I haven’t caught it, sorry. Arn — Valiant’s son — and Maeve are the regents of Camelot, I learned in June. Valiant reports to them when he gets back from the sojourn that saw him escort Morgan Le Fay to safety. But how they got set up there goes back to before I was reading the strip with an eye toward remembering plots. If someone knows, please leave a comment. I appreciate the help.
Valiant returned, the 5th of June, to Camelot. Valiant and Arn fight over the recent debacle. Arn’s furious that Valiant let Morgan Le Fay go. Valiant’s furious that Camelot forgot a garrison of troops in Londinium. It doesn’t promise to be resolvable. But Aleta tells Valiant of a strange dream. One in which he summoned her, and she battled Morgan Le Fay. We saw this battle in a hallucinatory landscape back on 2021.
Some more old characters appear. Ambelu, sent by Queen Makeda of the Ab’saban people to be ambassador to Camelot, has a retinue now. They’ve brought some comforts of home, like a hot, bitter, stimulating beverage named quawah. And Ambelu’s youngest daughter, Yewubar, bonds with Valiant’s youngest, Nathan. They’re fascinated by old scrolls and nature and all. Yewubar shows a trick of getting a flock of bees to jacket her. It’s harmless but unsettling, and so naturally their parents get all upset.
That won’t stop the two from sneaking out together and one night under the full moon they’re out in the woods. They see Aleta and Maeve walking into a circle of ancient stones. Welcoming them there is Morgan Le Fay.
And that’s the neat cliffhanger we’re on, as my plot recap window closes. We’ll have to see where this is going.
I have mentioned my problems with Comics Kingdom’s redesign. Particularly, they’ve switched the source for Sunday comics, changing from the correct three-row formats designed for comics that get a half-page in the newspaper to a four-row format designed for quarter-pages. It looks ugly and, worse, cheap, to my eye. But it gets worse in that some strips, particularly The Lockhorns and Prince Valiant, turn into something illegible. (Others, like Beetle Bailey or The Phantom, just look ugly.) Viewed on my Favorites page, we get this.
The Lockhorns for the 22nd of May, 2022.
Prince Valiant for the 22nd of May, 2022.
I have filed bug reports with Comics Kingdom about this every week since February when this started. You can see how much satisfaction I’m getting from this. What I get most weeks is their pointing out that I could simply zoom in the images, even though I always include a screenshot showing what the zoomed-in comics look like. I have explained to them that I know how Zoom works, and I know that it does not, because unlike them, I have tried it. While I feel a bit bad snarking at a customer service representative, I feel worse about four months of being ignored when I report an obvious and easy-to-reproduce problem and getting back suggestions that can not work.
The Lockhorns for the 22nd of May, 2022, but pudgy.
Prince Valiant for the 22nd of May, 2022, but pudgy.
After a lot of challenging them to read a single word of any of these comics last week they admitted something of substance. That is that when they published the redesign back in February, they switched the formats for many comics to ones that they figured would read better on mobile devices. The argument for this is that most of their readers are on mobile devices. Which may be. And I grant the need to decide what systems you are and aren’t going to support. But it does mean that not a single person involved in this web site redesign ever asked, “What if someone looks at this web site on an actual computer?” Or that people did and they got the answer, “Comics Kingdom does not, and will not, care”.
Now, yes, I know ways around this. Not to brag but I know how to extract the images from what they provide and view them in a readable size. Or you can go to the comics’ own page, rather than your Favorites page, and get more reasonable pictures. This should not be necessary. Comics Kingdom chooses what files to show, and up through February this year they chose files that looked fine for people with actual computers. They could make this choice again. They could even make this a choice for the person reading the site, whether they want the real-computer or the mobile-device versions of these comics. They won’t.
One recent Prince Valiant strips is about the evacuation of Londinium. The text mentions how Valiant “cannot know that a much greater city will one day rise from its ashes”. Prince Valiant lives roughly in Justinian’s time, the mid-6th century. So the historical Londinium had been abandoned about a century by then, but I don’t know an obvious reason we can’t believe in a small garrison hanging around the old walls.
The convention of the strip is that it’s an illustration of scrolls telling the legend of Valiant. So this suggests a scroll author who lived after London was reestablished. (There was, in Justinian’s time, a Saxon settlement in what is now Westminster. But the story makes clear that’s not the city we’re looking at.) Sometime after the seventh century, at minimum, and really the later the better, to make the case for London as a great city. But, as often happens with Prince Valiant trivia, I don’t know when we’re supposed to take the scrolls as written.
Prince Valiant coaxed Morgan Le Fay to produce some impressive pyrotechnics. They hoped to evacuate the soldiers holding Londinium, an outpost so forgotten they think King Arthur still reigns in Camelot. It worked well enough to get the garrison halfway across the Thames before their Saxon beseigers caught up.
Le Fay climbs under the bridge. She’s been avoiding the sea because she owes too great a debt to the occult forces living deep within it. But the river is an estuary, at Londinium, and she calls to some great watery force. It rushes in, with a tidal wave that smashes the bridge, and that kills many of the Saxons.
But not Prince Valiant. Nor, to their surprise, Morgan Le Fay. The waters recede, leaving them in an oak tree. Le Fay surmises that the hundred Saxon souls were enough for the watery powers, and that their accounts are settled. The survivors of the garrison are won over, though, to Le Fay’s heroism. Word of her powers spread, clearing raiders away from their path. And when Sir Galahad, meeting them from Camelot, tries to take Le Fay into custody the garrison refuses. Some pledge loyalty to her. She declares she’s going home. And that’s where we stand.
I don’t know! A casual mention in part of the current storyline was that King Arthur had retired, and some time ago. I had just thought they dropped the “In The Time Of King Arthur” subtitle on the title page for graphic design reasons or something. If someone actually knows the strip better than I do, please, let me know.
Also, maybe of interest, on my other blog I hope to finish my 2021 Mathematics A-to-Z. This is to be with an essay for the letter Z. Yes, it’s run a bit longer than I wanted but please understand: 2021 was a lousy year.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 30th of January, 2022. ‘Makhazin’, this comic causes me to learn, is one of the many Arabic words brought into Western languages; it means ‘storehouse’ and is where we get the word ‘magazine’ from. It’s first recorded in English in 1583 (and first recorded in Latin in 1214), while this action is taking place … uh .. sometime contemporary to the Emperor Justinian. (The 1982-vintage Prince Valiant strips just got to Justinian’s accession this past week.) But that’s probably why the word’s presented as more obviously a loan word.
So they like this “escape” plan. The trick is getting past the Saxons. There are a couple ancient pieces of Roman war machinery, that might be put together for one shot. And Valiant enlists Morgan Le Fay: if she could do something impressive with flame and smoke, they might have something worth shooting. The plan works: they put together a night of impressive fireworks that panic the Saxons.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 27th of February, 2022. I imagine that Schultz and Yeates feel some delight in setting action like this on London Bridge. There was the Roman-era bridge, built somewhere close to the famous and the modern bridge’s location, and it’s plausible that it would be in condition about like this around 550 or so. (Oh, yes, as part of Comics Kingdom’s recent borking of their web site, they’ve switched many of the Sunday comics from their correct three-row, full-page-width format to the narrower, four-row, half-page width. I have informed them of the mistake but they have yet to acknowledge or correct it.)
Briefly. Wassa, the Saxon leader, recognizes this as a diversion for a retreat. The garrison tries to withdraw across the London Bridge. The garrison’s leader, Cafalt, has an accident when his horse steps through a rotted plank. It breaks his leg, and Valiant stands up to protect him against the pursuing Saxons. But it is one fighter, however much he is the protagonist, against the whole war party …
Next Week!
Since I last checked in on Joe Staton, Shelley Pleger, and Shane Fisher’s Dick Tracy we’ve seen Blackjack versus Mr Bones. We’ve seen The Apparatus make a fresh attempt at killing Dick Tracy. We’ve seen mysterious deaths marked by flower petals. And we’ve even seen reruns. I’ll try to summarize it all next week, if things go to plan.
I don’t know of a Prince Valiant wiki that explains their full backstory. But the current story does give some hints why Le Fay would have something personal against Valiant. She says Valiant once “stole my falcon, my favorite familiar, for Merlin to use against me”. I can understand how she’d hold that against him.
And if you’re interested in mathematics, you might like my writing about the Atlas. It’s a concept in geometry, but it’s not too far off what you’d think from being into maps. It’s neat when that happens.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 24th of October, 2021. When this first ran, I thought it represented the end of this encounter between Valiant and Le Fay. It seemed like a satisfactory enough moment of realizing that the villain has their story too. I’m happy to see more of that aspect. And it’s setting up some interesting directions.
Valiant finds Morgan Le Fay in the next room, looking beaten. In beating her in this dream landscape, possibly with his wife’s help, Valiant’s left Le Fay in supernatural peril. With King Arthur’s rise — supported by Prince Valiant — she turned to the dark arts “as my last chance to get my due”. But now she’s been thoroughly beaten, and now owes the dark forces more than she can repay.
He tries to continue riding back to Camelot, but comes across a ship being wrecked against the shoreline. The last person he can rescue is Morgan Le Fay, who credits the shipwreck to those dark forces. She can get home safely only travelling overland, and Valiant takes it on himself to protect her.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 19th of December, 2021. I was not expecting Prince Valiant to bring up how power will malign the tools that marginalized peoples use for security. Or, for that matter, to work so scrupulously to present the villain’s side. It does hint at setting up a story for Aleta, one of our heroes, but it is presented as Morgan Le Fey’s story.
On approaching a village where a witch was recently hanged, Le Fay notes how it could have been her. Or could have been Aleta, who’s been exempted from society’s persecution of witchcraft … so far.
I don’t know. She’s Morgan Le Fey, she’s got a lot of projects going on. Unfortunately I’m not a devoted enough Prince Valiant reader to know what all their past history is. She had some roles in very early, 1930s, stories. Here are some panels from some of them. I can say Valiant was part of foiling her plan to marry Sir Gawain. I don’t know if there’s more.
I foresaw last time that a new story was starting. It starts uneventful, with Valiant finding an inn to rest. But his arrival’s reported to a mysterious hooded, feminine figure. He drinks from a pitcher the figure had enchanted. And Valiant falls over, hallucinating, finding himself in a fairyland of legend. Past and future: the first panel includes the White Rabbit of Wonderland fame.
We get several gorgeous weeks of fairyland artwork. I’m sorry I can’t justify including all of them. I never say enough about the art but it’s wonderful looking at.
