Eye Lie Popeye is another web comic about everyone’s favorite crusty sailor who isn’t Shipwreck from the 80s G.I.Joe cartoons. At least I’ve been treating it as a web comic, as Marcus Williams’s manga-style comic book’s been presented to us. It’s properly a comic book of at least twenty pages, available for preorder. One page has been shared roughly each week for the last couple months. We’ve had ten pages published online and I don’t know whether there’s going to be a continuation. They do want to sell the comics, after all.
One may ask: is this adventure canonical? One may answer: does that matter? If the story’s good does it matter whether it gets referenced anywhere else? But it probably is. Randy Milholland, who draws the new Popeye strips, and half of the Olive and Popeye side project, seems to have an inclusive view of what’s Popeye Canon. He’s tossed references to the radio series of the 1930s, to the Popeye’s Island Adventure short cartoons, to Bobby London’s run on the strip, and to characters created for the King Features cartoons of the 1960s into his tenure. If I had to put a bet I’d suppose some of this gets into the “official” strips. Heck, I’d be only a little surprised if Milholland worked in a reference to the bonkers pinball game backstory Python Anghelo wrote up.
So I can’t say whether there will ever be another of these What’s Going On In installments. But if there is, well, this should catch you up to the start of 2023. I’ll have all my Eye Lie Popeye essays arranged at this link. Thank you.
Eye Lie Popeye.
October – December 2022.
A shadowy, intimidating figure stands over a field of ruins, including an unconscious Bluto. Popeye struggles to find spinach which the figure warns is not to be found. Popeye’s stubbornness will kill him — and then we hear the Jeep, drawing the figure’s attention away from Popeye. I bet you’re wondering how Popeye got into this fix.
So we flash back to the start. Judy P’Tooty, reporter from the Puddleburg Splash, wants to write the story of how Popeye lost his eye. (The name Puddleburg Splash references a 1934 Popeye story. That story’s the source of a panel you might have seen where Popeye explains cartoonists are just like normal people except they’re crazy.) Olive Oyl intercepts her and promises to tell the story. We get a nice view of what looks like a classic (cartoon) adventure. A titanic mer-man sucker-punches Popeye and harasses Olive Oyl. Popeye eats his spinach, rockets in, and smashes the mer-man into cans of tuna. Only, this time, in the sucker-punching the monster knocked out his eye. I think the mer-man may be a representation of King Neptune, who appeared, among other places, in the 1939 story “Homeward Bound”. It’s the one going on in the Vintage Thimble Theatre run on Comics Kingdom right now.
Bluto has a different take. In Bluto’s telling, sure, Popeye was fighting a giant horned octopus. This series has not been short on fun monster designs. I’m not sure if this is meant to be any particular giant cephalopod from the rest of the Popeye universe; there’s a couple it might be. But it’s Bluto who stepped up to save the day, using Popeye as the impenetrable rock to beat the monster back. And in smashing Popeye against the monster the eye popped out. Popeye and Olive Oyl declare this story baloney, but P’Tooty is barely listening. She’s telling someone that she’s located and eliminated each stash — which she tells the gang is just her taking notes.
Wimpy has yet another take, in which he’s interrupted during a six-hamburger lunch. Popeye smashes through the window, battling another, this time winged, monster. This one’s called Bill and I believe it to be one of the underground demons, or De-Mings, from the final story Elzie Segar worked on before his death. This makes me suppose the other monsters are from other Thimble Theatre adventures. Bill targets Wimpy with a finger laser, as one will, and Popeye intercepts it, saving Wimpy’s life but losing his eye. Bluto calls this nonsense but Popeye acknowledges that this at least happened.
Meanwhile, P’Tooty has lost her patience. She declares this a waste of time and demands Popeye tell her where is the eye. And that she’s done with her cover story. She is, in truth, P’Tooty the Jade Witch. She’s sent by the Sea Hag. She’s eliminated all the spinach in the area, including the can Popeye keeps in his shirt collar. She wants to know where is the Bejeweled Eye of Haggery, and where is the Jeep. She dissolves into this huge inky goop, bubbling up from the sea, and it’s not hard to connect this to page one.
And that’s where we stand.
Oh, for the record. None of the flashback encounters we’ve seen can be perfectly true. Popeye was introduced, with his missing eye, before he ever met Olive Oyl, King Neptune, Bluto, Wimpy, or Bill the De-Ming. At least in the Thimble Theatre continuity. But you knew that. And there’s no limit to the number of continuities of Popeye except the willingness of people to hear the stories.
OK, now I’ve run out of Popeye web comics. I intend to get back to Jonathan Lemon and Joey Alison Sayers’s Alley Oop next week. Promise.
5 thoughts on “What’s Going On In Eye Lie Popeye? Also, what is Eye Lie Popeye? October – December 2022”
Tonight’s Dick Cavett had Groucho Marx, Shelly Winters, and the actors who portrayed the Marxes in the musical “Minnie’s Boys”. Didn’t catch any quotables, but they showed a routine from the show.
Oh, that’s great. I missed the show when it was originally playing, of course.
I know somewhere in the late 90s somebody did a revival of The Cocoanuts on stage, but I guess it wasn’t good enough to get more Marx Brothers tribute acts going.
Tonight’s Dick Cavett had Erin Fleming introduced as Groucho’s private secretary, to which Groucho said ” That’s the greatest euphemism in history!”
I’m surprised he didn’t make a ‘dictation’ joke but ABC probably would have bleeped it if he had.
Also fellow guest Dan Rowan recounted an incident when Groucho called him “the greatest straight man in the business”.
That is great, yeah; amazing how Groucho could make so much of ordinary lines. Granting he had a lot of experience.
And, mm, yeah, Dan Rowan was really good at being the straight man, although George Burns had some incredible chops there. Also Bob Newhart in his way.