed-on-the-Morgans format that Terry Beatty had drawn back from. There’s important differences, though. Particularly, the Morgans here think early and often about how much responsibility this child is, and how adopting him messes up reasonably made plans. Kids are work, and there’s been no discussion between June and Rex suggesting they’re thinking of how fun a third child could be.

Curious touch: Johnny is mentioned as having been born the same day as June and Rex’s second child, Michael. The adults remarked on the coincidence. It’s a remarkable coincidence. And none at all, of course, since Beatty got to choose when Johnny was born. So I’m left pondering: what is the artistic choice being made in having the adopted child be born the same day as the non-adopted one? It feels meaningful, but I can’t pin down what the meaning is to me. I’m curious if other readers have a similar sense, or thought about what it does mean.

Next Week!

Apparently I’m just that hungry to get back to Neal Rubin and Rod Whigham’s Gil Thorp. You’ll join me, won’t you? Thanks.

What’s Going On In Rex Morgan, M.D.? April – June 2017


This report on the recent plot developments of Terry Beatty’s Rex Morgan, M.D. is right and fitting for late June, 2017. If it’s a lot past that by the time you read it, things might have moved on. I’ll do my best to have more recent updates near the top of this link. Thanks for being interested, and do enjoy.

Rex Morgan, M.D.

2 April – 25 June 2017.

Last time, you’ll recall, Terry Beaty’s dismantling of the Cult of Sarah Morgan and the showering of untold fortunes on her had nearly completed. She was ready for her first day back at public school, as a mere normal, if amnesiac, student almost completely bereft of the ability to draw horsies. She’s saved from kids teasing her by Edward, the former bully she had publicly shamed on a school tour when she was on exhibit at The Local Art Museum. (Seriously, this is where the strip had been before Beatty took over the writing.) That’s totally how it works when you publicly shame the class bully. They usually become your protectors.

Edward: 'I'm sorry those kids were being such JERKS to you.' Sarah: 'Thanks for scaring them off. I know I'm the NEW kid and all, so some kids won't like me.' 'Don't pay any attention to those mean kids. They're just BULLIES like I used to be -- until you changed my mind.' 'I wish I could remember meeting you, Edward. The accident made me lose a lot of memories -- like a YEAR's worth.' 'Man -- that must be WEIRD!' 'It is. Feels like I was asleep for a LONG time. And woke up to a new house and new baby brother!' 'I'd like to go to sleep and forget my BIG SISTER!' 'What's wrong with your sister?' 'She's meaner than I EVER was! I just try to stay out of her way.' 'That's too bad. Maybe you could come play at my house if you ever need a break from her?' 'That'd be like EVERY DAY. Could I bring my dog?'
Terry Beatty’s Rex Morgan, M.D. for the 16th of April, 2017. Quick show of hands here, people who’ve been bullied: has ‘don’t pay attention to those mean kids’ ever worked for anyone ever? Thought so. Anyway, I do enjoy the bit of kid wonder at the idea of losing a year’s worth of memories. It feels like actual kid responses to something that, as a grownup, would be pretty horrible, if nothing else for how tedious it would be to reset all the passwords you’d changed in the lost year.

With Sarah’s plot safely tucked off in public school, June Morgan decided she’d spent enough time as a stay-at-home mom not doing medicine. She wanted to get back to being the Doctor’s full-time assistant, hanging around the office and not doing medicine just like Doctor Rex. By late May she had leapt back in and everything was fine and dandy. So this all might sound like there’s not a lot soap-operatic happening in this soap-opera strip. Fair enough.

June: 'I thought you were managing the clinic just fine WITHOUT me?' Rex: 'We ARE, but ...' 'Well?' 'Summer and Michell are doing a perfectly fINE job here, it's just that ... well ...' 'OUT with it, Doc. I'm WAITING.' 'I simply MISS YOU being here. I mean, HOW many years have we spent running this clinic? It's just not the SAME without my FAvORITE nurse.' 'Do you have ANY idea how many POINTS you just earned?' 'Said the RIGHT thing, did I?' 'Sure did.' MEANWHILE, in Holly's Dad's collector garage. Niki: 'HOLY COW! When you said your dad collected cars, you weren't KIDDING!'
Terry Beatty’s Rex Morgan, M.D. for the 7th of May, 2017. Never mind the question of whether Rex Morgan ever sees a patient. I like married-person banter, especially when it’s between married people who enjoy each other’s company. Love is one thing, but there’s something special in just liking being near someone.

