I remain absolutely gobsmacked at the goings-on in Tom Batiuk’s Funky Winkerbean over the past week and want to scream a little bit about that. Before I do, though, I repeat the warning I offered last week, that the story involves the discussion of the (fictional) victim of murder. Folks who don’t see why that should be part of their entertainment are probably making better choices right now. The rest of us, meet me behind the cut.
So I am again angry at Tom Batiuk’s comic strip Funky Winkerbean. Before getting into why I need to warn people the story going on involves a discussion of gun violence and a fictional murder. If you don’t need that in your recreational ranting, yeah. Hoo boy do you not. But for people willing to consider it, come see what’s under the cut.
There are a lot of reasons to be annoyed at Tom Batiuk and Dan Davis’s Crankshaft right now. Let me set up the background: the Valentine was a failed sidewalk movie-palace theater in Centerville, Ohio. After it closed it got reopened as a strip joint that, somehow, failed even faster. Now, movie star Mason Jarre and his partner Cindy Summers have ventured over from Funky Winkerbean and it sure seems obliterated the ten-year gap between the events of Funky Winkerbean and of Crankshaft. (Since 2008, both strips have taken place in “the present”, but one was ten years behind the other. So characters from Funky Winkerbean are ten years younger when they’re in Crankshaft, and Crankshaft characters are ten years older when they’re in Funky Winkerbean. Until now.) Jarre gets the idea to buy the Valentine and reopen it as a movie theater which, luckily, it’s still basically okay for. And he calls the real estate agent on the sign.
So, look, fine. The Funky Winkerbean and Crankshaft timelines are unified again and we’re not going to ask nosey questions about character ages and when events took place. (This after Cindy just went to her 50th reunion in Funky Winkerbean, a strip which earlier this year showed Crazy Harry in high school in 1980, a date not fifty years ago yet. Fine.) And Lois Flagston isn’t so comfortable selling a commercial property since she’s always been about selling houses. Fine. And for some reason Crankshaft is hanging around while Lois shows Jarre around a place he’s already clearly decided to buy. And Jarre is acknowledging that Lois Flagston is a fictional character, existing as she does in the comic strip Hi and Lois. Fine. I will take all that for the sake of doing a story.
But by God and Rube Goldberg, Hi and Lois is set somewhere in New England, it feels like probably Connecticut, and there is no excuse for her having a listing in Ohio, and there is no possible way she is in a short driving distance of someplace that’s a day-trip to Cedar Point. I do not accept it, and shall not accept it, good day sirs.
It struck me over this weekend that, like, the Andy Capp strip for next Monday or maybe the Monday after that is going to be weird. Like, did they have a tribute strip ready for Queen Elizabeth’s death prepared already, or are they working to put something together just now? I have similar questions about Fred Basset but, c’mon, we all have an idea what a Fred Basset memorial-to-the-Queen strip has to look like. There’s no limit to what might appear in Andy Capp.
The past eleven weeks of Karen Moy and June Brigman’s Mary Worth have been about the breakup of Dawn Weston and Jared Mylo. This included Mary Worth pushing Dawn to tell Jared how there’s no bad blood and she hopes they can be friends. It’s odd advice and let me wanting to slug the strip. Like, yeah, it’s nice to be on good terms with people if you can help it. But it’s not like they’re coworkers or people who can’t avoid one another. Who cares if your ex knows you don’t take it personally?
Rereading the whole sequence to recap this I realized something. Both Jared and Dawn, separately, told Mary Worth of how they still care for the other. From the information she has, she’s making a reasonable supposition that they need to talk with one another. Her angle seems more that if Dawn acknowledged and apologized for hurting Jared’s feelings they could work things out. I can’t argue with that, and so regret a bit of my anger at recent Mary Worth.
Karen Moy and June Brigman’s Mary Worth for the 19th of July, 2022. Or Jared is at least a bit bothered that he got to know Jess when he was the physician assistant tending her while she was recovering in the hospital. They might not be breaking any rules about employee/patient relationships but it’s a dubiously good idea at least.
Jared talks with Mary Worth about this. While he’s upset by the breakup he also feels it important to note it’s Dawn’s fault. And yeah, he has found someone who’s treating him better. Mary Worth advises being respectful towards Dawn, insisting that Dawn wouldn’t want to hurt him intentionally. He does say how he wishes Dawn would talk with her. And Mary Worth hopes that Dawn will eventually talk to her, too. So there’s where Mary Worth gets the sense this is a meddle-ready relationship.
Dawn sees in her father the things that wreck her own relationships. Also she gets worried about “inconstancy”, the way people in the year 2022 do. This leads to a Mary Worth Dream Sequence, a very literal one where she turns into her father. Afraid of turning into her father, she turns to Mary Worth, the least inconstant character in the story comics now that Mark Trail has internalized thoughts, for help.
Mary Worth says she saw the signs of this, but that Dawn had to discover them for herself. All right. So Dawn needs to click her silver shoes together and tell Jared there’s no bad blood between them. She does, using those words. They agree they don’t hate each other. Jared asks if she’d like to hang out sometime, and Dawn says no, not yet. Maybe sometime.
Feeling freed, though, Jared goes on another pleasant date with Jess. Both agree that it was Dawn’s fault, but this is the first time Jared ever broke up with someone so he feels bad about it. Jess wishes he weren’t so “hideous”, so that Jared might kiss her, and, what do you know but he does.
And this is where we’ve gotten in early September.
Dubiously Sourced Mary Worth Sunday Panel Quotes!
“I always entertain great hopes.” — Robert Frost, 19 June 2022.
“Loving you was like going to war: I never came back the same.” — Warsan Shire, 26 June 2022.
“I think heartbreak is something you learn to live with, as opposed to learn to forget.” — Kate Winslet, 3 July 2022.
“A kind gesture can reach a wound only compassion can heal.” — Steve Maraboli, 10 July 2022.
“Ihe dew of compassion is a tear.” — Lord Byron, 17 July 2022.
“A man is already halfway in love with any woman who will listen to him.” — Brendan Behan, 24 July 2022.
“Respect is one of the greatest expressions of love.” — Miguel Angel Ruiz, 31 July 2022.
“The apple doesn’t fall far from the tree.” — Proverb, 7 August 2022.
“My father didn’t tell me how to live: he lived, and let me watch him do it.” — Clarence Budington Kelland, 14 August 2022.
“Character is the ability to carry out a good resolution long after the excitement of the moment has passed.” — Cavett Robert, 21 August 2022.
“What we have one enjoyed we can never lose. All that we love deeply becomes a part of us.” — Helen Keller, 28 August 2022.
“I’ve learned that love, not time, heals all wounds.” — Andy Rooney, 4 September 2022.
I’m aware Jules Rivera’s tenure on Mark Trail hasn’t been to everyone’s tastes. The more cartoony art style, and the soft reboot of the characters, hasn’t worked for many. That characters and, especially, the narrator lean in to delivering jokes more has also bothered some. They liked the strip more when it was square.
So I’m taking my preface to point out something that’s grown more prominent the last few months. And that is that the writing — as in, the words on the page — is becoming more square again. The stories haven’t changed, particularly in running separate Mark and Cherry stories. But we’re seeing Mark Trail say things like “Holy guacamole! Rex handled those Canada geese well! He’s sure got a way with animals.” Or “Oh, for Pete’s sake! Cricket Bro is locked in the EUV! We have to get him out!” We’re also seeing more exaggerated reaction poses for individual characters. And minor character names that are more on the nose, like “Jimmy Songbird” the keytar player.
It’s a return to a more stodgy, slightly off mode of your classic Jack Elrod narrative. It’s not a complete reversion. For one, I feel Rivera is doing this as deliberate effect; Elrod, my sense is, just wrote like that. Mark Trail continues his new habit of internalized thoughts. Sometimes he even says things without exclamation points.
I imagine someone who can’t stand Rivera’s style will not be moved by this observation. But, for those who aren’t sure? You might enjoy the comic strip more if you’re cued to look for it.
Professor Bee Sharp had rushed the DJ’s booth, at the Bettancourt’s NFT scam launch party. He talked the DJ into playing his tracks. These turned his investigations into “Cricket Bro” Rob and “Crypto Bro” Sterling Bettancourt into EDM. The revelation? The NFTs are a scam and the crypto is worthless garbage. Really, uh, caught me off-guard with that fast-breaking Zontar story there, Floyd.
Jules Rivera’s Mark Trail for the 20th of June, 2022. In before the weird T-6000 fanboys explain it’s perfectly normal for cars to lock up and catch on fire after a low-speed crash into a tree.Rob is angered by the EDM lyrics, and also the revelation that EDM has lyrics. He charges at Mark Trail and Bee Sharp using the only weapon at hand, his Electric Utility Vehicle. He crashes immediately into a tree, and the car locks up and catches fire. The two smash open the car’s windshield and drag an angry Rob out. The crash starts a wildfire, though. The partygoers evacuate, and leave the area. But not before a piece of the half-pipe built for the event falls on Rusty Trail. Rusty calls for help, and sees what he believes to be the Seaside Specter. We don’t see what happens, or what he “really” saw. We see him reunited with his parents, safe and sound, though.
The wildfire doesn’t grow much, and the local fire authorities credit our friend the beaver. Beaver dams around the location kept the local area moist, limiting the fire’s spread. Oregon Fish and Wildlife wants to talk with the Bettancourts, but they’ve fled to California. And, with Happy Trail considering whether he can sell flame-roasted cricket protein bars, the story comes to a natural end, the 2nd of July.
The current stories began the 4th of July. There are two pieces, as has become traditional, one following Cherry Trail and one following Mark Trail. I’ll recap Cherry Trail’s first.
Her father, Doc Davis, asks for help at the veterinary clinic. There’s all kinds of animals suffering allergic reactions or chemical burns. It looks like pesticide poisoning, but that’s not usually this serious. And it becomes personal for the Trails, as Sassy, their other dog that I forgot about too gets the same rash. Mark Trail figures it’s some kind of weed killer, but who’s using such strong weed killer out here in the Lost Forest?
Jules Rivera’s Mark Trail for the 5th of August, 2022. I’m not sure about this home-brewed toxin stuff, but I do respect anyone in the year 2022 who’s out making “libations”.I mean, it’s the Sunny Soleil Society. We all knew that going in, but how they’re responsible takes time to reveal itself. Early August, reader time, we get that. Violet Cheshire wants that big mass of native plants ripped out to make a proper lawn, for the teatime garden. And she’s hired Honest Ernest, bug exterminator, to do it. He’s got a great new compound “of my own creation” to control weeds and insects. That “thud” you heard was the jaws of everybody at the EPA and FDA hitting the floor. Ernest is happy to give Cherry a sample, though, and she takes it back to Doc to test how corrosive it is. It quickly dissolves away the dirt on a penny, then the penny, then the pan the penny’s in, the table, the floor, the basement, and five feet of Piedmont anorthosite underneath. And that’s how far that story’s gotten.
The 14th of July saw Mark Trail’s story split off from Cherry’s. Bill Ellis offers a choice of stories. One is tracking a rampaging elephant reported in four states. The other is for Teen Girl Sparkle, and it’s about a New Age healing center with an animal-therapy focus. Mark Trail picks the boring safe one, and we get Amy Lee back in the strip. She explains how it’s not so much a healing center as a roadside zoo. But he’ll be working with celebrity stunt driver-turned-Bikbok animal wrangler Rex Scorpius. Also, the New Age resort may be some kind of tiger cult, you know how these things go.