Less wonderful being in; Valiant’s outmatched in a battle against everything in the world. Also the world, which swallows him up. He sees ravens, and cries to them to tell his wife Aleta. She, a witch with affinity for ravens, suddenly wakes. But she doesn’t get back into the story before the Kraken drags Valiant into the underwater throne room of the Queen of the Fairies.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 19th of September, 2021. So first, this week’s revealed I had just assumed Morgan Le Fay was a fairy queen or some kind. I mean, it’s kind of in the name, right? I don’t know the Arthurian legends. Closest I get is I last saw The Sword In The Stone like 20 years ago and was annoyed that all Merlin’s dialogue, about the need for intelligence and planning and cleverness, was undermined by every bit of plot activity, in which Wart/Arthur gets saved by dumb luck and powerful friends and never does a witful thing. Second, yeah, I don’t know what Aleta is going on about Valiant behaving badly. All he had done to get into this fix was go to an inn for the night and drink water the innkeeper offered. Maybe they’re talking bigger-picture stuff.
“Wait,” you ask. “The Queen of the Fairies lives underwater?” Yeah, I don’t know either. But Valiant recognizes her. She’s Morgan Le Fey, from the time of King Arthur, just like he is. And from the waters rise Valiant’s Singing Sword, held by Aleta, who demands Le Fey release her husband. Instead, Le Fey transforms Valiant into some great sea monster, sending him to devour his wife. So that’s exciting, and we’ll see how that works over the next couple months.
So there’s some comic strip news that’s great for my Dad. Maybe your Dad too. It’s really for anyone who’s into the story strips, though. Comics Kingdom has added to its Vintage comics section two prominent story comics.
The first is Mark Trail, which has gone back to the era of original writer Ed Dodd, with Tom Hill and Jack Elrod illustrating. Not all the way to the start of the comic, but to July of 1971. I’m a little sad not to see it run from the comic’s start in 1946, but perhaps they had to go with where the archives first start being well-organized. It’s begun in the midst of a story, with a kid named Scat who seems to be a prototype for the not-yet-introduced Rusty.
The second is Prince Valiant, which it turns out they started running in January of 2020 if you can imagine that far back, and I only just noticed this past week. I’ll own up to my general obliviousness but I do think maybe Comics Kingdom isn’t publicizing its vintage comic launches effectively. (On the other hand, as it is I never have to hear about Mallard Fillmore.) The vintage Prince Valiant only goes back to panel #2239, which ran the 6th of January, 1980. That then includes the last strip that Hal Foster wrote (#2241). But it’s mostly the comics from John Cullen Murphy’s tenure as artist and Cullen Murphy as writer.
The Mark Trail run doesn’t seem to include Sundays. And the Prince Valiant panels are not in color. None of the vintage Sunday strips are. I assume this reflects the original color instructions being lost or too difficult to reconstruct. It’s all still grand to see.
So this all leaves Walt Kelly’s Pogo as the comic strip most in need of a decent online presentation. It was before, but this gives me a fresh chance to complain about that lack.
Lord Grunyard, of Lockbramble, had enemies. Those enemies were his brothers, the Lords Hallam of Wedmarsh, Kenward of Greystream, and Ravinger of Barrenburn. The specific complaint? Lockbramble’s swiping their populations. Grunyard, aware of his incompetence in running things, lets the people of Lockbramble run it themselves. And they do well, not least because Rory Red Hood is just that great at managing estates. And she has humiliated Lord Hallam before.
So his brothers arranged a joust between Sir Gawain, representing Lockbramble, and Sir Peredur, representing Wedmarsh et al. Sir Peredur has a reputation for treachery, and he does use an iron-cored lance to knock Gawain down. And then takes his mace to kill the fallen Gawain. Rory’s encouragement rallies him, though, and Gawain smashes his broken sword into Peredur. Peredur tries to kill him with a throwing knife. Gawain dodges, and “assures that [Peredur’s] sword arm is useless for months”. Peredur’s beaten, and humiliated, and out of the story.
During the joust, several of the brothers’ henchmen snuck off to kidnap Grunyard. This was the real plan all along. Prince Valiant had noticed them sneaking off, though, and in a fight at the brewery Valiant captured them all. As one of them’s the Captain of Lord Hallam’s guard the brothers can’t profess much innocence.
And so Lord Grunyard, with Valiant and Gawain backing him up, subject his brothers to … a trade accord. Lockbramble has farmland but needs labor. Wedmarsh has fish. Greystream has rapids that could provide mill power. Barrenburn has iron and copper. They can put all this together, right? And sure, his brothers proclaim how happy they are to get out of this with light commerce instead. And Grunyard is happy to back to his not paying attention to running the province.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 27th of June, 2021. I like this moment pondering nostalgia. The witch Horrit’s prophecy is one of the oldest bits of Prince Valiant lore, going back to (I believe) his first story back in 1937, that he would find “much adventure, but no happiness or contentment”.
So the 13th of June, Price Valiant decides that everything’s pretty well under control and he can head home by himself. Along the way he reflects on his past. Stuff like how he used to wade into streams and spear fish. It turns out it’s more fun to remember doing this stuff than to actually do it. Fair enough. During this nostalgic tour we’ve seen a lot of gorgeous pictures. We haven’t gotten to the new story yet, though. Feels like it’s going to start next week, though.
Lockbramble’s a small fiefdom in the north of King Arthur’s England. Its Lord is an amiable figurehead, happy to let the lands run as a self-governing community. This because he doesn’t want to do stuff, which, relatable. Also because Rory Red Hood, the spearhead of this movement, is really good at management. Camelot is willing to overlook all this irregularity, because Sir Gawain rather fancies Rory. Also she’s making a lot of money. But other lords, who are not getting money from all this, disagree.
Prince Valiant and Sir Gawain were off in Lockbramble. Lord Hallam, of neighboring Wedmarsh, had sent bandits after Rory Red Hood. They’re not very effective. Durward, one of the bandits, was doing so under duress and he’s happy to move to Lockbramble if his family is safe. Valiant and Gawain are game for an evacuation/escort mission.
Wedmarsh’s Captain of the Guard catches them immediately. But they have a good lie to protect them. They assert that Durwood attacked their royal party, and though they slew him, the laws of Camelot give them rights to claim his family. Wedmarsh figures this sounds plausible so, what the heck. Durward and family are ultimately delighted. And Rory, speaking for Lockbramble, is too. Lockbramble’s prospering, but prosperity comes from people. So why not invite everyone who’s unhappy with their lot in life?
Mark Schultz and Thomas Yeates’s Prince Valiant for the 14th of February, 2021. I have to suppose that when you become the lord of Greystream or Barrenburn you go in figuring it’s not the best farmland in England but, still. Lockbramble’s very fortunate to have been having the right amount of rain the last couple years.
And the answer is that serfs ditching bad rulers for good rather annoys their bad rulers. The surrounding fiefs figure they can use law too, and demand a knight’s contest of champions. After all, they can pay a great outlaw knight to fight for them, while Lockbramble only has … at least two of Camelot’s knights. How can Lockbramble hope to win?
So it’s Sir Peredur the Rover against Sir Gawain. Peredur comes with a reputation. The reputation’s of betraying Castle Beringar to the Saxons, a mark of his deviousness and treachery.
Peredur wins the first round, thanks to some luck and a hidden iron core to his lance. Gawain’s a bit better-prepared for the second round, which ends up a tie. Meanwhile, Valiant follows some of Lord Hallam’s henchmen.
And that’s where we rest at the middle of April, 2021.
Lockbramble is this fiefdom near enough Camelot. Lord Grunyard rules it, in name. He’d rather not have anything to do with anything. It’s actually ruled by the people living there, and he’s fine with that. They use Grunyard as a shield against meddlers like King Arthur “fixing” their nice setup. This was established in the 2012 story that introduced Rory Red Hood to the Prince Valiant cast.
Valiant, back home at last, had found a little awkward money problem. Sir Gawain has been managing the estate very well, thanks to his beau, Rory Red Hood. She’s technically speaking a fugitive, for her stance that the people should govern themselves. But she also is really good at running things and is making a lot of money. With Queen Aleta prodding Valiant, and Princess Maeve kicking Prince Arn out of bed, the menfolk agree to a compromise. Rory Red Hood can go on managing things and making a lot of money for them. Just stop with the undermining the social order.
Around the 15th of November we move into a fresh story. Rory means to return to Lockbramble. Sir Gawain goes with her. So does someone named Little Ox, who I didn’t even know was in the story. Valiant goes along too because it’s been all peaceful for whole weeks now. In a snowy gorge — a “defile”, the strip teaches me — a band of 1d4+4 bandits ambush them. After Valiant and Gawain charge into the action, Ox charges from farther behind. Rory gets to a ledge and shoots arrows at the bandits, who flee.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 13th of December, 2020. We come to learn that this is a hit squad. It would make things a bit embarrassing for the guy who hired them except that this was in the era when everything was hilariously casual and unprofessional (the dawn of time to about 1974; since 1974, it’s been tragically unprofessional).
Little Ox is badly wounded, though. They’re near enough Little Ox’s house to bring him home. And we learn Little Ox is Rory’s brother. Rory, her mother, and Ox’s wife get to work on the medicine-ing and arguing about Rory’s life choices. Valiant and Gawain return to the scene of the ambush to harass one of the not-yet-dead bandits. They figure to make him tell what the deal is.
He’s quite eager to tell. Durward, he explains, is bound to Lord Hallam of the neighboring Wedmarsh. Rory foiled Hallam’s schemes to take over Lockbramble when she dragged Lord Grunyard back from Camelot. Hallam’s looking for revenge, yes, but also to kill Lockbramble’s real leader. Durward despairs for his family. Hallam’s sure to think his capture was actually Durward turning traitor, and so will punish Durward’s family. Valiant suggests he could save Durward’s family. This sounds great to Durward. I’m not sure what Valiant is getting out of this besides some thrills. But he and Gawain are off, and that’s where things stood as of Sunday. What could go wrong in this furtive mission to rescue hostages-of-fate for a person enthusiastic to turn on his evil boss? We may know by April.
The kaiju story — a giant sea-beast smashing the castle walls — was back in 2009. It got referenced as Valiant returns to Camelot and sees they’ve repaired the damage. So, this essay should catch you up on Mark Schultz and Thomas Yeates’s Prince Valiant through to late October 2020. If you’re reading this after about January 2021, I hope I’ll have a more up-to-date plot recap here. And, on my other blog, I’m explaining terms of mathematical art, one a week, through to December. You might like those too.
They can’t get there except through a party of Saxon raiders, out to attack some local village. That’s a pretty standard encounter, earning about 25 xp all around. With the start of September, Prince Valiant finally arrives back in Camelot. It’s been something like three years for them in-universe and about twice that for us readers.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 13th of September, 2020. I reference the sea beast — rendered neatly in the clouds — as being a Godzilla but it was more like a (1925) Lost World or Gorgo type monster scenario. It’s from before I was reading Prince Valiant regularly, but I learned of it from Brian M Kane’s The Definitive Prince Valiant Companion. That book was fun, and enlightening. Also it included an early-draft and a revised-draft of part of the sea beast battle and just how it got better in the revising.
