After my false start in reviewing the Popeye and Son cartoon last week, let’s start with a real start, at the cartoon that doesn’t start — you know, I’m not going to salvage that sentence. Never mind. What I’m getting at is let’s sit down and watch episode two, cartoon one, of Popeye and Son, “The Sea Monster”. Oh, I like sea monsters, so this should be good.
The writing is credited to Cliff Roberts, who also wrote for The All-New Popeye Hour (1978 – 1981), so you can trust he’s got the older characters down. He also wrote for Pink Panther and Sons, so we can trust his ability at writing brand extensions. He also wrote for The Skatebirds, so, y’know. He was a survivor.
My first thought was it’s a shame the new series didn’t have a theme song. There’s some ambient thing going on, but it’s too generic to provide any information about the series or the setting or anything. It just vaguely promises we’re having fun. I was hoping for something that introduced the characters because — to their credit — the creators of Popeye and Son avoided the easy way. That would be to make Popeye Junior, Bluto Junior, Olive Junio, Wimpy Junior, and Sea Hag Junior and send them on their way. Instead we have a Popeye Junior and Tank as Bluto Junior, but that’s it. If there’s any relationship between the other characters and the older generation it’s not explained this episode.
So credit to them for not taking the lazy way in series setup. The drawback is I don’t have any idea who these new characters are. My first reaction was they looked like a near-final draft of the Pup Named Scooby-Doo character designs, and the decision to not have everyone say each other’s names all the time didn’t help my note-taking.
The story in a paragraph: Young Daphne Polly rescues a sea monster from a 500-pound sea-monster-eating clam. The sea monster, whose size obeys no known laws of perspective, follows her with excessive, unwanted devotion. She shoos it off, allowing Bluto and Tank to capture and sell it to some Captain Planet villain. Guilt-ridden Daphne Polly swims out to save the sea monster, but Popeye Junior takes his father’s advice, and spinach, to break the sea monster’s bonds. Fortunately before Polly has to figure how to chase the sea monster of her life, he finds a girl sea monster and they go off together.
On first viewing I thought oh, this whole Popeye and Son project was a mistake. This shows how great the shock of the new can be, even for someone like me who claims to be open-minded. Most of what turned me off was mere unfamiliarity. The second time I watched the cartoon, not distracted by not knowing anyone’s names or getting used to the ‘wrong’ voice for Wimpy (who’s had more voices than any of the main cast) I enjoyed it more.
The story is adequate. It’s no great breakthrough in narrative to have a kid pick up a wild animal as strange companion, or to have it go away at the end. My question: why does the sea monster have to go away? It’s one thing when you have to restore the status quo, but this is episode two of a new series. I suppose there is a strong tradition of the strange novel pet having to go away. Maybe it’s also meant to avoid teaching kids there’s no reason not to keep a squirrel as a pet, if you can get one. Was there ever thought put into having Polly turn out to have a pet sea monster? You’d think that would inspire some stories, or at least allow stories to take new directions. And the animation is fine, in that way Saturday Morning cartons had in that slow rise between Mighty Mann and Yukk and Batman: The Animated Series.
To add a nice thing: Polly gets the giant clam off the sea monster by wit rather than physical strength. This feels in line with, especially, the 1930s cartoons that every Popeye project must bow towards. Good choice, especially for the era. Funny cleverness will cover for a lot of action you can’t show on-screen.
Most interesting to me was the climax, Junior eating his father’s spinach to go off and save the day, while Popeye remains in the background. The hardest thing to get right must be balancing who saves the day. Here we get Popeye telling his son to save the day, and stepping back, letting Junior take the lead. This feels like good parenting to me, especially as Popeye watches, I trust ready to step in if the problem gets beyond Junior’s capabilities. It seems at odds with Popeye’s past, long track record of father and mother to Swee’Pea, but Swee’Pea was much younger than Junior is.
I don’t care much for Junior’s design. He looks to me much more like Young Fred Scooby-Doo than anything else, only wearing a Wesley Crusher shirt. But I do like that part of what the spinach power-up gives him is bulked-out arms and legs to better resemble his father. That’s some thoughtful design.
Less thoughtful: the opening credits use the same sea monster design for something endangering Popeye and Son. They foil it by blowing it up like a balloon, which is pleasantly silly enough. But it did lead me to expect developments this story that didn’t happen. If the scene depicts something from another story we may have an irresolvable continuity error that forces the whole series to be nullified. We’ll see.
Yes, I too wonder what Swee’Pea’s part in this series is going to be. We’ll see that, too, maybe.