On scene in Houston Mark Trail meets up with … Diana Daggers again! She’s working with Rex Scorpius as he’s not doing NFT/crypto scam money. Also, hey, she was in Raccoon Rangers with Amy Lee. She’s where Lee got the idea of pitching this job to Mark Trail. She wanted Mark Trail because she believes Rex Scorpius is in real danger. Not so much physical danger, as emotional. He’s been going through some major stuff and guys like him get sucked into cults like this.
Jules Rivera’s Mark Trail for the 17th of August, 2022. Oh, yeah, for soem reason Mark Trail decided to go to this Texas cult dressed in what he thinks of as cowboy garb.Mark Trail’s first meeting with Rex Scorpius goes well enough. He’s filming an episode about removing Canada geese from the yard of famed keytar musician Jimmy Songbird. Removing Canada geese is the stuff for professionals and … I guess Rex Scorpius is one, or brought in experts for his show, as that goes well enough. Mark Trail tries to catch up with Rex and ask about his secret, but Rex has to get to bed and to the gym. Anything to spend time not with other people. I get that.
And that’s about as far as that story’s gotten. We’re not yet to the tiger cult. I trust this will all play out in the next eleven weeks, by the time I get back to recapping Mark Trail plots.
Sunday Animals Watch!
Spiders, 12 June 2022. With advice about how to get more spiders!
Native-Plant Lawns, 19 June 2022. This is where that smug friend showing a picture of a yard that’s covered in what turn out to be invasive Siberian wheats got their idea.
Goats, 26 June 2022. They can mow lawns and chew on lab coats!
Bald Eagles, 3 July 2022. Remember when we almost killed them all? Glad we’re not trying to that anymore … right?
Turtles, 10 July 2022. Don’t mess up their work. They’re busy defeating Shredder and the whole Foot Clan for us.
Wildfires, 17 July 2022. Let’s stop setting them, OK? Think we can do that a little?
Sea Turtles, 24 July 2022. Could we stop making their lives harder than they need to be too?
De-Pavement, 31 July 2022. Turns out having soil and plants and trees and stuff is good even for cities.
Rabbits and Hares, 7 August 2022. Which ones are the clever ones, and which are the ones that are full of tricks?
Sharks, 14 August 2022. Are we making their lives harder than they need to be too? Why do we keep doing this?
Canada Geese, 21 August 2022. Just … like … don’t start with them. Oof.
Scorpions, 28 August 2022. Don’t start anything with them, they won’t start anything with you. Check your boots.
The story in Jim Scancarelli’s Gasoline Alley starred Boog Skinner, one of the fifth generation of the comic’s central family. He was born in September 2004, implying that he should be eighteen. But anyone can see he’s not. I’m not sure how old to peg his age, since I’m at the age where every kid looks either three, ten, or sixteen. I’d put him at ten. He’s old enough to be interested in the idea of girls, at least. And to be able to build a plastic scale model without comic mishaps. I couldn’t claim he wasn’t fourteen or so, but he’s not leaving-high-school old.
What’s going on is that while the identifying gimmick of Gasoline Alley is the characters aging, they don’t age in real time. It’s not as static as it was in the 1970s and 80s, when the aging froze. But it is slower than real time. Given that a story can take a month or more of reader time to do a couple days of character time that seems a fair way to show enough of characters’ lives. Reasonable people may disagree.
Rufus and Joel got to Hollywood to take up their movie jobs. Only it was the wrong Hollywood. They were in Florida, by a mistake we might have seen coming. They give their last 50 cents to a beggar and immediately find a loose $20 in the street. They notice it’s 11:11 and wonder if the vanished beggar might have been an angel, reflecting a superstition I never heard before. I’d checked the GoComics comments to see if anyone knew more about it. One of them this was the same kind of thinking that brought that Comet Hale-Bopp cult to kill themselves. This is what happens when you take seriously the Skeptical Inquirer articles about Society. Stick to the articles about how, like, these chupacabra sightings were more likely a raccoon with mange.
Anyway they phone home to learn they were fired and there’s nothing to do but return to Gasoline Alley. They do, along the way spotting a meteor that serves as transition to the current story, which started the 1st of July.
Boog Skinner and his girlfriend Charlotte are stargazing and making a wish on the falling star. Charlotte’s little brother Jimmy comes in to remind us he’s not dead yet. Jimmy we met a couple years ago. He suffers from Tiny Tim Syndrome, suffering an unspecified fatal illness that some new treatment helps. He’s still getting better. Boog has the idea to build a rocket ship for Jimmy, who’s not only a train enthusiast but also a spaceships guy.
His grandfather Slim Skinner offers his help, and his metal junk pile. The building of a Flash Gordon-esque rocket goes swiftly. In days they have something ready to launch. Ah, but Rufus and Joel, getting home just in time, ask with what fuel? Slim offers his El Diablo Fuego-hot jalapeño chili pepper chews. That’s not enough to fuel a rocket. But add a bit of Joel’s cousin Zeb’s high-potency medicinal home-brew “koff medicine”? Well now you’ve got something ready to take off before you can even say “lunch not launch”.
So it does! The homemade contraption lifts off and soon passes the Moon. And, according to the news, soars to Mars, NASA calculating it’ll arrive in minutes. Boog’s rocket lands on Mars in sight of Percy, the Perseverance rover that landed on Mars back in 2021. (Here I learned something; I thought ‘Percy’ was the comic strip’s jokey nickname for the rover. Not so.) And, more amazing, Perseverance detects life inside the rocket. Through its porthole we see Polly, Charlotte’s parrot, begging to be let out.
It’s a dream, of course, as Polly tells Boog over the TV feed. Boog wakes up, regretting only that he has to do it all over again. But if it was all a dream, why does he have Slim’s bag of jalapeño chews?
Jim Scancarelli’s Gasoline Alley for the 11th of August, 2022. I like this as a way of declaring the dream over and it even matches real experiences where noticing you’re in a dream can end the dream. Also, uh, I guess Polly’s female? I didn’t know that.
Anyway he rebuilds his rocket, as a kitbashed model this time, and brings it to Jimmy. And that’s where things stand now.
Next Week!
Who’s responsible for soaking the Lost Forest in so much toxic lawn chemicals that it’s making the local pets sick, and why is it the Sunny Soleil Society? Are we not going to chase a rogue elephant? And why is a nature-show streamer in danger of being slurped up into a roadside zoo cult? All this and Canada geese in Jules Rivera’s Mark Trail, next week’s story strip, if things go to plan. See you then.
I’m not any less angry at Tom Batiuk’s Funky Winkerbean than I was at the start of this week, mind you. This even though instead of a story about Crazy Harry’s wife making him drop his VHS tape hobby it’s flashbacks totally rewriting what we thought was the history of how Lisa Moore recorded the Dead Lisa Tapes for some reason.
No, the thing that I noticed this week — and remember, I’ve been reading Funky Winkerbean for so long that I remember when it was surprising that something bad happened to a character — is that the strip has two major characters named Harry. There’s Crazy Harry, formerly the guy who lived in his locker and listened to pizzas on his turntable and now a guy who returns videotapes to people; and then there’s Harry Harry L Dinkle The World’s Greatest Guy Taped Onto High School Band Director Office Doors. They’ve both been major characters in the strip since Richard Nixon was president and I just noticed this now.
I mean, I can’t fault the realism of having two characters with the same name around. At my former workplace, which had like two dozen people in it, there were somehow four people named “Joseph”, and when one of them retired somehow there was another Joseph I hadn’t ever seen or heard of before except now he was the person who actually responded to my weekly status reports. It just seems the Harry situation is a little cramped for a comic strip that has … well, dozens of old white guys who are way into comic books and superhero movies and moping. Mr Tom Batiuk please change the name of at least one Harry to something not already in use by another prominent character, thank you.
The current story in Joe Staton Mike Curtis, Shelley Pleger, and Shane Fisher’s Dick Tracy is about a block of Lunarians planning to conquer Earth. And they have a good bid for it too, given that the former Moon Valley people have antennas and energy powers and stuff. The Lunarian’s leader wants to head off this invasion and warns Dick Tracy of Earth’s potential conquest here. But … didn’t we see that the Lunarians’ powers can be suppressed? How big a threat could this be?
Mike Curtis, Shelley Pleger, and Shane Fisher’s Dick Tracy for the 15th of July, 2022. Tracy reassures the Moon Governor that the Lunarians could melt all our anvis and we’d be all right. Historical villages would have to find something else to take the place of their horseshoe-making demonstrations is all. They could shift to, I don’t know, barrel-making? That sounds like something they could do.
What is not established, though, is first that the Lunarians know anything about this. Dick Tracy knows (or should), but he has good reason to keep that confidential. It’s also not established that anyone but Mr Bribery’s dead henchmen know how the ring works or how to duplicate it. And, it turns out, even if they could duplicate it, the Lunarian Invasion of Earth is set for quite soon now. There may not be time to make and deploy rings to strategic defense points. And, of course, even a failed coup would be quite bad for us all. Thus the urgency to warn, to act, and to stop this menace.
Mr Memory, last seen in the unsuccessful pilot for a 1960s Dick Tracy series, had robbed a guy at the ATM, last I checked. Then used some kind of implant to clean out the whole cash machine. And not just the cash machine. He loots half the bank’s assets, and similarly hits four other local banks. They try to keep quiet about this, to avoid a panic. But retiring vigilante superhero Cinnamon Knight — by day a mild-mannered bank worker — tips off Dick Tracy. Tracy’s only leads are that the five banks have a common security service provider. And the security camera shows a large man whose presence causes the camera to go blurry. Tracy checks the Dick Tracy Wikia and figures Mister Memory is the first suspect.
Mister Memory, meanwhile, is getting to know his neighbors, the Plenty family. They think kindly of him ever since he gave B.O. a lift into town. Gertie brings over gifts of sorghum and hot biscuits and for a while it looks like we’re going to see a villain redeemed by kindness. I’m up for that, especially when the villain is only using his experimental computer chip implants to digitally rob banks.
So when Tracy and Sam Catchem finally get to Memory’s place — the GPS goes awry as they get closer — they find the Plentys, rallying to Memory’s defense. Mister Memory agrees to go downtown and answer questions, though, if he can use the restroom first. Tracy agrees to fall for this and lets Memory sneak out to his motorcycle. It’s raining a little, and Memory regrets not practicing more on the motorcycle: he skids out in a car’s backspray and crashes. And, fortunately for Dick Tracy, B.O.Plenty talked about how Memory asked him to enter some codes in the computer while he was off establishing an alibi. This means there’s something to hold Mister Memory on. That, and a mention that the Crimson Knight is applying to the police academy, brings us to the end of the story.
It’s all structured okay, but once again Dick Tracy gets the bad guy by luck. Like, he’s following the correct trail and has good evidence to lead him there. And Memory has a fair reason to flee, and be bad at fleeing. But I liked the guy and felt like we were just getting to know him, so I’d have been up for another month of twists and turns in his story.
Oh, and there was a teaser for another story: the 13th and 14th of June we saw a whiskery old guy discover a bunch of old legal documents in the garage. We’re promised that “one day this man will be important to Dick Tracy”. But we’ve seen the comic is comfortable letting that sort of thing sit for years. We still haven’t resolved those haunts at the Plenty house, for example.
The current and science fiction-based story began the 28th of June. It’s about the former Lunarians, who years ago abandoned their valley on the Moon to set up an Antarctic colony. The Moon Governor — now the Ambassador — arrives at Dick Tracy’s door, inviting Dick Tracy, Honeymoon, and Mysta Chimera to visit New Moon Valley for a week. Tracy is suspicious of the Lunarians’ motives. But Dick Tracy Junior feels his daughter should know something about her heritage and this is what he can offer. It’s a half-hour flight by Space Coupe to New Moon Valley.