Everything’s looking good, too. Like, they’ve fixed the damage from that time Godzilla attacked (summer 2009). Indeed, the place is thriving, just like you always worry about when you leave your department unsupervised a while. Prince Arn, Valiant’s son, explains that Sir Gawain is managing everything very well. Sir Gawain has never managed a thing well in his life. So what’s the trick?
Well, it’s the same trick as always: finding a good steward. In this case, it’s someone from before I started reading the strip carefully. A woman named Rory Red Hood, with whom Gawain’s fallen in love. And who turns out to know how to manage estate business. Gawain’s been hiding her, because her leveler impulses made her awkward to have at court. So on the one hand, she’s a fugitive from King Arthur for her relentless pushing the notion of commoners governing themselves. On the other hand, she makes a lot of money.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 11th of October, 2020. So you know Prince Valiant is a fantasy because it involves a noble understanding questions like “how much money do I have?” and “how much money does this other person have?” Anyway, the name of Rory Red Hood reminds me of an episode of the History of English podcast, about the legend of Robin Hood. It mentions near the end how in the 13th(?) century, when it was fashionable to give people surnames that described their job or their personality, there are several court records giving someone’s surname as “Robin Hood”. And doesn’t that sound like someone fun to … hear about, without really having them in your lives? Because, like, there’s all this stuff with the Model Parliament and the suppression of the University of Northampton and the number of watermills in England reaching the 10,000 mark and all. Don’t need some Robin-Hood stirring up trouble in your personal life too.
I do like the lighthearted cynical air, and low-key historical verisimilitude, of all this. Aleta talks of how the Misty Isles folks tried this demokratia stuff centuries ago, and it worked fine. At least until the people decided to let a tyrant do their thinking for them. I suspect we’re hearing some motivated history here. She talks with Princess Maeve, co-regent. Aleta argues Rory is much less trouble than the surrounding thanes who’ve been whining about Rory’s existence. And also makes a lot of money. Maeve convinces her husband that Rory is not a real problem, by kicking him out of bed until he agrees.
And that’s where we sit. It’s not the most action-packed story we’re on. But I do like how it’s so tied to the problem of how to manage a land, in a time before bureaucracies could professionalize things. So, Mark Schultz, Thomas Yeates, thank you for writing this story for me and me alone.
Next Week!
The Villiers Millions! Vampires! Dethany from On The Fastrack! Svengoolie! Brenda Starr! Little Orphan Annie! It’s been busy times in Joe Staton, Mike Curtis, Shelley Pleger, and Shane Fisher’s Dick Tracy. Join me for a plot recap that, actually, I already wrote most of this past weekend. I’m trying to build a buffer of stuff to post. I’m expecting next few weeks are going to be, let us hope the final, boss rush of mind-crushing Republican venality, and need some space. Can’t wait!
Yeah, she said on Sunday that she’s Queen of the Witches. That she’s a witch hasn’t come up much lately. But when Valiant first saw her he was enchanted, and they teased a while about whether that was literal or figurative. And she’s done magic stuff lately. I don’t know if this Queen of the Witches thing is established or whether that’s a bluff, though. So that catches you up on Mark Schultz and Thomas Yeates’s Prince Valiant as of early August 2020. If you’re reading this after about November 2020 there’s likely a more up-to-date plot recap at this link.
Prince Valiant and team were just outside Camelot, dealing with local issues. Imbert, local landlord, died. His son Gareth died shortly after. The suspect: Afton and Audrey, with whom Imbert was quarreling about some land. Sir Gawain had arrived in the story to sort that out, but he hasn’t been much use to anyone. The locals figure Afton and Audrey are witches, what with how they have good crops and aren’t dead of the plague. Valiant’s son Nathan believes the women are good students of nature and learned how to farm.
Audrey lead Valiants and Nathan to the cave, key to the land dispute. Some say it contains eternal youth. What it mostly has is bats, loads of guano that are indeed good fertilizer. Valiant also notices it has a curious yellow ore, and he keeps a sample.
March Schultz and Thomas Yeates’s Prince Valiant for the 24th of May, 2020. This made me wonder whether guano is something you really have to gather at night. But then I guess at night most of the bats will be out, so you don’t have to worry about disturbing them? So I guess that’s an advantage? So anyway, if you somehow didn’t know what kind of person I am, now you know, it’s “person who wonders about the best guano-gathering practices because of reading a comic strip”.
Meanwhile the villagers have had enough of this, and attack Afton and Audrey’s cottage. Gawain tries to defend it, but he’s just one person, and not main cast(?) I guess(?). Afton escapes being feathered. But the mob burns her cottage. Valiant sees this and races to the scene. He bellows that the women are innocent and he can explain the deaths. As soon as they get back to Imbert’s estate, anyway.
The proof is in Imbert’s kitchen. The cook recognizes Valiant’s ore. It’s arsenic. This gives Schultz and Yeates the problem of having characters who think this is a good thing not advise newspaper readers to take poison. Valiant settles on saying how “it is rumored to aid good bodily health”. So Imbert was stealing ore from the cave, and taking it for his health. But Valiant knows arsenic is a poison, used “by assassins in the court of a distant land”. So Imbert arsenic-poisoned himself. Gareth, trying to have the same meals as Imbert, had the same poison.
Gawain reports that the royal records confirm Afton’s claims on the disputed land. Also, that Imbert and Gareth’s death was their own fault, and there’ll be no further persecution of Afton and Audrey. Aleta steps in to support Afton and Audrey against the claims of witchcraft. She declares their innocence and she would know, as she’s Queen of the Witches. She summons her raven familiars to put Afton and Audrey under her protection. Aleta thinks she’s helping. Our heroes leave. They trust Afton and Audrey will have a good time next week, when I look at Joe Staton, Mike Curtis, Shelley Pleger, and Shane Fisher’s Dick Tracy.
Next Week!
You know, I did get the Prince Valiant plot summary finished way ahead of deadline. I should be getting to work on the Dick Tracy plot recap like, four days ago. Well, shall try to have that for next week. Thanks for reading.
They’re collecting guano as fertilizer. So thanks for catching up on Mark Schultz and Thomas Yeates’s Prince Valiant here. If you’re reading this after about August 2020 I should have a more up-to-date plot recap at this link, where you’ll also find past plot recaps. And if you want to be up to speed for the time of King Arthur, as seen in May 2020, please keep on reading.
Prince Valiant.
16 February – 10 May 2020.
Prince Valiant was heading home! Or at least to Camelot. It turns out his ‘home’ thing is complicated. Our Heroes are about a day out from Camelot when they run into a village trying to execute some witches. The evidence is pretty strong: they’re women. They’re doing a lot with bats. And shortly after criticizing the women, the old Baron Imbert died. Sir Gawain rides in, adjudicating a land dispute between Imbert and Afton, one of the locals. The land has a cave on it that legend says restores youth. And there’s the rumor that Afton, or one of the women, summoned a demon to clear Imbert away.
Aleta figures the women aren’t witches. Valiant agrees, but they are out there being weird, and that’s all your average peasant needs to tag women as witches. Valiant and party go to the tavern for dinner. They’re confronted by a drunk and belligerent Gareth. Gareth was Imbert’s son, but was not recognized as his heir, so I got that wrong last time around. I’m sorry. Goaded by his mother to “claim what is rightfully ours” he stumbles out in the night. Gareth’s mother, Hadwise, reiterates that he totally has a claim on the dead lord’s estate. Valiant and Aleta groan that they’ve got plot to deal with now.
A band of 1d4+2 ruffians who overheard all this confront Valiant outside the tavern. They warn him off asking questions. And mention that what was done was ‘at the baron’s behest’. Valiant wins the fight, although since all the ruffians except the one he knocked out fled, he can’t get more information.
In the morning Hadwise is outside, calling out the mob. Gareth’s dead and she blames the women as witches. Aleta tries to break this up. She points out if they are witches who’ve magically killed Imbert and Gareth maybe don’t rile them up? This buys a little time for investigations.
Gareth’s corpse is in Imbert’s manor house, looking pretty well twisted and tortured. The cook was the last to see Gareth alive. The drunk Gareth came in, declaring he was the new Lord, and demanded the same supper Imbert would have. The cook decided making it was less hassle than arguing, fed him, and left. Aleta can’t find any poisons. And the staff is cleaning up the room where Gareth’s body was found, so there won’t be any fingerprints or usable DNA. Oh, also the mob has gone off to burn down the accused witches. Which, great. They race off for the cottage.
Turns out that’s a misunderstanding: the women are doing a controlled burn of their fields. All right. And Valiant and Aleta’s son Nathan has a discovery too: the women are not witches. They’re just very observant, have looked around, and found that the dark ages sucks. They want to zip right to the era of Jethro Tull. The agriculturalist, not the band. For bands they’re more into Pink Floyd, or as they exhaust everyone by saying, The Pink Floyd Sound. Valiant sighs but accepts it’s his duty to work out their land dispute.
The women are proud and defensive of their discoveries. And would like to point out the villagers are idiots who’ll mess with the bats in the cave. Valiant wants to see this cave that everybody’s so excited about.
And that’s where we’ve gotten. I understand the women’s interest in the cave. And Imbert’s, although where he had gotten the idea the caves would grant youth from is a mystery yet. And we’re still lacking an answer for how Gareth died. It could be something in his being an angry entitled drunk demanding lots of food. We’ll see what develops over the next several months.
A ‘virgate’ is an Old English measure of land area. It’s about what a team of two oxen could plough in a year. Somewhere around thirty acres, give or take. (They didn’t have modern ideas of uniformity, especially about things like farmland, where some land might be there but unusable.) So if that’s all you wondered about Mark Schultz and Thomas Yeates’s Prince Valiant, thanks, and bye. Meanwhile if you’re looking to follow the plot, this will get you caught up to mid-February 2020. If you’re reading this after about May 2020, there’s probably a more up-to-date plot recap at this link. Also any news about the comic strip that seems worth the mention. And, as ever, I look at other comic strips on my mathematics blog.
Prince Valiant.
24 November 2019 – 16 February 2020
Prince Valiant and company were heading home, last time, after adventures in Egypt. Here “Home” means the Misty Isles. Queen Bukota is furious with Ambelu, the last of her surviving advisors. Ambelu and his fellow nobles had tried to keep the young Ab’saba queen under control through Fewesi the Healer. That worked out great when Fewesi killed them, kidnapped the Queen, and fled to Egypt where his own people laughed him off as a dangerous incompetent loser. Her vengeance is fairly mild: she’s reassigning Ambelu to be her ambassador to Camelot. Bukota, the current ambassador, will take a post canoodling with her. Their first wedding — they plan to hold another back home — is a merry affair.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 22nd of December, 2019. So recently I read a book that contained a lot of discussion of Prince Valiant, including summaries of every story done from the origin to the book’s publication around 2005. Among the surprises is that, after some initial work, Hal Foster settled on a specific time and, when it could refer to historic events, made them reasonably consistent with character ages and such. The coherence of this has varied over the years, but still, that’s some amazing work considering how few people would ever notice. Also, there was at least one story that Foster wanted to start aboard ship, but he didn’t want to set about getting everyone on board. So he had the story start with an explanation that the “ancient scrolls” from which the text of the strip is based had some gaps and here’s what comes after one of those gaps. I genuinely love that sort of meta-writing.
