I know it’s an inexpensive way to get to Anchorage, Alaska, but do not take the free cable car service running from Seattle to the city — or to any of the hanging, amusement-park style cable-car destination spots on the Alaskan Peninsula or any of the Aleutian Islands. Yes, it’s even free if you want to go to Attu, and you get plenty of fresh air through the open top of the car, but they’re not heated, and you’re carried alarmingly high over the ocean surface, particularly if you need to use the bathroom, which is done by unlatching the door and crouching a little while holding on very tight. Add to that the travel time and it’s really worth the money to take a car, boat, or plane.
“I imagine you’re wondering why I’m not talking to you,” said our pet rabbit. This was the first I’d heard he wasn’t talking to me, but I’m like that. I looked thoughtful, or confused, which is about right for me any time. “You know Saturday was International Rabbit Day?”
“I do. And did.”
“And you’ve noticed that I’m a rabbit, right?”
I allowed that I had.
“And we didn’t do anything international!”
“I … talked about you online. I’m pretty sure someone from Canada heard about you.”
“And I’ve never even been to Canada! How international a rabbit can I be when I haven’t even been there?”
“You haven’t even been to Ohio, either — ”
“I’ve missed Canada and Ohio! I’ll never be a world traveller at this rate!”
“You hate travel. You spent two days sulking when we put you upstairs in the air conditioned room this summer.”
“You can’t go to other countries if you won’t even stand going upstairs.”
“You could bring other countries in here. It’s the least you could do for International Rabbit Day.”
I considered telling him he was a Flemish giant, so was already kind of International by not being in … and then I realized I couldn’t explain where the Flemish were from without getting in more trouble. So I promised to do something about it next year.
They delivered a new recycling bin. It’s a monstrously huge bin, large enough to dispose of a compact car. It looms above the garage and the first floor of the house, and I can’t swear that it isn’t the source of these deep, menacing chuckles I’ve been hearing at night.
But this does mean we have to get rid of our old recycling bins. They’re supposed to be put in the new recycling bin, the one bigger than my elementary school. That doesn’t bother me, but, when the time comes to throw away the new recycling bin … I mean, its successor is going to have to be at least as large as the Farnum Senate Office Building, right? It just follows.
So, to summarize, I’d like everyone to know that I do too know how to take a picture on a digital camera. I don’t want to brag, but I have noticed how every digital camera in the world has a little button on the top that you press to take the picture. I’d got this worked out pretty well sometime in like 1978 when I first heard of the idea of taking pictures with anything more advanced than taping the newspaper photograph up to the window so I could trace over it on some paper.
And yes there were too digital cameras back then, models with up to four pixels and the ability to differentiate between one shade of grey and another slightly identical shade of grey, producing photographs that could be shared on the primitive Internet just by running a simple UUencode filter on the file type, then copying it into your e-mail client, which was horrible, and then waiting twenty minutes to find out that your Internet connection died halfway through, and then running down the hall to the recipient and slapping him for wanting to see a picture of this. The point is, every digital camera in the world works by having a button on the top that you press.
Yeah I know cell phones don’t take pictures like that. And I know with iPads you take pictures by standing there holding the iPad up until everyone around you notices how awkward you look and feels bad that you have to do something so embarrassing, and that finally triggers the shame sensors that puts you out of your misery by taking the photo already. Those don’t count. I’m talking about cameras, the kind made of fresh-mined cameraonium ore, and with icons on the side showing that little lightning bolt and the flower representing the climax of Eadweard Muybridge’s vision of a day when the average person could have flowers electrocuted.
It’s not at all my intention to be up all night arguing on the Internet. I’m simply that I need to offer a useful corrective guide to people who haven’t got the faintest idea what they’re talking about, reading about, thinking about, and who are probably bad people anyway, and should go find a breakfast nook or something where they can stand, facing the little cubby-hole where a telephone was supposed to go back in the 1920s when people had these things and stop posting these silly things where people can see them. Thank you.
I ran across this bit in Anthony Slide’s The Encyclopedia of Vaudeville:
Of the genuine freak acts, one of the most revolting, but popular, was Willard, the Man Who Grows, billed as “the star attraction of the Wintergarten, Berlin”. Clarence E Willard was featured in vaudeville during 1913 and 1914, and could add 7 1/2 inches to his height of 5 feet, 9-3/4 inches. He could extend his arms to anywhere from 8 to 15 inches, and could make one leg 4 inches longer than the other. As “Wynn” noted in Variety (October 17, 1914), “Willard is one of that strange species of novelty that one must see to appreciate.”
I really kind of have to agree: I’m not entirely clear how “becoming seven and a half inches taller” could be an act, exactly, yet I’d be interested in seeing it, so apparently that is an act. And that fact means I can’t fairly make a joke about how, like, yeah, in 1913 the only other public entertainment options were watching baseball from before they bothered mowing the lawns inside the ballparks and catching the latest Balkan War. But I also don’t see what extending an arm eight to fifteen inches could do to be revolting. The best I can get is creepily unsettling. Maybe I’m not thinking about it hard enough.