Mike Curtis, Shelley Pleger, and Shane Fisher’s Dick Tracy for the 27th of July, 2022. A thread I didn’t know how to fit in the main essay: Ro-Zan is smitten with Mysta Chimera and we see that he’s stunned how much she looks like the original Moon Maid. There are a few scenes like this, suggesting him crushing hard on her, but it hasn’t developed to the point of his kidnapping her or anything big and stupid displays of misplaced love like that.
The Moon Ambassador — Thorin, we learn is his name — has a warning for Dick Tracy. There’s sentiment among the Lunarians that they should open up and join Earth society. Fine enough. There’s also a movement that figures they should join as Earth’s conquerers. They can use the Lunarian superpowers of having antennas that shoot energy bolts and telepathy and stuff. I know you agree that humans aren’t doing so great on their own. But the Lunarian society draws a little too much from pulpy science fiction of the 30s and 40s. So it’s got this technocratic fascism built in, even when it’s just getting together in groups to watch Japanese cartoons. Also the Lunarians keep the place way too cold and I’m not sure they blink.
Thorin doesn’t know who might be leading the faction and detectives are unknown in their land. Like, what if it were his second-in-command, Ro-Zan, leading the would-be Lunarian conquest of Earth? On the other hand what are the odds of that? Dick Tracy pokes around as unobtrusively as he can, sometimes chaperoned by Marina, a Lunarian widow smitten with the outsider. But all Tracy’s shown to work out is that a lot of the Lunarian population is missing. Thorin explains that when they abandoned the Moon many Lunarians went into deeper space and haven’t been heard from since.
Mike Curtis, Shelley Pleger, and Shane Fisher’s Dick Tracy for the 14th of August, 2022. You can see how Marina here hasn’t learned enough from the Earth’s supply of television or she’d know not to interrupt the fascist rally with a declaration of how they’ll fail. She should silently resolve to go warn Dick Tracy and then be murdered in a remote alley before she can tell anyone what she knows instead.
Marina, humiliated after she kisses an uninterested Dick Tracy, accompanies her friend Shay-Gin to her meeting. The meeting is Ro-Zan’s rallying his troops the night before they make history. The history they plan to make is seizing power and launching a war against the humans. Marina is horrified, and says so. Ro-Zan orders her death, and his armsmen use their antenna energy beam thingies to cook her. So, uh, this is looking serious now.
And that’s where we are as of mid-August. In case we’ve been conquered by the Lunarians by October 2022, uh, well. There’s those lost Lunarian colonies that I bet might come to our aid? Maybe? We’ll see.
Next Week!
Hey, what’s the other story strip in production that might get us an invasion from, or of, outer space? That isn’t Brewster Rockit, I mean, since that’s a comedy? And that isn’t Safe Havens since that one already transformed Mars into a new green world and revealed to the world that mermaids are real, they’re shapeshifters, and they’re from Venus? Oh, possibly Rip Haywire although I think that’s a little outside its style? Well, I was thinking of Jim Scancarelli’s Gasoline Alley, to recap next week, if all goes to plan. See you then.
Tom Batiuk’s Funky Winkerbean opened this week with Crazy Harry bringing over a bunch of tapes of Lisa Moore. Lisa Moore died, reader time, in 2008. It was a big story, where she responded to the news her breast cancer had returned by recording videotape messages for her daughter and then dying. The dying may seem like an extreme reaction. It seemed the best way to escape her husband, Les Moore, the most insufferable person on the comics page. It hasn’t worked, as Les Moore wrote a book about her dying and turned it into a graphic novel and an annual fun-run and a failed made-for-TV movie and a completed made-for-theaters movie and the whole of his personality except for being snide to acquaintances.
A couple years back Les Moore loaned the suspiciously many videotapes to Crazy Harry for digitization. And today, years after finishing the project and I thought returning the tapes, he came over with a bunch of the Lisa Moore tapes. What’s got me angry is a line that I might have ignored if I had more patience with the comic strip.
Why does Crazy Harry explain that “Donna said I had to get rid of my VHS tapes”? Yes, yes, I know, because she was tired of them cluttering up the basement or whatever. But Tom Batiuk decided that Harry’s wife was tired of the clutter. Why? What does that explanation do that, oh, “I was organizing my VHS tapes and noticed I still had some” would not? Or “your father asked about a couple of these tapes, which are more precious to him than are his daughter, his current wife Not-Lisa, or the Academy Award won by the woman who played Lisa in the movie about Lisa’s Death”?
Because it fits a pattern and it’s a subtly annoying one. It’s the same role that most all the male characters have been through, where their mother made them get rid of their comic books. Or their wife made them get rid of their superhero stuff. The current era of Funky Winkerbean sees a lot of characters passively accepting the indignities of life, yes, as see Lisa Moore’s whole acceptance of death. Why is it the only time a women in this strip take an active role, it’s the off-screen decision that the man in her life has to give up a hobby?
The one time I can think of when the woman didn’t make the off-screen decision to make one of the player-characters give up a hobby was a story a couple weeks ago. Funky Winkerbean’s wife decided they were going to go to a estate-planning seminar. That’s a reasonable and grown-up thing to do, yes. It’s also something she forced him to do, and he was a total Les Moore about the experience. (The Son of Stuck Funky folks, who have an uncanny ability to find old plots, also found where Funky and Mrs Funk went to an estate planner five years ago. I’m tolerant of comic strips repeating themselves — it’s baked into the genre — but I do want the new iteration to at least be pleasant.)
Why can’t Crazy Harry decide he’s got too many hobbies and VHS tape collecting isn’t bringing him joy anymore? Why can’t Crazy Harry notice he’s got stuff he doesn’t need and doesn’t want? Why does Donna have to be the heavy? Also, why did Lisa Moore have more hours of screen time than Regis Philbin did? These are all questions I feel I cannot answer.
The earliest impression that Mutt and Jeff made on me was its ending. In June 1983 it startled the young me by being a comic strip that had been around since four years before the invention of mud by stopping, a thing I somehow hadn’t realized could happen. Past that I knew it had been around since before my grandfather’s day, and that it was a genially pleasant joke-a-day comic.
Today I understand more of its significance. Bud Fisher was, particularly, a pioneer in the comic strip, as opposed to a single panel that does the joke. And Mutt and Jeff particularly was a pioneer in the daily comic strip, as opposed to the Sunday pages that could sprawl over a whole broadsheet’s page.
It was a pioneer in other ways, too, in phenomenally successful merchandising. And then in animation: Bud Fisher licensed the strip to the Barré studio in 1916 and they made something like three hundred shorts for Fox Film Corporation. Many of them are lost, as you’d expect or fear from century-old film footage. But dozens are not, and that gets to this point.
Mauricio Alvarado is running a Kickstarter, with a goal of funding a high-quality scan of several doen available shorts. This as part of restoring the shorts, and preparing a limited-edition Blu-Ray disc for the shorts. Restoring, and making available, early animation history like this is a great project. I regret I’m not in a position to support it financially right now, but I can at least support with my small voice. If you love silent cartoons, or think you might someday, please consider this.
I haven’t caught it, sorry. Arn — Valiant’s son — and Maeve are the regents of Camelot, I learned in June. Valiant reports to them when he gets back from the sojourn that saw him escort Morgan Le Fay to safety. But how they got set up there goes back to before I was reading the strip with an eye toward remembering plots. If someone knows, please leave a comment. I appreciate the help.
Valiant returned, the 5th of June, to Camelot. Valiant and Arn fight over the recent debacle. Arn’s furious that Valiant let Morgan Le Fay go. Valiant’s furious that Camelot forgot a garrison of troops in Londinium. It doesn’t promise to be resolvable. But Aleta tells Valiant of a strange dream. One in which he summoned her, and she battled Morgan Le Fay. We saw this battle in a hallucinatory landscape back on 2021.
Some more old characters appear. Ambelu, sent by Queen Makeda of the Ab’saban people to be ambassador to Camelot, has a retinue now. They’ve brought some comforts of home, like a hot, bitter, stimulating beverage named quawah. And Ambelu’s youngest daughter, Yewubar, bonds with Valiant’s youngest, Nathan. They’re fascinated by old scrolls and nature and all. Yewubar shows a trick of getting a flock of bees to jacket her. It’s harmless but unsettling, and so naturally their parents get all upset.
That won’t stop the two from sneaking out together and one night under the full moon they’re out in the woods. They see Aleta and Maeve walking into a circle of ancient stones. Welcoming them there is Morgan Le Fay.
And that’s the neat cliffhanger we’re on, as my plot recap window closes. We’ll have to see where this is going.
That is the surface implication of the 24th of June’s strip. We see The Phantom, about to go to North India to search for his estranged son again, kissing goodbye to a quite pregnant Savarna Devi. This is normal dramatic shorthand for someone bidding farewell to their spouse. Mozz tells us that this is the last time The Phantom will see the Deep Woods. However, Mozz has warned The Phantom that he would lie about his prophecy to keep The Phantom from bringing wrack and ruin to his line. And he’s thought, to himself where only we can see it, that he has to, now. Of course he may have thought that to deceive us but I don’t expect the comic strip to operate on quite that level of narrative experimentation.
Yet a theme of the Imaginary Story going on in Tony DePaul and Mike Manley and Bret Blevins and Scott Cohn’s The Phantom weekday continuity has been paying attention to what is said versus what is implied. So let’s all slowly come to understand Mozz, and DePaul, in not going beyond what the evidence is.
Previously in the prophecy, The Phantom rescues Savarna from Gravelines, he’s wounded. While delirious he reveals that Kit Junior is in the Mountain City, somewhere in Arunachal Pradesh, India. And that the local constable is the man who’d enslaved the young Savarna and killed her family. She journeys to the Mountain City and kills him. Understandable but a terrible mistake. The unnamed Northern Invaders see the murder of the constable, their man in town, as provocation. When they can’t assassinate monastery leader Kaybje Dorje or his understudy Kit Junior they bomb the city into ruin. In the disaster Kit Junior takes the phone from a person he couldn’t save and calls his parents.
Tony DePaul and Mike Manley’s The Phantom for the 27th of May, 2022. Kit Junior makes a fair case, that between this and the experiences of the 11th and the 16th Phantoms — who had also trained at the same monastery, and whose reincarnation Kit Jr presented himself as being — he was aimed at this. It also seems it would be remarkable if he were the first in over twenty generations of Walkers to want to go away from the direct main line of the family business. But there’s a lot of room for side stories we haven’t seen yet.
He explains he can’t be the 22nd Phantom. His life, he knows now, has lead him to be here and to protect these people. And hangs up, going to his new life alongside Manju, daughter of the tea shop keeper. The Phantom goes to India to seek him out, but that whole legend of how you don’t find The Phantom, he finds you works against him. All he can find is the tea shop keeper, who won’t help someone she fairly suspects of being sent by Jampa’s friends. She begs out of this drama, but asks that if he finds Kit Junior that he send Manju home. It’s like that all over, and The Phantom’s first search for his son fails.
With this failure, Kit Senior’s home life falls apart. Diana leaves the Deep Woods; Heloise leaves for the United States, too, eventually never to tell her children of The Phantom. Sometime later, Savarna finds a broken, brooding Phantom. That there is this clear legend that no one finds The Phantom, he finds you, suggests this is where Mozz starts falsifying his prophecy. If “falsifying a prophecy” is a meaningful concept. But Savarna is an exceptional person, and acknowledges in text that she might be the only one who’s ever looked long enough.