The drama the past couple months has focused on Sarah’s driver/part-time babysitter, Kelly. While it’s a pretty good afterschool job as these go, her schedule conflicts with her boyfriend Niki’s, who’s a pizza deliverer. He gets a call to Holly, a girl from the arts school, and she kind of likes him, and her dad quite likes him. Holly’s Dad offers him the chance to drive some of his antique cars around town. Holly has to go with, of course, but you understand how wealthy fathers enjoy picking out trustworthy pizza-delivery guys and having them tool around town in their antique cars with their teenaged girls.

Really I’m comfortable with this. Put that way the story sounds like absurd wish-fulfillment. But, you know, the Rex Morgan, M.D. world has been one of basically pleasant people who like other people. And Niki had the in that he drove a vintage Beetle himself kept in respectable shape. I’ll buy the premise.

Where this gets soap-operatic is that this leaves Niki spending his free time driving around town with Holly in a sequence of antique cars. Which gets back to Kelly, who wants to know what her boyfriend is doing driving some other girl from the arts school around instead of her. Niki answers with all the self-awareness of a teenage guy who doesn’t understand why someone would be upset he was driving someone else’s car. So Kelly spent about eighteen months correctly identifying him as an idiot.

Kelly: 'Let's recap. You've been driving HOLLY around in her DAD's vintage cars while I'm BABY-SITTING for the Morgans.' Niki: 'Uh, yeah.' 'And LYING to me about it.' 'Gee, Kelly, I didn't think I was doing anything WRONG by hanging around with Holly.' 'REALLY?' 'Yeah - we're just FRIENDS. Nothing more to it.' 'Then why KEEP it from me?' 'Like I said, I was afraid you'd take it the WRONG WAY and be ANGRY or JEALOUS or something. Like you ARE right now.' 'Niki - if there's NOTHING going on between you two, you shouldn't have been afraid to TELL me. It's you NOT telling me that makes me think there IS something going on here.' 'But there ISN'T, Kelly - there REALLY isn't. It's just that the CARS are so cool.' 'And HOLLY being a PRETTY BLONDE has NOTHING to do with it at all?' 'Well, I GUESS she IS pretty and all, but ... OH, GEEZ, I said the WRONG THING, huh?'
Terry Beatty’s Rex Morgan, M.D. for the 4th of June, 2017. I also appreciate the natural, unforced dumbness of Niki’s situation here. We’ve seen the whole story so we know he never had an unfaithful thought, and possibly never had any thought besides “shiny car”. Also, hey, a millennial who’s interested in cars as objects of particular historic and design and cultural importance; who knew?

Anyway, all seems to be getting better as Niki and Kelly go to the arts school’s production of Large Levi, put on when I guess somehow they couldn’t get the rights to Li’l Abner? I don’t know why Beatty didn’t just use the actual comic-strip-turned-stage-play. Maybe when he first mentioned it he thought he’d need some scene that couldn’t plausibly be in a high school presentation of Li’l Abner. Maybe the Al Capp estate is weird about perfectly appropriate and fair mentions of his intellectual property. I don’t know.

Having met Holly, and her girlfriend Crystal, and getting invited to their game night, Niki gets all smug about how Kelly was silly to be jealous. She points out how he’s an idiot. Fair enough.

And those are all the major plots developed over the past few months. There haven’t been other sidelines. There was some overlap during the transition from Sarah At School to June At Work to the Kelly and Niki show, but nothing too narratively complicated. And most of the time was spent on people screwing up their relationships, the way a soap opera might well. Nothing happened with senile industrialist Milton Avery, nor with Jordan and his housekeeping job. Pioneer comic magazine artist “Horrible” Hank Harwood hasn’t been seen since April.

Next Week: Francesco Marciuliano and Mike Manley’s Judge Parker unless something big comes up.

Another Blog, Meanwhile Index

The Another Blog, Meanwhile index fell four points after traders noticed the Sirius XM Deep Tracks station playing some crazy obscure Kinks stuff and while they’re always playing the Kinks, I mean, what the heck? This is some stuff that even people who loved Soap Opera never get around to listening to.

262

What’s Going On In Rex Morgan, M.D.? December 2016 – April 2017


[Edited the 6th of June, 2017 to add] This post about Rex Morgan, M.D. is from April of 2017. If you’re reading this much later than, oh, June of 2017 there will probably be a more current report about the plot at this link. Thanks for being interested, though.