The Post Office had a nice, big sign in the glass of the front door, which is useful as it keeps people from being scared by their views in or out of the front door through. The poster warns: “If it costs $250 to collect your prize it’s probably a scam.”
It’s the “probably” that gets me. Someone with the Post Office No Scam Bureau looked over the records and found, yeah, these first 88 money-for-prizes deals were frauds, but then here came two ones where they legitimately turned the prizes over, and the copy went from “it’s a scam” to “it’s probably a scam”.
Also, boy, you have to figure the guy running the cash-for-prizes scam who was charging just $247.85 was looking at those posters and thinking, “Whew! Under the wire! Nobody’s going to suspect me yet!”
14: the average number of minutes you have to hover around the History section of a bookstore before hearing some fully grown-up man explain in all sincerity to another fully grown-up woman that, actually, the United States was justified in getting involved in World War II. This is down one minute from the same statistic as measured last year.
This is one of those wonderful little things that really exists and that I just ran across. If you go to Google and type “www” into the search bar, it comes up with auto-complete suggestions of http://www.google.com, http://www.facebook.com, http://www.yahoo.com, and http://www.youtube.com. At least it does for me. I can’t explain why but the Yahoo auto-completion particularly makes me giggle. Enjoy!
For the folks who liked my last head-sup over to the mathematics blog, because I talked about comic strips with mathematical themes, I have another roundup of some of the comic strips which, in the last ten days, also found reasons to try telling jokes about mathematics. It won’t be on the quiz, but this will be.
The North American Council on Poetic Quality has issued the following guidelines of words that can no longer be used in consumer- or industrial-grade poetry. Exemptions will be applied for cause. The Council also reminds all that National Haiku Pedantry Month starts the first of November, so be ready to help them enforce the rules about cutting words and nature imagery by leaping up on desks and shaking golf clubs about while insisting it’s everyone else on the Internet that has the issue and they should go write limericks instead.
O: as a particulate extrapolation that fills in those little bits where it feels the sentence hasn’t quite got started yet, the word-letter “O” has suffered from extreme overuse and fatigue, bringing the population of the word-letters to the brink of extinction. Therefore the word-letter “E” is to take its place, as the stocks of this are much more robust and have a tendency to get into the garage if not thinned out some. Use with abandon, the long E only.
Primarily, it means I just can not believe these people who go out memorizing the value of — the base of the natural logarithm — to only five places after the decimal point. I mean, come on, the second through fifth digits are repeated in the sixth through ninth positions! If you’ve bothered to memorize the first five digits past the decimal point then you’ve got the first nine down. Why deny yourself the free fruits of your mental labors? And don’t go telling me that it’s because you memorized it in base two or base sixteen or one of those silly other bases absolutely nobody needs. If we were talking about memorizing the value of in base twelve then we wouldn’t have talked about the decimal point, would we? We’d be talking about the radix point. Sheesh.
Secondarily, it means I believe in the existence of people who’ve memorized the value of to a mere five places past the decimal point.
After a conscience-wracked night I’ve decided to come clean. I told a joke about the deli guy whistling the opening of The Towering Inferno yesterday, and that’s not actually so. I disguised the name of the movie so as to protect his privacy, but now I think I was doing a disservice to the historical record, which hasn’t been released in MP3 form yet. It was actually the first fourteen notes to The Poseidon Adventure.
I am, of course, fibbing about this too.
Forensic musicians have announced a major breakthrough in trying to figure out what exactly the guy at the delicatessen has been singing all this time. Computer-aided analysis indicates he probably has been whistling what was originally the first twelve notes to the theme of The Towering Inferno, somehow. Also it turns out there was a theme to The Towering Inferno, which goes far towards explaining why it’s been so hard to figure out what it was. Further research into just why anyone would be whistling this tune must wait for a researcher brave enough to actually ask the guy, for crying out loud.
“They also scroll, like proverbial butter”? I don’t offhand know any proverbs about butter scrolling. Granting that I did hear it wrong, though, what should I have heard instead? “They also roll, like proverbial butter”? That isn’t much of an improvement. “They also butter, like proverbial rolls”, now that parses, but the other way around is just absurd. Clearly I’ve just got to go back around and try this whole listening thing again, from the start.
[ Please let me draw another bit of verse from Franklin P Adams and the Tobogganing on Parnassus collection. ]
( * * * I do not believe a single modern English
poet is living to-day on the current proceeds of his
verse. — From “Literary Taste and How to Form it,”
by Arnold Bennett.)
What time I pen the Mighty Line
Suffusëd with the spark divine
As who should say: “By George! That’s fine!”
Indignantly do I deny
The words of Arnold Bennett. Why,
Is this not English verse? say I.
And by the proceeds of that verse —
Such as, e.g., these little terc-
Ets — is not filled the family purse?
Do we not live on what I sell,
Sonnet, ballade, and villanelle?
* * *
“We do,” She says, “and none too well.”