And then it’s time to go to Camelot, for the first time since I’ve been doing these What’s Going On In features. Valiant’s been focusing so on tromping around Asia, the Misty Isles, and North Africa so much I didn’t realize he even went to Camelot anymore. The strip says (on the 22nd of December) that Valiant’s spent two years in the Misty Isles, which I assume is character time.
And so, with 2020 dawning, Prince Valiant returns to Britain and his first adopted home. They run across a funeral procession for the local baron, and about how some witches summoned a demon to kill the baron. Valiant would rather leave this all alone. But Aleta asks questions. Gareth, the new baron and one of the mourners, explains the case: the Baron criticized these women, and then he died of demonic possession. In fairness, bats do swarm one of the women. Plus there’s a pox going around. Valiant would really like to just let this be. But then Sir Gawain, a day’s ride out of Camelot, arrives.
Valiant’s suspicious about this well-timed visit. Sir Gawain explains there was a request to the court to deal with a dispute about a parcel of land. And now here’s these women accused of witchcraft and sorcery. The woman with the bats argues that “the ignorant peasants” would destroy their bats’ home.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 26th of January, 2020. Val fears that something is missing to make this puzzle sensible. “Would you by chance know of any meddling kids and their talking dog,” he inquires, “and perhaps whether there is an abandoned amusement park or perhaps candy manufactory hereabouts?”
To facts, though. Gawain confirms the grant of two virgates made to Afton, one of the locals. Nathan, who’s part of Valiant’s retinue, notices a clue in the house, though: a bat’s skeleton and a sketch of a bat. Afton petitions Gawain for protection from Lord Imbert, who’s the one who had just died. But part of Afton’s grant is a cave with a spring that allegedly restores youth. It doesn’t, but Imbert thought it does, and wanted the land for himself. Gawain consider that now that Imbert is conveniently dead, and there’s a rumor of Afton or the women summoning a demon to do it … that could be awkward.
Gawain, Valiant, and all go looking for lodging. And that’s where the story has gotten. Where is it going? We’ll have to see over the next few months.
Hey, did you know that in his travels Prince Valiant has been to North America at least twice? Like, all the way to Manhattan and stuff. Also he’s made it to South America. I don’t know that he’s ever set foot in Australia but that’s some amazing travels. I mean, we moderns forget that while people back in the day — much like today — were happy to stay where they were, some folks really got moving. (He lived in a time that made this considerably easier than Prince Valiant “did”, but do look up James Holman sometime.)
This plot recap for Mark Schultz and Thomas Yeates’s Prince Valiant should get you up to speed for late November 2019. If you’re reading this after about late February 2020, you may find a more up-to-date recap at this link. Thanks for reading at all, though.
Prince Valiant.
1 September – 24 November 2019
All the player-characters were in North Africa last time I checked in. Fewesi the Healer had kidnapped Makeda, Queen of Ab’sabam. Bukota, Makeda’s exiled lover, caught up to them. She escaped Fewesi’s mind-control enchantment, and she and he team up to chase down Fewesi. And Prince Valiant, trailing all this, is busy fighting some lions. He’s doing all right but, after all, they have a whole hunting party while Valiant is off on his own.
As luck would have it, though, not for long. Fewesi is fleeing back the way he came. This takes him to the oasis where Valiant and the lions are having it out. Bukota and Makeda surround Fewesi, on the ledge. Fewesi lunges for Makeda; she whacks him good and sends him plummeting. He lands near enough Valiant. The lions break off from Valiant, going for the pre-dead delivery meal now that they can.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 22d of September, 2019. And with this fresh supply of meat, the lionesses put off their rebellion against Scar for another two weeks. “Maybe he had a legitimate purpose in that Ukraine phone call,” they assert, once their bellies are not so empty. “Who are we to judge?”
So that’s some major crises settled. Valiant cleans his wounds, and then the gang all run into the Idar Uhag. These are Fewesi’s people, the ones who taught the Healer his mind-control powers before turning him out as gads such a loser. Makeda asks why, when Fewesi brought her to them, they didn’t free her then? They hadn’t wanted any part of Fewesi’s stupid hold-Makeda-as-hostage scheme. The chief explains how, y’know, you don’t waste energy making Wile E Coyote’s scheme blow up. Anyway, they give Makeda, Bukota, and Valiant some camels as a parting gift.
They head back toward Paraetonium, where they landed in Africa. And meet up with the cavalry: Valiant’s daughter Karen, with her husband Vanni, and the armed party from the Misty Isles there to rescue Makeda. They start flashing back to Karen’s adventure when (rolling 1d10, checking the encounter table) an Egyptian army comes over the hill. They’re from the local government and somehow all testy about the Misty Isles sending an armed party through their city and into their lands.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 3rd of November, 2019. I know it’s a real herb. I see references to it. I sometimes see it on the store shelves. I believe our spice rack has it. If it does it’s among the dusty glass jars of things that look like dried brown leaf shreds that have always run out when we do need the contents. I just can’t make myself believe that ‘fenugreek’ isn’t a name someone came up with when they had to bluff their way through a conversation about herbs.
At their head is Patape, the Governor of Paraetonium. He’s met Valiant. He and Bukota fell through his roof when they were chasing Fewesi through the city. Valiant tries to explain how they really don’t want any trouble. Patape points out there already is trouble and there’s no way they can’t have more. Vanni has an idea that could solve things, though: what if the Governor got a bunch of money? You know, in exchange for the fenugreek growing around Paraetonium. The Governor finds interesting this plan where he gets a bunch of money. Remember, they lived when it was acceptable for public servants to use their positions to directly enrich themselves. (And yet, for my snarking, I agree with the plan of seeing if there’s a way to buy our way out of a pointless, stupid fight. That it can be done as a trade agreement satisfies me that it’s at least honest corruption.)
So Valiant and party get to head home and all looks happy. Except that, yeah, Valiant took a bunch of scrapes from the lions. And now he’s got some infection. He collapses. Vanni puts some “herbs and honey” on him, and that’s the suspenseful hook on which we end today’s strip.
This is my late-August summary of the plot in Mark Schultz and Thomas Yeates’s Prince Valiant. If you’re reading this after about late November 2019 there’s probably a more up-to-date essay here.
Fewesi drives his camel hard, reaching an oasis. This made me realize my cartoon-influenced idea of an oasis always has it be, like, the size of a swimming pool. No. This is a land, one to which his (nomadic) people have returned, luckily. Fewesi declares this their great chance. They have only to give him asylum, and they can use Madeka to gain power in Africa.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 21st of July, 2019. So while it was doomed to fail, points to Fewesi for at least trying to mind-control the Chieftain. Also, good on Bukota for being ready to hit Fewesi, but if he is “several miles down the pathway” he’s drawn the sword too early. He’s going to wear himself out holding that thing for like 95 minutes before he needs it.
The leaders of the Idar Uhag shut that down hard. Kidnapping Madeka isn’t going to solve any of their problems. Also it was a mistake to teach Fewesi any mind-control and distant-vision powers, which by the way the Idar Uhag have. Fewesi then remembers, hey, he has mind-control powers. He can just … oh. Yeah, the rest of the tribe has more and better mind-control powers, so they’re not changing their minds. They kick him and his hostage out, in time for Bukota to catch them.
Meanwhile, Prince Valiant — whom “sympathetic, if amused nomads chanced upon” and taught how to ride a camel — has made it to the oasis. While he swims, a lioness preys upon his camel. Valiant gets out fast, of course, and protects his ride, but it’s a tough job. The lioness leads him into the grasses, where her pride joins the fight. That’s taking Valiant some time to sort out.
Meanwhile Fewesi, Bukota, and Madeka are having a very parallel fight. Fewesi is able to mind-control Bukota, but it weakens his control of Makeda. Fewesi tries to slit Bukota’s throat — as the lioness hits the camel’s throat — only to lose control of Makeda. She covers him with her dress, giving Bukota the chance to shake off Fewesi’s control. Fewesi flees. Bukota and Makeda team up to pursue.
If you’re looking for the latest plot events from Mark Schultz and Thomas Yeates’s Prince Valiant please try this link. If it’s not later than about September 2019, this particular essay is probably my most up-to-date recap. Thanks for reading.
Fewesi brings the drugged Queen to her ship, telling of treachery from the Misty Isles. They flee the harbor. Bukota and Prince Valiant hop onto another Ab’sabam ship and give chase. In the long chase, Bukota considers what he now knows about Fewesi, and identifies him as one of “a nomadic people who know the secrets of poisoning the mind”. Well, you’ll get a certain amount of that in the time of King Arthur and all. Meanwhile Queen Aleta has pieced together enough of the story, and of Bukota’s poisoned guard Ambelu, to understand things. She sends her fastest war galley to chase Fewesi to Africa.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 14th of April, 2019. By the way it’s not my fault there’s no title panel here. Part of the altogether bad work of Comics Kingdom’s redesign has been that sometimes they’ll just run the alternate layouts meant for newspapers that aren’t giving comics a full half-page. That’s all right for those joke-a-day comics where the Sunday strip is, like, two panels without a background. But for the story strips? Especially one like Prince Valiant where so much of the point is the art? Bleah.
It’s a close chase. Fewesi has a lead and the ability to control his galley’s slaves’ minds. But he doesn’t quite know what he’s doing, and Bukota’s ship’s captain does. They catch Fewesi’s galley, in time for a dust storm to confuse everything. In the storm Fewesi’s galley meet another ship — not Bukota’s. An innocent fishing vessel. He takes the Queen and leaves on that ship. He escapes while Bukota and Valiant swim up to Fewesi’s galley, abandoned except for the slaves worked to near-death. Bukota and Valiant tend to the galley’s crew, at least.
And they get a break: a raven drops a piece of torn cloth to them. Bukota recognizes the raven as Aleta’s familiar. The cloth is a hint to look in the harbor of Paraetonium. They find in the bazaar the sign from which the cloth was torn. And it’s a good clue: there’s 1d6+3 first-level spell-controlled minions who rush out of the building for a quick fight. That’s easy enough to handle. But Fewesi’s also left spell-controlled melee attackers all through the building, the better to give him time to escape.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 19th of May, 2019. Bukota and Valiant’s armor there isn’t a compression artifact, by the way. It’s chain mail. I will say a good part of the Comics Kingdom redesign is they have the original art in an abundantly large size. The two strips used here ran, originally, as two- and four-megabyte PNG files. Great news except for people trying to read the strip on mobile. Although if you’re trying to read this comic on your phone you’re just … I don’t know what to tell you. Go back to watching Lawrence of Arabia on your Apple Watch or something.