When last I officially looked in on Terry Beatty’s Rex Morgan, M.D. little Sarah Morgan was in dire shape after being hit by a car. This after her parents learned her book of horse pictures was not actually a bestseller but rather propped up by the curious patronage of mob-ish widow Dolly Pierpont, who used Sarah as substitute for her estranged daughter Linda. back in July, June Morgan listed some of the incredible good fortune that had befallen the family and wondered “what happens when the pendulum swings back the other way?”

It’s been a lot of swinging.

Rex Morgan, M.D.

20 December 2016 – 1 April 2017.

Sarah emerged from her coma in a pretty sweet Christmas Day strip. But she’d been struck with a nasty case of Soap Opera Amnesia, leaving her unable to remember anything of the past year. The Morgans have tried various things to restore her memory of the lost time, but nothing seems to be working. Since most of that corresponds to the worst excesses of the “let’s throw fabulous money and prizes at the Morgans” era I expect that Beatty’s not going to allow this to work. It’s a drastic and, really, horrifying way to clear the boards. But it does get Sarah back to something like normal child life.

So she doesn’t remember the birth of her little brother Michael, so if they ever grow up he’s going to have that to tease her about his whole life. She also doesn’t remember how to draw, so her incredibly-popular horse-painting book looks to be a one-off. Nor does she remember the private school that Dolly Pierpont had paid tuition for; after a good look at the student uniforms she asked if she could go to public school instead. Losing a year of her memories also means she’s lost the year that she skipped ahead. I am impressed. We usually get resets this complete only after Captain Janeway and Seven of Nine spend forty minutes telling us about “chronometric wavefronts” and “temporal storms” and “did anyone check if we let Chakotay out of the shuttlecraft before the space vortex ate it and could we tell the difference if we didn’t?”.

Homecoming for Sarah. 'Calm down, Abbey! Don't knock Sarah over!' Sarah asks the dog, 'Did you miss me? 'Course you did!' And asks her parents, 'This is our house now?' 'Yes, we moved just before Halloween.' 'Do you remember the secret room?' 'There's a SECRET ROOM? I gotta see it!' June: 'This is going to be interesting, Doc.' 'Her memories could return ... or not.' Sarah: 'This secret room is AWESOME!'
Terry Beatty’s Rex Morgan, M.D. for the 8th of January, 2017. Inside the secret room under the stairs are none of Sarah’s memories of Dolly Pierpont and the book deal and her horse drawings and being an exhibit of precocious artistic talent at the Local Museum, but she does find the real Seymour Skinner.

It’s not a perfectly complete reset, though. Not all the good fortune of the Morgans wiped away. While exploring the attic Sarah discovered a cache of 1950s comic books and proofs and stuff in stunningly good condition. Rex’s friend Buck Probably-Has-A-Last-Name-But-I-Forget-And-Can’t-Find-It guided them to the original artist, “Horrible” Hank Harwood. Because this was in the comics, the comics stuff was valuable. The Harwoods sent the Morgans a pretty good finder’s fee in gratitude. Yes, it’s more giving-stuff-to-the-Morgans, but if we start from the premise of finding these vintage comics then everybody’s acting admirably.

Buck and the Harwoods were then whisked off to Generic Comic Con, the largest comics gathering in every comic strip ever. Hank got to deliver the con’s prestigious Fredric Wertham Is A Booger address and Buck got to have a dizzy spell. He uses his hospital stay to call Mindy, whom he met in one of his first gym sessions, and probably that’ll be picked up on sooner or later. They fly home, with the 90-year-old Hank possibly contracting a case of sleep apnea. Hey, medical stuff, who knew?

Buck collapses on the floor of the comic book convention. 'Hey --- can we get some help here? Mister? Mister? Are you okay?' 'Wha --- what happened?' 'You were out for a bit there. Good thing you didn't hit your head when you fell. I called for convention security to get first aid over here.' 'Thanks --- I think I'm okay, though.' First aid: 'Why don't you come with us and we'll make sure. Don't want anyone getting hurt here.' 'Now *I'm* in a wheelchair. Great.'
Terry Beatty’s Rex Morgan, M.D. for the 12th of February, 2017. I don’t know if the guy in green and yellow is an original character or not. I’m supposing he is because that’s some of what I like best about conventions like this, and I’m in good spirits so I’m going to suppose ambiguous stuff has the good interpretation.

In the other major thread senile industrialist Milton Avery has gotten bad enough that even Heather can’t cover it up. She’s resolved to take him back to his home England. In this way if he has another spell of wandering off and getting on the bus looking for a flight to England he’ll at least have it resolved by people who’re on the other side of the road. She’s dispensing the job of looking after the house to Jordan, who I believe is just Buck without his glasses, and everybody seems well enough there.