My dear spouse bought the new album by Steven’s Salute, and it was a bunch of downloads, because it was bought on the Internet. The only tangible goods ever bought on the Internet are Woot shirts, ammunition, and wooden carvings of chickens.
iTunes reported the album, particularly the second song, had a playing time of 372 hours (honest!). Possibly when Steven’s Salute was finishing their records they entered something in the info box and GarageBand wanted to double-check so it popped up a little box asking “Are You Sure? Yes/No” and since the instinctive response to an “Are You Sure?” dialogue box popping up is to hit “Yes” before it’s even read because they never actually stop you from doing something stupid, the software thought it was the prog-rock band and figured, yeah, fifteen and a half days isn’t that much longer than “The Gates of Delirium”, so it accepted everything.
It’s a pleasantly zippy 372 hours, for what it’s worth.
You know how the Internet has changed things? Suppose that you like pumpernickel. In the pre-Internet days you’d probably just go along liking pumpernickel, eating it in appropriate amounts and wondering if you’re maybe the youngest English-speaking soul who still eats it on purpose. Certainly nobody you ever meet except your grandparents eats pumpernickel. This might be because you switched to a supermarket, away from the bakery that’s in the midst of downtown’s bustling Customers Pronking Into Traffic district because it closes fifteen minutes after you get out of work and there was that time you asked about what eight similar-looking loaves were and got into a painfully awkward conversation with them not understanding what it was you didn’t understand, and don’t ever have to talk with anyone to buy actual bread anymore.
Now and then something called pumpernickel turns up in the sandwiches Arby’s tucks into the weird subdivided parts of its menu board like they don’t want to have them but also can’t take them off without hurting somebody’s feelings. But mostly, you just like pumpernickel, the taste and the way saying “pumpernickel” over and over again makes you feel, and the store usually has sufficient pumpernickel for your immediate heavy-breaded needs, and the worst that ever happens is occasionally your brain is haunted by the idea that ABC’s classic “The Chomper” public service announcement supporting dental health might have shouted out to pumpernickel and carrot sticks as good things to eat, please hopefully not together. How pumpernickel can be all that good for teeth was still mysterious, what with it just being bread, but at least you could take in the message.
With the Internet, that’s changed. You can find all kinds of people who also like pumpernickel, which right away is a big change in your bread-based social interaction. Before any pumpernickel-based socialization you had was of a strictly practical kind: buying pumpernickel, eating pumpernickel, maybe answering the awe-struck questions of children who don’t understand why you’d go eating a kind of bread that’s the color and pattern of the decorative walkways in the garden paths in back of the boring restaurant their parents dragged them to once and swore never again.
Now there’s a theoretical aspect to the whole thing, having bread-themed social interactions in a setting that’s far removed from any actual bread, or possibly any other actual people. Certainly real people can’t be writing this much about pumpernickel, or as they spell it “pumpernickle” or worse, and why whatever it is you like about it is the wrong thing to like about it. Where would they find time to do the necessary things of daily life, like driving to the hardware store or being hissed at by squirrels?
And yet what they write is compelling, because it all leaves you miserable. You’ll learn, for instance, that your favorite brand of pumpernickel was created by a white supremacist, Euell M Pumpermeyer or whatever, who figured that by improving the yeast or rye or whatever used to make his bread products he’d be able to inspire wider eugenicist movements. He sold out decades ago to a big multinational conglomerate, and he’s been dead for literally a couple years now anyway, and at least he was an incompetent white supremacist who never noticed that yeast is just not among the top hundred things suppressing people. But still.
Worse, you’ll discover that the multinational conglomerate that makes that pumpernickel, only with not so much overt racism and more high-fructose corn syrup, is still a horrible, horrible company. Some in the pumpernickel forums try to argue about this, pointing out the company’s placement as one of the Top Ten Ethical Multinational Conglomerate Bread Manufacturers, but that mostly means they’re responsible for fewer than average maimings of low-level employees and there’s room to plausibly dispute their links to the Blood Caraway trade. And the supermarket isn’t any great shakes either because it’s sustained mostly by the profits derived from smacking cinder blocks with kittens. This earned the store a certificate for being in the top twenty percent of ethical supermarket chains before the ethics panel went into the shoe closet and started weeping and hasn’t stopped yet.
All these things were going on before, but you never had to know because you never learned anything about the pumpernickel trade beyond that you could buy and, if you chose, eat some. Now the Internet can reassure you that, yes, “The Chopper” does tell you pumpernickel is somehow important for your teeth.
The Robert Benchley Society has put up its valid entries for the 2013 Humor Prize, on a web sit that safely anonymizes all the contributions. I know which is mine, I hope, though I reserve the right to change my claims about authorship if someone else’s gets through the preliminary judging. You’re free to find someone else’s better, but if you do please don’t tell me as I’m still recovering from that whole two- and three-star ratings issue.
Over that way a bit on my mathematics blog I do a bit of talking about comic strips which mention mathematics or mathematical themes or that just catch my eye for whatever reason. So if you’re interested in comics and a particular theme I’d appreciate your poking over there and reading them. My commentary on them isn’t meant to be funny, but the strips are at least trying for that.