Tony DePaul, Bret Blevins, and Scott Cohn’s The Phantom for the 28th of June, 2022. I mean, she is literally the lone survivor of a pirate attack that killed her family and shipmates who devoted her life to saving others from similar fates. The only piece her life is missing from the story of Christopher Walker, the First Phantom, is swearing the Oath of the Skull. In Mozz’s prophecy, Savarna swears off vengeance and — perhaps — she lives up to it after killing Jampa. The 1st Phantom’s oath swore vengeance against the pirates who’d killed his shipmates, and that vengeance was dropped after he did kill those pirates.
Years later, The Phantom leaves for another trip to India, hoping to reunite Kit Junior with his mother and sister. He bids farewell to Savarna, never see the Deep Woods again, says Mozz. But we learn he’s not the last Phantom; merely the last of the Walkers to be The Phantom. Savarna’s descendants take up that role. It’s a twist I hadn’t thought of, but that’s obvious in hindsight, to split the Walker line from the Phantom line. It’s another of many steps the strip has taken to diffuse the colonialist white-savior stuff baked into the premise, too. It’s also got an interesting metatext. In the comic, Bangalla had started out as a vaguely located South/Southeast Asian land before becoming a vaguely located East African land. This adds to how Savarna’s life echoes without imitating The Phantom Origin Story. I imagine that’s the sort of happy coincidence you can arrange when you have ninety years of backstory that fans have got pretty well indexed for you. It’s still a neat bit of business to line up.
The Phantom’s second trip to India gets much closer to Kit Junior, and (as promised by Mozz), “in a manner of speaking … he finds you”. If we can trust Mozz on this point. But now Kit Junior is a respected, loved, skilled guerilla leader. His fighters suspect, with reason, that The Phantom is another would-be assassin. The Phantom enters the landscape where he encountered the flaming skeleton of his dead father in 2020’s story The Llongo Forest. Before he can nope out of there he comes under fire, from gunmen in at least three positions. This isn’t too much for The Phantom, but it’s a close-run thing. He hopes to stall until nightfall when he can escape.
Tony DePaul and Scott Cohn’s The Phantom for the 21st of July, 2022. THe second panel was the funniest comic the day of publication. Possibly that whole week. Also a reminder of what a wonderful vein of gallows humor American pop culture lost when the Service Comedy stopped really being a thing.
Kit Junior’s soldiers ask him for help with this extraordinary man, who can’t be shot but who can hit everything he tries to. He doesn’t recognize his father’s signature. He hasn’t got the time to divert from planning an operation for the next day. But he can spare Manju, now a very effective sniper. Her fire can pin him down. With a half-hour until sunset, someone hits Kit Walker Senior, fracturing his leg. Things look rather dire for The Ghost Who Walks, must say.
So as sometimes happens the comic strip did its own pretty good plot recap, the 26th of June. The Sunday strip has the vibe of something put together to give the artist time to catch up, but it does also advance the story. And it makes a good jumping-off point. There are two major threads going on right now. Let me take them separately.
Randy Parker has readjusted to his normal life fitfully at best. Mostly he wants to not talk about the year he spent on the lam with April Parker and her mother. When Alan Parker insists on talking about how April emotionally abused Randy he throws his father out of the house. This sets Alan to fighting with his wife when she tries to get him to acknowledge Randy’s side of things.
One of Marciuliano’s strengths writing has been how his characters can with justice say how others are being the jerks here. It’s a good handle on motivation even if the result is a lot of unhappy scenes prone to yelling. He’s also good at the dynamic where people ask you to see the other person’s side, as though you wouldn’t be on your own side if you were aware of the other.
So he invites Neddy Spencer for a talk. Her streaming TV show about April Parker and Godiva Danube became a hit as the CIA grabbed their rogue agent. She needs material for a second season. She was thinking of April’s story hiding from the law. Randy offers something far better. April Parker’s troubles began when a rogue CIA faction suborned her into doing evil spy stuff for them instead of the CIA’s main evil spy stuff. All the agents of that rogue faction are dead, by her hands or by her father Norton’s. But April Parker has data on the whole operation, as best she could put it together. And, great news for TV production, libel laws don’t apply to the dead. So they can make a show about this and clear April Parker’s name in the Court of Public Opinion, if not in the Star Chamber courts.
I admit to tripping on this plot point. Not Randy’s giving this data to Neddy rather than a journalist. That I can understand. I don’t see how the CIA has allowed Randy Parker to have a hard drive of data from April Parker. I’m not even sure how she would have gotten it to him; his leaving their safe house was a surprise thing done (to him) on the spur of the moment. I have to imagine that the super-ultra-duper secret agents already know of and have copies of this hard drive. So they must have let Randy have this for reasons of their own. I don’t see what those are, but I’m willing to let the story unfold.
The other thread regards Abbey Spencer. She was cleared from suspicion of burning down her failed bed-and-breakfast when Deputy Mayor Stewart turned against his boss. Except her husband, Sam Driver, has suspicions, because Stewart shared a drone video showing Abbey setting fire to the building. Stewart’s bought Driver’s support for usurping his boss by burying the video.
Sam doesn’t really believe the footage is real. But what if it is? That’s been twisting him for months. Sophie Spencer, home from college, lets Neddy in on this secret. She also lets in her college roommate Reena, who’d invited herself to the Spencers’ place. I cannot imagine being a person like Reena, but I understand there are people like that. (I feel it’s too forward of me to call Marciuliano “Ces” the way all the successful comics bloggers seem to.) And it does some good in providing exposition that reinforces what readers might have forgotten about the situation.
Neddy cuts the Gordian knot of whether the footage is real by asking her video editor friend Brad … I’m going to say ‘Gordian’ … what he thinks. He thinks it’s all but certainly fake. They share the good news with Sam, who goes off to yell at Now Mayor Stewart. Stewart laughs him off: so what that it was fake? Sam acted on the presumption it was true and what is he going to do, blow up his marriage by telling Abbey what he thinks she would do? So Sam goes to blow up his marriage by telling Abbey about the footage and what he thought.
Francesco Marciuliani and Mike Manley’s Judge Parker for the 11th of June, 2022. It’s interesting that Mayor Stewart didn’t try to insist the video was real, or that he believed it was. Driver might not have bought it, but the attempt might have confused the issue. Or might have made Driver say who revealed the fake and how. (Driver didn’t know, but Stewart couldn’t know that.) It is not a plot hole that Stewart didn’t do that, understand, since not every character has to be the craftiest version of themselves at every moment. But Stewart must have had some idea what to say if Driver decided the video was fake, and he had settled on something like this. (Or he didn’t have a better idea.)
Here, I admit, I’m not sure I follow the motivation. I get Sam’s. But the implication is Stewart used what he knew to be fake video to get Sam Driver’s support in throwing Mayor Sanderson out of office. I don’t see why Stewart needed to buy Sam’s support here. It’s like giving me ten thousand dollars so I’ll go play pinball Tuesday night. I get Stewart wanting a strong ally in Sam Driver and Abbey Spencer. But he’d have that anyway for getting Mayor Sanderson out of office. And he has to have anticipated that Sam would learn, or decide, the video was fake. And, as Sophie observes, whoever faked the video can blackmail Stewart at any time. (I had thought we saw Stewart discovering the footage, but I seem to be wrong.) Also, please give me ten thousand dollars to play pinball Tuesday night.
Sam goes to talk with Abbey about the video in a scene we don’t see. We stick instead on Sophie and Neddy and Reena waiting for news. It’s suspenseful, and ominous, although I understand people for whom it doesn’t work. One of Marciuliano’s regular tricks on this strip has been to jump ahead three months and fill in the aftermath of some big event, rather than show it. This comes close to being that. I understand Marciuliano’s desire, to keep us off-screen and go to characters reacting, but it keeps us from seeing a juicy fight.
Sam texts Neddy that Abbey stormed out. The people we were watching rush home and Sam mourns that Abbey has given up on the town and the family. He mourns that everyone was right, he should have told Abbey about the video the moment he saw it. Abbey, after demanding to know how long everyone else knew about this video, disappears. Neddy calls in an expert on fixing their family: Marie, their trusty … uh … maid? Or former maid, anyway. Last we saw her she was working part-time at the bed-and-breakfast but I imagine it’d be impolite if she were still drawing a salary for that.
Marie is able to get Abbey on the phone, and they meet for a talk at some restaurant carefully ignoring them. Marie tries to suggest Abbey consider Sam’s point of view, but Abbey knows it. And she’s more interested in how Sam hurt her — rather than have a direct if frightening conversation with her — than in how he feels. I can’t argue with that. Marie can’t either. Given this, she plans to leave Sam. She may leave Cavelton entirely. It’s hard to say she’s wrong to plan this.
Next Week!
What do Leonardo da Vinci and a gigantic crow have in common? That they’re not in the current story in Jonathan Lemon and Joey Alison Sayers’s Alley Oop! But they are in the story just concluded, which I plan to recap next week. Thanks for reading.
The new writer — the fourth in the strip’s history — is Henry Barajas. Barajas has some renown for comic book series that I admit I was unaware of. (This is not a slight on his work; it’s me admitting my ignorance. I haven’t followed comic books directly since Marvel’s New Universe was put out of its misery.) But they include Helm Greycastle, the biographical La Voz De M.A.Y.O. Tata Rambo, and some Avengers and Batman stuff. An interview with the Tucson Daily Star says “He plans to introduce characters of color and with different sexual orientations and gun violence,” as good a case for the Oxford Comma as I know.
Greg Hamm, on the boys’ baseball team at Milford, was losing his eyesight. Rapidly. His catcher, Wilson Henry, and the second baseman, sports trivia maven Eli “Scooter” Borden, had a scheme to work around this. Borden would relay the catcher’s signals by code words in his chatter. This works okay for pitching. Fielding is harder; if a ball isn’t in Hamm’s dwindling field of vision he’s helpless. When a hit zooms right past Hamm’s head without his even flinching Coach Thorp works out what’s up, and pulls the kid.
It turns out Hamm’s done an outstanding job concealing his vision problems. He even worked out how to fake his way through eye tests, so his parents and eye doctor didn’t know how bad it was. Now that they do know? Dr Maisano explains to Coach Thorp that this is the last year he could play baseball. If he wears facial protection, something like a catcher’s mask, he should be reasonably safe. Coach Thorp finally accedes to letting Hamm play.
The trick with a vision-impaired pitcher is the other teams work out where his blind spot is, and can hit to it. Borden’s girlfriend Charis Thompkins has an answer, direct from Borden’s trivia banks. Relief pitcher Ryne Duren played a decade in the late 50s and early 60s, and used his poor vision as a psychological weapon. Duren’s warmup pitches would go wild, an intimidating thing for batters to face. (Oh, and the plot bits about Thompkins and the girls’ tennis teams were not followed up on.)
An old trick is good again. Hamm warns a batter off bunting by “accidentally” throwing a pitch that barely misses the batter. The umpire demands Hamm be thrown out but Coach Thorp refuses, noting, you can’t eject a player for one bad pitch, whatever you think of his eyesight. This seems like a good way to insult the umpire while staying within the rules and make sure you never get a toss-up call your way again. Thorp tosses in an insult of how that umpire called an earlier game, which probably felt good anyway.
The blend of Hamm’s actual control, and ability to look uncontrolled when it’s intimidating, works. It launches the boys baseball team into the postseason. And the local media is quite interested in a blind pitcher.