Still, they get through all this. They chase Fewesi and Makeda through the rooftops of Paraetonium. Finally one roof has had enough of this, and the pair fall through and startle the old couple who’d just offered Raul some empanadas. They rush out of the mess, reasonably, and get to the street just in time for Fewesi, riding a camel, to nearly trample them. They run over to the merchants and toss a bag of 25 gold pieces. It’s too much for two camels, but it lets them get on the chase into the desert nice and fast.
Thanks for finding this summary of about three months’ worth of Mark Schultz and Thomas Yeates’s Prince Valiant. If these aren’t the three months of story you need summarized, such as because it’s after about June 2019, please check this link. There may be a more up-to-date recap there.
A new story had started the 25th of November. Queen Makeda, of the House of Ab’saba, visits the Misty Isles. Prince Valiant’s friend Bukota feels complicated things about this. His long-ago heroism-while-in-disgrace got him named ambassador to Camelot, which is why he’s in the comic strip.
Queen Makeda gets a private conversation with Bukota. She needs him. Personally, yes; she regrets the exile he’d been forced into. And professionally. There are nobles who doubt her ability to lead. She needs Bukota to help keep Ab’sala from them. Bukota is thrilled to return home and to be with Makeda again.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 13th of January, 2019. I’ll admit I only started reading the strip for the stories, as opposed to the striking artwork, since I began doing these What’s Going On In storylines. So I am still catching up on the many relationships and backstories between characters. This was the first time for me that I learned Bukota and Makeda had a relationship more substantial than Bukota being chivalrously enamored of Makeda.
The nobles are less keen on this. They didn’t hear the conversation any. But they insist that there’s trouble when Queens go off unaccompanied to places like the Hall of Bachelor Warriors the way she did. They insist on a cleansing ritual performed by Fewesi the Healer. She can’t resist the logic or Fewesi’s eyes or his mind-controlling drugs. I mean, she tries. But the nobles are too fast and Fewesi has too many fumes for her.
This leads to a couple confusing days for Bukota. Queen Makeda is going about the business of being present and aware of trade negotiations and all. But she’s not following up on their conversation or even noticing him when he’s in sight. He tells Queen Aleta of the meeting before, and how Makeda’s been freezing him out. Aleta’s reluctant to point out that, y’know, just because Bukota is a nice guy doesn’t mean — oh, never mind, he’s going to try something stupid.
Bukota charges the Queen’s apartment, calling for her and reminding everyone how much they both kinda liked Breakfast at Tiffany’s. He fights with the guards, which is the kind of stunt that got him exiled in the first place. Makeda emerges, the action bringing her out of her trance some. She declares that yes, Bukota’s exile is lifted, and that he’s her … well, the guards clobber him on the head before she can finish. That’s all right. There was someone standing behind a pillar, listening. There’s always someone standing behind a pillar, listening. In ancient times 95% of the population was farmers, fishers, or pillar-listeners.
The Ab’salan nobles — Habte, Mahren, and Ambelu — agree this has gone all wrong. They figured with Queen Makeda away from home, with a small retinue, they’d be able to reinforce their control. They want to head home right away. Fewesi doesn’t like that plan. Having the queen in his power has been going really well, as he makes it out.
Bukota reports the trance of Makeda to Queen Alita. She’s sympathetic but skeptical, even when Bukota says his exile was lifted. Nathan, the pillar-listener and Aleta’s son, attests that this is so, and that when she did the guards smacked Bukota and closed the gate. She sends guards to the Ab’saban quarters. No one answers the door. No one answers the battering ram either. The whole Ab’saban party is dead at one another’s hands. One person has barely survived. Ambelu says that Fewesi deployed powders that set them all in a murderous rage. And he’s abducted the Queen. So he has, and he’s taking her to the waterfront.
If you’re interested in the plot of Mark Schultz and Thomas Yeates’s Prince Valiant you’re reading a correct web site. If it’s later than about March 2019 I probably have written a more up-to-date plot recap. That should be available at this link. So are recaps of the last two years of the comic strip’s action.
My last recap of Prince Valiant came at the end of Senator Krios’s story. He was caught trying to sell out the Misty Isles to (Byzantine) Rome, and fled his homeland. The last panel of the strip from the 30th of September promised “The Return”, and I guessed that might be Valiant getting back to his own strip.
So it was: the 7th of October a ship carrying Valiant and his party came to the harbor of the Misty Isles. Valiant leapt from the boat to swim ashore, apparently a tradition. And he met up with Aleta who’s there to swim naked with him. So that’s a nice bit of getting-together.
And then began several weeks of what felt like a weird epilogue. Val, Karen, Bukota, and Vanni regale a fest with tales of what all they were doing out in the far east. They were finding Vanni, I gather. They started off before my first What’s Going On In post about the strip. But apparently not much before my first post. He recaps the tyrant Azar Rasa. And those refugees saved from various brigands. A couple of the many overturned rafts they survived. And then they get back to Krios.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 18th of November, 2018. So now let me debunk the idea that I’m of any use telling you what’s going on in these stories: until that last panel I had not picked up on Karen and Valeta being twins. I just figured, oh, Krios saw a family resemblance and reacted to that. I’m just not that good with faces. I think half of what I like in comic strips is that since everybody has one outfit I can use that to tell who’s who.
Valiant doesn’t know it’s Krios; he missed the whole treachery story. All he knows is they were at Carpathos, a few days’ sail from the Misty Isles. There in a tavern they encountered someone who looked like the Senator. Who saw them, left the gaming tables, and charged Karen. She and Valiant fought back and. At least according to Valiant he had “little choice” but to kill Krios.
I can’t fault it as a postscript. I mean, it seems like a reasonable and absurd sad finale to Krios’s life. But it feels also a bit much. After all, his scheme already failed so dramatically as to end his career, kill one of his sons, estrange him from the other, and send him into exile. Being killed in a tavern brawl seems like piling on. But it will happen. That, the 18th of November, has got to be the end of Krios’s story, for real this time.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 2nd of December, 2018. Goodness knows I don’t have the time to go archive-binging and exploring the distant past of the story strips like this, but I am holding it as an idea in case I ever do some kind of Patreon-like project. But I do regret that fact sometimes, especially when I see stuff like this battle against an army of gargoyles or bat-men.
The 25th of November started what looks like the new story. It begins with news Queen Makeda, of the House of Ab’saba, will be visiting. This promises to set off all sorts of complicated feelings from Bukota, what with how he’s exiled from Ab’saba. This all I didn’t know, but the strip gave the background. His heroism protecting Makeda from a rebel army didn’t negate his previous, jealousy-fueled, attack on her bodyguard. So he was exiled as ambassador to Camelot which I infer is how he fell in with Prince Valiant and all. Bukota puts all his feelings into sparring on the Royal Training Fields and trying to keep a stoic face as his queen arrives. This gets foiled as she notices him. And that’s the point our story has now reached.
Meanwhile, if you just want the latest in news about Mark Schultz and Thomas Yeates’s Prince Valiant, thanks for reading! If it’s later than about December 2018 I should have a more up-to-date recap, all going well. It, and any other relevant Prince Valiant posts, will be at this link.
Prince Valiant.
8 July – 30 September 2018.
When I last checked in on Prince Valiant some shocking news had come to light. It turns out Prince Valiant happens around the time of the Emperor Justinian’s reign. We know this because Justinian had dispatched one General Vialius to take over the Misty Isles. He was to do this through the treacherous and impoverished Senator Krios. This comes on the heels of the revelation-to-me that Prince Valiant’s based on the Misty Isles somewhere in the Mediterranean. At least these days.
On a secluded island Krios meets with General Vialius. The trade is easy enough. Krios had arranged the murder of a Norse trader. This was to stir up anti-foreigner sentiment that (Byzantine) Rome could exploit. But Vialius withholds the gold payment promised. Krios was supposed to supply a Norse hostage, but he had killed the only one on hand. Vialius wants to call the deal off. Krios offers his own son Antero as substitute hostage.
Antero laughs this off. He points to Princess Valeta and the guard who’ve been watching all this treason going down. The Queen’s men declare how now that there’s incontrovertible proof of Krios’s treachery his place in political life is ended. Don’t you love a sweet fantasy like that? Valeta confronts Vitalius in what you’d have to figure is a pretty awkward conversation. But she offers that if they get out of there, everyone can pretend it all never happened. This sounds good to Vitalius, who doesn’t know his boats are going to be lost to the wine-dark sea, in a battle with Norse raiders. He and his whole mission will disappear to ironic history. Knowing how that turns out makes it awkward that I think he made the right choice.
Not making the right choice, yet again: Krios. When Vitalius refuses to take him along, he tries to start a battle and flee in the chaos. Antero grabs and holds his father, at least until brother Drakon spears him in the back. Drakon in turn is shot by Ittu, a woman … uh … I lost track where she’s from. I think she’s one of the attendants of Andrina, Krios’s daughter and the only one of the siblings to survive the night. Krios is able to flee in the chaos, but what good is that going to do him, really?
Mark Schulz and Thomas Yeates’s Prince Valiant for the 2nd of September, 2018. … Wait, hang on, so both Valeta’s group had their boats on the far side of the isle, and Vialius’s soldiers left their boats on the far side of the isle? … We either glided right past a pretty awkward scene where the lookouts blew their jobs or this is a boomerang-shaped isle and Krios just got away from the junction at the center.
And so the story moves toward conclusions. Valeta’s feted as a hero. Zulfa and Ittu, who did much to support the investigation and downfall of Krios, get saluted. Drakon gets his corpse dragged through the streets. Antero gets some recognition; through this story, he’s been the one person in Krios’s party to insist on stopping. Now there’s just Andrina to take care of. She’s angry with Zulfa for being part of the whole chain of events that got Antero killed. But Antero bequeathed his property to Zulfa. She proposes to Andrina that her brother wished they would be friends. She’s willing to try.
The “Next” tag for the 30th of September promises “The Return”. There’s an obvious person this could mean. Prince Valiant hasn’t been in this story, or this strip, since about February. He’s been busy coming back from Kazhakstan the long way, by river, building a long series of rafts that immediately capsize. Has he got back home? Has all waterway navigation in central Asia become impossible as a vast logjam of Valiant’s rafts blockades all the rivers? I don’t know. We’ll see.
Glad to see you’re interested in Mark Schultz and Thomas Yeates’s Prince Valiant. If it’s much later than about September 2018 when you read this, I’ve probably written a new essay bringing things further up to date. It should be at or near the top of this page.