Heather: 'We're going to need someone to look after the property --- manage the house while we're away. Interested?' Jordan: 'Yeah, I suppose I would be.' 'You could stay here, have your pick of the guest rooms, and stay on the payroll.' 'I don't know how I can say no to that offer.' 'Then don't. Say yes.' 'Well sure. Yeah. I'll stay on. It's an unexpected offer --- but thanks. Yes.' 'Now don't you have a phone call to make, maybe someone you should tell about this?' 'Um ... yeah. Yeah, I do.'
Terry Beatty’s Rex Morgan, M.D. for the 5th of March, 2017. This is actually also how I handled it when my boss suggested maybe I could keep on working remotely when I moved to Michigan instead of having to find a whole new job. I’m not very good at expressing approval of good stuff.

Dolly Pierpont reconciled with her daughter Linda.

The Johnny Olson Report:

Major characters of Rex Morgan, M.D. have received these fabulous gifts and prizes:

Character Fabulous Gift or Prize
The Morgans Finder’s Fee for valuable vintage comics art, first installment of promised many.
“Horrible” Hank Harwood A CPAP machine to help with his snoring; good karma
Sarah Morgan The chance to read her own book for the first time
Buck, dba Jordan Sinecure as “property manager” or something like that for Milton Avery

Another Blog, Meanwhile Index

The Another Blog, Meanwhile index rose seven points on reports that a new graphene-based process could allow synthetic skin to have a sense of touch, making plausible that in the near future caressing our cell phones will be for more than to make us feel better. The phones could get something out of it themselves. Maybe there are some good things left in the world.

121

What’s Going On With Judge Parker?


[Edited the 6th of June, 2017 to add] Thanks for looking to me for tips on the developments in Judge Parker. This post is from January of 2017. Summaries of more recent storylines should be available at this link at or near the top of its page.


So, you know the difference between Rex Morgan, M.D. and Judge Parker? Yeah, me neither. I’m not meaning to be snarky here. It’s just both story comics are about people who nominally have exciting professional jobs but never get around to doing those jobs because they’re busy having strangers throw money and valuable prizes at them. They were even both created by Nicholas P Dallis (in 1952 and 1948, respectively). There’s a lot in common. That changed in a major way in 2016.

Judge Parker

So a few years ago Alan Parker retired and kicked out a book based on one of his adventures as the comic’s original title character. (His son’s taken over the judgeship, and nominally heads the comic.) Writing’s a common second job for comic strip characters. And his book was fabulously successful. It’s a common hazard for comic strip characters. Mike Patterson of For Better Or For Worse had similar success. Adam of Adam @ Home is on the track for that right now. Even Tom Batiuk couldn’t keep his Funky Winkerbean character-author, Les Moore, from being a wildly successful author forever. Chris Browne, heir to the Hi and Lois/Hagar the Horrible fortune, had a comic strip Raising Duncan that was all about a married couple of wildly successful mystery authors.

The thing is, even by comic strip character standards, Alan Parker’s book was wildly popular. Everyone loved it. People recognized him from his dust jacket. An illegal-arms merchant backed off whatever he was up to because he was so impressed by the book. Parker’s book sold to the movies, and the movies wanted Alan himself to write the script. For lots more money. The recreation director of the cruise ship he was on loved the book and was so excited about a movie deal she showed him how to install script-writing software on his computer. And got him started on writing a script everyone agreed was just the best script ever.

'You're an exceptional writer, Alan! I wish you only the best with your future projects!' 'Thank you, Delbert. I, uh, meant no disrespect to your wife' 'Oh, no worries. I thought [ her review ] was a hatchet job, too!' And his wife gets meaner and uglier and fatter-looking while this all happens.
Woody Wilson and Mike Manley’s Judge Parker for the 13th of December, 2013. Finally Judge (retired) Alan Parker knows that even the husband of the woman who hated his book understands she was wrong and his book was the greatest thing humanity has done since creating Tim Tams. The woman, Audrey Harrison, is described as a professor at Yale and Princeton, teaching literature and, I suppose Being an Internet Hater. Hey, if I could get a double tenure track job in Internet Hatering I’d take it too.

It’s not just that the book succeeded. It’s that the universe arranged for everyone in the world to love the book. Almost everyone. There was an English professor, allegedly a professor at Princeton and Yale, who wrote a review panning it. Parker tracked her down and publicly berated her, and her husband agreed with Parker. The book was just that good. And that’s how Judge Parker built itself up through to summer of last year.