Neal Rubin and Rod Whigham’s Gil Thorp for the 10th of June, 2022. I’m a little surprised if there isn’t any rule by which an umpire can declare a pitcher (or other player) is too dangerous — or endangered — to play. But, as Thorp notes, he hasn’t hit a pitcher, or thrown anything wilder than ball one, and he’d fielded a ball well just one or two strips before. I suppose an umpire would have to be able to point to specific cause, that isn’t shown. This even though everyone knows what stunt Hamm was pulling. (Thorp goes on to warn Hamm not to pull the stunt again, although it’s not needed.)
The trouble is the other major part of this story. Hamm’s father is pathologically camera-shy, to the point he hides from people taking cell phone pictures of the parents in the stands. He works so hard to not be noticed that everyone notices, and feeds rumors that he’s in the witness protection program or something. Coach Thorp hears the rumors and decides to just ask the Hamms what’s going on. Greg Hamm’s mother gives the clue.
Before he was a ghost-writer for businesspeople committing books, Greg’s father was Mason Hamstetter. Hamstetter had been a hot journalist, with great cover stories in big magazines, book deals, everything you hope for when you’re a writer. He was also a plagiarist. He faked quotes. He invented sources. He got caught. So he fled New York, and truncated his name, and did his best to completely hide from a shaming public. And now, after a decade of hiding, Hamm’s wife has had enough.
Mason Hamm meets Coach Thorp, who admits he doesn’t see how there’s anything to talk to him about. But if you ask his opinion, it’s this: nobody has any idea who he is or why they should care about him. Meanwhile his son’s got an amazing story that shouldn’t be hidden for the fear that one of the four guys in a Manhattan publishing office who kind of remember his name might hear about it. It’s a hard truth that Mason accepts. He allows his son to do interviews and talk about his experience. A reporter is curious about Mason, and suggests a “where is he now” interview. But his boss kills the story because nobody cares. Having lived through his two worst fears and finding them not so bad after all? He’s able to settle in to having a son whose story might become an inspirational book he might write.
Greg Hamm pitches for Milford in the state tournament, but the team loses 9-4. It was still a good season.
And with that, the 9th of July, the story ends, as does Neal Rubin’s tenure writing Gil Thorp. I’ll learn the new direction of the comic strip as you all do, but I intend to recap it in just about three months. See you then.
The Street Sweeper, Glenwood’s own little superhero, took a brick to his shoulder when a drunk didn’t like having his keys dropped down the sewer. This was his second shoulder injury. A torn rotator cuff first brought him to Rex Morgan’s, and Rex Morgan M.D.’s, attention. So he needed to do something to carry on his patrols of the mean-ish-esque streets of downtown Glenwood while impaired. His solution: some mixture of soap solution that would slick up the sidewalk. Enough that someone chasing him is unsure on his feet, at least. It’s only good for a few seconds, but in a fight, a few seconds counts for a lot. He used this against Snake and Manfred, a would-be car-robber and his partner. Also against the undercover cops come to knock off this superhero vigilante nonsense.
I don’t know what this is made of, or how slippery you could make a sidewalk with a quick splash of something. But, eh, guy is a janitor, probably knows his soaps and waxes and all. And it only needs to be a surprise and distracting for a couple seconds. Or confusing, which it was, yeah.
There was a new superhero in town, when I last checked in. Firstname Clayton, by day a janitor, patrols downtown Glenwood at night as … The Street Sweeper. He gets a lot of that giggling, yes. But he backs it up, whacking Snake, a would-be car robber, with a push broom. Or dropping a drunk guy’s car keys down the sewer, lest the guy drive home impaired. It’s the sort of stunt that’s kind of cool when you are the hero of the story. If you, like the would-be drunk driver, figure you’re the hero of your own story, you maybe throw a brick at The Street Sweeper’s shoulder. Or if you’re a pair of undercover cops, you get the assignment to bring this guy in before he does something both stupid and dangerous.
Terry Beatty’s Rex Morgan, M.D. for the 28th of April, 2022. I understand people annoyed by the, you know, Kevin-Smith-movieness of this. It does feel to me like a realistic sort of dumb conversation people have, especially when one person is way more into the task they’re on than the other is.
So that’s the wind-up. The Street Sweeper is carrying on his business, using a bottle of some pretty slippery liquid to compensate for his shoulder injuries. Snake, with his pal Manfred, are out looking to smack Sweeper silly. And a pair of cops, rolling their eyes and talking 1960s sitcoms, are looking for Sweeper. Snake figures that the Ghost Who Sweeps will find him, just as soon as he smashes this car window. Despite the car alarm, The Street Sweeper comes by to check things out. The cops mosey on over to the scene too. They reason The Street Sweeper is the sort of person who doesn’t understand that a car alarm is only there to annoy your neighbors while your battery dies because a tree branch is brushing your hood.
The cops are happy to take Snake into custody. The Sweeper is not happy to give him up, though, and drags him off to his apartment, turning a merry bit of nonsense into a hostage drama. It’s a bit grim, but I like this twist. It’s got that moment where a character runs past the limits of their competence yet the situation is still going on. It’s too much to expect a Dog Day Afternoon from the comics. Beatty doesn’t write a comic that emotionally messy. But I love that blend of the situation being serious and absurd. (It also makes me think of that moment where Freakazoid yells at the villain for going and being like that when we were having a good time here.)
Terry Beatty’s Rex Morgan, M.D. for the 28th of May, 2022. So I understand that it’s dark, and the cops are looking at the person taking a hostage rather than the puddle at their feet, and that the illustration — and coloring — are making sure the reader can’t miss the puddle and how it relates to the cops’ falling over. Still, it’s hard not to feel like the strip was maybe adding a smirk to the mention of “two of Glenwood’s finest”.The Street Sweeper agrees to talk to someone, and chooses the honorable doctor who treated his torn rotator cuff. The cops get Rex Morgan on the phone, who’s baffled by why he’s been pulled into the comic strip all of a sudden. But, what the heck, he doesn’t have to go downtown or anything, just talk over the phone. The Sweeper has one question for Rex: can he surgically remove the part of the brain that makes people criminals? Rex Morgan has any idea what Sweeper’s talking about. One of the nearly 400 billion points of super-hyper-ultra inventive competence that pulp superhero Doc Savage managed was anti-crime brain surgery. Or, as Rex confusingly puts it, those books about “The Crime College”. I don’t know why he doesn’t say Doc Savage. Sorry.
Terry Beatty’s Rex Morgan, M.D. for the 8th of June, 2022. Of course in the situation you want to let the guy down easy. But I’d like to see the Socratic dialogue where Rex Morgan found out whether Sweeper believes there could be a physically alterable thing in the brain which might cause someone to wish to open an establishment that sells spirits only 490 feet away from the main entrance of a school?
Heartbroken to learn he doesn’t live in the fictional world he thought he did, The Street Sweeper agrees to give up to the cops. Snake, not happy about the thought of surprise brain surgery, conks Sweeper’s shoulder, retrieves his gun, and runs out back into the cops’ hands. So, the status quo gets restored and Doc Morgan is just … glad he could help, he guesses? Anyway I hope we’ll see more of The Street Sweeper, even if it seems unlikely he’d do more vigilante stuff. I like his goofy self-important vibe.
With the 26th of June the new and current story begins. It’s about June’s vaguely-related Aunt Tildy, reconciled with her husband Andrzej “Count Crushinski” Bobrowski. The former wrestling star sneaks off to the hospital so he can have his heart attack looked at. It turns out to be heartburn. He feels foolish about that, but, you know, you don’t want to ignore heart attack symptoms, not when having them looked at will only induce $140,000 in medical debt. And that’s where we are to start off July.
Next Week!
A blind pitcher, a guy who’s totally not in the Witness Protection Program so stop asking nosey questions, and a sports-trivia-obsessed teen! How do they fit together? They’re important to the last three months of Neal Rubin and Rod Whigham’s Gil Thorp, which I’ll recap next week. The trivia teen doesn’t really matter much. I’ll explain next week if all goes well.
“Eden” is, in The Phantom universe, an island at the end of a river in Bangalla. It’s another of The Phantom’s many side projects. All the animals on it live in harmony, including the predatory creatures like the lions and the tigers. The Phantom Wiki explains that they eat fish, to keep their hunting instincts from awakening. I don’t know when Eden was introduced to the strip. No later than 1961, at least. Inhabitants of the island include lions and tigers and tigon cubs, a fawn, a giraffe, some cave monsters, a unicorn, and a tribe of six-inch-high people. The six-inch-high people turn out to be from outer space and they deliver a rattle to the Phantom every year in accord with an 18th-century treaty. If your continuity has been going ninety years and it doesn’t have some odd stuff in it what are you even doing?
Tony DePaul and Jeff Weigel’s The Phantom for the 8th of May, 2022. Weigel, the Sunday artist, has no health issues affecting the comic strip (so far as I know). Also, Comics Kingdom continues to tell me they can’t reproduce the error where their comics are hard or impossible to read. This even though I have told them how to reproduce it (you need to look at the web page they serve up, or read the e-mail they send out), and how to fix it (use the correct format for the original comics instead of these). Anyway if someone’s looking to hire a guy to do web site stuff who’s learned sophisticated next-level development procedures like “actually look at the site and see if it can be read” drop me a note, I could use the income.
But they decide they’ve had enough of an adventure, and return home. The Phantom wraps things up for us. And for me, if we’re honest; that one Sunday covers things well enough. But their stay in Mawitaan inflamed the imagination of other Mori girls. This forced the King to agree to their request from the start of the story: that the women be allowed to join the men’s liminal ceremony, of a journey at sea. It’s a reminder of how social change happens because of the combination of appeals to reason and conscience with the credible threat of open rebellion. All seems well enough now.
“Return to the Temple of the Gods” opens with Dr Manfred Markus Meier recording outside a cave in Bangalla. He promises to explore the strange, uncharted mystery within. The mystery emerges enough to maul him. The Phantom sees the footage and notices what seems to be a person hidden in the cave. The Ghost Who Walks wants to figure out whether this is a visible-crew-person in a publicity stunt or something more mysterious. Diana Walker insists on going with him to explore this mystery. Unable to shake her, The Phantom figures a way to shake her: go to the Island of Eden and slip away while she’s delighting over the stegosaurus. So, we get to see Eden some and meet the lion named Fluffy. The Phantom leaves a note for his wife to discover when she wakes. That’s all that’s happened so far.
Next Week!
So how’d that thing where this janitor guy sets himself up as superhero cleaning up the mean-esque-ish streets of Glenwood? I’m sure that he’s been a responsible, level-headed, thoughtful person and that everything’s turned out well. So I’m going to take a long, slow sip of hot tea and read eleven weeks’ worth of Terry Beatty’s Rex Morgan, M.D. to summarize for you next week. Wish me luck!
So the next King Features 1960s Popeye in turn is Popeye de Leon, a Jack Kinney-produced short, and I don’t want to do it. It’s Popeye telling the story of his ancestor Popeye de Leon who came to Florida to find the Fountain of Youth. That’s mostly an okay Kinney-style tone poem of oddly timed dialogue and plot fragments. But it also features Popeye de Leon beating up (off-screen) the “Injuns” who’re shooting arrows at him, and has Olive-Ha-ha-ha-ha-ha as the local Indian woman, with Mae Questel trying to do something that’s a Generic Accent plus a Southern White Belle accent and I’m not being paid to deal with this. Besides, there’s a better Popeye Fountain of Youth plot going on in the vintage Thimble Theatre comics on Comics Kingdom right now. Read that instead.
So instead I’d like to say some kind words for the Max Fleischer cartoons channel on YouTube. They’ve been doing wonderful work in getting new, amazingly clear scans of Fleischer-produced cartoons. These have mostly been Koko the Clown cartoons, with some Talkartoons, and a couple of Color Classics and other miscellaneous pieces.