Prince Valiant.
15 April – 8 July 2018.
Prince Valiant has been absent from Prince Valiant lately. He’s busy working his way back from the mystic East. We’ve instead been following Aleta, Queen of the Misty Isles. Her problem: a populist aristocrat name of Krios is leading an anti-foreigner movement. He wants to limit all trade to a port that it so happens land he owns would be perfect for the purpose. Aleta’s sent her daughter Valeta to ask questions about the murder of Ingolf, first mate of a Norse trading vessel. It seems someone in Krios’s family killed Ingolf, and possibly two Misty Islanders. Zulfa, rival for Valeta’s interest in Ingolf’s captain Haraldr. She arranges a secret rendezvous with Ingolf’s girlfriend’s brother. No, nobody just has a simple relationship to anyone else in this story, thanks for asking.
Zulfa deploys her wiles on Antonio. By ‘her wiles’ I mean ‘alcohol’. He empties out some of his many ominous secrets. His father’s ambitions. His sister Andrinoa’s affair. His brother Drakon’s doing of terrible things. How Ingolf was to be on Krios’s island tomorrow night. He passes out as Drakon enters. Krios ordered Drakon to make his brother’s “indiscretion” disappear. She does, after smashing open the window lattice and leading Drakon on a chase across the tiled roofs of Krios’s estate.
Aleta asks Krios to come over and answer just one more question. Given the lock of hair found with him, and the servants found killed with him: what’s the deal? Krios declares he can’t keep the secret any longer. It’s his daughter. Andrina killed Ingolf in a “fit of passion” and throws her at the Queen’s feet.
But Antero steps up. He declares he can’t abandon his sister, not until he’s sure “she is being treated in the manner she deserves”. Antero promises that Andrina has a sick mind, but bears no guilt. And that he has something to share with Zulfa. It’s about the mysterious meeting on Krios’s island that Ingolf was to attend. He does, and returns to his father’s home, where he’s shut in.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 1st of July, 2018. Squid fishing is an actual thing by the way, and they are mostly nocturnal. So the fleet makes sense, don’t worry about it. Personally, I think this is too many fishers going after squid for my lifetime rate of squid consumption. But that’s just my tastes.
That evening, Krios and some men slip out of town, as part of the nocturnal-squid fishing fleet. Krios makes his way to the island. There he rendevous with General Vialius, who brings startling news: all this is happening during the time of the Emperor Justinian. I never knew the era of Prince Valiant was pinned down to a century, never mind to within a couple decades. Justinian also sends his greetings to Krios.
It’s always a good question what’s going on in Mark Schultz and Thomas Yeates’s Prince Valiant. I’m writing what’s my best explanation for as of mid-April 2018. If it’s later than about July 2018 for you, maybe look at or near the top of this page and there’ll be a more recent recap.
Last time you’ll recall, Prince Valiant, Karen, Vanni, and Bukota were sailing the rivers of what is now Uzbekistan on their way back home. They saw a raven, joking how it was a messenger for Karen’s mother Queen Aleta. So it was, and carried the report that the team was fine. So the next week their rafts came upon some rapids, in a sudden squall. This all smashed the rafts. The four climbed onto a ledge. And there we left them; we haven’t seen them since the 4th of February.
The story has instead moved to Queen Aleta of the Misty Isles. Which led me to realize the place was a Vaguely Roman territory. Here I have to confess: I only resumed reading Prince Valiant a couple years ago. And only started reading it seriously for these What’s Going On In series. I had always supposed that Valiant’s home base was England somewhere around the early Heptarchy. You know, the era when pop culture thinks we don’t know who ruled England or whether anybody did or if there even were people there. And I guess not; the Misty Isles are somewhere in the Mediterranean, says Wikipedia. Valiant himself was from Thule, off the coast of Norway. I think I kind of knew that.
Since the 11th of February the story has been Queen Aleta’s. It opens on murder: two servants of a noble house are dead, as is Ingolf, first mate of one of the Norse shipbuilders. The bodies are barely discovered before Senator Krios is at the market. He denounces the Queen’s refusal to protect the Misty Isles from violent, opportunistic foreigners. And cites the murder of two of the island’s natives by “one of [ her ] drunken Norse bullies”.
A suspicious Aleta turns to the CSIatorium. She observes the “precise, deep stab” under Ingolf’s ribs. And how he holds a strand of black hair tied by a gold ribbon. She sends her daughter Valeta out to ask into the Ingolf’s whereabouts. Aleta also asks Krios to explain his deal. He complains the growing trade partnerships put too much foreign influence into the homeland. He hopes to have trade confined to a single district, with foreigners excluded outside that area. He proposes the islet of Kythra. Aleta runs a check of the records. Krios has been buying up properties there, all right. But it’s a mystery how he’s doing it, as he’s deep in debt. But he’s leading a mob into the Senate to demand protection from foreign threats.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 4th of March, 2018. Yes, yes, I know that “trade negotiations” have a bad reputation in science fiction and fantasy readerships. I don’t care. I am also a micromanaging grand-strategy nerd who would, in all honesty, love a game that was all about running an efficient exchequer in a state with primordial, if any, bureaucracy and standing institutions. So if you’re edging around the developments that lead to the Cinque Ports I am there. So never, ever, ever put me in charge of designing games. Also, ask me about the time zone game concept sometime.
Meanwhile Valeta visits Haraldr, Ingolf’s captain and also her crush. Her rival Zulfa is there. That promises to add some needed awkwardness to the proceedings. Haraldr confirms Ingolf had a relationship with some woman of the Misty Isles, but not who. That’s all right. From the gold tie of the hair locks Valeta already suspected Krios’s daughter Andrina.
Valeta needs to confirm Andrina had something going on with Ingolf. Zulfa volunteers to bodyguard, under the pretext of being Valeta’s handmaiden. The confrontation goes well. Valeta pretends that she and Ingolf were very much in love. The jealous Andrina pulls out a dagger and attacks. Zulfa moves to stop her, but Andrina’s brother Antero rushes from the curtains and grabs her. Antero begs forgiveness for her “tortured mind”. Valeta says of course, and promises to speak no more of Ingolf. As Valeta leaves, Zulfa drops a flirty smile and a bracelet to Antero. He sends her a note, setting up a date.
And that’s the current situation. Krios is trying to lead a populist faction to close the Isles to foreigners and get himself out of debt. Ingolf was murdered. It seems by someone within Krios’s family. Also two islanders were killed. This may be to cover up that murder. Zulfa has some secret rendezvous with Ingolf’s girlfriend’s brother. Oh, and I bet Prince Valiant and all have managed to have an adventure, build a new raft, and get that one wrecked too. We’ll follow how things go.
Next Week!
Is it ever possible to summarize three months’ worth of Joe Staton, Mike Curtis, Shelley Pleger, and Shane Fisher’s Dick Tracy? That’s such a good question. I’ll give it a try. I’m going to be re-reading and making note for like four days straight. Spoiler: the plan to kill Dick Tracy didn’t work. But there is a Minit Mystery to ponder!
I thank all you kind readers interested in what’s happening in Mark Schultz and Thomas Yeates’s Prince Valiant. This is my recap for mid-to-late January 2018. If it’s gotten far past that, this essay might not help you very much. But! If it’s past about April 2018, I should have other essays getting closer to your present. If I have done that, they should be at or near the top of this link. Good luck.
When I last checked in on Prince Valiant things had reached a happy conclusion. Valiant had helped a refugee village smash a band of marauders. The marauders who weren’t so much into the marauding thing were settling down to join the villagers. And he was leaving behind some of the supporting cast where they were sure they’d be happy. With that, they were to sail down the river, hoping ultimately to get home.
They raft along the Yinchu. This river’s now known as the Syr Darya, one of the rivers in Kazhakstan that leads to the Aral Sea, which was a vast body of water that existed in Prince Valiant’s time. Along the way the party runs into (checks encounter table) a nasty swarm of insects. They escape the insects, but not before Valiant’s stung or bitten or otherwise harassed by one enough to fail his constitution check. He falls into a delirious sleep, and that night, pursuing the vision of his mother, he falls into the river.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 19th of November, 2017. I admit I’m a bit impressed Valiant could get this lost this fast, given that he would have to get to the edge of the river. On the other hand, consider how easy it is to have something you’re holding in your hand drop eighteen inches onto a table, make some rattling noise, and then never be seen again. So yes, I am suggesting that Prince Valiant is kind of like that great dragon earring that was just here.
Valiant hacks his way through taunting visions of the witch-prophet Horrit and stumbles into a village. Jahan, the ruler, hooks him up with some salix tree extract, which naturally works great. Jahan explains their deal. His people are healers. They keep their neutrality in the wars between the Persian and Turkic people around them, ministering to both sides. And he’s atoning for a time when he kind of accidentally got the village cursed by not treating an ill stranger. (Jahan wasn’t sure if healing the stranger might alienate either of the warring sides around him.) Now, though, with “a good man — a man with an important destiny” treated despite being a stranger, he’d balanced the wrong.
Valiant’s companions find him. He’s sprawled out in the ruins of some ancient village, one massacred a long while ago. But then … how did Valiant find salix tree bark to chew on and to save his life? And with this (I found) charming bit of light Twilight Zone/folklore play Prince Valiant can get back to pondering the nature of reality and all that. For a couple days, anyway, while Karen and Vanni talk about healing herbs and chatter a bit with the local ravens. There’s a joke that the raven is passing word of their safe travels back home, but it turns out that is exactly what it’s doing.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 17th of December, 2017. There’s a lot that I like in the art of this panel, including Jahan introducing the audience to a scene presented behind him, the stranger’s desperation and anger as he curses the village, and all the fabric patterns. The vases aren’t bad either.
Something I didn’t pay attention to while it was happening, possibly because the one was taking place weekdays and the other Sundays: both the current weekday Phantom continuity and Prince Valiant include major, confusing, delusional dream-encounters for their strips’ titular characters. It also features what’s surely just a coincidence of words: Jahan speaks of Prince Valiant as “a man with an important destiny”; Savior Z speaks of The Phantom as “an important man of your kind”. All coincidence, surely. But I’m tickled to notice this.
Next Week!
So how did that bunco squad raid on the movie theater turn out? Is the strange Moon Governor Or Something closing in on Dick Tracy’s granddaughter from his abandoned farm base? How is Mister Bribery’s plan to bring someone from outside the strip in to murder Dick Tracy turning out? Did the strip acknowledge Gasoline Alley sending Joel over to visit? If all goes well, next week, I’ll read three months’ worth of Joe Staton, Mike Curtis, Shelley Pleger and Shane Fisher’s Dick Tracy and let you know what the heck’s going on.
Hello, readers of Mark Schultz and Thomas Yeates’s Price Valiant. And thanks for coming here to get an idea of what the current storyline is! I’m happy to help. If it’s much later than November 2017 by the time you read this, this essay might be too out of date to help much. Any successor essays I have should be at or near the top of this link, and that might help you get caught up to whatever your present-day is.