A bit of success is fine. First-time authors, high school garage bands, start-up businesses fail all the time. Even more often they get caught in that mire where they aren’t succeeding, but they’re also not failing clearly enough to walk away from. Surely part of the fun in reading stories about them is the stories in which they manage to succeed. It’s the wildly undeserved success that made the comic an ironic-read masterpiece, topping even Rex Morgan, M.D.. Or just infuriating. If you’ve ever known a high school band trying to do a gig, you’re annoyed by the idea Sophie Spencer should be able to demand a hundred dollars of the band’s whole take for the night in exchange for her deigning to be the merch girl. If you know anything about business you find something annoying in Neddy Spencer starting her clothing line by pressuring the country-music star head of an aerospace company to giving her a newly-completed plant and hiring a bunch of retired textile workers who’ll be cheap because they can use Medicaid instead of getting paid health benefits. Plus there’s some crazy stuff about international espionage, the kind that thinks it’s all sleek and awesome and glamorous rather than the shabby material that gets documented in books with titles like Legacy Of Shame: Failures Of The Intelligence Community And Their Disastrous Consequences In [ Your Fiasco Here ]. At some point it looks like a satire of the wish-fulfillment dreams of a creative person.

(I may be getting some of the characters’ last names wrong. There’s a lot of mixing of the Parker, Spencer, and Driver families and I do lose track. There’s what has historically been The Chosen Family; call them what you will.)

So that’s where things sat when the strip’s longtime writer Woody Wilson turned things over, in August, to Francesco Marciuliano. I expected Marciuliano to do well. He’s been writing Sally Forth all this century and become the prime example of how a comic’s original author is not always the best person to produce it. (He showcases that, and often writes about it, over on his WordPress blog, where he also shares his web comic.) I’d expected he would tamp down or minimize the stuff that could be brought back to realistic, and quietly not mention again the stuff that was just too much.

He hasn’t quite. He took the quite good cliffhanger, one literally drawn from the days of cliffhangers, that Wilson left him: Sophie and her band driving back from a gig, a little drunk and a lot exhausted, on a precarious mountain road in the rain, encountering a distracted truck driver who’s a little too slow to dodge them, and the kids go tumbling over the edge. Solid story stuff. You can see all kinds of potential here, not least to dial back the worst excesses of Sophie’s dictatorial powers over the band she forced herself into.

Police at a confusing crash scene. The truck driver babbles about Dahlia. The other car, the one carrying Sophie's band, went over the edge ... and went missing from there. With skid marks indicating something was dragged away, somehow.
Francesco Marciuliano and Mike Manley’s Judge Parker for the 4th of September, 2016. There’s a lot of exposition established here, although you’re forgiven for missing it in the really lovely washes of color. It’s hard doing any good visual effects in the limits of comic strips, and to do a complicated, crowded night scene is well-nigh impossible. I didn’t take much time to write about Manley’s art, so please take this strip and ponder all the ways it could have been a disaster.

Marciuliano went crazy instead. The truck driver wasn’t merely distracted. He was driving illicitly, with a satchel full of money, and apparently stalking a call-in radio show host. Possibly he was carrying out a hit on the kids. The crashed car went missing. The kids, except one — not Sophie — went missing. For months. The intimation is that some of the shadowier figures who’re in the Parker orbit wanted to send them a warning, but things got messier than even they imagined. You know, the way a good crime-suspense novel will have brilliant plans executed by people not quite brilliant enough and then all sorts of people are trying desperately to patch enough together to get out of the way.

It’s a daring strategy. Ambitious. Exciting. In the immediate aftermath of the change the results were particularly suspenseful. Marciuliano, probably trained by Sally Forth out of the story-strip habit of over-explaining points, had enough stuff happen that it could be confusing. (I did see Comics Curmudgeon commenters complaining about things that had already been addressed in the text.) But it felt revolutionary. It reached that point story strips rarely achieve. There wasn’t any fair guessing what the next day’s installment might bring.

A sinkhole swallows up most if not all of the misbegotten clothing-manufature storyline. Neddy pleads for help, 'Please help me get the employees! They're still in the factory!' There aren't emergency exits; they work in containerized cargo units, and are trapped. Local news is getting the disaster as it unfolds.
Francesco Marciuliano and Mike Manley’s Judge Parker for the 16th of October, 2016. Among the bits too crazily distracting to mention in the main article: to get needed office and floor space in the newly-built aerospace factory turned over to garment manufacture, they put in containerized-cargo units. The strip (with Wilson writing) explained this was totally a thing that some companies did for real, when they needed office space and had more vertical space than elevators available. And I have seen this sort of thing done, like to put up artist’s exhibitions at the piers in Wildwood, New Jersey. But it’s not the sort of thing to toss in without careful thought.