To date the only Popeye they have is a Popular Science short explaining how to make cartoons. It’s got footage of the making of Aladdin and His Wonderful Lamp, and also of the device they use to put the cartoons against three-dimensional backgrounds. I imagine without knowing that this is because Warner Brothers has released quite good, high-quality prints of all the Fleischer Studios Popeye cartoons on DVD, and has got many of the Famous Studios shorts as video-on-demand discs too.
The Max Fleischer Cartoons channel is not doing the sort of full high-quality restorations that, say, Warner Brothers could. This is more very good scans from 35mm prints. Even that, though, is a huge step for many of these shorts. The sound (where available) is greatly improved and there’s so many details that are now visible now the cartoons are almost new.
Here’s the Talkartoons that Max Fleischer Cartoons has rescanned, along with my own reviews of the cartoons as based on whatever video I could find on the Internet a couple years ago:
A related channel, but with wider scope, is Not An Animation Historian’s, again on YouTube. This channel has many more studios and more decades of work. This includes a number of Fleischer cartoons, more Popeye, Betty Boop, and more obscure characters like Willie Whopper, Flip the Frog, and the human Tom and Jerry. Also some television cartoons, such as Clutch Cargo and Crusader Rabbit.
Folks going in to any of these should remember there’s racist and sexist presentations in some of these cartoons. Some of them are clearly warned about, such as by being in a playlist described as “banned cartoons’ or a title including “uncensored”. But there are many that just lurk ready to spoil an otherwise good time. Which is how I got to this point to start with.
Professor Bee Sharp is, in Jules Rivera’s Mark Trail continuity, some manner of pop scientist. Rusty Trail’s a big fan. They’ve had a couple of interactions. Most have been centered around “Cricket Bro” Rob Bettancourt, childhood nemesis of Mark Trail.
We’ve been seeing more of Bee Sharp since his lab coat got chewed up by goats, part of Bettancourt’s NFT-minting scam. This story, Bee Sharp’s appeared a couple times. Once was in giving Rusty Trail some advice about seeking out cryptids. Another has been to reveal that Bettancourt’s current big NFT scam is, in fact, a scam, to a bunch of the people Bettncourt’s been scamming.
The effect (and I don’t know how much of this is Rivera’s intent) is Bee Sharp seems to have a deal rather like Mark Trail’s. That is, that he’s going about having adventures in bringing nature, or maybe science, to the public, and fighting evildoers. But also being much more successful in getting to be Internet Famous and all. Kelly Welly has a similar life, in Rivera’s telling, doing nature reporting stuff to greater acclaim than Mark Trail does. It makes good storytelling sense to have Mark Trail be the underdog even in his own field. And having several rivals opens more possibilities, although so far, Kelly Welly’s barely featured.
Mark Trail and family are in Oregon! For Rusty, it’s the chance to try and catch the Seaside Specter, a kind of aquatic Bigfoot. With the guidance of a graphic novel about another cryptid, the “Surfsquatch”, he goes looking and mostly scares himself. Professor Bee Sharp happens to be at the comic book shop, and offers some advice. (One senses Sharp, like many of a particular nerd genre could not get enough of cryptids before growing up. I bet he wanted Cecil Adams to explain the 17/23 Correlation too.) If the Seaside Specter is covered in seaweed, as reports say, he’s likely to be near salt water. If he feeds at night, as reports say, he needs protein. Surfsquatch, Rusty learns, turned to crickets to stay alive. He thinks of shrimp and his father’s odd, meme-worthy declaration that “crickets are land shrimp”. And has access to an abundance of cricket protein powder, courtesy Rob Bettancourt. Rusty does not (as of this week) find any cryptids. But he’s got an angle that would work if anything could.
For Mark Trail, it’s become a working holiday. His father, Mark “Happy” Trail, teamed his trail-mix business up with “Cricket Bro” Rob Bettancourt and his brother, “Crypto Bro” Sterling. Why would Happy Trail be working with someone who pushes NFT scams? Beyond that Happy Trail got to know the Bettancourts when he was estranged from his son, and they needed a father, and you trust the people you like.
There’s more alarming news. The NFTs are some of where they get money. Most of it comes from logging, a business that exists in that awkward space of being necessary but also an environmental hazard. Some good news though, too. The Bettancourts take Mark Trail to the Wings Of Love rehabilitation center, a bird wildlife refuge. They donate some of their profits to support the place. It’s another nice touch, shading the Bettancourts so they aren’t as cartoonishly evil as your Jack Elrod-era story might have done. But … a couple computers are cheap, hard as it is for wildlife rescues to afford them. Is this the Bettancourts using some spare change to greenwash their business?
There’s little time to investigate. The Bettancourts’ lumber mill is on fire. Mark Trail rapidly deduces the problem: beavers. Oh, you may think of beavers as providing adorable videos the zoo tweets as coming from their “branch manager”. But they’ll cut down trees that are too near power lines. Or cut down power poles, mistaking them for trees. And that can cause fires. The Bettancourts don’t know what to do about the immediate problem besides putting out an anti-beaver press release. Mark Trail and Happy Trail take the lead in evacuating the workers. Happy Trail gets to a radio tower to give directions. Mark Trail — given his father’s compass and camping scarf, a symbol of reconciliation so obvious even I understand it — is able to navigate to the electrical control station and power things off. With the humans out of danger, fire-fighting can get going, and the disaster’s soon not.
Jules Rivera’s Mark Trail for the 2nd of May, 2022. So I want to highlight this strip as representative of Rivera’s development as writer. She’s never been shy to have reasonably complicated storylines, with several independent threads and somewhat more complex emotions involved. But she has been embracing some touches of deep, essential Mark Trail squareness. In the first panel, loggers, caught in a fire aggravated by a long series of managerial blunders, are crying out things like “For Pete’s sake!” and “This is a pickle!” Elsewhere you get characters talking about things as “malarkey” (a word I’m warming to, as it connotes to me not just that someone is spreading nonsense but not even trying to spread good nonsense). The dialogue and the narration boxes are less stodgy than they used to be, as note the references to Internet memes that turn up in them. But they are keeping some of the stylized writing that made Mark Trail an ironic favorite of so many people who’d go on to consider it a sincere favorite.
You may wonder how the Bettancourts needed advice to evacuate workers from a forest fire. The company’s poorly run, the loggers explain to Mark Trail. No fire safety plan, the most relevant thing here. They turned to Happy Trail, the only person who’d even listen to complaints about unsafe working condition. But Happy Trail doesn’t own the mill; why is he in their business? Mark investigates his father.
The Bettancourts get a half-pipe built in the woods, part of preparing a party for some kind of NFT scam launch event. Mark Trail barely follows this when Bee Sharp appears. Sharp has evidence that the NFTs are a scam, with any actual money from them embezzled from the lumber mill. Sharp is there to disrupt Crypto Bro’s event and save the participants from being swindled. And getting revenge for that time Rob Bettancourt had a goat eat his lab coat. I’m not clear why Bee Sharp tells Mark Trail of his plans, except maybe to force Trail into high gear in clearing his father’s name. But I don’t see where Sharp would know anything about that. It may be Sharp was just gloating, as one will, about the chance to do good by being a chaos agent, and it happened to give Mark Trail some needed initiative.
Jules Rivera’s Mark Trail for the 26th of May, 2022. Now you might think that it’s a pretty poor businessperson who’ll run a viable business like a logging mill poorly just to embezzle money to pump an investment scam. And yet every business you know is rolling out the NFT plans they started forming four months ago when it was just everybody not pitching an NFT scam warning that it was a scam.
As best Mark Trail can work out, his father ended up in that trap where when authority is absent, command flows to whoever competent is nearby and doesn’t shake it off fast enough. Happy Trail doesn’t seem to have investments in the lumber mill or the NFT scams. Or any documented management role. People just know he can tell the Bettancourts to straighten this out. Happy Trail also doesn’t seem to know what an NFT is. He explains to his son that they’re nothing but cheap promotional giveaways for cricket protein bars. He’s baffled by the idea someone would think a monkey picture could be worth anything. Or why it’d be dangerous if Bee Sharp shares his fraud accusations at the crypto event, as “nobody fights over computer games”.
The big day arrives, and it’s a good party. Rusty Trail even talks to a couple skater girls, and they have something to talk about. It’s cryptids. Bee Sharp turns up, though, to get to the DJ booth and slip some hard-hitting investigative journalism in to the EDM mix. I can’t tell you how he imagines this will turn out, but (as of Wednesday), it hasn’t yet.
Sunday Animals Watch!
The Northwest Rainforest, 27 March 2022. It’s a good idea; we should have one.
Evolutionary Carcinization, 3 April 2022. Whether it’s a good idea or not, we have it.
Industrial Logging, 10 April 2022. We could do a better job with this, really.
Beavers, 17 April 2022. Or we could turn it over to the beavers, that’s an option.
Porcupines, 24 April 2022. Not mentioned, but fun to know: porcupines are born with hair (like guinea pigs, and are rare among rodents to do so). It stiffens up into quills in a couple days.
Oregon Wildfires, 1 May 2022. We kind of have to have them too, but we could make it less of a disaster if we tried.
Cricket Farming, 8 May 2022. Jules Rivera seems to think insect-eating is likely to become a non-novelty in Western diets and here we part ways.
Bigfoot, 15 May 2022. I mean, this would be so cool, right?
Lady Beetles, 22 May 2022. Look, there was no way to stop an invasive species of aphids except bringing in invasive lady beetles, that’s just now nature works, right?
Beavers, 29 May 2022. They just thought they heard some running water around you and that maybe they could put a stop to that.
Sunscreen, 5 June 2022. It’s a really good idea and yes, of course we’ve turned it into other species’ problem.
Just passing on some news for readers of Judge Parker and The Phantom, weekday continuity, who didn’t see the news already at Daily Cartoonist. Mike Manley, who ordinarily draws both, has some health issues not shared with us. This, I hope, is a temporary matter while he recovers and that he’ll be back soon. I don’t have information yet about who the substitute artists are, and will pass them on when I can.
Francesco Marciuliano and unnamed artist’s Judge Parker for the 13th of June, 2022. The things Sam needs to say are that he’s got the news that the footage showing Abbey setting fire to her B-and-B was faked, but he had thought it plausible that she had. So this is a conversation you would want to not have over the phone. A bunch has happened since my last plot recap a couple weeks ago.
Those looking at DePaul’s post should be aware it starts with his eulogy to a friend, and be ready if they are not emotionally ready for that. There’s also his discussion of hitting a deer on the highway, and the wreck it made of his car, without injury to him or his family. After that serious news, though, he discusses some of the current weekday story in The Phantom, and a reminder to read with care. We did learn Mozz would deceive The Phantom to keep the legacy going, after all. DePaul also writes of what makes Ghost Who Walks stand out among superheroes. It’s not that his superpower is being better-trained than a human with 24 hours in a day could be. It’s that he likes who he is and what he does.
Tony DePaul and unnamed artist’s The Phantom for the 13th of June, 2022. DePaul, in his blog, mentions that we the readers see something different from what The Phantom hears from Mozz. That is, that we’re seeing more detail and particularly more thoughts of people than Mozz could be sharing with the Ghost Who Walks. This might answer the question of how Mozz could know the thoughts of individuals, particularly those who die without communicating to others, if they aren’t satisfied by “is in a prophetic vision”.