Where we’ve been. Prince Valiant and a couple of his closest player-characters have been poking around the Far East. They’ve gotten roped into the troubles of this small band of refugees, themselves victim of many raids. The brigands were doing this as a sideline to being in tyrant Azar Rasa’s army. And now that Valiant and company blew up Rasa the maraduers were in it for themselves. With the help of training sequences Valiant and crew helped the refugees fight off the maraduers. And there’ll never be any trouble for them anymore.
Valiant offers one of the captured bandits a deal. The prisoner gives enough information for Valiant and his trusted aides to raid the bandit camp. In exchange, Valiant tells the wall of angry refugees with pointy sticks to hold off a while. With this surely sound and reliable information, Valiant makes his plan. He’ll recapture refugees stolen for the slave markets. Taloon, one of the refugees, insists on going along even despite her wounded leg. She’s had a hero-crush on Valiant ever since her appearance in the 1961 story The Savage Girl.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 3rd of September, 2017. A ‘ger’ is the Mongolian term for a portable round tent covered in skins or felt. It’s what you might have encountered as a ‘yurt’, and I didn’t know this either until the comic strip made me confront my ignorance. Also I suppose this gives us a better idea just how far Valiant and crew have wandered, if you consider ‘areas where Mongolians exist’ to narrow things down all that much. Also that I am going to be so ready for a word challenge next time I play Scrabble or Boggle.
Valiant and companions follow Taloon’s sound guidance and (checking encounter table) run into one of the bandit camp’s sentries. He never knows what kills him although “knife” is a good guess. At least that’s how it looks in the strip for the 27th of August. The next week he seems to be tied to a tree. The narration for this mentions Valiant uses a technique he “was taught by the natives of that land across the Great Western Sea”. There is a lot I don’t know about Prince Valiant so I have to ask more experienced readers. Are they saying Prince V made it to North America centuries before even the Vikings did? Because, wow, then.
Still, the sun is going to rise soon, and Taloon is ready. She’s got tar-soaked flaming arrows and is ready at dawn to shoot them into all the tents of the bandit encampment. And Valiant charges. Surprise and early morning and general drunkenness of the brigands make up for his smaller numbers. The Hessians try to reorganize near King Street (now Warren). Numair and Vanni, at Valiant’s direction, destroy the horse corral. The stampede adds a nice dose of chaos to the proceedings.
The brigands surrender, except for the chief. He tries to take a girl hostage. He doesn’t know that Karen, of Prince Valiant’s troupe, is a player-character. She beheads him as cleanly as you might imagine they do on the comics page. The freed prisoners — the ones who were refugees — are stunned by all this. The now-prisoners — the ones who were brigands — beg for mercy. They were drafted into Azar Rasa’s army, and when deserting they couldn’t get anything but raiding for the bandit chief Ghorko.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 17th of September, 2017. Cut to the guy who used to draw Liberty Meadows saying, “Exciting stuff, huh kids? You never see that in Cathy!” Take that, comic strip that ended its syndication run in 2001! But trust me, that was a sick burn on that comic. But yeah, reading a lot of soap opera strips or the sorts of serial-comic strips like Funky Winkerbean doesn’t really prepare you for stuff happening like that.
Numair speaks up for the brigands, saying he was like them once himself. There’s recaptured horses, and the ten or so brigands, and the recovered prisoners. This might be enough to establish a successful village. The brigands are enthusiastic about this plan, considering how it hasn’t got any part in it where they have their heads chopped off. I like this in plans for myself too.
The refugees are skeptical. But there’s no disputing the recovery of the kidnapped women and the potential breeding stock of horses. Plus there’s the sense their story’s getting pretty close to its natural end. So they’re willing to give this a try. And the captured brigands are happy to get to work, cutting down the logs to build Valiant and company a couple rafts that might lead them to the next story.
And with the 22nd of October, they’re under way. Numair is staying with Taloon, the both of them hoping to start a new life and sort out these refugees’ problems. Murshid is also staying, pairing up with the refugee leader Khorsheed. With that done, Valiant, Bukota, Karen, and Vanni set sail down the river with the ultimate goal of getting back home.
Next Week!
Abraham Lincoln! Moon Men! Casablanca! The Carpenters! What I was honestly expecting to be the dentist from Little Shop of Horrors but was not! This bundle of subjects can only mean one thing: it’s time to check in on scientific super-detective Dick Tracy, as overseen by Joe Staton and Mike Curtis. Be there or miss a great cameo appearance by The Avenger, short-lived old-time-radio duplicate of The Shadow! Or something at least as good.
Hi, reader interested in the current plot in Mark Schultz and Thomas Yeates’s Prince Valiant. I’m happy to help. I’m writing this in early August, 2017. If it isn’t still then, the story might have moved on. If it’s been long enough then I’ve likely written another update, at or near the top of this page, which might be more on point. Thanks for reading.
Last time in Prince Valiant, large man Numair had got bored of the refugees Prince Valiant and company were helping out and struck out on his own side plot. He met up with Taloon, expert but wounded huntress of the refugees. As they decide to rejoin the main storyline they’re confronted by three brigands. Numair and Taloon win their initiative rolls, shooting two and leaving the last to flee for a later story thread.
They bring five horses, captured from brigands, back to the main plot. There among the refugees, Taloon is shocked by the sight of Prince Valiant. This, combined with Karen asking Numair if he’s noticed she isn’t talking to him, increases the number of tension-fraught relationships in the strip to dangerous levels. Over the course of June we get what’s going on there, though. Turns out Taloon has a history with Val. According to a comments from L W Swint on the strip from the 18th of June, this story really did happen on-screen in a 1961 story arc named The Savage Girl.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 18th of June, 2017. Now, there’s much to be said about trusting the audience to fill in the gaps and not spoon-feeding them everything, and about the need to write concisely so that, for example, you can tell a story without taking too many weeks at it. But I was lost the first time through and it was only in rereading things to write this recap that I quite understood just what did happen between Taloon and Valiant. I think the relationships of all these people could have been done a little more explicitly.
The story, as Taloon tells it: she was saved as a child by Valiant. One night she saw Ohmed attempting to murder Valiant, a man who had freed him from slavery. She killed Ohmed, and fled, eventually falling in with the person who had masterminded Ohmed’s murder plot and killing him. But by then she had lost all contact with Valiant.
The story, as Valiant saw it: “a strange affair”. His bookkeeper tried to murder him. Taloon kills him and flees with his servant, and demands to know, “what game was played at my expense?” Which comes off as harsh, although as I understand it, it’s not like he has the full story.
Nor does he get it. Numair pulls Valiant out of the scene before he can say anything too wrongly accusatory. Karen, Valiant’s daughter, explains how Taloon’s got a hero-crush on Valiant and never got thanked for clearing out Val’s faithless servants. But Valiant gets all huffy about being told he’s wrong for thinking something crazy was going on that night a girl killed his treasonous servant and ran off with another servant.
But Valiant will own up when he says something rash. He tries to apologize to Taloon for … wanting to know what the heck was going on (I admit, I’m not exactly sure myself). He also tells Karen how proud he is that she’s a fine warrior despite getting girl parts all over their wars.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 6th of August, 2017. Fortunately, there are never unhappy follow-ups to the band of helpless victims suddenly being able to fend off the raiders, and this has solved the bandit problem so well that Valiant and company will be able to leave with a clear conscience.
With all those emotions successfully deployed the story can return to the bandits. They attack the refugees that Valiant and company had been uplifting to defensibility. That the refugees have sentries waiting and put some kind of trap for the bandit’s horses in the way strikes them as cheating, and they protest to the tournament officials.
Next Week: I continue tinkering with the time-flow of these recaps, and brave my pop-culture reference detection abilities by poking back in on Joe Staton and Mike Curtis’s Dick Tracy. All going well.
Another Blog, Meanwhile Index
The index rose another nineteen points to another record high and now I’m worried about it breaking through the 400 barrier as we don’t have insurance for that barrier getting damaged or destroyed.
While Mark Schultz and Thomas Yeates’s Prince Valiant runs fewer strips than any of the other syndicated story strips, it’s still worth reviewing. They take a good bit of space, and they pack events into it. If you’re reading this much after May 2017, you may want to check if I have a more recent update. It should be at or near the top of this page’s links. Thanks for reading.
Prince Valiant, 19 February – 21 May 2017.
We left Prince Valiant and crew resuming their journey to the Mystic East. They’d defeated the tyrant Azar Rasa and scattered his armies and detonated his Soul of Asia bomb. The grateful giants who’d created the Soul of Asia prepared a boat, with a pilot and a team of dolphins pulling their craft. So a giant alligator attacked.
This set off an earthquake that set the dolphins free and knocked the giant out of the story. It’s the groundbreaking for a new waterfall, which the gang falls down. Valiant gets knocked in the head and misses just how they make their escape. It’s pink dolphins. Prince Valiant and company are recovered on shore by (checks encounter table) some refugees from Azar Rasa’s wars.
But all’s not well at refugee camp. They’re plagued by attacks from (checks encounter table) bandits on horseback who’ve been plaguing the refugee herders. Large hairy man Numair goes naked bathing. It’s in the same pond the robe-dressed Karen means to use for laundry, and they talk about how glad they are they’re not totally into each other since that would mess things up with Karen’s husband Giovanni.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 2nd of April, 2017. I don’t see what Korsheed is worried about. We know how peaceful and tranquil a war-ravaged countryside always is once the despotic warlord that’s amassed a giant army has been knocked out and the soldiers are all dispersed.
After thinking hard about it Valiant decides to save the refugees; he, Bukota, and Giovanni work on building shelters. Karen leads a fishing class, and Numair goes off with bow and arrow to hunt for the next plot point. While hunting the small game he (checks encounter table) finds a badly wounded woman who’s killed three bandits. He recognizes her as Taloon, the excellent huntress that head refugee Korsheed had mentioned, and he ties some sticks around cloth around her leg as a show of healing.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 30th of April, 2017. This is maybe not the most plot-heavy of the comics from this story thread, but it is the most visually exciting. I especially like Taloon’s second panel there with her hand reaching out of the panel border and her arrow reaching over into the next panel. That said, last panel, why has she got some of those Second Life sleeping bunnies? Are we supposed to believe the Prince Valiant universe crosses over with the Linden Labs virtual reality? Please. Worst. Episode. ever. Shut up, they are too just sleeping bunnies. I’m the reader. I have rank.
Numair follows the dead bandits’ footprints back to their horses and bribes them with some sweetgrass. He and Taloon set off back to the refugee camp, thinking of how swell everything is and how cute it is they met one another, but (checks the encounter table) there are three brigands lying in wait. So somebody’s going to have an unhappy next installment.