Some other pieces of the old excesses were resolved no less dramatically. Marciuliano ended the quagmire of the ever-less-plausible clothing-factory storyline by throwing it into a quagmire. A sinkhole opened underneath the factory, taking the entire thing down on the opening day for the project, sinking it beneath the recriminations and accusations of fraud and misconduct that should have kept the idea from starting. And I appreciated the dramatic irony that so much utterly wrong behavior on the main characters’ parts could finally be undone by something that was not in any way their fault. (I mean, what kind of person figures “we should hire the elderly because they’ll be so happy to get any work we can make them cheat for their medical care”? I mean any person who should be allowed into civilization.)

And others are just getting tamped down mercifully. Alan Parker’s movie has fallen into that state where everybody’s happy to have meetings but nothing ever happens. He’s eager to write another book. He’s got one sentence. He doesn’t like it. That is, sad to say, more like what really happens.

Is it successful? I say yes. I say it’s the biggest turnaround in story comics since Dick Tracy stopped being incompetent. The experience reminds me of the time Andy Richter mentioned how he and his wife had meant to go bowling ironically, “but we ended up having actual fun”.

Have I got doubts? Well, sure. I always have doubts. The main doubt is that September through December tossed a lot of new pieces and plot ideas into the air. There’ve been a lot of questions raised about what’s going on, and why, and how they’re trying to do whatever they’re up to. Questions are the relatively easy part of writing. The trick is getting a resolution that makes any sense. Bonus points if it makes sense when you go back and read the start of the story again.

'And so that brings us to today. Specifically, this morning. When Sophie Spencer, missing since September, entered the local diner and asked for some tea.'
Francesco Marciuliano and Mike Manley’s Judge Parker for the 9th of December, 2016. The strip jumped several months ahead after the twinned disasters of the car crash with Sophie and her band’s disappearance and the factory sinkhole. Here it came to the end of a week explaining how the town was starting to get back to whatever normal was anymore.
A habit of Marciuliano’s I didn’t have the chance to get into: his characters are aware of pop culture. Not to the point that Ted Forth is in Sally Forth, who’s in danger of someday merging with a Mystery Science Theater 3000 Obscure Riffs Explained page, but more than normal for the natural squareness of story comics. It can be a bit distracting when (eg, in a Sunday strip I decided not to include here) a character tell a radio call-in show host how she couldn’t take the aftermath of all this and so she ran, and she’s asked if putting on some Phil Collins might help. Some of that makes a character sound more natural; we all talk in references. Sometimes it comes out weird. But about forty percent of all human conversation are weird.

Will that happen? I don’t know. That’s Marciuliano’s problem. I just have to have a reaction to it. He’s got my attention. Of the story strips going on right now that’s the one I’d recommend giving yours.

Another Blog, Meanwhile Index

The Another Blog, Meanwhile index dropped below the psychologically important level of 100 today, in what analysts and traders called “yet another flipping time already”. Many were caught rolling their eyes and saying sheesh, with one old-time Usenet addict doing to far as to say “furrfu” out loud. We’re starting to doubt that 100 really is that important a psychological barrier to or from anything anymore.

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Oh Yeah, One Thing I Didn’t Understand About Rex Morgan


Something I didn’t have room to mention when talking about Terry Beatty’s tenure writing Rex Morgan, M.D. back on Sunday. In late July there was this curious little bit.

Rex finds some old newspapers, including a piece about the Dr Rex Morgan who lived in the same town in the 50s. 'As far as I know I'm a whole different guy.' June says she's glad he isn't 'my grandpa's Rex Morgan'. But 'only comic strip characters never age'.
Terry Beatty’s Rex Morgan, MD for the 31st of July, 2016. While I understand the need for full-page newspapers to include things from the same day as a great historic event, Rex Morgan, M.D. started as a comic strip in 1948 and if Wikipedia isn’t fibbing it was set in Glendale from the start.

So the strip officially declared that well of course Rex Morgan isn’t some nigh-immortal figure who’s barely aged a day since he set up shop sixty years ago. He just happens to have set up shop in the same town where another Rex Morgan used to work. It’s a wild coincidence two people of the same name would be in the same small town. But this sort of thing happens in real life, more than authors seem willing to embrace.