Dick Tracy appeared in Gasoline Alley recently to kick off a story. The premise is that Tracy was hoping to bolster the image of police among young folks. In a moment of synchronicity this is also a storyline in the Vintage Ben Bolt dailies on Comics Kingdom. Ben Bolt had the boxing superstar become a beat cop to convince teens to like cops. Dick Tracy has a more direct plan: bribery. They’ll have kids find spending limits in Easter eggs, then the cops drive them to the mall to buy that much in goods. A couple of the regular cast get singled out for the pilot project.
Rufus and Joel, the clown princes of City Hall Janitors, had emerged from hiding last I checked in. They were terrified that Hollywood Movie Mogul Cecil B DeMillstone wanted to sue them into oblivion, for waxing the floor he’d slipped on. They had misunderstood, as you could only have guessed if you knew Jim Scancarelli’s comic style. DeMillstone wants, instead of making a Gasoline Alley movie, to make a sci-fi comedy starring Rufus and Joel. DeMillstone wants them in Hollywood and once and even buys plane tickets.
Jim Scancarelli’s Gasoline Alley for the 1st of April, 2022. I understand the plucked-from-obscurity story that Scancarelli’s trying to tell here. But so far all the movie folks have seen is that they mopped a floor that other people slipped on … it doesn’t feel like much of a movie, there. I figured they’d be brought to Hollywood so they could mop floors there.
They’re willing to go to Hollywood, but not by plane. They hitch up their mule, Becky, and get there … slowly. Very slowly. Their adventures fade out of focus the 11th of April, and we see them sometimes while the other plot takes center stage. They resume focus the 25th of May, when they’ve gotten only two inches on the map away from Hollywood. And, finally, arrive! Where everyone looks at them like freaks or a promotion for The Beverly Hillbillies. They ask for Cecil B DeMillstone’s movie headquarters and learn there was a terrible mistake. They went to Hollywood, Florida, a twist I somehow didn’t see coming. Well, I’m sure they’ll be fine.
They get a great Easter egg, with a $250 spending limit. Aubee hopes to buy something for her parents, but gets distracted when she notices shoplifters. Two people stuffing a lot of watches and jewelry under their big coats. The kids know they can’t accuse grown-ups of shoplifting before they even leave the store without paying.
Jim Scancarelli’s Gasoline Alley for the 10th of May, 2022. I get the use of signifying names for minor characters. It’s part of the genre of story Scancarelli wants to make, helping establish character without doing characterization that’s not really needed; we don’t need to explore Ima and Eura Swifty’s characters. So, “Officer Barbara Waffles” is a name I don’t get. If it’s a riff on Barbara Walters, all right, but that seems like a name you’d give to someone who was a reporter? Maybe the character goes back far enough that the link made sense originally, but her storyline developed to where now the name doesn’t quite fit? If someone knows, I’d be glad for the insight.
They don’t tell their chaperone, Officer Barbara Waffles, although I don’t know why. It’s possible the kids have made a mistake. They figure to watch the shoplifters, though. The shoplifters see them, and start to flee the store. Sophie runs after, grabbing their loose hat, and somehow the guy trips over her, falling outside the store and knocking over his partner. So now, at least, they’ve left the store without paying for a lot of stuff.
They’re well-known shoplifters Ima and Eura Swifty, quickly taken to jail. And the kids, already renowned for busting up a counterfeiter, get the thanks of Dick Tracy himself for busting up shoplifters. So, have to suppose these kids have a good impression of the cops of Gasoline Alley.
And that’s the standings. This past week we’ve been with Rufus and Joel in Hollywood, Florida, and we’ll have to see what they get up to in the eleven weeks ahead.
Randy Milholland is taking over the Sunday comic strip, starting this coming Sunday. Milholland was (I think) the most prolific contributor to the Popeye’s Cartoon Club limited-edition comic strip, back in 2019-2020. And I know he’s been lobbying to take over the comic strip, which has been Sunday-only ever since Bobby London got fired in the early 90s.
I’m happy for this news. First because I’m happy when a comic strip gets a new creative team rather than going into perpetual repeats or, worse, cancellation. And you all know how I feel about Popeye. I wanted to be the astronaut who drew Popeye when I grew up. At age seven I overestimated how much society needed Popeye to be drawn and also misunderstood how astronauts best spend their time. But also Milholland seems a great choice from the cartoonists who worked on Popeye’s Cartoon Club. I’d enjoyed the energy he brought, and the blend of zany and sentimental strips. He also brings an encyclopedic if not terrifying knowledge of the Popeye universe. If there’s anybody who’s going to draw a story based on how Davey Jones, of locker fame, is literally Popeye’s uncle, it’s him.
Also, unless I’ve missed someone, Milholland will be only the second credited creator of the comic strip Popeye younger than the actual character Popeye. Bobby London, who drew the strip from 1986 to 1992, was born in 1950, but otherwise? Hy Eisman was born in 1927; Bud Sagendorf in 1915. Ralph Stein was born in 1909, Bela Zaboly in 1910, and Doc Winner in 1885. Elzie Segar, of course, was born before he drew his comic strip (I checked) or, in 1929, debuted Popeye. It’s an odd state of affairs, but, I mean, it’s 2022. There are no not-odd states of affairs anymore.
One recent Prince Valiant strips is about the evacuation of Londinium. The text mentions how Valiant “cannot know that a much greater city will one day rise from its ashes”. Prince Valiant lives roughly in Justinian’s time, the mid-6th century. So the historical Londinium had been abandoned about a century by then, but I don’t know an obvious reason we can’t believe in a small garrison hanging around the old walls.
The convention of the strip is that it’s an illustration of scrolls telling the legend of Valiant. So this suggests a scroll author who lived after London was reestablished. (There was, in Justinian’s time, a Saxon settlement in what is now Westminster. But the story makes clear that’s not the city we’re looking at.) Sometime after the seventh century, at minimum, and really the later the better, to make the case for London as a great city. But, as often happens with Prince Valiant trivia, I don’t know when we’re supposed to take the scrolls as written.
Prince Valiant coaxed Morgan Le Fay to produce some impressive pyrotechnics. They hoped to evacuate the soldiers holding Londinium, an outpost so forgotten they think King Arthur still reigns in Camelot. It worked well enough to get the garrison halfway across the Thames before their Saxon beseigers caught up.
Le Fay climbs under the bridge. She’s been avoiding the sea because she owes too great a debt to the occult forces living deep within it. But the river is an estuary, at Londinium, and she calls to some great watery force. It rushes in, with a tidal wave that smashes the bridge, and that kills many of the Saxons.
But not Prince Valiant. Nor, to their surprise, Morgan Le Fay. The waters recede, leaving them in an oak tree. Le Fay surmises that the hundred Saxon souls were enough for the watery powers, and that their accounts are settled. The survivors of the garrison are won over, though, to Le Fay’s heroism. Word of her powers spread, clearing raiders away from their path. And when Sir Galahad, meeting them from Camelot, tries to take Le Fay into custody the garrison refuses. Some pledge loyalty to her. She declares she’s going home. And that’s where we stand.
While doing something I now forget I noticed that GoComics carries Mell Lazarus’s comic strip Miss Peach. In repeats, of course, as the comic ran from 1957 to 2002, and Lazarus himself died in 2016.
I don’t know when they added the strip. GoComics used to make a fuss when it added a comic strip. But the last few years I’ve learned about new additions mostly from Daily Cartoonist. Digging through the GoComics archive it looks like they probably added it in late October last year, a time when I’ll agree I was distracted with, you know, everything. There are a smattering of strips in the deep archive, with dates from March 1988 through September 2002; I don’t know whether this includes the final original strips. And I can find some strips with comments dated “over three years ago” so good luck working this out.
I’m glad to see it added, though, first because I like comics and appreciate vintage strips getting fresh attention. But also this is a comic strip I have heard about my whole life but never seen in any newspaper. This including the time in the 90s that I subscribed to a shoddily-run weekly newspaper that was only syndicated comic strips. So I’m glad to have the chance to appreciate what the fuss was about.
Or some echo of the fuss. Right now GoComics is running strips from 1988. This I imagine, unburdened by actual knowledge, reflects when the original strips were picked up by Creators Syndicate. But that’s also comics from the 31st year of the strip. There are exceptions but usually a comic strip in its fourth decade has settled into being warm and familiar and pleasant rather than compelling. But there are also charms in a comic strip that assumes it already has you as a friendly, cozy audience.
I also can’t tell you what audience it has on GoComics. Most strips there have an “about” page, so that you can enjoy whatever delight comes from knowing 67,309 other people are subscribed to Herman repeats. There’s no such link for Miss Peach, though. Me, all I want from a Comics “About” page is a list, with pictures, of the main and secondary characters. Please, cartoonists, do this for your readers. Or please, cartoonists’ literary estates, do it.
Also somebody needs to start running Walt Kelly’s Pogo online. It’s amazing such an important comic strip is so hard to link people to.
For most of the last year Tony DePaul and Mike Manley’s The Phantom weekday continuity has been an imaginary story. A story of how the current, 21st, Phantom could die. It’s Tony DePaul’s chance to tell a story that probably couldn’t be done in-continuity. Not with how much The Phantom Publishing Empire sprawls, even if King Features Syndicate were brave enough to let the star of its … fourth-oldest(?) … comic strip die. (Barney Google, Popeye, and Blondie are older; any others? Not counting Katzenjammer Kids as it’s no longer in production.)
So almost all these events have been Mozz’s vision of how, if The Phantom rescues Savarna Devi from death row, incredible disaster follows. The death of the 21st Phantom, but also of the whole line of The Phantom. But “actual” things have happened. The Phantom’s told Diana that Captain Savarna is in Gravelines Prison, and that he means to get her out before she’s executed. Diana agrees this is the only thing to do. (Savarna was key to breaking Diana Walker out of Gravelines, in a story that ran eighteen months, from 2009 to 2011.)
Tony DePaul and Mike Manley’s The Phantom for the 26th of April, 2022. Mozz’s certainty that he hasn’t done enough yet has yet to be explained. Savarna learning where Jampa was, but not why he must not be killed, relied on several contingencies. I’m sure DePaul has some reason in mind that Mozz’s scenario — which started with events that have already been avoided — is still a menace.
Mozz insists on another day or two to finish his chronicle, one to be kept with the Phantom Chronicles. He snipes at The Phantom for telling Diana where Savarna is, spotting it as a way to get himself pushed to free Savarna whether or not that’s wise. And he admits to himself (and the reader) that holding The Phantom back is essential to saving him, and that “Deception must be the banner I fight under”. How that turns out, I don’t know yet. Tony DePaul wrote back in February that he had the current chapter — 23 weeks, stretching from the 18th of April through the 24th of September — scripted. This story, Phantom’s End, sees the Ghost Who Walks die, in prophecy. And that there are three more chapters to follow that.
Last time, in my recaps, Mozz had shown Captain Savarna Devi killing Chief Constable Jampa. This in revenge for Jampa, decades earlier, killing her family and stealing her family’s ship and enslaving her. Though Jampa’s not much loved, he is a “keystone” figure, as Kyabje Dorje — head of the Nyamjang Chu monastery where Kit Junior studies — describes. Invaders from the unnamed North, whom Kyabje had been holding off, take the killing of Jampa as provocation. Kyabje and Kit Junior beat back their assassins easily. They’re helpless to fend off the aerial bombardment a week later, one that kills Kyabje, and many people in the mountain city.
Also killed, Mozz explains, is the part of Kit Junior that would make a Phantom: his youth, his generosity, his goodness. He becomes a legend, commander of guerrilla forces “on a disputed frontier”, killing many to avenge the murdered city.