Another Blog, Meanwhile Index
The index rose an astounding twelve points to an all-time high as traders were buoyed by how well the new computer is generally behaving, and also by rumors that there might have been a second 80s cartoon about robot cowboys in Space Texas. Analysts are skeptical but, you know, it was the 80s. And we’re trying very hard not to suppose that since everything is going swell that everything is doomed and will never be good again.
[Edited the 20th of May, 2017 to add] Hi! Thanks for being interested in Mark Schultz and Thomas Yeates’s Prince Valiant. This essay carried the story up to February 2017. I should have updates for times later than that at the top of this link. Thanks for reading and thanks for being interested.
I remember reading this week’s story strip as a kid. It was obviously an important one as it got so much space in the Sunday Star-Ledger‘s pretty good comic section. It didn’t look like a story strip, what with it having knights and sword fights and I would swear the occasional dragon. But I never knew what was going on, since there weren’t any word balloons and everything was explained with these giant blocks of text that I thought were trying to sound olde-tymey. I’m curious how my memory matches the actual fact, but it’s so hard online to look up stuff from the 70s and 80s.
Prince Valiant.
Mark Schultz and Thomas Yeates’s Prince Valiant has good reasons for looking like that. The strip, created in the late 1930s by Hal Foster, keeps that close to its roots, with the action in the panels and the dialogue kept quite separate. This separation was not idiosyncratic when the comic strip started. Mandrake the Magician, The Phantom, Flash Gordon and other adventure strips of the time similarly ran their Sunday continuities with action and dialogue separated.
There is, yes, a lot of history to read in the comic strip, which just finished its 80th year. The comic strip reached panel number 4,176 this Sunday. They put the number right there in the comic, as if they’re trying to lure in the slightly obsessive reader. Kind of them. You don’t need to know it. The characters are straightforward enough to drop in on. The settings are classics, at least for a kind of story I didn’t really read while growing up. But that are at least good backdrops for cartoons set in those kinds of settings. The home setting is Camelot-era England and the lands surrounding the North Sea. But sometimes the gang goes on an expedition. Like, now.
I’m not sure when Team Valiant set out on an adventure to the east. But they’ve been tromping around the Far East for well over a year now and I forget what they set out to accomplish. What they have done is have a series of adventures in fresh, attractive settings. And they have looked great, which is tolerably true to both longstanding Western European folklore about the riches of the East and to how, historically, Western Europe of that time was a pit. At least compared to rich, stimulating places like Byzantium and Arabia and India and China.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 29th of May, 2016. I’m delighted to have a story where Aristotle is used to explain the nigh-omnipotent travel valise instead of it being a lost invention of Archimedes. Alas, the Soul of Asia gets taken by a baddy and that takes the rest of the year to deal with.
The current part of the storyline is just a few weeks old, so it’s a good chance to hop on Prince Valiant’s boat if you want. Valiant has just overseen the downfall of a Himalayan-or-so tyrant named Azar Rasa who was hoping to use the awesome powers of the Soul of Asia to conquer Asia. And what is the Soul of Asia? It’s some kind of briefcase-size magical energy construct thingy with an awesome lot of power. It’s potent stuff, built on the learnings of the giants living deep in the Earth.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 25th of December, 2016. Don’t worry, it turns out the gang outrun the Soul of Asia’s tripping of the false vacuum and collapsing the universe in a spasm of zero point energy’s release. Also if you aren’t squicked by giant centipedes then check the previous Sunday’s comic for a really huge view of that demon. It’s dramatic but not for everyone.
So, Valiant escaped Azar Rasa’s prison by trying, since even in long-running comics security guards aren’t any good at their job. And with the help of the giants, who dress like yetis — did I mention the giants dress like yetis before? — the good guys blew up the mountain and killed the last of Azar Rasa’s followers. They pitched the Soul of Asia and Azar Rasa into Mount Doom, and all is as well as could be. That’s where 2017 started.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 22nd of January, 2017. Prince Valiant is strangely reluctant to just trust giant, weirdly-dressed strangers using telepathic coercion to lure him into remote, untraceable redoubts. Strange fellow.
The giants who dress like yetis are grateful to Team Valiant for helping clear up this mess where they kind of let humans get their grubby hands on a briefcase of unimaginably vast destructive power. (They hadn’t wanted to let the original sorcerer-king take it, but he had the thing, and promised not to grab it back if he didn’t use it.) So they offer help, promising to show an easier way that Our Heroes can get to wherever the heck they’re going. They lead the gang deep into the earth and hook them up with a boat and a team of pink dolphins to haul the boat through the underground river.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 12th of February, 2017. Won’t lie to you: any time a giant behemoth rises from the sea I get more interested in the story. Doesn’t matter if it’s Prince Valiant, Star Wars, Sally Forth, Paw Patrol, or Alley Oop. You have my attention. Use it well.
It’s going well.
Another Blog, Meanwhile Index
The index rose a point today and everyone is blaming the peanut-butter-yoghurt-shelled pretzels they got at the store.
![Scat, explaining to Mark Trail: 'So there the poachers were, with the dead sheep ... I caught 'em! Let's get home and develop the pictures as fast as we can!' [ Mark and Scat hurry down the mountain ] [ Later (in a darkroom) ] Scat, as Mark Trail develops pictures: 'BOY, I can't wait to see these pictures!'](https://nebushumor.files.wordpress.com/2021/07/mark-trail_ed-dodd_16-july-1971.jpg)
![Val continues his journey from Lockbramble, wending to the south and east until he passes the haunted woods of Carterhaugh. Following his ruminations on Horrit's prophecy, his mind wanders to the ancient tale of the doomed knight Tam Lin, captured by the fairy queen who is said to live here. Reveling in his solitude, such imaginings feed his spirit --- but his dwindling provisions will not long feed his belly. His leisurely course through the wilds comes with a price. He finds a gushing stream teeming with fat trout. With the stout spear he had brought for just such an opportunity, he wades into the sort of hunt he had so enjoyed as a youth. But he did not remember that the water was so cold ... or the bottom stones so slippery [ he falls over ] ... or his patience so short. Memory is a tricky thing, he decides, or maybe the water is running colder --- and the fish are running smarter nowadays.](https://nebushumor.files.wordpress.com/2021/07/prince-valiant_mark-schultz-thomas-yeates_27-june-2021.jpg)
![When it becomes obvious that they are all losing a steady stream of serfs, the lords Kennard of Greystream and Ravinger of Barrenburn come to Hallam of Wedmarsh to discuss the crippling loss of their labor force, and to determine a solution. Using the only means that occurs to their limited imaginations, the three brothers collect information from those serfs captured in attempts to flee [ the means are torture ]. They learn that their human property is fleeing to neighboring Lockbramble following word that all would be welcomed as equals in Rory Red Hood's propserous fields. The tortured souls tell also of a ragged horseman who fights as fiercely as a knight, saving many from capture and return. The three brother thanes are outraged. 'Rory Red Hood is urging and abetting our property to abandon its service to its rightful masters!' And, listening closely, Hallam's Captain of the Guard reflects on a recent incident concerning two knights of Camelot, who came to Wedmarsh to claim serfs as compensation. Coincidence, or ... ?](https://nebushumor.files.wordpress.com/2021/04/price-valiant_march-schultz-thomas-yeates_14-february-2021.jpg)
![After two years in the Misty Isles, Val and family, escorted by the longship Skjalssdis, are bound north for Camelot. Crossing the Mediterranean, there is much reacquainting and catching up. Much time in the south was spent apart. Only the Ab'saban nobleman Ambelu stands alone, banished by Queen Makeda to serve as ambassador to King Arthur's Court. He moves uneasily over the deck, hobbled by a ruined leg, the result of his part in the plot that went horribly wrong. As he morosely struggles to understand his part in this awful, alien world, the ship heels suddenly, and his balance is lost. At this point, things could not seem worse for the proud man. Then he hears the sound of a footstep, followed by a thump, and Gundar Harl is beside him. [ Harl has a wooden leg. ] ``It took me some time to learn to dance with the ship,'' offers the shipmaster. ``We have something in common. Perhaps I can share some tricks.''](https://nebushumor.files.wordpress.com/2020/02/prince-valiant_mark-schultz-thomas-yeates_22-december-2019.jpg)
![In the house of Krios, Zulfa has pulled secrets from the drunken Antero --- but as she tries stealthily to depart, Drakon leaps from the shadows! Antero's brother is strong and merciless but doesn't know that Zulfa is not merely a court minion, but also a skilled warrior. [ She hits him with a small table stand. ] The blow to his head momentarily stuns the huge man and allows the Amazigh woman to break his grip and dash to the latticed window at the far end of the gallery, which she smashes to flinders ... before responding decisively to the sound of footsteps close behind. [ She throws another stand at him. ] Then she is out the window, where she is confronted with the uncertain footing of the tiled roof below! NEXT: A slippery slope.](https://nebushumor.files.wordpress.com/2018/07/mark-schultz-thomas-yeates_prince-valiant_13-may-2018.gif)
![Bukota, Karen, and Vanni are jerked from their sleep by the sound of a great splash. The Ab'saban warrior immediately realizes that the feverish Val is gone from his bedding and is nowhere to be seen. Karen is close to panic with concern for her stricken father, but frantic eyes can find little in the moonless dark. Flint is hastily struck to iron and a torch is set ablaze. Bukota wades to shore and sees evidence that Val has passed into the tall grasses, but the trail is soon lost. 'We must wait for dawn, and hope his fever does not lead him to destruction.' Meanwhile, a delirious Val stumbles forward, chasing the elusive phantom of his long-dead mother, a vision that suddenly transforms into the terrible figure of Horrit, the witch-prophet of his youth! 'Why do you hurry so, O Prince?' [ Next: Past and Future ]](https://nebushumor.files.wordpress.com/2018/01/mark-schultz-thomas-yeates_prince-valiant_19-november-2017.gif)
![Jahan the Healer continues to tell his story to the recovering Val. 'Our village maintained a delicate balance, providing remedies to the two powers surrounding us, until one day a man, dressed like none we had ever seen, rode into our village and collapsed. As headman, it was my decision as to how to treat the very sick stranger. But I was afraid --- he was neither Persian nor Turkic, and I feared that healing him might alienate one of those two clients. And so I chose not to treat him. The desperate man saw my intent to abandon him and, with the last of his strength, spewed forth a terrible curse. Then he died, and it was thereafter that disaster struck this village. But now I have saved a good man --- a man with a important destiny. I have balanced my wrong. I am finally free to go.' And as Val watches Jahan disappear into shadow, three worried figures track the prince's passage through the tall grass. [ Next: The Salix Tree ]](https://nebushumor.files.wordpress.com/2018/01/mark-schultz-thomas-yeates_prince-valiant_17-december-2017.gif)
Another Blog, Meanwhile 