While I lack a comprehensive understanding of the Rex Morgan, M.D. canon, my suspicion is that this can’t actually make sense. I don’t imagine there are any points in the storyline where one could say that yes, there, the first Rex Morgan retired and a new one moved in. We just have take the new author’s word that there was some point the change happened.

I don’t know why Beatty bothered doing this. Yes, we joke about the unaging nature of comic strip characters. The strip even makes the joke. But I don’t think anyone even notices it outside the jokes. There are only a few comic strips that try to age the characters in something like real time. Most of those are humor strips that aren’t committed to ongoing storylines, not ones that go more than a week at a time on average.

After all, not much time passes in a comic. Two or three panels convey only a few seconds of life. To tell enough of a story to be coherent even a story strip can cover, like, maybe a month’s worth of events in a calendar year. I think most readers are fine with the characters being in a rolling present, with anything from previous stories part of the indeterminate “couple months ago” or “couple years ago”. After all, if the real-world 1998 feels to you like it was maybe six years ago, June Morgan’s pregnancy can’t feel like it went on too long.

Maybe it’s just as the bottom row says: Beatty declaring this isn’t your grandpa’s Rex Morgan. Maybe it is just making a mission statement of relevance. That I shy away from declarations like that doesn’t mean other people do, or should. But it still seems like taunting the hardcore Rex Morgan, M.D. continuity enthusiast community to try.

Another Blog, Meanwhile Index

The index dropped ten points during trading today but everybody is trying to focus on the four points it picked up on the way out, when analysis noticed there were some they’d never taken out of their pockets from before. That’s fine so far as it goes but I hear the people worrying about what this portends for future trading. Whenever the newspaper summaries get to talk about portents watch out, it’s a bear market. Watch out and short whatever you got.

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What’s Going On With Rex Morgan, M.D.?


[Edited the 6th of June, 2017 to add] Thanks for looking to me for tips on the developments in Rex Morgan, M.D.. This post is from January of 2017. Summaries of more recent storylines should be available at this link at or near the top of its page.


So, you know the difference between Rex Morgan, M.D. and Judge Parker? Yeah, me neither. I’m not meaning to be snarky here. It’s just both story comics are about people who nominally have exciting professional jobs but never get around to doing those jobs because they’re busy having strangers throw money and valuable prizes at them. They were even both created by Nicholas P Dallis (in 1952 and 1948, respectively). There’s a lot in common. That started to change earlier this year.

Rex Morgan, M.D.

The craziness came on gradually. It always does. It’s one thing when characters have abnormally long stretches of good luck. That happens, at least when authors like their characters so much they wish them well, and can make success happen. It went really crazy with a trip to the museum. I forget the exact details. The museum had been planning a fundraiser, selling this volume of drawings kids contributed. A little odd but I could imagine that working. Then Sarah Morgan drew a horsey. A really good horsey. The kind of horsey that left everyone awestruck with her horsey-drawing abilities. The book mutated. It would be one of Sarah Morgan’s drawings, horseys and anything else she wanted to draw. Also it would hae a much bigger press run. Maybe worldwide distribution. Also she’d be brought in to the museum to draw and be seen drawing by tour groups. Her first day at this she spotted and overthrew the class bully of some tour group. Also she caught the attention of a none-dare-call-it mafia widow, who hired professional instructors for her. And her father, Rex Morgan, renegotiated the book deal so Sarah would get a much bigger cut of the royalties on this already-bestselling art book.

And then the kindly old widow lady offered to sell Rex Morgan her Victorian-era mansion for whatever cash he had in his wallet right this second, and actually never mind, she’d spot him that too. That’s about where things stood before the 1st of May, when artist Terry Beatty took over the writing duties also for Rex Morgan, M.D.: you could be forgiven thinking this was some parody of the lives of the impossibly well-off.

June thanks Cilla for offering the house cheaply. But she points out to Rex that the house is a gorgeous museum full of antiques, and they have a two kids and a dog smashing around. It's not practical. Rex resigns himself to it. 'I'm not getting my roll top desk, am I?'
Terry Beatty’s Rex Morgan, M.D. for the 8th of May, 2016. The fake-out about buying Cillia’s house had some nice stuff around it, including a bit where she was constantly fighting with her neighbor and he was warning the Morgans that the house was on the verge of collapse. It was one of those longrunning fights between ancient people who’re crushing on each other without admitting it. You know the kind, the ones that I’m sure happen in real life … like … sometime, I guess?