Heloise, Mozz explains, refuses to become the 22nd Phantom. Something not yet revealed causes Kadia to kill herself. Between the pain of that, and of Kit Junior’s turn away from the Deep Woods, she rejects The Phantom legacy. She leaves for the United States, never telling her children of the Deep Woods or the Phantom or any of this. Diana Walker leaves, takin a permanent post in New York City, refusing to be part of The Phantom’s life anymore.
Tony DePaul and Mike Manley’s The Phantom for the 9th of April, 2022. Wait, this is another strip where the second panel is shorter then the first and third, but overlaps it left to right … is this a flash forward or … you know, I’m writing this after midnight, I need to let go and allow the story to happen. Sorry.
A hallmark of this story has been how it’s told out of order. Not just that it’s The Phantom hearing Mozz’s prophecy. But we get pieces of the prophecy and then come back to fill them in. Hearing the fact of Kadia’s suicide, for example. Mozz writing out how The 21st Phantom’s body is buried. The mountain city being bombed, seen first from Kit Walker’s perspective months ago (our time) and now from Diana Walker’s this week. The Phantom’s campaign for governor falling apart when he’s found in a love nest with a “singer”. I’ve tried to untangle that, as my mission is the draining of all storytelling to leave a list of events behind. But if you find the story confusing between now and my next plot recap, I recommend re-reading in blocks of a week or a month at a time. And looking to see where DePaul has said what happened, and whether the story is fleshing that out. If a major event seems to have been written off in a single panel, there’s reason to think the strip will come back to that.
Next Week!
Will Prince Valiant overcome his greatest menace yet: the Comics Kingdom redesign that makes the Sunday strips illegible if you have an actual computer and read the strips on your Favorites page? Oh, also Morgan Le Fey? We’ll find out as I recap Mark Schultz and Thomas Yeates’s Prince Valiant. Unless Comics Kingdom cancels my subscription because I will not stop complaining about their lousy redesign and even worse customer support.
I do not know what strange convergence of occult forces drove my brain to remember one dumb little joke about disgraced Senator Brockman Adams for thirty years until I could deposit it on your doorstep two days ago.
Separately to all of that, GoComics has been running Berkeley Breathed’s Outland. And it’s in that era when it had given up on being a new comic and was just Sunday Bloom County But With Way Too Much Of That Cockroach Instead Of The Interesting Or Likable Characters. And we got to this.
I suppose that I’m glad to be present at the peak of mentions of Brock Adams since his death in 2004, so, yeah, pleasant enough work there, universe. I would prefer to be at the peak of “Joseph Nebus, having won $275,000 in the lottery” mentions, though, if we could arrange that instead.
I’m hesitant to call it a story. But the Sunday Little Oop comics seem to have changed premise. After a couple years of Little Alley Oop being trapped in the present day, he and Penelope are back in prehistoric Moo. Penelope’s time machine got swiped by a pterodactyl, Angry Hank, and there’s no obvious way for her to get back. I’m interested how this different set of fish-out-of-water jokes will go.
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 2nd of March, 2022. Stev and his threats play less of a part in the story than highlighting them like this suggests. I mostly like the camera angle in that third panel and Alley Oop’s plans to develop a falling lifestyle. It’s a level of building-on-a-dumb-premise that tickles me.
So they ask a couple basic questions and Stev, leader of Eutopia, is ready to banish them to the death pit. They instead explore behind a forbidden door. They’re caught, fitted with shock collars, and impressed into the huge underclass of degraded laborers, or laborers. Their job: be at the ready to load the pneumatic tubes with corn or books or whatever the surface-worlders demand.
A note under the pillow interrupts Ooola’s drudgery. It’s an invitation to the Revolution. Krev, the security guard who put Oop’s shock collar on, sent it. Krev’s realized the world sucks. The strange, curious outsiders of Alley Oop and Ooola may be what’s needed to take down the dystopia. The three of them look for support from other oppressed workers. They gather a revolutionary vanguard of almost twelve people, most of whom we never see.
What can they do? Sabotage. Pneumatic tubes offer great chances for this. They start a campaign of putting the wrong stuff in tubes. Cross-connecting tubes. Reversing tubes. After a couple hours they check up stairs and, what do you know, society’s collapsed. Wen, the guide who’d explained Eutopia to Alley Oop and Ooola, is guarding his precious box of remaining corn. Stev cowers behind the remains of his throne before abdicating and running away.
Jonathan Lemon and Joey Alison Sayers’s Alley Oop for the 30th of April, 2022. Hey, remember that last time a couple years ago the Republicans shut down the United States federal government, and it was impossible for them to resolve the problem, and then the air traffic controllers went on strike for about 25 minutes and the Republicans settled down and funded the government to basic levels of functionality? Just a thought that crossed my mind about the corrupt sociopolitical system.
Krev declares they’re starting a new world, a true utopia, a more equitable and egalitarian society. And with bold hopes for a new future, that Ooola guesses will last maybe a week, Our Heroes return home.
Oh, yeah. Remember last time I mentioned noticing the strip where Ooola sees a white rabbit running along? And I felt good that despite being a STEM idiot I can recognize allusions to some of the most foundational images of our culture? Yeah, that white rabbit never figured into the story in any way. Sorry.
With the 2nd of May, we start the new story. Dr Wonmug, Alley Oop, and Ooola are off to 1501 Italy to meet Leonardo da Vinci, little suspecting he’s one of the cast of Bill Holbrook’s comic strip Safe Havens. (Honest. Lot of backstory in that strip.) And that’s as far as we’ve gotten. We’ll pick it up in eleven weeks or so, if things go as I expect.
![[ As Jared and Jess enjoy their date ... ] Jess: 'Being with you is like someone who speaks my language in a foreign land. I *never* thought I'd meet someone like you!' Jared: 'I feel the same way, Jess!' They hug. Jess thinks: 'SIGH. I went in for a kiss ... and got a hug! I must still be HIDEOUS!'](https://nebushumor.files.wordpress.com/2022/09/mary-worth_karen-moy-june-bridgman_2022-07july-19.jpg)
![[ After lying in bed with troubled thoughts, Dawn sleeps and dreams ... ] She dreams of herself, tearing her hair off, growing fatter, growing glasses, turning into a duplicate of her father. Dawn wakes up, screaming.](https://nebushumor.files.wordpress.com/2022/09/mary-worth_karen-moy-june-bridgman_2022-08august-14.jpg)
![[ The Cricket Bro Cryptocurrency event is lit. Literally! ] DJ: 'Holy smokes! For real! The forest is on fire. Everyone, evacuate!' [ Meanwhile, Mark struggles with another emergency. ] A smashed-up electric utility vehicle has hit against a tree; Mark Trail and Bee Sharp watch, horrified. Mark Trail: 'Oh, for Pete's sake! Cricket Bro is locked in the EUC! We have to get him out!'](https://nebushumor.files.wordpress.com/2022/08/mark-trail_jules-rivera_2022-06june-20.jpg)
![[ Cherry receives shocking news ... ] Cherry: 'You're hiring Honest Ernest to do your gardening instead of me?' Violet Cheshire: 'Cherry, there's plenty left for you to do. Ernest is only doing the lawn treatment.' Cherry: 'Treatment ? Like with pesticides and weedkillers?' Honest Ernest: 'The very best! I'm using a new compound of my own creation!' [ He holds out a bottle, foreshortened ] 'Honest Ernest's lawn libation!'](https://nebushumor.files.wordpress.com/2022/08/mark-trail_jules-rivera_2022-08august-05.jpg)
![[ Mark Trail watches the live filming of an animal-themed tv show ] Mark Trail ;'How exciting!' Rex, addressing his camera: 'I'm Rex Scorpius and this is 'Animal Rexpertise'. Today we'll confront these fierce Canada geese ... who made their home in the yard of famous musician Jimmy Songbird.' As the geese honk, Jimmy Songbird says, 'help! I cannot play my keytar in such hostility!' [ Looks like the geese have their own musical notes. ]](https://nebushumor.files.wordpress.com/2022/08/mark-trail_jules-rivera_2022-08august-17.jpg)
![Thorin: 'You recall, Tracy, how concerned world governments were when my daughter, Moon Maid, demonstrated her Lunarian powers?' [ Illustrations of the Moon Maid setting clothing on fire and melting an anvil with her mind. ] Tracy: 'Yes, we're still aware of them.' Thorn: 'Then you know your people would be *defenseless* against us. Tracy, detectives are unknown here. Help me save your world!'](https://nebushumor.files.wordpress.com/2022/08/dick-tracy_mike-curtis-shelley-pleger_2022-07july-15.jpg)
![[ Paying a visit to Gregg Hamm's eye specialist ... ] Dr Maisano: 'Trust me, Coach. I'm more irate than you. He's taken so many eye tests, he figured out how to fake his way through one.' Thorp: 'And now that you've re-tested, Doctor?' Maisano: 'Let's go talk behind his back.'](https://nebushumor.files.wordpress.com/2022/07/gil-thorp_2022-05may-25_neal-rubin-rod-whigham.jpg)
![[ After Gregg Hamm whistles a fastball four feet outside ... ] Umpire: 'Your pitcher is a menace. Take him out.' Thorp; 'You're ejecting him because he threw ball one?' Umpire: 'I'm not tossing him. But he can't see.' Thorp: 'He just fielded a batted ball. He hasn't even hit anyone. And no rule says you can make me pull him!'](https://nebushumor.files.wordpress.com/2022/07/gil-thorp_2022-06june-10_neal-rubin-rod-whigham.jpg)
![[ The Street Sweeper attempts to leave with his prisoner. ] Sweeper, holding Snake with a baseball bat and Snake's gun: 'Don't try to follow me!' Cops: 'halt!' [ And the officers fail to notice the slick soap the Sweeper poured on the sidewalk. ] They slip and fall on their rear ends.](https://nebushumor.files.wordpress.com/2022/07/rex-morgan-md_terry-beatty_2022-05may-28.jpg)
![[ While waiting at the cottage house, Neddy finally hears from ... ] Neddy answers the phone: 'Sam?! How did the talk with the Mayor go?' Sam: 'Where's Abbey? Did she get back yet?' Neddy: 'Uh, yeah. A few minutes ago. She's in the main house.' Sam: 'I need to talk with her. I need to tell her everything.'](https://nebushumor.files.wordpress.com/2022/06/judge-parker_francesco-marciuliano-and-artist_2022-06june-13.jpg)
![Popeye pointing out pictures in his scrapbook: 'That's Mary Ann. After a car wreck she got amnesia an' lived as a lost li'l orphink. I helped her find her parenks. And then there's Matey, the newsboy. He wuz a good boy. I can't 'member his face, but I can still hears his voice. [ The picture is just a note, 'Popeye- Get a pitcher of Matey. -Popeye] And last but nevers least ...' It's a picture of Swee'Pea. We see Popeye sharing the scrapbook with Swee'pea in his lap: 'Me ever-lovin' Swee'Pea.' Swee'Pea; 'Awww, Popeye! You've helped a lot of orphans, huh?' Popeye: 'A am the friend of all children, but orphinks need extra care. This old world can be rough on lost li'l ones. 'Sides [ getting angry ] I gotta proteck 'em from the alternative.' Cutaway to dark city streets, where Popeye has just clobbered Batman and tossed him a rubbish bin; a small child holding a Robin costume is behind Popeye. Popeye points at Batman, declaring: 'If I tol' ya once, I've tol' ya a thousan' times! You've ruined enough orphinks!'](https://nebushumor.files.wordpress.com/2022/06/popeyes-cartoon-club_randy-milholland_2020-06june-19.jpg)
Another Blog, Meanwhile 