The six months plus since Woody Wilson stepped away from the comic have been largely one of ratcheting things back down. Some of that’s been handled gracefully: Rex and June Morgan conclude that while the Victorian mansion would be a swell place — furniture included! — it’s really not practical, not with two kids and a dog racing around the place. It’s the sort of quiet little dream-snatching thing which you think of when you’re a grownup.

The mafia wife’s interest in Sarah was explained as trying to make up for her own lost daughter. The museum’s interest in her horsey pictures was because she, as a major donor, was driving them. Is that sensible? I’m not sure, but if I don’t poke at it too hard it sounds like it makes sense. That’s as much as I need in a story. Especially if it’s trying to retcon past excesses away without causing too much trouble.

Rex gets a late-night phone call. 'That was the hospital letting me know we'd lost a patient ... and such a great guy, too. Smart, talented, the sort of person the world needs more of, not less.' He's not going to be able to get to sleep. 'Maybe I'll go downstairs and throw on one of those superhero movies where they *do* save everybody. That's the kind of thing this guy liked.'
Terry Beatty’s Rex Morgan, M.D. for the 4th of September, 2016. It’s a touching strip, not just because I believe it’s another memorial comic for Cul de Sac cartoonist Richard Thompson, who died too soon in July.

Other, similarly excessive, storylines have gotten walked back too. Dr Morgan had proclaimed competent Milton Avery, one of those industrialists you see in comic strips who’s incredibly wealthy in the field of business. And who was also barely aware of where he was or what day it was. I forget the pretext. I think that Morgan was doing this out of friendship to either Avery or his daughter, so they might fight off a Board of Directors attempt to replace their dementia-ridden executive. It’s hard to see how Morgan was supposed to be in the right, there. Beatty’s getting Morgan out of that malpractice by having Avery’s condition get far worse, rather quickly, leaving all questions of competence moot. And he’s turning that into a fresh storyline, as Avery’s daughter means to take him back to England and asked Morgan to follow and care for him there.

Heather explains her father's dementia is worsening so much she wants to take him back to England. 'I think he'll be more comfortable there.' And she asks if Rex will come with them. 'I've come to rely on your these past few months, and Milton is quite fond of you. Don't answer yet: give it some thought before you decide.'
Terry Beatty’s Rex Morgan, M.D. for the 20th of November, 2016. The bus station incident is one where Milton wandered away from home and tried to hitchhike to England. A driver put him off at the bus station, swapped jackets with him, and tried to make off with Milton’s bundle of emergency cash. He got himself into the Dumb Criminals News feature quickly enough, which is plausible enough and kind of fun to watch.

And then this past month came the biggest change. Sarah got hit by a car, by a distracted driver. It felt startling and a bit of a return to the understated class warfare of pre-May comics. (“See what happens when you let children ride the public school bus like peasants?”) But it also puts Rex Morgan back in the hospital, someplace that Beatty has wanted Morgan to spend more of his time. And where he ought to. Story strips can wander some but it’s weird to get so far away from the medical-comic origins.

As June and Rex Morgan worry about Sarah, hit by a distracted driver, the police officer talks about the hazards of texting-while-driving.
Terry Beatty’s Rex Morgan, M.D. for the 11th of December, 2016. It may seem like an odd thing for the police officer to talk at length about the hazards of distracted driving. (Sarah was hit by a driver looking at a cell phone instead of the road.) But it also has, for me anyway, the feel of the sort of slightly crazy thing that actually happens and that the worried parents in this sort of situation dimly remember as a weird thing that happened for no reason they can understand. I’m fortunate to be inexperienced in emergencies but my understanding is they’re a lot of standing around confused while strange authority figures tell you things you don’t care about for no reason you understand.

I have to rate it as an improvement. The most excessive storylines are being resolved or being retconned into things that less offend reason. And the pacing is improved too; this is the strip which saw June Morgan pregnant for something like 27 months, reader time, and it handled the Morgans buying a new house in about a week’s worth of montage. That’s much more like it.

(By the way, Speers also created Apartment 3-G. One would never confuse that with Judge Parker or Rex Morgan. And that’s got to be some kind of record for creating long-lasting story strips.)

Another Blog, Meanwhile Index

And just like that the Another Blog, Meanwhile index dropped two points, owing to our sitting a little too far back in the chair. We lost the good pen, too, and have to resort to the main backup pen. We’re not going to be caught leaning back again because the alternate backup pen is just awful. It’s ball-point.

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